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Maybe Not Tonight
Songs like
Maybe Not Tonight
by
Sammy Kershaw
Based on a tempo of (+/- 10%) and a similar genre
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Alabama
Roll On (Eighteen Wheeler)
132 bpm • F Maj • 04:24 • -9.04db
51% Popularity • 63% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
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Sammy Kershaw
Send in the Rodeo Clowns
132 bpm • G Maj • 03:18 • -9.25db
7% Popularity • 66% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Pam Tillis
Don't Tell Me What To Do
132 bpm • G Maj • 03:11 • -6db
43% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Mark Chesnutt
Almost Goodbye
132 bpm • C min • 04:10 • -13.75db
40% Popularity • 62% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
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Dwight Yoakam
Little Ways
132 bpm • A Maj • 03:21 • -11db
36% Popularity • 73% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Aaron Tippin
There Ain't Nothin' Wrong with the Radio
131 bpm • E Maj • 02:45 • -11.38db
52% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Diamond Rio
One More Day
131 bpm • E Maj • 03:36 • -7.63db
54% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sammy Kershaw
Vidalia
133 bpm • E Maj • 03:21 • -7.39db
49% Popularity • 51% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Clay Walker
Live Until I Die
133 bpm • D# Maj • 02:49 • -11.32db
52% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
55% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Little Texas
What Might Have Been
131 bpm • G Maj • 03:58 • -15.11db
48% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Merle Haggard
Are the Good Times Really Over (I Wish a...
131 bpm • C Maj • 04:13 • -15.44db
54% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Toby Keith
Should've Been A Cowboy
133 bpm • G Maj • 03:31 • -8db
77% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Sammy Kershaw
Evangeline
133 bpm • A Maj • 03:36 • -3.71db
19% Popularity • 67% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Charley Pride
Kiss an Angel Good Mornin'
131 bpm • E Maj • 02:03 • -11db
62% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Joe Diffie
John Deere Green
130 bpm • G Maj • 04:32 • -5.05db
60% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
68% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Lorrie Morgan
What Part of No
130 bpm • D# Maj • 02:44 • -10db
51% Popularity • 72% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Merle Haggard
My Favorite Memory
130 bpm • D Maj • 03:05 • -14db
48% Popularity • 45% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Sammy Kershaw
I Had to Give That up Too
130 bpm • C# Maj • 03:40 • -9.22db
7% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jo Dee Messina
Bye-Bye
134 bpm • A# Maj • 03:20 • -3.98db
63% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Doug Stone
I'd Be Better Off (In A Pine Box)
134 bpm • A# Maj • 03:20 • -9db
48% Popularity • 50% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Clint Black
When My Ship Comes In
134 bpm • B Maj • 03:33 • -12.04db
44% Popularity • 69% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Tracy Byrd
I'm From The Country - Single Version
130 bpm • D Maj • 03:33 • -4db
63% Popularity • 69% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Sammy Kershaw
National Working Woman's Holiday
130 bpm • F Maj • 03:11 • -8.61db
33% Popularity • 79% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Shania Twain
No One Needs To Know
135 bpm • G Maj • 03:03 • -9.67db
64% Popularity • 66% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Ricochet
Daddy's Money
135 bpm • D Maj • 03:03 • -5db
58% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Hank Williams, Jr.
Outlaw Women
129 bpm • D Maj • 03:02 • -20db
58% Popularity • 72% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Trace Adkins
Every Light In The House
129 bpm • F Maj • 02:59 • -7.3db
66% Popularity • 64% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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The Oak Ridge Boys
American Made
129 bpm • G# Maj • 02:39 • -14.28db
54% Popularity • 70% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Rhett Akins
That Ain't My Truck
129 bpm • G Maj • 04:03 • -9.01db
63% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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John Michael Montgomery
Life's a Dance
135 bpm • F Maj • 03:10 • -4.4db
58% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Little Texas
God Blessed Texas
129 bpm • A Maj • 03:28 • -8.51db
56% Popularity • 65% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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John Conlee
Common Man
129 bpm • G Maj • 02:43 • -8db
59% Popularity • 79% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Alabama
I'm in a Hurry (And Don't Know Why)
129 bpm • A Maj • 02:48 • -8db
66% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Faith Hill
Wild One
136 bpm • B Maj • 02:45 • -9.15db
61% Popularity • 69% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Sawyer Brown
The Walk
128 bpm • D Maj • 03:44 • -11.59db
47% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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John Michael Montgomery
Letters from Home
128 bpm • C Maj • 04:27 • -7db
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Jamey Johnson
Set 'Em Up Joe
128 bpm • D Maj • 02:47 • -10.57db
50% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Little Texas
God Blessed Texas
129 bpm • A Maj • 04:05 • -8.36db
39% Popularity • 64% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Alabama
Close Enough to Perfect
135 bpm • G Maj • 03:32 • -9.71db
42% Popularity • 59% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Tim McGraw
Down On The Farm
128 bpm • F min • 02:58 • -12db
62% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Tracy Byrd
Watermelon Crawl
137 bpm • C Maj • 03:01 • -9.32db
69% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Confederate Railroad
Jesus and Mama - Remastered Version
137 bpm • B Maj • 03:21 • -8.34db
39% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Sammy Kershaw
Better Than I Used to Be
137 bpm • D# Maj • 03:20 • -8db
32% Popularity • 59% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jo Dee Messina
Heads Carolina, Tails California
137 bpm • E Maj • 03:29 • -6.62db
70% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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David Lee Murphy
Party Crowd
127 bpm • G Maj • 03:18 • -11.66db
57% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Hank Williams, Jr.
