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MB (as in Modern Baseball)
Songs like
MB (as in Modern Baseball)
by
Motel Breakfast
Based on a tempo of (+/- 10%) and a similar genre
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Caiola
Only Real When Shared
144 bpm • D Maj • 04:31 • -7.4db
30% Popularity • 61% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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tyke james
saw u in (another) dream
144 bpm • G Maj • 03:27 • -9.28db
19% Popularity • 60% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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flipturn
Brooklyn Baby
144 bpm • G# Maj • 03:34 • -6.3db
41% Popularity • 54% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Motel Breakfast
MB (as in Modern Baseball)
144 bpm • A# Maj • 04:23 • -9.25db
24% Popularity • 59% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Dan & Drum
5 Dollars
144 bpm • E Maj • 02:43 • -10.16db
32% Popularity • 44% Danceability • 65% Energy • 18% Liveness
80% Instrumentalness • 65% Positiveness
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The Moss
801
144 bpm • E Maj • 03:02 • -9.27db
23% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cardinal Bloom
To Love Someone
144 bpm • D Maj • 05:12 • -10.35db
31% Popularity • 33% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Kai Weinkauf
She Moves in Waves
144 bpm • E Maj • 03:25 • -9.78db
33% Popularity • 40% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Zane Christopher
Habits
145 bpm • A# Maj • 05:00 • -6.09db
16% Popularity • 46% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Motel Breakfast
Orchard
144 bpm • C Maj • 04:23 • -13.21db
21% Popularity • 45% Danceability • 56% Energy • 12% Liveness
24% Instrumentalness • 30% Positiveness
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Arts Fishing Club
hello heartbreak
143 bpm • E Maj • 04:03 • -5.82db
29% Popularity • 55% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 66% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
52% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Cottonwood Firing Squad
witch camp
145 bpm • C# Maj • 01:54 • -10.16db
31% Popularity • 66% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
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Duncan Fellows
Swallowing Grains
145 bpm • G Maj • 02:53 • -6.56db
25% Popularity • 49% Danceability • 69% Energy • 20% Liveness
37% Instrumentalness • 31% Positiveness
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Pretty Jane
Fur Coats
143 bpm • G# Maj • 03:06 • -8.26db
36% Popularity • 68% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
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Motel Breakfast
Hope
144 bpm • C Maj • 04:49 • -7.22db
6% Popularity • 37% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Stelth Ulvang
Denim
143 bpm • E Maj • 02:46 • -11.14db
34% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Bendigo Fletcher
AMF
146 bpm • D Maj • 04:57 • -11.24db
22% Popularity • 34% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Sarah and the Sundays
Ghost Town
142 bpm • C# min • 04:20 • -11.08db
30% Popularity • 85% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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hey, nothing
Party Brain
146 bpm • C Maj • 02:55 • -11.38db
36% Popularity • 72% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Briston Maroney
Oregon
146 bpm • A# Maj • 03:18 • -5db
50% Popularity • 57% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Motel Breakfast
MB (as in Modern Baseball) - Live from L...
145 bpm • A# Maj • 04:33 • -7.6db
4% Popularity • 39% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Pothole Paradise
Up to Colorado
142 bpm • C min • 03:30 • -10.25db
34% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Easy Honey
Tributary
142 bpm • A Maj • 02:50 • -7.43db
10% Popularity • 62% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Midsummer Motel
where do all the good people go?
146 bpm • E Maj • 03:58 • -7.74db
22% Popularity • 39% Danceability • 90% Energy • 13% Liveness
4% Instrumentalness • 59% Positiveness
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Michael Alan Scott
Indiana
147 bpm • D Maj • 04:35 • -9.39db
11% Popularity • 50% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Happy Return
Sweaters
141 bpm • C Maj • 02:57 • -4.68db
30% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Motel Breakfast
Life
147 bpm • A min • 03:25 • -6.61db
6% Popularity • 55% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Bendigo Fletcher
Birding
147 bpm • F# min • 03:40 • -8.4db
32% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Daphne's Couch
Strawberries
141 bpm • C Maj • 02:49 • -5.47db
35% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Del Water Gap
Lamplight
141 bpm • B Maj • 04:23 • -8db
41% Popularity • 64% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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mercury
Moment
141 bpm • F# Maj • 01:53 • -6.7db
35% Popularity • 38% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Phony
KALEIDOSCOPE
147 bpm • C Maj • 03:23 • -12.85db
25% Popularity • 49% Danceability • 29% Energy • 9% Liveness
4% Instrumentalness • 15% Positiveness
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Hanover
Arboretum
141 bpm • E Maj • 04:12 • -9.17db
12% Popularity • 36% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Brother Moses
Sam & Diane
147 bpm • C Maj • 03:48 • -10.88db
25% Popularity • 46% Danceability • 54% Energy • 70% Liveness
1% Instrumentalness • 29% Positiveness
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Motel Breakfast
ADHD
141 bpm • D Maj • 03:00 • -6.1db
5% Popularity • 38% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
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Arcy Drive
Smoke & Fire (Live)
141 bpm • G# Maj • 03:12 • -5.3db
42% Popularity • 30% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Racoma
Untitled
140 bpm • D# Maj • 02:06 • -6.42db
45% Popularity • 32% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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The Thing
Beige Bouquet
140 bpm • D Maj • 02:48 • -3.95db
33% Popularity • 40% Danceability • 76% Energy • 20% Liveness
45% Instrumentalness • 15% Positiveness
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Heffner
James Kim
140 bpm • F# Maj • 03:08 • -7db
21% Popularity • 38% Danceability • 82% Energy • 10% Liveness
17% Instrumentalness • 67% Positiveness
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meija
Do Ya?
