Songs like Maybe I'm Amazed - Live by Paul McCartney
Based on a tempo of (+/- 10%) and a similar genre
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Eagles
Hotel California - 2013 Remaster
147 bpm • D Maj • 06:31 • -9.48db
84% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
84% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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George Harrison
Isn't It a Pity (2014 Remaster)
147 bpm • G Maj • 07:10 • -7.74db
52% Popularity • 26% Danceability • 65% Energy • 7% Liveness
11% Instrumentalness • 29% Positiveness
52% Popularity • 26% Danceability • 65% Energy • 7% Liveness
11% Instrumentalness • 29% Positiveness
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Traveling Wilburys
Runaway
147 bpm • A Maj • 02:30 • -3.64db
58% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
58% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
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Van Morrison
Jackie Wilson Said (I'm in Heaven When Y...
147 bpm • G Maj • 03:00 • -7.51db
54% Popularity • 57% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
54% Popularity • 57% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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The Alan Parsons Project
Time
147 bpm • F min • 05:14 • -12.7db
54% Popularity • 34% Danceability • 35% Energy • 14% Liveness
7% Instrumentalness • 11% Positiveness
54% Popularity • 34% Danceability • 35% Energy • 14% Liveness
7% Instrumentalness • 11% Positiveness
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The Beatles
Hey Jude - 2015 Mix
147 bpm • A# Maj • 07:11 • -9.09db
66% Popularity • 38% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
66% Popularity • 38% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Crosby, Stills & Nash
Helplessly Hoping - 2005 Remaster
147 bpm • G Maj • 02:37 • -14db
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Chicago
25 or 6 to 4 - 2002 Remaster
147 bpm • E min • 04:49 • -7.06db
63% Popularity • 60% Danceability • 90% Energy • 8% Liveness
6% Instrumentalness • 72% Positiveness
63% Popularity • 60% Danceability • 90% Energy • 8% Liveness
6% Instrumentalness • 72% Positiveness
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The Doors
Love Her Madly
147 bpm • E min • 03:18 • -7.39db
68% Popularity • 56% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
68% Popularity • 56% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Police
De Do Do Do, De Da Da Da
148 bpm • A Maj • 04:07 • -8.88db
65% Popularity • 78% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 86% Positiveness
65% Popularity • 78% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 86% Positiveness
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Supertramp
Dreamer
148 bpm • F Maj • 03:33 • -14.11db
61% Popularity • 66% Danceability • 41% Energy • 8% Liveness
4% Instrumentalness • 83% Positiveness
61% Popularity • 66% Danceability • 41% Energy • 8% Liveness
4% Instrumentalness • 83% Positiveness
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Dire Straits
Lady Writer
148 bpm • C# min • 03:44 • -8.6db
70% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
70% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
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Faces
Ooh La La
148 bpm • D Maj • 03:34 • -8.17db
68% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
68% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Jim Croce
Bad, Bad Leroy Brown
148 bpm • G Maj • 02:59 • -10.74db
73% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
73% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Doobie Brothers
China Grove
146 bpm • A Maj • 03:15 • -8.45db
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Police
Walking On The Moon
146 bpm • C Maj • 05:00 • -12.78db
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
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Joe Cocker
With A Little Help From My Friends
145 bpm • D Maj • 05:12 • -11.33db
66% Popularity • 31% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 31% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dire Straits
Sultans Of Swing
148 bpm • F Maj • 05:48 • -10.02db
81% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
81% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
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Paul Simon
Loves Me Like a Rock
145 bpm • G Maj • 03:33 • -10.52db
57% Popularity • 65% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
57% Popularity • 65% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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George Harrison
Got My Mind Set on You
149 bpm • E Maj • 03:54 • -7.16db
74% Popularity • 76% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
74% Popularity • 76% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Lou Reed
Perfect Day
145 bpm • A# Maj • 03:45 • -12.49db
69% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
69% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Procol Harum
A Whiter Shade of Pale - Original Single...
