Songs like MEAN! by Madeline The Person
Based on a tempo of (+/- 10%) and a similar genre
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Madeline The Person
MEAN!
175 bpm • G Maj • 02:23 • -10db
62% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Zach Bryan
Something in the Orange
175 bpm • E min • 03:48 • -12.15db
88% Popularity • 37% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
88% Popularity • 37% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Harry Styles
As It Was
174 bpm • F# min • 02:47 • -5.34db
91% Popularity • 52% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
91% Popularity • 52% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
55% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ber
Meant To Be
174 bpm • C# Maj • 02:43 • -11db
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Alec Benjamin
If We Have Each Other
173 bpm • A# min • 03:01 • -5.57db
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
77% Popularity • 66% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Madeline The Person
MEAN! - Remix
174 bpm • G Maj • 02:23 • -9db
57% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
84% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
84% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Rihanna
Lift Me Up
177 bpm • A Maj • 03:16 • -6.08db
66% Popularity • 25% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 25% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Noah Kahan
Call Your Mom
172 bpm • C Maj • 04:38 • -12db
73% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
73% Popularity • 48% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Astrid S
It's Ok If You Forget Me
172 bpm • F# Maj • 03:24 • -7.63db
57% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Birdy
Deep End
172 bpm • D Maj • 03:28 • -8.51db
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Madeline The Person
I Talk to the Sky
172 bpm • C Maj • 03:18 • -8.21db
23% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lexi Jayde
you don't deserve these tears
172 bpm • C# Maj • 02:12 • -8db
45% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Swift
champagne problems
171 bpm • C Maj • 04:04 • -12.08db
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Gang of Youths
Achilles Come Down
180 bpm • C min • 07:02 • -9.28db
68% Popularity • 22% Danceability • 52% Energy • 22% Liveness
28% Instrumentalness • 15% Positiveness
68% Popularity • 22% Danceability • 52% Energy • 22% Liveness
28% Instrumentalness • 15% Positiveness
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Maisie Peters
Blonde
180 bpm • A Maj • 03:01 • -3.98db
55% Popularity • 41% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 41% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Dove Cameron
Boyfriend
180 bpm • G min • 02:33 • -6.54db
74% Popularity • 34% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
74% Popularity • 34% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Madeline The Person
Not Sorry
170 bpm • G# Maj • 02:50 • -7db
22% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Melina KB
I've Had Enough
170 bpm • A# min • 03:30 • -5.74db
59% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Emei
Late to the Party
170 bpm • D# min • 02:57 • -8.77db
56% Popularity • 68% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 68% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Madison Beer
Reckless
180 bpm • D# Maj • 03:23 • -6.64db
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 39% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Rosa Linn
SNAP
170 bpm • C Maj • 02:59 • -8.2db
85% Popularity • 56% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
85% Popularity • 56% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 52% Positiveness
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Dream
Change My Clothes
170 bpm • A Maj • 03:06 • -7.33db
57% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Joji
Glimpse of Us
170 bpm • G# Maj • 03:53 • -9.26db
76% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
76% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Lewis Capaldi
Pointless
169 bpm • E Maj • 03:51 • -4.03db
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 34% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Conrique
i miss you (skin to skin)
181 bpm • G min • 03:22 • -5db
55% Popularity • 27% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
55% Popularity • 27% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Olivia Rodrigo
deja vu
181 bpm • D Maj • 03:35 • -7.22db
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Sadie Jean
WYD Now?
