Songs like Massenet: Thaïs, Act 2: Méditation by Jules Massenet
Based on a tempo of (+/- 10%) and a similar genre
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Lima Musica
Clarinet Concerto in K
80 bpm • D Maj • 04:41 • -26.59db
20% Popularity • 8% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Charles Gounod
O ma belle rebelle
80 bpm • E min • 02:02 • -26db
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Joseph Haydn
Cello Concerto No. 2 in D Major, Hob. VI...
80 bpm • A Maj • 06:02 • -20.87db
26% Popularity • 9% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
26% Popularity • 9% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation
80 bpm • E min • 06:36 • -21.4db
20% Popularity • 8% Danceability • 7% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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John Barry
Mozart: Clarinet Concerto In A major, K6...
80 bpm • D Maj • 07:42 • -25.13db
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Introduction and Allegro, Op. 47:...
80 bpm • C min • 03:14 • -18db
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Tchaïkovsky
Op. 66 - Panorama - Remastered 2024
80 bpm • G Maj • 03:00 • -33.58db
20% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
20% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Sonata for Violin and Piano No. 5 in F M...
81 bpm • A# Maj • 06:07 • -29db
24% Popularity • 17% Danceability • 2% Energy • 5% Liveness
26% Instrumentalness • 6% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 5% Liveness
26% Instrumentalness • 6% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu" (A...
79 bpm • F Maj • 02:54 • -22.37db
24% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
24% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D minor: 2. Adagio
79 bpm • D min • 04:23 • -19.56db
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Arvo Pärt
Spiegel im Spiegel (Arr. Violin & Harp)
79 bpm • F Maj • 09:41 • -35.1db
18% Popularity • 19% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Jules Massenet
Elegie
79 bpm • E min • 02:04 • -22.95db
23% Popularity • 18% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
23% Popularity • 18% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Goran Bregović
Bregovic: Ederlezi
79 bpm • E min • 05:47 • -13db
31% Popularity • 16% Danceability • 15% Energy • 18% Liveness
15% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 15% Energy • 18% Liveness
15% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar / Transc. Walter: Salut d'amour, O...
81 bpm • E Maj • 02:44 • -20db
25% Popularity • 14% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
25% Popularity • 14% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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William Lloyd Webber
The Moon (version for strings)
79 bpm • G min • 04:31 • -19db
24% Popularity • 9% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice Wq. 30 - Vienna Versio...
79 bpm • F Maj • 07:29 • -28.34db
13% Popularity • 14% Danceability • 5% Energy • 19% Liveness
96% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 19% Liveness
96% Instrumentalness • 8% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
79 bpm • C Maj • 06:28 • -19.85db
21% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
21% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Jules Massenet
La Vierge / Scene 4: The Assumption: Le ...
82 bpm • G Maj • 05:02 • -26.14db
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Nigel Kennedy
Riders on the Storm - The Doors Concerto...
78 bpm • A min • 05:44 • -11.51db
17% Popularity • 18% Danceability • 36% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
17% Popularity • 18% Danceability • 36% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Erik Satie
Satie / Arr. Kennedy, Lenehan & Messiter...
82 bpm • D min • 02:06 • -29db
8% Popularity • 19% Danceability • 3% Energy • 11% Liveness
59% Instrumentalness • 13% Positiveness
8% Popularity • 19% Danceability • 3% Energy • 11% Liveness
59% Instrumentalness • 13% Positiveness
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César Franck
Franck / Arr. Kenner: Mass, Op. 12, FWV ...
82 bpm • G Maj • 04:22 • -26.84db
17% Popularity • 19% Danceability • 4% Energy • 9% Liveness
50% Instrumentalness • 10% Positiveness
17% Popularity • 19% Danceability • 4% Energy • 9% Liveness
50% Instrumentalness • 10% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: Coro a bocca c...
78 bpm • A# Maj • 03:03 • -44.15db
42% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: IV. Frolicsome F...
78 bpm • G Maj • 03:00 • -14.48db
21% Popularity • 43% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
21% Popularity • 43% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Edward Elgar
Chanson de matin, Op. 15, No. 2 (arr. W....
83 bpm • G Maj • 03:15 • -17.1db
11% Popularity • 26% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
11% Popularity • 26% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Fritz Kreisler
Liebesleid - Arr. Mischa Maisky
83 bpm • A min • 03:53 • -25.35db
21% Popularity • 26% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 26% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: Karelia Suite, Op. 11: III. Al...
