Songs like Maybe It's Because I'm A Londoner by Billy & The Londoners
Based on a tempo of (+/- 10%) and a similar genre
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Rights for Children
Grace
117 bpm • A min • 05:36 • -12.24db
9% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Ella Logan
My Bonnie Lies Over The Ocean
117 bpm • F Maj • 02:56 • -11.45db
8% Popularity • 84% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 84% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Billy & The Londoners
Medley: Hello, Dolly!/I'm Looking Over A...
117 bpm • F Maj • 06:54 • -13.24db
0% Popularity • 43% Danceability • 54% Energy • 93% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 43% Danceability • 54% Energy • 93% Liveness
0% Instrumentalness • 59% Positiveness
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Pat Boone
I've Heard That Song Before
117 bpm • A# min • 01:17 • -18.39db
13% Popularity • 61% Danceability • 35% Energy • 64% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 61% Danceability • 35% Energy • 64% Liveness
0% Instrumentalness • 85% Positiveness
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Billy Cotton
Kiss Me Goodnight Sergeant Major
117 bpm • G Maj • 02:56 • -14db
23% Popularity • 73% Danceability • 39% Energy • 14% Liveness
4% Instrumentalness • 94% Positiveness
23% Popularity • 73% Danceability • 39% Energy • 14% Liveness
4% Instrumentalness • 94% Positiveness
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The Beau Hunks
Smile When the Raindrops Fall
117 bpm • F Maj • 02:19 • -18db
8% Popularity • 76% Danceability • 7% Energy • 10% Liveness
61% Instrumentalness • 81% Positiveness
8% Popularity • 76% Danceability • 7% Energy • 10% Liveness
61% Instrumentalness • 81% Positiveness
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Barbara Bel Geddes
The Five Pennies Finale & Battle Hymn Of...
117 bpm • G# Maj • 02:35 • -10.3db
9% Popularity • 46% Danceability • 33% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 46% Danceability • 33% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
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Winifred Atwell
Jubilee Rag
117 bpm • G Maj • 02:30 • -11db
23% Popularity • 69% Danceability • 63% Energy • 26% Liveness
91% Instrumentalness • 97% Positiveness
23% Popularity • 69% Danceability • 63% Energy • 26% Liveness
91% Instrumentalness • 97% Positiveness
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Dimitri Tiomkin
David Crockett Arrives
117 bpm • D# Maj • 02:35 • -16.43db
9% Popularity • 38% Danceability • 20% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
9% Popularity • 38% Danceability • 20% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
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New Orleans 1920s Jazz
On the Lam
117 bpm • F# Maj • 01:11 • -19.26db
24% Popularity • 85% Danceability • 42% Energy • 8% Liveness
90% Instrumentalness • 99% Positiveness
24% Popularity • 85% Danceability • 42% Energy • 8% Liveness
90% Instrumentalness • 99% Positiveness
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The Ames Brothers
My Bonnie Lassie
117 bpm • C Maj • 02:28 • -10.99db
24% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Ballroom Dance Orchestra
I Can't Give You Anything but Love
118 bpm • G# Maj • 02:37 • -10.52db
19% Popularity • 57% Danceability • 40% Energy • 28% Liveness
37% Instrumentalness • 84% Positiveness
19% Popularity • 57% Danceability • 40% Energy • 28% Liveness
37% Instrumentalness • 84% Positiveness
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Albert White And His Gaslight Orchestra
Black And White Rage
118 bpm • G Maj • 02:18 • -24db
13% Popularity • 67% Danceability • 41% Energy • 7% Liveness
39% Instrumentalness • 98% Positiveness
13% Popularity • 67% Danceability • 41% Energy • 7% Liveness
39% Instrumentalness • 98% Positiveness
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Haleloki Kahauolopua
Easter In Waikiki
116 bpm • C Maj • 02:57 • -14.78db
9% Popularity • 72% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 72% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Adolph Deutsch (conductor), Adolph Deutsch's Orchestra, Clyde McCoy (performer), Sugar Blues (performer)
Sugar Blues - Runnin' Wild
118 bpm • E min • 01:30 • -10.28db
18% Popularity • 24% Danceability • 56% Energy • 10% Liveness
89% Instrumentalness • 70% Positiveness
18% Popularity • 24% Danceability • 56% Energy • 10% Liveness
89% Instrumentalness • 70% Positiveness
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Billy & The Londoners
Medley: You Made Me Love You/Side By Sid...
