Songs like Matter To You by Sasha Alex Sloan
Based on a tempo of (+/- 10%) and a similar genre
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Kygo
This Town
148 bpm • A# min • 03:22 • -7.96db
58% Popularity • 74% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 74% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Sasha Alex Sloan
Matter To You
148 bpm • D# Maj • 03:37 • -8.81db
45% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
53% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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shy martin
Lose You Too
147 bpm • G Maj • 03:06 • -9.16db
45% Popularity • 44% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 44% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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joan
brokenhearted (together)
149 bpm • A# Maj • 03:32 • -8db
31% Popularity • 61% Danceability • 62% Energy • 66% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 61% Danceability • 62% Energy • 66% Liveness
0% Instrumentalness • 54% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sasha Alex Sloan
Again
149 bpm • D min • 03:14 • -10db
41% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Clara Mae
Alright
147 bpm • F# Maj • 02:41 • -4.94db
43% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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LANY
anything 4 u
147 bpm • A# Maj • 03:14 • -7.99db
63% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Carlie Hanson
Daze Inn
149 bpm • C Maj • 02:38 • -5.33db
41% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Lauren Aquilina
Latest Ghost - Piano Version
147 bpm • D# Maj • 02:51 • -11db
27% Popularity • 43% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 43% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Catie Turner
Love on the Moon
146 bpm • D# min • 02:36 • -11.17db
29% Popularity • 47% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 47% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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mxmtoon
bon iver
150 bpm • A# Maj • 03:16 • -6.81db
42% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 58% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Carlie Hanson
Stealing All My Friends
147 bpm • A Maj • 02:41 • -10.53db
23% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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mehro
lightning
150 bpm • D# min • 03:08 • -8db
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Tori Templet
Butterfly Rain
146 bpm • G min • 03:43 • -15db
29% Popularity • 84% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 84% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Nick Wilson
Enough to Know You
146 bpm • D# Maj • 03:25 • -9db
29% Popularity • 48% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 48% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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LÉON
Die For You
146 bpm • F# Maj • 03:37 • -5.87db
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Carlie Hanson
Back in My Arms
150 bpm • C# min • 03:15 • -4.85db
41% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Zachary Knowles
life sentence
145 bpm • D Maj • 03:58 • -9.35db
22% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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JC Stewart
Loud
151 bpm • G Maj • 04:17 • -7.76db
26% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Sopha
Day Dreaming
145 bpm • C# Maj • 03:26 • -15.56db
22% Popularity • 38% Danceability • 31% Energy • 39% Liveness
2% Instrumentalness • 23% Positiveness
22% Popularity • 38% Danceability • 31% Energy • 39% Liveness
2% Instrumentalness • 23% Positiveness
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Delaney Jane
Safe With You
145 bpm • A# min • 03:08 • -7db
33% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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clide
broken parts
151 bpm • C Maj • 03:05 • -12.42db
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sophie Cates
crowd
144 bpm • D Maj • 02:46 • -6.31db
32% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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LANY
nobody else
152 bpm • C Maj • 03:17 • -14.51db
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Powfu
the long way home
152 bpm • D Maj • 03:09 • -9.69db
40% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 58% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Swift
it’s time to go - bonus track
152 bpm • C Maj • 04:14 • -12.43db
70% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
70% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Jack Newsome
The Year the World Stood Still
144 bpm • D Maj • 02:30 • -10.87db
12% Popularity • 62% Danceability • 42% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
12% Popularity • 62% Danceability • 42% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
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Loving Caliber
We're In This Together Now
144 bpm • E Maj • 03:52 • -15db
37% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Boy In Space
On A Prayer
144 bpm • C# Maj • 02:33 • -6db
43% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Alec Benjamin
Demons
143 bpm • F min • 02:43 • -7.5db
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 71% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Emily Weisband
The Way I Say Goodbye
142 bpm • F Maj • 03:04 • -11.18db
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Shallou
Older
143 bpm • D Maj • 03:37 • -8.26db
46% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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LANY
paper
154 bpm • G Maj • 04:04 • -9db
44% Popularity • 49% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 49% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Noah Cyrus
Young & Sad
142 bpm • G min • 03:10 • -8.5db
53% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hayd
What Did I Do?
