Songs like M'Bondo - Version by Robert Aiki Aubrey Lowe
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Clark
King's Dream
143 bpm • G# min • 01:36 • -24.98db
23% Popularity • 13% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
23% Popularity • 13% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Robert Aiki Aubrey Lowe
Becoming
143 bpm • A# min • 03:38 • -15.79db
1% Popularity • 17% Danceability • 76% Energy • 7% Liveness
83% Instrumentalness • 2% Positiveness
1% Popularity • 17% Danceability • 76% Energy • 7% Liveness
83% Instrumentalness • 2% Positiveness
► Preview
Natalia Tsupryk
The Room
143 bpm • C Maj • 01:34 • -30.37db
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Jim Williams
Some Distant Coast
143 bpm • F min • 01:24 • -28.95db
10% Popularity • 14% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Michel Banabila
Cassina
140 bpm • F Maj • 03:50 • -17.85db
14% Popularity • 24% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 24% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Adam Janota Bzowski
Maud's Theme
140 bpm • E min • 01:18 • -25.38db
16% Popularity • 14% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Cliff Martinez
Is That What Everybody Wants
144 bpm • A min • 02:48 • -21.49db
38% Popularity • 29% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
38% Popularity • 29% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Atrium Carceri
Miles to Midnight
140 bpm • C Maj • 05:55 • -25.22db
22% Popularity • 21% Danceability • 11% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 11% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Ben Frost
Stomp
140 bpm • C min • 08:26 • -17.29db
16% Popularity • 50% Danceability • 14% Energy • 35% Liveness
71% Instrumentalness • 12% Positiveness
16% Popularity • 50% Danceability • 14% Energy • 35% Liveness
71% Instrumentalness • 12% Positiveness
► Preview
Natalia Tsupryk
Lihasaaret
144 bpm • D Maj • 05:16 • -20.82db
17% Popularity • 14% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
SQÜRL
Bright Air
140 bpm • A min • 02:18 • -27.03db
20% Popularity • 29% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
20% Popularity • 29% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Tim Hecker
A Breather
140 bpm • E min • 02:24 • -19.13db
7% Popularity • 20% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
7% Popularity • 20% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Robert Aiki Aubrey Lowe
The End of Clive and Jerrica
139 bpm • F Maj • 02:59 • -19.34db
5% Popularity • 22% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
5% Popularity • 22% Danceability • 13% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Hauschka
Back at the Drake
139 bpm • C min • 01:03 • -26.8db
26% Popularity • 15% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Leyenda Domi2008
Aurora en el Horizonte Estelar
139 bpm • C# Maj • 02:37 • -32.2db
23% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
23% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Lorne Balfe
Dopesick
145 bpm • F min • 04:18 • -21db
23% Popularity • 66% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
23% Popularity • 66% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
► Preview
Lovett
You're Safe Now
139 bpm • A min • 02:04 • -19.27db
15% Popularity • 14% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Daniel Lopatin
Buzz Me Out
139 bpm • D# Maj • 02:49 • -32.55db
16% Popularity • 14% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Lustmord
So Be It
139 bpm • F min • 08:45 • -33.76db
9% Popularity • 14% Danceability • 14% Energy • 14% Liveness
78% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 14% Energy • 14% Liveness
78% Instrumentalness • 6% Positiveness
► Preview
Dan Romer
Don't Open It
139 bpm • D min • 02:11 • -20.6db
16% Popularity • 14% Danceability • 16% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 16% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
TDSOM
Vow
139 bpm • C# Maj • 03:56 • -25.4db
9% Popularity • 28% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Beyond the Ghost
You Disappeared
138 bpm • D Maj • 05:42 • -14.25db
16% Popularity • 14% Danceability • 37% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 37% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Yair Elazar Glotman
The Sun
138 bpm • C min • 01:28 • -28.16db
19% Popularity • 14% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Robert Aiki Aubrey Lowe
Brianna in the Studio
138 bpm • G# Maj • 01:37 • -22.23db
3% Popularity • 16% Danceability • 44% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 44% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Oliver Coates
Valley Descent
138 bpm • D# Maj • 01:22 • -27db
20% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
20% Popularity • 14% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Lustmord
Discernment
138 bpm • C# min • 06:19 • -29.02db