118 bpm • C Maj • 10:30 • -15.09db
0% Popularity • 38% Danceability • 46% Energy • 73% Liveness
0% Instrumentalness • 57% Positiveness
0% Popularity • 38% Danceability • 46% Energy • 73% Liveness
0% Instrumentalness • 57% Positiveness
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Winifred Atwell
Five Finger Boogie
118 bpm • C Maj • 02:09 • -13.52db
12% Popularity • 48% Danceability • 66% Energy • 5% Liveness
86% Instrumentalness • 96% Positiveness
12% Popularity • 48% Danceability • 66% Energy • 5% Liveness
86% Instrumentalness • 96% Positiveness
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The Party Poppers
Roll out the Barrel / Who Were You with ...
116 bpm • A# Maj • 03:00 • -15.47db
12% Popularity • 62% Danceability • 46% Energy • 80% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 62% Danceability • 46% Energy • 80% Liveness
0% Instrumentalness • 51% Positiveness
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Harry Rabinowitz
Light And Easy
118 bpm • F min • 02:56 • -15.27db
10% Popularity • 39% Danceability • 19% Energy • 15% Liveness
72% Instrumentalness • 32% Positiveness
10% Popularity • 39% Danceability • 19% Energy • 15% Liveness
72% Instrumentalness • 32% Positiveness
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Charlie Chaplin
Later That Night
118 bpm • F Maj • 02:01 • -6.06db
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
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Edwin Sarabia
Shells Will Come Round The Mountain
118 bpm • G Maj • 03:07 • -10.68db
21% Popularity • 68% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 98% Positiveness
21% Popularity • 68% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 98% Positiveness
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Cliff Adams Singers
Medley: We're Gonna Hang out the Washing...
116 bpm • C Maj • 03:00 • -17.95db
9% Popularity • 79% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 79% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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The Happy Time Nursery Ensemble
Three Blind Mice
116 bpm • A# Maj • 01:00 • -17.7db
14% Popularity • 75% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 75% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Apricot Fire
Materiality
118 bpm • C# Maj • 04:29 • -17.53db
9% Popularity • 43% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 43% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tommaso Tritapepe
Rowed
118 bpm • E Maj • 03:28 • -12db
19% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Russ Morgan and His Orchestra
Dogface Soldier
116 bpm • C# Maj • 02:09 • -11.09db
9% Popularity • 65% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 65% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Acker Bilk & His Paramount Jazz Band
Summer Set
115 bpm • G Maj • 03:38 • -4.95db
27% Popularity • 71% Danceability • 56% Energy • 14% Liveness
89% Instrumentalness • 56% Positiveness
27% Popularity • 71% Danceability • 56% Energy • 14% Liveness
89% Instrumentalness • 56% Positiveness
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The Party Poppers
Hello Hello Who's Your Lady Friend / You...
118 bpm • C Maj • 02:30 • -15.98db
8% Popularity • 57% Danceability • 50% Energy • 75% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 57% Danceability • 50% Energy • 75% Liveness
0% Instrumentalness • 53% Positiveness
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Lew Stone
The Girl Who Loves a Soldier
119 bpm • A# Maj • 03:16 • -13.24db
16% Popularity • 77% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 77% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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The New Wonders
The ATTC Theme
119 bpm • A# Maj • 02:13 • -12.34db
8% Popularity • 84% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 84% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Billy & The Londoners
Roll Out The Barrel
119 bpm • C Maj • 02:58 • -11.59db
1% Popularity • 71% Danceability • 55% Energy • 31% Liveness
94% Instrumentalness • 97% Positiveness
1% Popularity • 71% Danceability • 55% Energy • 31% Liveness
94% Instrumentalness • 97% Positiveness
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The Beau Hunks
The Trail of the Lonesome Pine (In the B...