83 bpm • A Maj • 04:41 • -14db
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 21% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
38% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
38% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Concerto grosso in B Minor, Op. ...
83 bpm • E Maj • 04:14 • -18db
26% Popularity • 12% Danceability • 12% Energy • 12% Liveness
75% Instrumentalness • 15% Positiveness
26% Popularity • 12% Danceability • 12% Energy • 12% Liveness
75% Instrumentalness • 15% Positiveness
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Ennio Morricone
Brian DePalma Suite: Main Theme from "Ca...
77 bpm • D Maj • 03:53 • -17db
32% Popularity • 7% Danceability • 21% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 7% Danceability • 21% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Two Violins in D ...
77 bpm • F Maj • 07:43 • -22db
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
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Jules Massenet
Thaïs / Act 2: Méditation
77 bpm • E min • 05:20 • -21.67db
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op. 34, No. 14 (Arr. for Flute...
83 bpm • G min • 04:15 • -19.77db
7% Popularity • 14% Danceability • 16% Energy • 29% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 16% Energy • 29% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: 13. Le ...
77 bpm • A min • 02:29 • -28db
24% Popularity • 20% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Clarinet Concerto in A, K622: 2. Adagio
83 bpm • D Maj • 07:35 • -22.02db
8% Popularity • 10% Danceability • 5% Energy • 10% Liveness
56% Instrumentalness • 6% Positiveness
8% Popularity • 10% Danceability • 5% Energy • 10% Liveness
56% Instrumentalness • 6% Positiveness
► Preview
Jerzy Bawol
Kennedy / Bawol / Kukurba / Lato: One Vo...
77 bpm • E min • 04:56 • -7.63db
14% Popularity • 12% Danceability • 46% Energy • 4% Liveness
72% Instrumentalness • 13% Positiveness
14% Popularity • 12% Danceability • 46% Energy • 4% Liveness
72% Instrumentalness • 13% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 in F minor Op. 21: ...
77 bpm • G# Maj • 09:13 • -24db
23% Popularity • 18% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Nigel Kennedy
Kennedy: Nice Bottle of Beaujolais, Inni...
83 bpm • B min • 06:21 • -8.19db
2% Popularity • 40% Danceability • 68% Energy • 17% Liveness
93% Instrumentalness • 40% Positiveness
2% Popularity • 40% Danceability • 68% Energy • 17% Liveness
93% Instrumentalness • 40% Positiveness
► Preview
Edward Elgar
Elgar: Salut d'amour, Op. 12 (Version fo...
83 bpm • D Maj • 02:53 • -22.32db
28% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
28% Popularity • 17% Danceability • 9% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
83 bpm • F# min • 07:27 • -29db
25% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Chopin: Nocturne No. 2 in E-Flat Major, ...
77 bpm • A# Maj • 05:24 • -30.61db
5% Popularity • 11% Danceability • 2% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
5% Popularity • 11% Danceability • 2% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Slowakisches Kammerorchester
Serenade für Streichinstrumente in E Ma...
84 bpm • E Maj • 04:06 • -27.52db
19% Popularity • 14% Danceability • 3% Energy • 30% Liveness
58% Instrumentalness • 18% Positiveness
19% Popularity • 14% Danceability • 3% Energy • 30% Liveness
58% Instrumentalness • 18% Positiveness
► Preview
Nigel Kennedy
Riders on the Storm - The Doors Concerto...
83 bpm • A min • 07:11 • -11.27db
8% Popularity • 17% Danceability • 31% Energy • 29% Liveness
81% Instrumentalness • 12% Positiveness
8% Popularity • 17% Danceability • 31% Energy • 29% Liveness
81% Instrumentalness • 12% Positiveness
► Preview
Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
► Preview
Martin Pierre Marsick
Thais, Act II: Meditation (arr. M.P. Mar...
84 bpm • D Maj • 05:16 • -26db
26% Popularity • 18% Danceability • 5% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 5% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
46% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Jules Massenet
Werther: Act III: Tout mon ame est la......
76 bpm • D Maj • 02:29 • -12.38db
1% Popularity • 29% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 29% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Gabriel Fauré
Elégie, Op. 24
84 bpm • G# Maj • 07:11 • -28.54db
10% Popularity • 9% Danceability • 2% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 2% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Traditional
Traditional: Londonderry Air, "Danny Boy...
84 bpm • C Maj • 04:14 • -23db
15% Popularity • 16% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
Edward Elgar
Salut d'Amour, Op. 12: Salut d'amour, Op...