181 bpm • C# Maj • 02:24 • -10.99db
69% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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EMELINE
this is how i learn to say no
181 bpm • A# Maj • 02:22 • -7.76db
58% Popularity • 38% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 38% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Ashley Kutcher
Emotionless
182 bpm • B Maj • 02:16 • -8db
48% Popularity • 38% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 38% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Alec Benjamin
Devil Doesn’t Bargain - Acoustic
182 bpm • D# Maj • 02:41 • -11.31db
49% Popularity • 58% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 58% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Dylan Conrique
get over you
169 bpm • B Maj • 02:53 • -7.07db
44% Popularity • 34% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 34% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
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Olivia Rodrigo
happier
169 bpm • F# Maj • 02:55 • -9.72db
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
84% Popularity • 40% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Chloe Adams
Dirty Thoughts
167 bpm • G Maj • 02:09 • -7.2db
69% Popularity • 66% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
69% Popularity • 66% Danceability • 46% Energy • 49% Liveness
0% Instrumentalness • 38% Positiveness
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Cate
Can't Wait To Be Pretty - Demo
182 bpm • F Maj • 02:37 • -9.44db
46% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jax
Victoria's Secret
167 bpm • F# Maj • 02:56 • -7.64db
69% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Nessa Barrett
die first
183 bpm • G# min • 02:57 • -6.73db
67% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Taylor Swift
Bigger Than The Whole Sky
166 bpm • F# Maj • 03:38 • -12.51db
60% Popularity • 40% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
60% Popularity • 40% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Tom Walker
The Best Is Yet to Come
166 bpm • A Maj • 02:46 • -8db
59% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Joshua Bassett
Smoke Slow
186 bpm • C Maj • 02:43 • -7db
49% Popularity • 34% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 34% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Halsey
So Good
165 bpm • D# min • 02:56 • -4.65db
64% Popularity • 58% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
64% Popularity • 58% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Alec Benjamin
Shadow Of Mine
162 bpm • F# min • 02:45 • -7.5db
56% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Olivia Rodrigo
good 4 u
167 bpm • A Maj • 02:58 • -5.04db
85% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
85% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Billie Eilish
Happier Than Ever - Edit
162 bpm • C Maj • 02:31 • -5.74db
74% Popularity • 33% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
74% Popularity • 33% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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J. Maya
Sunday Crossword
161 bpm • G# Maj • 03:04 • -7.75db
41% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Tate McRae
she's all i wanna be
160 bpm • D min • 03:27 • -5.32db
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Katie Gregson-MacLeod
complex
191 bpm • C Maj • 03:59 • -7.79db
50% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Matt Hansen
break my heart
160 bpm • B min • 02:58 • -5.51db
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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FLETCHER
Healing
160 bpm • D Maj • 03:07 • -7.25db
55% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Will Linley
miss me (when you're gone)
160 bpm • F# Maj • 03:04 • -5.53db
53% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Billie Eilish
Getting Older
160 bpm • A# Maj • 04:04 • -17.26db
71% Popularity • 60% Danceability • 13% Energy • 12% Liveness
12% Instrumentalness • 37% Positiveness
71% Popularity • 60% Danceability • 13% Energy • 12% Liveness
12% Instrumentalness • 37% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Melanie Martinez
Pacify Her
158 bpm • A min • 03:40 • -6.02db
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
77% Popularity • 58% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Maddie Zahm
Blind Spot
158 bpm • C# min • 03:21 • -8.78db
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Alexander Stewart
blame's on me
159 bpm • C# min • 02:18 • -17.12db
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
71% Popularity • 31% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Madeline The Person
Step on Flowers
156 bpm • C Maj • 03:33 • -7.76db
22% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mira Housey
hold the applause
156 bpm • D min • 02:29 • -8.04db
42% Popularity • 60% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 60% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Cian Ducrot
I'll Be Waiting
156 bpm • C# Maj • 02:52 • -4.11db
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Victoria Nadine
Nerve
156 bpm • C# Maj • 02:58 • -9db
49% Popularity • 54% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 54% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Rachel Grae
Friend Like Me
154 bpm • F# Maj • 02:32 • -5.82db
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Madeline The Person
Gladly
156 bpm • C Maj • 03:50 • -6.84db
26% Popularity • 45% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 45% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Justin Bieber
Ghost
154 bpm • D Maj • 02:33 • -5.57db
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
87% Popularity • 60% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Noah Cyrus
Make Me (Cry)
153 bpm • C Maj • 04:02 • -7.29db
64% Popularity • 59% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
64% Popularity • 59% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Lizzy McAlpine
reckless driving
200 bpm • C Maj • 03:09 • -10db
64% Popularity • 53% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 53% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Madeline The Person
Unrecognizable
154 bpm • E Maj • 03:36 • -8.78db
22% Popularity • 51% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 51% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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RAYE
Ice Cream Man.
153 bpm • F# Maj • 04:08 • -10.28db
61% Popularity • 55% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
61% Popularity • 55% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Cate
Stupid
152 bpm • C min • 02:48 • -5.26db
40% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Benson Boone
Before You
203 bpm • G# min • 03:07 • -7.11db
74% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
74% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Andi
Never Dated You
151 bpm • B Maj • 02:01 • -6db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Selena Gomez
People You Know
150 bpm • G# min • 03:14 • -8.08db
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
78% Popularity • 70% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jessie Murph
I Would've
150 bpm • D Maj • 02:30 • -10db
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
73% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
73% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Munn
can you hear me?
150 bpm • D Maj • 03:05 • -7.83db
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