119 bpm • A min • 03:36 • -25.78db
8% Popularity • 59% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 59% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Kay Kyser & His Orchestra
Thank Your Lucky Stars and Stripes
119 bpm • A Maj • 02:22 • -9.37db
7% Popularity • 60% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 60% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Billy May & His Orchestra
Man With The Golden Arm
119 bpm • A# Maj • 02:52 • -12.09db
23% Popularity • 43% Danceability • 55% Energy • 74% Liveness
46% Instrumentalness • 28% Positiveness
23% Popularity • 43% Danceability • 55% Energy • 74% Liveness
46% Instrumentalness • 28% Positiveness
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Charleston City All Stars
Collegiate
119 bpm • C Maj • 02:01 • -11.2db
9% Popularity • 76% Danceability • 64% Energy • 32% Liveness
94% Instrumentalness • 96% Positiveness
9% Popularity • 76% Danceability • 64% Energy • 32% Liveness
94% Instrumentalness • 96% Positiveness
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Rights for Children
Drunk on Your Kiss
115 bpm • C Maj • 04:33 • -16.72db
9% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Gene Kelly
Main Street - On the Town, 1949
119 bpm • C# Maj • 03:45 • -12.6db
8% Popularity • 46% Danceability • 32% Energy • 33% Liveness
2% Instrumentalness • 35% Positiveness
8% Popularity • 46% Danceability • 32% Energy • 33% Liveness
2% Instrumentalness • 35% Positiveness
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Lester Lanin
Clarinet Polka - Polka
119 bpm • A# Maj • 01:58 • -13.23db
24% Popularity • 79% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 99% Positiveness
24% Popularity • 79% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 99% Positiveness
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The Hollywood Sound Stage Chorus
Lida Rose
115 bpm • D# Maj • 03:10 • -15.88db
10% Popularity • 51% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 51% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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The Beau Hunks
Bells
115 bpm • C Maj • 01:09 • -20db
18% Popularity • 77% Danceability • 6% Energy • 16% Liveness
88% Instrumentalness • 95% Positiveness
18% Popularity • 77% Danceability • 6% Energy • 16% Liveness
88% Instrumentalness • 95% Positiveness
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Anne Dudley
The Blue Room
115 bpm • F Maj • 03:08 • -14.32db
16% Popularity • 82% Danceability • 29% Energy • 3% Liveness
8% Instrumentalness • 96% Positiveness
16% Popularity • 82% Danceability • 29% Energy • 3% Liveness
8% Instrumentalness • 96% Positiveness
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Russ Morgan and His Orchestra
Josephine
115 bpm • G Maj • 02:47 • -9.82db
11% Popularity • 76% Danceability • 26% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
11% Popularity • 76% Danceability • 26% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
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Ruth Wallis
He Wants A Little Pizza
114 bpm • C min • 02:37 • -18.4db
10% Popularity • 74% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 74% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Billy Murray
Bedelia
120 bpm • E Maj • 02:15 • -7.66db
9% Popularity • 76% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 76% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Barry O'Dowd & The Shamrock Singers
Lily of Laguna
120 bpm • G# Maj • 01:44 • -11.19db
13% Popularity • 74% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 74% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Billy & The Londoners
Red Lion Rag
114 bpm • G Maj • 02:54 • -11.31db
1% Popularity • 72% Danceability • 65% Energy • 32% Liveness
98% Instrumentalness • 97% Positiveness
1% Popularity • 72% Danceability • 65% Energy • 32% Liveness
98% Instrumentalness • 97% Positiveness
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Albert White And His Gaslight Orchestra
Teddy Trombone
114 bpm • F Maj • 01:50 • -23.5db
10% Popularity • 79% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
10% Popularity • 79% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Bob Hope
The Boys With The Proboscis
120 bpm • C Maj • 02:37 • -13db
10% Popularity • 72% Danceability • 48% Energy • 86% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 72% Danceability • 48% Energy • 86% Liveness
0% Instrumentalness • 51% Positiveness
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Winifred Atwell
Black And White Rag
120 bpm • G Maj • 02:31 • -7.87db
22% Popularity • 64% Danceability • 67% Energy • 24% Liveness
87% Instrumentalness • 89% Positiveness
22% Popularity • 64% Danceability • 67% Energy • 24% Liveness