12% Popularity • 18% Danceability • 37% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 37% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Jim Williams
Prison in Your Mind
138 bpm • G# Maj • 02:36 • -42.65db
14% Popularity • 15% Danceability • 0% Energy • 13% Liveness
74% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 0% Energy • 13% Liveness
74% Instrumentalness • 3% Positiveness
► Preview
CJ Mirra
A Banquet
147 bpm • G# Maj • 02:14 • -30db
13% Popularity • 32% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 32% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
QuasarQuartet
Stellar Symphony
137 bpm • G min • 01:36 • -21.66db
10% Popularity • 22% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Brian McOmber
It Comes At Night
137 bpm • D min • 01:35 • -22db
14% Popularity • 15% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Daniel L.K. Caldwell
Inumon
147 bpm • G min • 04:21 • -23.94db
9% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Lustmord
Hanstown Kills
138 bpm • C# min • 04:17 • -30.14db
14% Popularity • 15% Danceability • 21% Energy • 39% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 21% Energy • 39% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Drew McDowall
Agalma III (Beacon)
147 bpm • A Maj • 05:23 • -14.01db
5% Popularity • 14% Danceability • 49% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 49% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Sonja Tofik
Night Changes Many Thoughts
137 bpm • C Maj • 03:51 • -12.73db
9% Popularity • 15% Danceability • 17% Energy • 11% Liveness
73% Instrumentalness • 2% Positiveness
9% Popularity • 15% Danceability • 17% Energy • 11% Liveness
73% Instrumentalness • 2% Positiveness
► Preview
Kammarheit
A Room Between the Rooms
137 bpm • F# Maj • 06:33 • -23db
34% Popularity • 16% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Elan Sicroff
"Rejoice, Beelzebub!"
137 bpm • F# min • 04:53 • -31.42db
15% Popularity • 22% Danceability • 9% Energy • 38% Liveness
82% Instrumentalness • 12% Positiveness
15% Popularity • 22% Danceability • 9% Energy • 38% Liveness
82% Instrumentalness • 12% Positiveness
► Preview
Robert Aiki Aubrey Lowe
Cabrini Walk (Bonus)
137 bpm • C# min • 01:07 • -20.1db
3% Popularity • 92% Danceability • 33% Energy • 16% Liveness
88% Instrumentalness • 45% Positiveness
3% Popularity • 92% Danceability • 33% Energy • 16% Liveness
88% Instrumentalness • 45% Positiveness
► Preview
Lustmord
Goetia
137 bpm • D Maj • 05:00 • -29.21db
33% Popularity • 15% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 15% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Sarah Davachi
Ghosts and All
137 bpm • A# Maj • 08:32 • -11.38db
24% Popularity • 15% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
24% Popularity • 15% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
William Basinski
For Whom the Bell Tolls
136 bpm • B Maj • 04:10 • -27.78db
26% Popularity • 15% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
26% Popularity • 15% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
► Preview
Jed Kurzel
Murmuring
136 bpm • C Maj • 02:43 • -19.88db
9% Popularity • 15% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Richard Skelton
Votive
136 bpm • C Maj • 02:37 • -21.81db
14% Popularity • 15% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Robert Aiki Aubrey Lowe
Daylight
136 bpm • D min • 02:55 • -13.6db
0% Popularity • 46% Danceability • 30% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
0% Popularity • 46% Danceability • 30% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
► Preview
Rob Simonsen
Cloudless Skies
149 bpm • C Maj • 01:10 • -27db
29% Popularity • 12% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Lustmord
Accursed
137 bpm • D# Maj • 07:11 • -25.75db
8% Popularity • 15% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
8% Popularity • 15% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Tim Hecker
Consolation
149 bpm • G# min • 01:23 • -24.9db
7% Popularity • 12% Danceability • 10% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 10% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Viktor Orri Árnason
Hljóð
135 bpm • G# Maj • 07:59 • -23.98db
22% Popularity • 19% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Wendy Carlos
Rocky Mountains
149 bpm • E min • 02:53 • -22db
33% Popularity • 12% Danceability • 22% Energy • 47% Liveness
84% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 22% Energy • 47% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Matthew Herbert
Kiss Her Again
135 bpm • C Maj • 01:46 • -21.26db
9% Popularity • 18% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Murcof
Nocturnal Sunrise
135 bpm • C min • 04:35 • -34.21db
16% Popularity • 16% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
16% Popularity • 16% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
► Preview
Lustmord
Revelation.