84 bpm • D Maj • 03:10 • -21.76db
26% Popularity • 17% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
26% Popularity • 17% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Satie: Gymnopédie No. 3
84 bpm • G Maj • 02:52 • -30.29db
27% Popularity • 18% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
27% Popularity • 18% Danceability • 4% Energy • 13% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Jules Massenet
タイスの瞑想曲
84 bpm • E min • 04:11 • -12db
13% Popularity • 23% Danceability • 28% Energy • 14% Liveness
22% Instrumentalness • 7% Positiveness
13% Popularity • 23% Danceability • 28% Energy • 14% Liveness
22% Instrumentalness • 7% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo
84 bpm • F Maj • 03:40 • -21.01db
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97: VIII. Romance
76 bpm • C# Maj • 06:33 • -29.13db
30% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Ennio Morricone
Sergio Leone Suite: Main Theme from "Onc...
76 bpm • D Maj • 03:21 • -17db
35% Popularity • 7% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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![Concierto de Aranjuez: II. Adagio [Excerpt] cover art](https://i.scdn.co/image/ab67616d00001e022927579fb3cae403dc6d1f75)
Joaquín Rodrigo
Concierto de Aranjuez: II. Adagio [Excer...
76 bpm • B min • 02:47 • -27.3db
31% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
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Samuel Barber
Adagio for Strings (Platoon)
85 bpm • A# min • 07:01 • -24db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
85 bpm • D Maj • 06:12 • -22.6db
23% Popularity • 9% Danceability • 7% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 7% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Tim Fain
Swan Lake, Op. 20
85 bpm • F# min • 05:26 • -18.49db
29% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
29% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
85 bpm • C# Maj • 06:00 • -25.95db
7% Popularity • 10% Danceability • 5% Energy • 22% Liveness
47% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 5% Energy • 22% Liveness
47% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
75 bpm • F Maj • 06:04 • -26.8db
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo
75 bpm • F Maj • 03:47 • -16.38db
24% Popularity • 8% Danceability • 16% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 16% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Albert Ketèlbey
In a Monastery Garden
75 bpm • F Maj • 06:20 • -28.26db
17% Popularity • 7% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Julian Lloyd Webber
Jackie's Song
85 bpm • D# Maj • 03:38 • -20db
29% Popularity • 16% Danceability • 12% Energy • 30% Liveness
87% Instrumentalness • 11% Positiveness
29% Popularity • 16% Danceability • 12% Energy • 30% Liveness
87% Instrumentalness • 11% Positiveness
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Ennio Morricone
Sergio Leone Suite: Deborah's Theme from...
85 bpm • E Maj • 03:31 • -17db
42% Popularity • 9% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 9% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jules Massenet
Meditation From Thais
85 bpm • E min • 05:24 • -26.68db
17% Popularity • 16% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Piano Concerto No. 1 in E Minor, Op. 11:...
75 bpm • B Maj • 03:52 • -23.73db
26% Popularity • 19% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Nigel Kennedy
Dedications: Solitude (For Yehudi Menuhi...
75 bpm • A Maj • 05:29 • -17db
22% Popularity • 12% Danceability • 16% Energy • 14% Liveness
46% Instrumentalness • 19% Positiveness
22% Popularity • 12% Danceability • 16% Energy • 14% Liveness
46% Instrumentalness • 19% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
35% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: II. Liebesleid
85 bpm • A Maj • 03:35 • -26.03db
23% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Erik Satie
Satie / Arr. Barker & Balsom: 3 Gymnopé...
75 bpm • A min • 02:32 • -14.17db
24% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 13% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux: X...
85 bpm • G Maj • 03:05 • -25.79db
28% Popularity • 18% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Jules Massenet
Meditation
86 bpm • E min • 05:25 • -24db
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Orchestral Suite No. 3 in D Ma...
86 bpm • D Maj • 05:23 • -24.74db
11% Popularity • 10% Danceability • 7% Energy • 11% Liveness
15% Instrumentalness • 13% Positiveness
11% Popularity • 10% Danceability • 7% Energy • 11% Liveness
15% Instrumentalness • 13% Positiveness
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Nigel Hess
Main Theme
86 bpm • D Maj • 03:26 • -16.62db
26% Popularity • 17% Danceability • 21% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
26% Popularity • 17% Danceability • 21% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: The Lark Ascending
86 bpm • E min • 17:39 • -28.07db
18% Popularity • 10% Danceability • 3% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 3% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Ennio Morricone
Giuseppe Tornatore Suite: Looking for Yo...
75 bpm • A# Maj • 01:43 • -14db
40% Popularity • 17% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