87% Instrumentalness • 89% Positiveness
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Charles King
Broadway Melody - 2006 Remaster
114 bpm • C Maj • 02:30 • -14.66db
8% Popularity • 60% Danceability • 72% Energy • 16% Liveness
6% Instrumentalness • 21% Positiveness
8% Popularity • 60% Danceability • 72% Energy • 16% Liveness
6% Instrumentalness • 21% Positiveness
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Chris Burgess
Act One Beginners - Backing with Click
120 bpm • D Maj • 00:54 • -12.83db
11% Popularity • 77% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 85% Positiveness
11% Popularity • 77% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 85% Positiveness
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Sophia Loren
To Keep My Love Alive
114 bpm • G Maj • 02:54 • -10.62db
14% Popularity • 68% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 68% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Ferrante & Teicher
You'll Never Walk Alone
114 bpm • D Maj • 03:52 • -13.32db
8% Popularity • 28% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 19% Positiveness
8% Popularity • 28% Danceability • 23% Energy • 12% Liveness
85% Instrumentalness • 19% Positiveness
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Bent Fabricius-Bjerre
A Successful Heist
114 bpm • F Maj • 01:29 • -9.5db
9% Popularity • 87% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 77% Positiveness
9% Popularity • 87% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 77% Positiveness
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The Beau Hunks
Streamline Susie
114 bpm • F Maj • 01:59 • -15.83db
9% Popularity • 76% Danceability • 19% Energy • 28% Liveness
51% Instrumentalness • 84% Positiveness
9% Popularity • 76% Danceability • 19% Energy • 28% Liveness
51% Instrumentalness • 84% Positiveness
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Josef Locke
The Bold Gendarmes
120 bpm • F Maj • 02:53 • -17.8db
11% Popularity • 84% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 84% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Frankie Masters & His Orchestra
Let's Sing a Gay Little Spring Song
114 bpm • F min • 02:48 • -9.11db
4% Popularity • 68% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
4% Popularity • 68% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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The Party Poppers
Hold Your Hand Out, Naughty Boy! / I Do ...
120 bpm • F Maj • 01:51 • -15db
9% Popularity • 66% Danceability • 51% Energy • 82% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 66% Danceability • 51% Energy • 82% Liveness
0% Instrumentalness • 53% Positiveness
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George Formby
Cleaning Windows
114 bpm • C# Maj • 03:34 • -15.84db
9% Popularity • 84% Danceability • 38% Energy • 26% Liveness
49% Instrumentalness • 73% Positiveness
9% Popularity • 84% Danceability • 38% Energy • 26% Liveness
49% Instrumentalness • 73% Positiveness
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The Barry Sisters
Oh Mama, I'm So In Love
120 bpm • B Maj • 01:52 • -13.95db
14% Popularity • 65% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 65% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Gracie Fields
Sing As We Go
121 bpm • C Maj • 02:28 • -5db
10% Popularity • 74% Danceability • 43% Energy • 28% Liveness
8% Instrumentalness • 71% Positiveness
10% Popularity • 74% Danceability • 43% Energy • 28% Liveness
8% Instrumentalness • 71% Positiveness
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Billy Cotton & His Band
Friends And Neighbours
114 bpm • F Maj • 02:28 • -19db
15% Popularity • 72% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 72% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Gordon Jenkins And Orchestra
Paris Canaille
114 bpm • G Maj • 02:36 • -11.11db
9% Popularity • 69% Danceability • 31% Energy • 22% Liveness
89% Instrumentalness • 75% Positiveness
9% Popularity • 69% Danceability • 31% Energy • 22% Liveness
89% Instrumentalness • 75% Positiveness
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Alf Rick
Levi's Monkey Mike
121 bpm • D Maj • 03:04 • -15.76db
13% Popularity • 91% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 91% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Laurel and Hardy
Trail of the Lonesome Pine
114 bpm • F# Maj • 02:03 • -11.11db
21% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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George Formby
Auntie Maggie's Remedy
113 bpm • A# Maj • 03:22 • -13.82db
11% Popularity • 92% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 92% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Nat King Cole
The Ballad Of Cat Ballou - Remastered 19...