135 bpm • C Maj • 05:35 • -36.22db
23% Popularity • 18% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Musica Cthulhiana
Atmospheres
135 bpm • F# min • 10:05 • -23.02db
11% Popularity • 20% Danceability • 20% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Rob
Witchcraft
150 bpm • C Maj • 02:09 • -8.94db
11% Popularity • 13% Danceability • 62% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 62% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Brian Eno
Late Evening In Jersey
134 bpm • C# Maj • 04:38 • -26.31db
18% Popularity • 23% Danceability • 16% Energy • 9% Liveness
60% Instrumentalness • 13% Positiveness
18% Popularity • 23% Danceability • 16% Energy • 9% Liveness
60% Instrumentalness • 13% Positiveness
► Preview
Matthew Herbert
Collapse
135 bpm • C min • 01:47 • -21.48db
10% Popularity • 16% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Angelo Badalamenti
Dark Space Low
134 bpm • E min • 02:15 • -27.42db
26% Popularity • 15% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Lustmord
Eden
135 bpm • C# Maj • 06:07 • -25.65db
11% Popularity • 18% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Úlfur
Serpentine
150 bpm • C Maj • 03:41 • -12.69db
27% Popularity • 26% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Wordclock
Thames Does Flow
134 bpm • C# Maj • 02:54 • -22.89db
27% Popularity • 46% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
27% Popularity • 46% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Oliver Coates
Rylett Convergence
134 bpm • A# min • 03:42 • -15db
17% Popularity • 16% Danceability • 27% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 27% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Clint Mansell
Parallel Universe
134 bpm • D min • 05:05 • -18.09db
10% Popularity • 20% Danceability • 21% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 21% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Howard Shore
Civic TV
133 bpm • B min • 02:20 • -27.91db
16% Popularity • 38% Danceability • 19% Energy • 11% Liveness
64% Instrumentalness • 26% Positiveness
16% Popularity • 38% Danceability • 19% Energy • 11% Liveness
64% Instrumentalness • 26% Positiveness
► Preview
Lustmord
Y Gair
134 bpm • B Maj • 08:28 • -20.7db
32% Popularity • 15% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 15% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Biosphere
The Sudden Rush
133 bpm • A min • 03:28 • -23db
32% Popularity • 21% Danceability • 9% Energy • 15% Liveness
84% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 9% Energy • 15% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Raime
Passed over Trail
133 bpm • G Maj • 04:30 • -19.51db
27% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Murcof
Dividing Space
132 bpm • C min • 04:42 • -19.01db
28% Popularity • 16% Danceability • 19% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 19% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Dean Hurley
Far Boundaries
132 bpm • D min • 03:59 • -27db
8% Popularity • 30% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
8% Popularity • 30% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Robert Aiki Aubrey Lowe
Anthony's Arm
132 bpm • E min • 01:05 • -15.08db
3% Popularity • 23% Danceability • 35% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 35% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Lustmord
The Void Between
134 bpm • F Maj • 09:03 • -23.39db
16% Popularity • 16% Danceability • 23% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 23% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Christopher Spelman
The Final Journey
153 bpm • B Maj • 07:50 • -22.11db
21% Popularity • 11% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Max Richter
Your Crew Is Dead
132 bpm • B Maj • 02:09 • -20.54db
10% Popularity • 16% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Clint Mansell
Schrödinger’s Cat
132 bpm • D min • 09:42 • -17.73db
9% Popularity • 46% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 9% Positiveness
9% Popularity • 46% Danceability • 28% Energy • 16% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
The Insects
Tramlines
132 bpm • C# Maj • 02:46 • -23.28db
14% Popularity • 32% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 32% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Hans Zimmer
Salusa Secundus
132 bpm • G Maj • 04:11 • -20.59db
33% Popularity • 16% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 16% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Musica Cthulhiana
The Missing Link
154 bpm • G# Maj • 03:54 • -24.86db
25% Popularity • 18% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Kyle Dixon & Michael Stein
Accretion Disk
131 bpm • G# Maj • 03:43 • -13.51db