150 bpm • C Maj • 04:08 • -6.9db
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Bread
Baby I'm-a Want You
144 bpm • G# Maj • 02:30 • -16.53db
67% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Christopher Cross
Sailing
150 bpm • D Maj • 04:16 • -13.2db
69% Popularity • 47% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 47% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Daryl Hall & John Oates
Sara Smile
150 bpm • D min • 03:05 • -11db
69% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
69% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jackson Browne
Doctor My Eyes - 1997 Remaster
150 bpm • F Maj • 03:19 • -8.75db
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Carole King
So Far Away
144 bpm • D Maj • 03:55 • -14.25db
59% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 49% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Band
The Weight - Remastered 2000
144 bpm • A Maj • 04:34 • -9.28db
70% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Seger
Hollywood Nights
150 bpm • A Maj • 05:02 • -5.2db
65% Popularity • 53% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
65% Popularity • 53% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Bread
Guitar Man
143 bpm • E min • 03:46 • -13.27db
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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The Police
Message In A Bottle
151 bpm • C# min • 04:50 • -7.04db
76% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
76% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Van Morrison
Brown Eyed Girl
151 bpm • G Maj • 03:03 • -10.96db
84% Popularity • 49% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
84% Popularity • 49% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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The Kinks
Lola (2020 Stereo Remaster)
151 bpm • A Maj • 04:01 • -4.6db
69% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
69% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
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Paul McCartney
C'Mon People
143 bpm • F Maj • 07:42 • -12db
26% Popularity • 47% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 47% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 12% Positiveness
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Eagles
Peaceful Easy Feeling - 2013 Remaster
143 bpm • E Maj • 04:17 • -12.34db
70% Popularity • 57% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
70% Popularity • 57% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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U2
Sweetest Thing
142 bpm • C Maj • 03:04 • -8.97db
68% Popularity • 52% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 52% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Police
Can't Stand Losing You
142 bpm • D min • 02:58 • -5.3db
67% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
67% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Crosby, Stills, Nash & Young
Our House - 2021 Remaster
141 bpm • A Maj • 03:00 • -15db
40% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Kinks
Victoria (2019 Remaster)
142 bpm • G Maj • 03:39 • -9.02db
48% Popularity • 51% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 78% Positiveness
48% Popularity • 51% Danceability • 75% Energy • 6% Liveness
1% Instrumentalness • 78% Positiveness
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James Taylor
Sweet Baby James - 2019 Remaster
141 bpm • D Maj • 02:53 • -20.58db
60% Popularity • 54% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
60% Popularity • 54% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Paul McCartney
The Song We Were Singing - 2020 Remaster
153 bpm • G Maj • 03:55 • -14.33db
29% Popularity • 53% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 53% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Pretenders
Back on the Chain Gang - 2007 Remaster
153 bpm • D Maj • 03:51 • -6.08db
63% Popularity • 60% Danceability • 90% Energy • 18% Liveness
4% Instrumentalness • 81% Positiveness
63% Popularity • 60% Danceability • 90% Energy • 18% Liveness
4% Instrumentalness • 81% Positiveness
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The Police
Spirits In The Material World
142 bpm • A min • 02:59 • -7.86db
61% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
61% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
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Eric Clapton
Tears in Heaven
154 bpm • A Maj • 04:31 • -12.24db
69% Popularity • 50% Danceability • 24% Energy • 13% Liveness
54% Instrumentalness • 31% Positiveness
69% Popularity • 50% Danceability • 24% Energy • 13% Liveness
54% Instrumentalness • 31% Positiveness
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The Kinks
Come Dancing
152 bpm • G Maj • 03:56 • -11.55db
51% Popularity • 49% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 49% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Wings
Live And Let Die - 2018 Remaster
154 bpm • G Maj • 03:12 • -12.57db
66% Popularity • 39% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
66% Popularity • 39% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 12% Positiveness
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Crosby, Stills, Nash & Young
Our House
140 bpm • A Maj • 02:59 • -14.6db
69% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
69% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Crosby, Stills & Nash
Suite: Judy Blue Eyes - 2005 Remaster
154 bpm • A Maj • 07:24 • -13.13db
59% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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The Police
Don't Stand So Close To Me
140 bpm • D Maj • 04:02 • -9.41db
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Eagles
Try and Love Again - 2013 Remaster
154 bpm • D Maj • 05:11 • -6.81db
50% Popularity • 47% Danceability • 79% Energy • 82% Liveness
14% Instrumentalness • 72% Positiveness
50% Popularity • 47% Danceability • 79% Energy • 82% Liveness
14% Instrumentalness • 72% Positiveness
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Emerson, Lake & Palmer
Lucky Man
154 bpm • G Maj • 04:37 • -15.62db
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
69% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Crosby, Stills, Nash & Young
Teach Your Children
155 bpm • D Maj • 02:53 • -14.54db
63% Popularity • 50% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 50% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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Supertramp
Easy Does It
155 bpm • D Maj • 02:18 • -20.15db
61% Popularity • 43% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 43% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Eric Clapton
Promises
155 bpm • G Maj • 03:01 • -18.4db
59% Popularity • 55% Danceability • 36% Energy • 9% Liveness
77% Instrumentalness • 71% Positiveness
59% Popularity • 55% Danceability • 36% Energy • 9% Liveness
77% Instrumentalness • 71% Positiveness
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Men At Work
Overkill
139 bpm • C# min • 03:49 • -3.99db
65% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
65% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Dire Straits
Down To The Waterline
139 bpm • B min • 04:01 • -11.55db
66% Popularity • 61% Danceability • 68% Energy • 16% Liveness
28% Instrumentalness • 61% Positiveness
66% Popularity • 61% Danceability • 68% Energy • 16% Liveness
28% Instrumentalness • 61% Positiveness
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The Lovin' Spoonful
Do You Believe in Magic?
139 bpm • C Maj • 02:05 • -7.96db
69% Popularity • 55% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
69% Popularity • 55% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Eagles
Take It Easy - 2013 Remaster
139 bpm • G Maj • 03:31 • -10.39db
79% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
79% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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T. Rex
Cosmic Dancer
156 bpm • C Maj • 04:26 • -8.09db
57% Popularity • 36% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
57% Popularity • 36% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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Seals and Crofts
Diamond Girl
138 bpm • E min • 04:13 • -12db
51% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Don McLean
American Pie
138 bpm • E min • 08:36 • -11.71db
76% Popularity • 53% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
76% Popularity • 53% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Who
Who Are You
156 bpm • A Maj • 06:21 • -11.41db
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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America
Riverside
156 bpm • A min • 03:01 • -13.22db
52% Popularity • 70% Danceability • 52% Energy • 17% Liveness
20% Instrumentalness • 88% Positiveness
52% Popularity • 70% Danceability • 52% Energy • 17% Liveness
20% Instrumentalness • 88% Positiveness
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Queen
Play The Game - Remastered 2011
157 bpm • F Maj • 03:32 • -5.77db
58% Popularity • 24% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
58% Popularity • 24% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Kinks
You Really Got Me
137 bpm • G# Maj • 02:13 • -3.82db
73% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Crosby, Stills, Nash & Young
Deja Vu
137 bpm • B min • 04:12 • -15.92db
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Crosby, Stills & Nash
Wooden Ships - 2005 Remaster
158 bpm • E min • 05:26 • -13.39db
49% Popularity • 34% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 57% Positiveness
49% Popularity • 34% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 57% Positiveness
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Paul Simon
The Boy In the Bubble
136 bpm • D Maj • 03:59 • -7.85db
51% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Guess Who
Undun
136 bpm • G Maj • 03:26 • -16db
47% Popularity • 56% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 56% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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The Kinks
All Day and All of the Night
136 bpm • G Maj • 02:22 • -5.06db
68% Popularity • 56% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 56% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Crosby, Stills, Nash & Young
Almost Cut My Hair
137 bpm • G Maj • 04:29 • -10.48db
56% Popularity • 47% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
56% Popularity • 47% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Carole King
Will You Love Me Tomorrow?