148 bpm • D Maj • 03:33 • -4.46db
35% Popularity • 60% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Motel Breakfast
Strangers to Ourselves
148 bpm • C Maj • 04:05 • -6db
15% Popularity • 50% Danceability • 91% Energy • 17% Liveness
1% Instrumentalness • 54% Positiveness
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Johnny & the Man Kids
Hudson Bay
140 bpm • A Maj • 02:19 • -5.6db
26% Popularity • 45% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Carter Vail
Kafka
140 bpm • E Maj • 03:26 • -9db
20% Popularity • 83% Danceability • 54% Energy • 6% Liveness
4% Instrumentalness • 96% Positiveness
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Cole Hallman
I Don't Wanna Leave
140 bpm • C# Maj • 02:42 • -5.61db
24% Popularity • 56% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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James Droll
way too loud
140 bpm • E Maj • 03:01 • -6.37db
39% Popularity • 72% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Sydney Sprague
smiley face
140 bpm • C Maj • 03:06 • -9.01db
30% Popularity • 64% Danceability • 66% Energy • 31% Liveness
1% Instrumentalness • 66% Positiveness
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Hana Eid
Dancing to The Smiths
140 bpm • D Maj • 04:19 • -9.45db
38% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Kipper Snack
Big Guy
140 bpm • D Maj • 03:20 • -7.1db
15% Popularity • 32% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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The Brummies
Cosmic Space Girl
140 bpm • D Maj • 02:55 • -5.99db
26% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Arcy Drive
They Don't Dance
149 bpm • A min • 03:54 • -6.88db
41% Popularity • 25% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Motel Breakfast
Faceless
149 bpm • G Maj • 03:24 • -3.68db
1% Popularity • 35% Danceability • 85% Energy • 9% Liveness
2% Instrumentalness • 60% Positiveness
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Visit Neptune
Change the Times
149 bpm • C# min • 03:00 • -10.94db
42% Popularity • 43% Danceability • 76% Energy • 15% Liveness
6% Instrumentalness • 39% Positiveness
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Doc Robinson
Ride the Wave
149 bpm • C Maj • 03:22 • -5.41db
18% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Drusky
Holy Ghosting
139 bpm • C Maj • 02:53 • -5.63db
20% Popularity • 56% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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The Dead Bolts
The Throes
150 bpm • A Maj • 04:47 • -5db
15% Popularity • 38% Danceability • 95% Energy • 41% Liveness
19% Instrumentalness • 45% Positiveness
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The Moss
Secretariat
139 bpm • A Maj • 02:41 • -9db
40% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Motel Breakfast
Burrow
140 bpm • D Maj • 04:38 • -9.69db
3% Popularity • 56% Danceability • 49% Energy • 23% Liveness
4% Instrumentalness • 24% Positiveness
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HARBOUR
I Can't Stand It
150 bpm • E Maj • 04:20 • -5.8db
35% Popularity • 36% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ray Bull
Name Something Better
150 bpm • D Maj • 04:01 • -7.43db
52% Popularity • 69% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Palmer
PEOPLE FUEL
150 bpm • A# Maj • 02:53 • -7db
38% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Hanover
Lakeside
150 bpm • G# Maj • 02:54 • -5.86db
14% Popularity • 45% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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The Moss
The 801
150 bpm • E Maj • 03:06 • -11.2db
29% Popularity • 62% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Motel Breakfast
Can't Be Tamed
138 bpm • G Maj • 03:35 • -7.4db
5% Popularity • 48% Danceability • 42% Energy • 13% Liveness
6% Instrumentalness • 29% Positiveness
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Carter Vail
WE WERE KIDS
150 bpm • D Maj • 03:08 • -7.07db
36% Popularity • 52% Danceability • 81% Energy • 72% Liveness
58% Instrumentalness • 81% Positiveness
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Zane Christopher
Young
150 bpm • C# Maj • 03:09 • -5.6db
41% Popularity • 59% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Briston Maroney
Paradise
150 bpm • C# Maj • 02:44 • -2db
53% Popularity • 48% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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The Cavves
Coven In My Oven
150 bpm • C Maj • 02:11 • -6db
39% Popularity • 50% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Venus & the Flytraps
19-90
150 bpm • G# Maj • 02:37 • -7.65db
32% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Wildermiss
Decay
150 bpm • E Maj • 03:07 • -8.04db
19% Popularity • 50% Danceability • 60% Energy • 18% Liveness