15% Popularity • 19% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Gazelle Twin
First Day
131 bpm • A# Maj • 01:36 • -22.99db
22% Popularity • 22% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
22% Popularity • 22% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Jason Hill
Trophies
131 bpm • G min • 01:35 • -21.97db
26% Popularity • 32% Danceability • 4% Energy • 5% Liveness
80% Instrumentalness • 3% Positiveness
26% Popularity • 32% Danceability • 4% Energy • 5% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Marcus Fjellström
The Eroding (Fairytale Music)
130 bpm • C min • 08:14 • -16.3db
12% Popularity • 16% Danceability • 59% Energy • 9% Liveness
55% Instrumentalness • 5% Positiveness
12% Popularity • 16% Danceability • 59% Energy • 9% Liveness
55% Instrumentalness • 5% Positiveness
► Preview
Marc Streitenfeld
Giant Serpentine
130 bpm • F min • 01:33 • -13.11db
9% Popularity • 23% Danceability • 70% Energy • 10% Liveness
82% Instrumentalness • 32% Positiveness
9% Popularity • 23% Danceability • 70% Energy • 10% Liveness
82% Instrumentalness • 32% Positiveness
► Preview
Lovett
Mates
130 bpm • G min • 01:40 • -30db
19% Popularity • 18% Danceability • 4% Energy • 19% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 19% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Lawrence English
And A Twist
130 bpm • D Maj • 02:42 • -22.59db
24% Popularity • 16% Danceability • 0% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 0% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Tim Hecker
Hit and Run
129 bpm • A# min • 02:29 • -26.67db
10% Popularity • 17% Danceability • 13% Energy • 36% Liveness
79% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 13% Energy • 36% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Martin Stig Andersen
Ring Road A141
129 bpm • G# Maj • 08:02 • -37db
19% Popularity • 22% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Kenneth James Gibson
In Time You Will
129 bpm • A# min • 06:08 • -17.22db
13% Popularity • 16% Danceability • 41% Energy • 30% Liveness
78% Instrumentalness • 14% Positiveness
13% Popularity • 16% Danceability • 41% Energy • 30% Liveness
78% Instrumentalness • 14% Positiveness
► Preview
Luke Howard
Desert Diggings
129 bpm • C# min • 01:16 • -23.35db
13% Popularity • 22% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
13% Popularity • 22% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Wordclock
Come, Triumph
157 bpm • F min • 02:43 • -12.85db
22% Popularity • 18% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Marc Streitenfeld
When We Die
128 bpm • C Maj • 01:35 • -24.63db
20% Popularity • 17% Danceability • 11% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 11% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Tim Hecker
Loot
126 bpm • C# min • 02:34 • -20.95db
7% Popularity • 21% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
7% Popularity • 21% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Lacus Somniorum
Tideshaper
126 bpm • D Maj • 06:54 • -14.58db
13% Popularity • 23% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
13% Popularity • 23% Danceability • 61% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
► Preview
Yair Elazar Glotman
Epilogue
126 bpm • D Maj • 05:08 • -33.54db
16% Popularity • 17% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Jason Hill
Four Windows
126 bpm • A min • 03:28 • -26db
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Robert Aiki Aubrey Lowe
River View
161 bpm • G min • 02:22 • -14.63db
0% Popularity • 55% Danceability • 51% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
0% Popularity • 55% Danceability • 51% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Mark Korven
Follow The Goat
125 bpm • E Maj • 01:15 • -25.22db
23% Popularity • 17% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Dean Hurley
Night Electricity Theme
125 bpm • B Maj • 02:51 • -30.48db
22% Popularity • 17% Danceability • 0% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 0% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Ariel Marx
Danielle
163 bpm • C Maj • 01:31 • -16.98db
10% Popularity • 41% Danceability • 6% Energy • 9% Liveness
22% Instrumentalness • 20% Positiveness
10% Popularity • 41% Danceability • 6% Energy • 9% Liveness
22% Instrumentalness • 20% Positiveness
► Preview
Yair Elazar Glotman
Task No. 1: The Scattering of Seeds
125 bpm • C# Maj • 01:56 • -25.12db
16% Popularity • 48% Danceability • 25% Energy • 7% Liveness
87% Instrumentalness • 2% Positiveness
16% Popularity • 48% Danceability • 25% Energy • 7% Liveness
87% Instrumentalness • 2% Positiveness
► Preview
Ben Frost
You Mean More to Me Than Any Scientific ...
124 bpm • D Maj • 02:38 • -41.48db
26% Popularity • 17% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