121 bpm • C Maj • 02:45 • -14.9db
23% Popularity • 62% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 62% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Winifred Atwell
Twelfth Street Rag
113 bpm • C Maj • 02:36 • -9.41db
17% Popularity • 66% Danceability • 65% Energy • 9% Liveness
26% Instrumentalness • 96% Positiveness
17% Popularity • 66% Danceability • 65% Energy • 9% Liveness
26% Instrumentalness • 96% Positiveness
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徐慶復
藍色夜月
121 bpm • C Maj • 02:20 • -16.63db
9% Popularity • 43% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 43% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Eddie Calvert
Cherry Pink and Apple Blossom White
113 bpm • D# Maj • 02:23 • -8.48db
29% Popularity • 58% Danceability • 53% Energy • 21% Liveness
80% Instrumentalness • 93% Positiveness
29% Popularity • 58% Danceability • 53% Energy • 21% Liveness
80% Instrumentalness • 93% Positiveness
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Herschel Burke Gilbert
Round-Up (Anthology of TV Western Themes...
113 bpm • C Maj • 04:28 • -17db
14% Popularity • 34% Danceability • 28% Energy • 34% Liveness
4% Instrumentalness • 36% Positiveness
14% Popularity • 34% Danceability • 28% Energy • 34% Liveness
4% Instrumentalness • 36% Positiveness
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The Cockney Bar Singers
Shine On Harvest Moon / For Me And My Ga...
121 bpm • G min • 06:58 • -16.54db
7% Popularity • 53% Danceability • 44% Energy • 96% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 53% Danceability • 44% Energy • 96% Liveness
0% Instrumentalness • 72% Positiveness
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Valentino
Shuffling- Bells
121 bpm • F Maj • 01:05 • -20.23db
11% Popularity • 68% Danceability • 21% Energy • 28% Liveness
42% Instrumentalness • 71% Positiveness
11% Popularity • 68% Danceability • 21% Energy • 28% Liveness
42% Instrumentalness • 71% Positiveness
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Winifred Atwell
Tickle the Ivories
113 bpm • D min • 02:04 • -13.69db
17% Popularity • 53% Danceability • 61% Energy • 12% Liveness
19% Instrumentalness • 82% Positiveness
17% Popularity • 53% Danceability • 61% Energy • 12% Liveness
19% Instrumentalness • 82% Positiveness
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Adam Plachetka
Bugatti Step
122 bpm • D# Maj • 02:37 • -12.29db
17% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
17% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
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The Melachrino Strings and Orchestra
So Long, Dearie
122 bpm • D# Maj • 02:23 • -12.01db
14% Popularity • 31% Danceability • 33% Energy • 13% Liveness
18% Instrumentalness • 45% Positiveness
14% Popularity • 31% Danceability • 33% Energy • 13% Liveness
18% Instrumentalness • 45% Positiveness
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Golden Strings
Dirty Rotten Scoundrels
112 bpm • A min • 01:36 • -12.2db
8% Popularity • 65% Danceability • 32% Energy • 7% Liveness
13% Instrumentalness • 86% Positiveness
8% Popularity • 65% Danceability • 32% Energy • 7% Liveness
13% Instrumentalness • 86% Positiveness
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The Baja Marimba Band
Comin' In The Back Door
122 bpm • F Maj • 02:16 • -24.16db
13% Popularity • 63% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
13% Popularity • 63% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
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George Fenton
Green Eyes
112 bpm • C Maj • 03:29 • -16.66db
14% Popularity • 48% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 48% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Billy & The Londoners
On Mother Kelly's Doorstep
122 bpm • F Maj • 02:18 • -12.78db
0% Popularity • 80% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 78% Positiveness
0% Popularity • 80% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 78% Positiveness
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Living Strings
It's a Great Day for the Irish
122 bpm • A# min • 02:48 • -11.68db
12% Popularity • 61% Danceability • 53% Energy • 52% Liveness
85% Instrumentalness • 54% Positiveness
12% Popularity • 61% Danceability • 53% Energy • 52% Liveness
85% Instrumentalness • 54% Positiveness
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The Melachrino Strings and Orchestra
Before the Parade Passes By
122 bpm • F Maj • 02:05 • -11db
16% Popularity • 49% Danceability • 62% Energy • 32% Liveness
74% Instrumentalness • 77% Positiveness
16% Popularity • 49% Danceability • 62% Energy • 32% Liveness
74% Instrumentalness • 77% Positiveness
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Alfred Newman
Raise a Ruckus Tonight
122 bpm • C# Maj • 01:40 • -11.37db
7% Popularity • 66% Danceability • 49% Energy • 38% Liveness
14% Instrumentalness • 49% Positiveness
7% Popularity • 66% Danceability • 49% Energy • 38% Liveness
14% Instrumentalness • 49% Positiveness
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Gracie Fields
Wish Me Luck (As You Wave Me Goodbye)
122 bpm • C Maj • 02:58 • -7db
23% Popularity • 57% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 89% Positiveness
23% Popularity • 57% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 89% Positiveness
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Edmundo Ros
The Coffee Song
112 bpm • C min • 02:37 • -13.29db
13% Popularity • 81% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 81% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Billy & The Londoners
Medley: Kiss Me Goodnight, Sergeant Majo...