1% Instrumentalness • 25% Positiveness
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Career Woman
Unfun
138 bpm • C# Maj • 04:22 • -5db
25% Popularity • 47% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Peach Pit
Pepsi on the House
138 bpm • A Maj • 03:01 • -4.49db
48% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Briston Maroney
Closer
150 bpm • C# min • 03:43 • -8.72db
32% Popularity • 48% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Wormy
Hungry Ghost
138 bpm • D Maj • 03:49 • -7db
23% Popularity • 63% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Motel Breakfast
2 Doors
138 bpm • G Maj • 03:50 • -8.84db
1% Popularity • 50% Danceability • 69% Energy • 6% Liveness
5% Instrumentalness • 43% Positiveness
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flipturn
Hypoxia
138 bpm • A Maj • 05:23 • -6.59db
39% Popularity • 56% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Sure Sure
Another Life
138 bpm • D Maj • 02:48 • -8.03db
21% Popularity • 65% Danceability • 52% Energy • 36% Liveness
8% Instrumentalness • 50% Positiveness
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Sarah and the Sundays
Veneer
137 bpm • C# min • 03:47 • -6.48db
33% Popularity • 58% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Sydney Sprague
Think Nothing
137 bpm • G# Maj • 03:31 • -6db
25% Popularity • 52% Danceability • 75% Energy • 32% Liveness
15% Instrumentalness • 36% Positiveness
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The High Lines
Fake
137 bpm • D# Maj • 02:46 • -11db
23% Popularity • 62% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Motel Breakfast
Wonder Year
138 bpm • G# Maj • 05:28 • -11.8db
33% Popularity • 49% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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flipturn
The Fall
151 bpm • D Maj • 03:54 • -6.98db
40% Popularity • 52% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Trudy and the Romance
Angel
137 bpm • E Maj • 04:02 • -5.58db
34% Popularity • 48% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Pretty Jane
Shotgun Wedding
137 bpm • F Maj • 03:40 • -9db
35% Popularity • 58% Danceability • 59% Energy • 75% Liveness
0% Instrumentalness • 55% Positiveness
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The Moss
Chaparral
152 bpm • E min • 02:46 • -6.12db
47% Popularity • 43% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Keyboard Dog
9/10
152 bpm • C Maj • 03:23 • -9.61db
31% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Never Ending Fall
Bad Taste
136 bpm • B min • 04:26 • -6db
36% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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flipturn
Weepy Woman
152 bpm • B Maj • 03:22 • -6db
36% Popularity • 30% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Virginia Man
Nobody's Fault but Mine
136 bpm • F Maj • 03:57 • -7.31db
10% Popularity • 71% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Sure Sure
Another Bad Dream
136 bpm • F Maj • 02:16 • -6.4db
35% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Harvey Street
Insane
136 bpm • D Maj • 03:51 • -7db
20% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Bad Bad Hats
Gloria Love
135 bpm • A Maj • 02:52 • -5.73db
28% Popularity • 72% Danceability • 74% Energy • 23% Liveness
1% Instrumentalness • 94% Positiveness
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Motel Breakfast
Why Not Tonight - Live from Lincoln Hall
135 bpm • D Maj • 03:47 • -5.95db
2% Popularity • 46% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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flipturn
Cold
136 bpm • F Maj • 04:13 • -6.15db
37% Popularity • 50% Danceability • 82% Energy • 8% Liveness
23% Instrumentalness • 34% Positiveness
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Drumming Bird
Ocoee
135 bpm • G Maj • 05:02 • -3.78db
21% Popularity • 37% Danceability • 85% Energy • 41% Liveness
25% Instrumentalness • 44% Positiveness
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hey, nothing
Too Drunk to Drive
135 bpm • E Maj • 03:32 • -7.2db
46% Popularity • 54% Danceability • 61% Energy • 35% Liveness
3% Instrumentalness • 71% Positiveness
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The Olson Brothers
Back To You
135 bpm • E Maj • 02:53 • -6.42db
13% Popularity • 60% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Loveseat Pete
Sawyer
135 bpm • F# Maj • 02:34 • -5.74db
16% Popularity • 65% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Peach Fuzz
Shaking the Can
135 bpm • C Maj • 02:44 • -9db
32% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Collins Beach
Build You Up
135 bpm • D Maj • 03:40 • -7.42db
22% Popularity • 38% Danceability • 81% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
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MB (as in Modern Baseball)