159 bpm • C Maj • 04:12 • -12.85db
52% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Pink Floyd
Mother
135 bpm • G Maj • 05:34 • -17.34db
61% Popularity • 58% Danceability • 15% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
61% Popularity • 58% Danceability • 15% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Paul Simon
Kodachrome
136 bpm • C# min • 03:35 • -10.28db
64% Popularity • 59% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
64% Popularity • 59% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Chicago
Feelin' Stronger Every Day - 2002 Remast...
160 bpm • C Maj • 04:14 • -6.1db
52% Popularity • 38% Danceability • 88% Energy • 28% Liveness
1% Instrumentalness • 67% Positiveness
52% Popularity • 38% Danceability • 88% Energy • 28% Liveness
1% Instrumentalness • 67% Positiveness
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The Who
Won't Get Fooled Again - Original Album ...
135 bpm • D Maj • 08:31 • -6.23db
64% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
64% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
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Paul McCartney
Hope Of Deliverance
160 bpm • A min • 03:22 • -10.92db
57% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
57% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Steely Dan
Reelin' In The Years
135 bpm • D Maj • 04:37 • -17.34db
74% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
74% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Yes
I've Seen All Good People: a. Your Move,...
135 bpm • E Maj • 06:53 • -11.69db
56% Popularity • 42% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 42% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Frampton
Nassau/Baby I Love Your Way - Medley
135 bpm • G Maj • 05:50 • -10db
38% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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America
Sister Golden Hair
135 bpm • E Maj • 03:19 • -12.22db
72% Popularity • 44% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
72% Popularity • 44% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Big Brother & The Holding Company
Piece of My Heart
161 bpm • E Maj • 04:13 • -7.95db
67% Popularity • 44% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 44% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Paul McCartney
Take It Away - Remixed 2015
135 bpm • D Maj • 04:16 • -8.95db
33% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Raspberries
Go All The Way
134 bpm • A Maj • 03:25 • -4.89db
62% Popularity • 30% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 30% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Police
Roxanne
134 bpm • C Maj • 03:11 • -8.91db
80% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
80% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Jim Croce
I’ll Have to Say I Love You in a Song
134 bpm • A Maj • 02:34 • -14.98db
68% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
68% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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America
I Need You
134 bpm • G Maj • 03:03 • -10db
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Eric Clapton
Nobody Knows You When You're Down and Ou...
134 bpm • D min • 03:55 • -10.46db
53% Popularity • 54% Danceability • 58% Energy • 88% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 54% Danceability • 58% Energy • 88% Liveness
0% Instrumentalness • 71% Positiveness
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Paul McCartney
Ebony And Ivory - Remixed 2015
161 bpm • E Maj • 03:46 • -7.88db
60% Popularity • 57% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 57% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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10cc
I'm Not In Love
134 bpm • E Maj • 06:06 • -15.7db
70% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Pink Floyd
Brain Damage
134 bpm • D Maj • 03:46 • -13.4db
66% Popularity • 32% Danceability • 26% Energy • 37% Liveness
34% Instrumentalness • 21% Positiveness
66% Popularity • 32% Danceability • 26% Energy • 37% Liveness
34% Instrumentalness • 21% Positiveness
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Peter, Paul and Mary
Leaving on a Jet Plane
133 bpm • A Maj • 03:27 • -16.52db
59% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Beatles
Something - Remastered 2009
134 bpm • C Maj • 03:02 • -10.87db
74% Popularity • 40% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
74% Popularity • 40% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Talking Heads
Life During Wartime - 2005 Remaster
133 bpm • A Maj • 03:41 • -7.37db
58% Popularity • 80% Danceability • 93% Energy • 6% Liveness
15% Instrumentalness • 97% Positiveness
58% Popularity • 80% Danceability • 93% Energy • 6% Liveness
15% Instrumentalness • 97% Positiveness
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The Kinks
A Well Respected Man
162 bpm • A min • 02:40 • -9.63db
60% Popularity • 51% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 51% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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The Who
I Can See For Miles - Mono Version
133 bpm • A Maj • 04:07 • -6.49db
50% Popularity • 34% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 34% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