112 bpm • F Maj • 07:52 • -15.05db
1% Popularity • 41% Danceability • 47% Energy • 74% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 41% Danceability • 47% Energy • 74% Liveness
0% Instrumentalness • 44% Positiveness
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New Orleans 1920s Jazz
Getaway Music
122 bpm • A Maj • 01:08 • -18.38db
23% Popularity • 83% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 98% Positiveness
23% Popularity • 83% Danceability • 43% Energy • 10% Liveness
83% Instrumentalness • 98% Positiveness
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Marlene Dietrich
See what the boys in the backroom - Dest...
112 bpm • F Maj • 02:01 • -11.1db
20% Popularity • 74% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 74% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Firehouse Five Plus Two
Anvil Stomp
123 bpm • G# Maj • 06:13 • -13.72db
9% Popularity • 57% Danceability • 64% Energy • 98% Liveness
18% Instrumentalness • 82% Positiveness
9% Popularity • 57% Danceability • 64% Energy • 98% Liveness
18% Instrumentalness • 82% Positiveness
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George Formby
Mr Wu in the Air Force
123 bpm • E Maj • 02:43 • -10.7db
10% Popularity • 91% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 91% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Cotton & His Band
Puttin' On The Ritz
111 bpm • D# Maj • 03:02 • -19.73db
12% Popularity • 82% Danceability • 28% Energy • 18% Liveness
58% Instrumentalness • 85% Positiveness
12% Popularity • 82% Danceability • 28% Energy • 18% Liveness
58% Instrumentalness • 85% Positiveness
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Ruby Murray
If You're Irish
123 bpm • D Maj • 01:26 • -4.57db
12% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Flanagan & Allen
Underneath the Arches
123 bpm • C Maj • 03:01 • -16db
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
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Billy Cotton Band
Aurora
111 bpm • D Maj • 02:19 • -10.49db
13% Popularity • 78% Danceability • 34% Energy • 5% Liveness
12% Instrumentalness • 67% Positiveness
13% Popularity • 78% Danceability • 34% Energy • 5% Liveness
12% Instrumentalness • 67% Positiveness
► Preview
Billy & The Londoners
Tavern Medley: There Is A Tavern In The ...
111 bpm • C Maj • 03:49 • -11.69db
0% Popularity • 72% Danceability • 54% Energy • 16% Liveness
96% Instrumentalness • 97% Positiveness
0% Popularity • 72% Danceability • 54% Energy • 16% Liveness
96% Instrumentalness • 97% Positiveness
► Preview
The Four Knights
I Love the Sunshine of Your Smile
123 bpm • G# Maj • 02:21 • -11db
18% Popularity • 92% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 92% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Noel Coward
Could You Please Oblige Us with a Bren G...
124 bpm • G Maj • 03:26 • -19.16db
17% Popularity • 72% Danceability • 18% Energy • 39% Liveness
18% Instrumentalness • 66% Positiveness
17% Popularity • 72% Danceability • 18% Energy • 39% Liveness
18% Instrumentalness • 66% Positiveness
► Preview
Meredith Willson Orchestra
The Music Man: Iowa Stubborn
123 bpm • D Maj • 02:09 • -15.03db
14% Popularity • 42% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 49% Positiveness
14% Popularity • 42% Danceability • 23% Energy • 6% Liveness
91% Instrumentalness • 49% Positiveness