142 bpm • F# Maj • 03:35 • -11.87db
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Surf Mesa
Carried Away (Love To Love)
142 bpm • C# Maj • 03:02 • -5.3db
57% Popularity • 52% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 52% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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ODESZA
Falls (Reprise)
154 bpm • F# Maj • 03:54 • -7db
40% Popularity • 31% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 31% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Valley
homebody
155 bpm • C# Maj • 03:11 • -7.24db
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Etham
Purpose - Stripped
155 bpm • G# Maj • 03:16 • -9.7db
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan Dunlap
Who Would Have Thought
141 bpm • B Maj • 04:04 • -7.45db
39% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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James Smith
Rely On Me
141 bpm • A min • 03:39 • -10.16db
41% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 58% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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LOKRE
Stop Runnin'
141 bpm • B Maj • 03:27 • -7db
31% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 34% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Elina
Love Come Around
156 bpm • D Maj • 03:07 • -9db
28% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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remme
half a world away
141 bpm • D Maj • 03:27 • -8db
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Francisco Martin
Swollen
141 bpm • A# Maj • 03:50 • -9.26db
36% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Why Don't We
Lotus Inn
156 bpm • D Maj • 03:15 • -5db
50% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 58% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Ruel
say it over
156 bpm • D min • 03:58 • -10.94db
44% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Alec Benjamin
Oh My God
156 bpm • F min • 03:07 • -7.24db
55% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Carlie Hanson
Daze Inn - Acoustic
140 bpm • C Maj • 02:46 • -7.69db
21% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Sasha Alex Sloan
Keep On
140 bpm • G# Maj • 03:00 • -8.82db
47% Popularity • 76% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 76% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tate McRae
r u ok
140 bpm • D Maj • 03:07 • -5.89db
59% Popularity • 66% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 66% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Gentle Bones
I Wouldn't Know Any Better Than You
140 bpm • D Maj • 02:31 • -5.55db
50% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 71% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Blake Rose
Best of Me
140 bpm • G Maj • 03:33 • -7db
42% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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Carlie Hanson
Hazel
140 bpm • D Maj • 03:21 • -5.85db
32% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Beulahbelle
Being You
140 bpm • A# Maj • 02:35 • -12.93db
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Peter Thomas
If You're Happy Now
140 bpm • A Maj • 03:33 • -8db
22% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 74% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jasmine Thompson
happy for you
140 bpm • D# Maj • 02:45 • -9db
38% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Gentle Bones
Two Sides
140 bpm • G Maj • 03:46 • -11.12db
34% Popularity • 74% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Finding Hope
Whatever You Want
140 bpm • A# Maj • 03:29 • -17.23db
27% Popularity • 40% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 40% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Julia Wolf
Hoops
157 bpm • C Maj • 03:19 • -9.18db
41% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Francisco Martin
Swollen
140 bpm • A# Maj • 03:50 • -9.83db
25% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 47% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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joan
brokenhearted - sunset
139 bpm • A# Maj • 04:21 • -10.01db
37% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Alejandro Aranda
Return2Sender
158 bpm • C# Maj • 04:48 • -10.25db
23% Popularity • 49% Danceability • 53% Energy • 7% Liveness
27% Instrumentalness • 34% Positiveness
23% Popularity • 49% Danceability • 53% Energy • 7% Liveness
27% Instrumentalness • 34% Positiveness
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FINNEAS
A Concert Six Months From Now
139 bpm • G Maj • 03:25 • -10.27db
52% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Avery Lynch
Holding My Own Hand
158 bpm • D# Maj • 03:36 • -7db
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Noah Cyrus
The End of Everything
139 bpm • C Maj • 02:55 • -11.2db
44% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 55% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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gnash
fear
158 bpm • D Maj • 02:31 • -9.49db
28% Popularity • 58% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 58% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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NF
Only
138 bpm • A min • 03:45 • -4.83db
63% Popularity • 87% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 87% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Sasha Alex Sloan
The Only
138 bpm • E min • 03:37 • -11.05db
46% Popularity • 68% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
46% Popularity • 68% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Sara Kays
No Matter the Season
138 bpm • D Maj • 03:32 • -8.89db
39% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 68% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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GUNNAR
For Your Love
138 bpm • C Maj • 03:09 • -5db
37% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Harry Hudson
Closing Doors
138 bpm • G Maj • 02:26 • -8db
30% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Rhys Lewis
No Right To Love You
159 bpm • C# Maj • 03:58 • -8.15db
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Morgan Saint
My Sunshine (For You)
159 bpm • C Maj • 03:38 • -8db
23% Popularity • 40% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 40% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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BLÜ EYES
somebody
138 bpm • D Maj • 02:56 • -8.1db
29% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