All My Rowdy Friends (Have Settled Down)
127 bpm • C Maj • 04:00 • -10.32db
57% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Phil Vassar
Little Red Rodeo
127 bpm • C Maj • 03:23 • -5.19db
45% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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The Oak Ridge Boys
Elvira
127 bpm • G# Maj • 03:45 • -17.49db
60% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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John Anderson
Seminole Wind
127 bpm • D Maj • 03:58 • -11.1db
57% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Collin Raye
Little Rock
137 bpm • C Maj • 03:57 • -6db
43% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Keith Whitley
Nobody In His Right Mind Would've Left H...
137 bpm • E Maj • 02:26 • -16.84db
47% Popularity • 60% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Terri Clark
You're Easy On The Eyes
126 bpm • C Maj • 03:33 • -5.84db
41% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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BlackHawk
Goodbye Says It All
138 bpm • G# Maj • 03:24 • -9.82db
54% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Hank Williams, Jr.
Family Tradition
126 bpm • E Maj • 04:02 • -12.07db
69% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Toby Keith
Who's Your Daddy?
126 bpm • A Maj • 03:57 • -5db
59% Popularity • 69% Danceability • 84% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
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Collin Raye
That's My Story
138 bpm • F min • 03:02 • -4.4db
52% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Brooks Jefferson
Two of a Kind (Workin' On a Full House)
126 bpm • D Maj • 02:31 • -3.73db
43% Popularity • 63% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
67% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Clay Walker
Fall
138 bpm • C Maj • 03:37 • -6.99db
48% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Terri Clark
Poor, Poor Pitiful Me
126 bpm • C# Maj • 03:10 • -7db
53% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Sammy Kershaw
Cadillac Style
138 bpm • D Maj • 02:55 • -11db
52% Popularity • 66% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
54% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Toby Keith
You Ain't Much Fun
138 bpm • A Maj • 02:27 • -8db
65% Popularity • 77% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Dwight Yoakam
Fast as You
126 bpm • E Maj • 04:45 • -7.93db
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
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Lonestar
What About Now
126 bpm • E Maj • 03:30 • -7db
50% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Trisha Yearwood
XXX's And OOO's (An American Girl)
126 bpm • C Maj • 02:47 • -8.91db
64% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sammy Kershaw
Don't Go Near the Water
126 bpm • C Maj • 03:02 • -5.41db
22% Popularity • 74% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Earl Thomas Conley
Holding Her and Loving You
126 bpm • G Maj • 03:10 • -14db
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Ronnie Milsap
Daydreams About Night Things
139 bpm • D Maj • 02:22 • -8.98db
55% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Kathy Mattea
Eighteen Wheels And A Dozen Roses
139 bpm • G# Maj • 03:23 • -13.63db
56% Popularity • 65% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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The Judds
Why Not Me
126 bpm • A# Maj • 03:29 • -9.28db
64% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Trisha Yearwood
She's In Love With The Boy - Single Vers...
125 bpm • D# Maj • 04:08 • -8.27db
71% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sammy Kershaw
Don't Go Near The Water
125 bpm • C Maj • 03:07 • -10.61db
39% Popularity • 75% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
62% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Toby Keith
A Little Less Talk And A Lot More Action
125 bpm • A Maj • 02:50 • -8db
63% Popularity • 76% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Patty Loveless
Timber I'm Falling In Love
125 bpm • C# Maj • 02:32 • -11.87db
47% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Lorrie Morgan
He Drinks Tequila
125 bpm • G# Maj • 03:09 • -7db
40% Popularity • 76% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Sawyer Brown
Some Girls Do
140 bpm • D Maj • 03:13 • -6.41db
68% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Sammy Kershaw
Honky Tonk America
125 bpm • G Maj • 03:56 • -8.48db
15% Popularity • 62% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Rhett Akins
I Brake For Brunettes
125 bpm • E min • 03:23 • -8db
41% Popularity • 70% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Reba McEntire
Little Rock
140 bpm • D Maj • 03:07 • -15db
51% Popularity • 66% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ronnie Milsap
Smoky Mountain Rain
140 bpm • G Maj • 03:43 • -8.62db
56% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Dan Seals
Meet Me In Montana
124 bpm • A# Maj • 03:56 • -12.29db
53% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Clint Black
Nothing's News
124 bpm • C Maj • 03:02 • -12db
46% Popularity • 68% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Sammy Kershaw
Love of My Life
140 bpm • A# Maj • 04:26 • -9.64db
40% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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Ricky Skaggs
Honey (Open That Door)
140 bpm • C Maj • 03:28 • -9.64db
43% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Joe Diffie
Prop Me Up Beside the Jukebox (If I Die)
141 bpm • A Maj • 03:46 • -5db
53% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Diamond Rio
How Your Love Makes Me Feel
141 bpm • C Maj • 04:05 • -9.29db
40% Popularity • 61% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Little Texas
Kick a Little
141 bpm • E Maj • 03:44 • -7.3db
44% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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Sammy Kershaw
Southbound
124 bpm • A# Maj • 04:32 • -10.55db
14% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Clay Walker
The Chain of Love
141 bpm • D Maj • 05:04 • -14db
42% Popularity • 53% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Keith Whitley
Brother Jukebox
141 bpm • C Maj • 02:46 • -16.07db
40% Popularity • 67% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Joe Diffie
Pickup Man
141 bpm • G Maj • 03:36 • -8.55db
64% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Toby Keith
Who's That Man
123 bpm • D Maj • 04:55 • -8db
55% Popularity • 81% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Mark Chesnutt
Brother Jukebox
141 bpm • C# Maj • 03:04 • -11db
60% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Sammy Kershaw
Love Of My Life
141 bpm • A# Maj • 04:22 • -11db
36% Popularity • 55% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Maybe Not Tonight