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Meant to Be Yours
Songs like
Meant to Be Yours
by
Ryan McCartan
Based on a tempo of (+/- 10%) and a similar genre
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JT Music
To the Bone
100 bpm • G# Maj • 04:53 • -5.4db
63% Popularity • 78% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Kelvin Moon Loh
No Control
100 bpm • D Maj • 03:16 • -6db
39% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Lemon Demon
A Mask of My Own Face
100 bpm • C Maj • 03:30 • -11.55db
55% Popularity • 81% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Cavetown
Devil Town
100 bpm • D# Maj • 02:59 • -8.17db
74% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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WHOKILLEDXIX
spy?
100 bpm • B min • 02:33 • -5.36db
63% Popularity • 87% Danceability • 56% Energy • 10% Liveness
6% Instrumentalness • 65% Positiveness
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Chaz Duffy
Talia
100 bpm • C# Maj • 03:44 • -14.71db
52% Popularity • 39% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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McCafferty
Bottom
100 bpm • F# min • 03:45 • -7.81db
62% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Ryan McCartan
I Don't Want You
100 bpm • C# Maj • 03:24 • -5.92db
7% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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George Salazar
The Bro Duet
100 bpm • F# Maj • 03:11 • -16.54db
38% Popularity • 65% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Grey Henson
Revenge Party
100 bpm • G# Maj • 05:06 • -4.75db
60% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Phillipa Soo
Burn
100 bpm • D Maj • 03:45 • -9.13db
68% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Tiffany Tatreau
What the World Needs
100 bpm • G# Maj • 03:03 • -9db
56% Popularity • 76% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Lincoln
Saint Bernard
100 bpm • C# Maj • 01:43 • -11.01db
65% Popularity • 70% Danceability • 23% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan McCartan
Meant to Be Yours
100 bpm • F# Maj • 03:25 • -6.92db
67% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Andrew Underberg
Respectless
101 bpm • C# min • 01:35 • -3.89db
80% Popularity • 56% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Jack Stauber's Micropop
Two Time
99 bpm • C Maj • 02:19 • -9.64db
64% Popularity • 83% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Jonathan Groff
Get This Right - Outtake
99 bpm • B min • 03:46 • -7.17db
51% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Mitski
Francis Forever
102 bpm • D Maj • 02:29 • -9.17db
77% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jamie Muscato
Meant to be Yours
98 bpm • F# min • 03:30 • -6.36db
59% Popularity • 55% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Barrett Wilbert Weed
Fight for Me
99 bpm • D# Maj • 02:35 • -9db
55% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Ed Helms
How Bad Can I Be?
98 bpm • A Maj • 02:52 • -5.38db
63% Popularity • 80% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Mike Faist
Sincerely, Me
98 bpm • G Maj • 03:42 • -5.71db
61% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Jhariah
Flight of the Crows
98 bpm • C# Maj • 02:38 • -4.97db
58% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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George Salazar
The Tree on the Hill
102 bpm • G Maj • 02:57 • -12.41db
40% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Steven Universe
Stronger Than You
98 bpm • G# Maj • 02:52 • -7.17db
62% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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SIX
I Don't Need Your Love
98 bpm • F Maj • 06:07 • -8.57db
57% Popularity • 54% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Christian Borle
The Thrill of First Love
102 bpm • G# Maj • 04:12 • -6.7db
49% Popularity • 61% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Jay Armstrong Johnson
Leave Luanne
103 bpm • D min • 07:33 • -6.05db
39% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Burning Man: The Musical
Last Year's Burn Was Better
97 bpm • G Maj • 04:57 • -5.14db
1% Popularity • 43% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Penelope Scott
Self Care
103 bpm • A Maj • 01:23 • -15.11db
55% Popularity • 74% Danceability • 53% Energy • 24% Liveness
4% Instrumentalness • 35% Positiveness
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Mother Mother
Wrecking Ball
97 bpm • G Maj • 03:14 • -4.47db
67% Popularity • 66% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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SIX
Get Down
103 bpm • E min • 04:13 • -9.91db
61% Popularity • 90% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Queen
Good Old-Fashioned Lover Boy - Remastere...
97 bpm • D# Maj • 02:53 • -6.72db
71% Popularity • 54% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Spence Hood
So You Wanna Marry Daisy
103 bpm • G# min • 03:29 • -6db
47% Popularity • 46% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Jeremy Jordan
Santa Fe
96 bpm • G Maj • 03:12 • -11.7db
54% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Will Wood and the Tapeworms
Thermodynamic Lawyer Esq, G.F.D.
104 bpm • C Maj • 03:39 • -3.13db
57% Popularity • 33% Danceability • 94% Energy • 83% Liveness
0% Instrumentalness • 47% Positiveness
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Ben Platt
For Forever
96 bpm • F Maj • 05:01 • -7.67db
57% Popularity • 37% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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The Living Tombstone
Basics in Behavior - Blue Version
104 bpm • C min • 03:57 • -3.27db
64% Popularity • 32% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Mother Mother
Problems
104 bpm • C# Maj • 03:27 • -3.65db
66% Popularity • 63% Danceability • 85% Energy • 16% Liveness
3% Instrumentalness • 52% Positiveness
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Eric William Morris
The Pitiful Children
104 bpm • G# Maj • 03:49 • -4.72db
40% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Chris McCarrell
The Last Day of Summer
104 bpm • B Maj • 03:35 • -9.07db
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Melanie Martinez
EVIL
96 bpm • G# Maj • 04:06 • -4.91db
71% Popularity • 71% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Platt
If I Could Tell Her
96 bpm • E Maj • 04:08 • -8.25db
58% Popularity • 58% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Living Tombstone
It's Been So Long
96 bpm • A# min • 02:54 • -6.76db
73% Popularity • 56% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Mother Mother
Hayloft
96 bpm • A min • 03:01 • -2.67db
75% Popularity • 53% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Dazey and the Scouts
Wet
96 bpm • A min • 02:51 • -5.6db
69% Popularity • 51% Danceability • 92% Energy • 71% Liveness
0% Instrumentalness • 65% Positiveness
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Chris McCarrell
Lost!
96 bpm • F min • 03:18 • -6.41db
44% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jessica Keenan Wynn
Yo Girl
104 bpm • C# Maj • 01:46 • -8.71db
54% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Tally Hall
&
96 bpm • B Maj • 03:14 • -5.12db
62% Popularity • 53% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Jazmin Bean
Hello Kitty
105 bpm • A min • 02:31 • -5.11db
62% Popularity • 45% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 11% Positiveness
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Wilbur Soot
Your New Boyfriend
105 bpm • G Maj • 03:59 • -13.04db
60% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Lollia
My R
105 bpm • F# min • 03:34 • -9db
49% Popularity • 72% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Griffinilla
Below the Surface
105 bpm • C min • 02:14 • -8.85db
71% Popularity • 71% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Barrett Wilbert Weed
A Cautionary Tale
105 bpm • D min • 01:36 • -4.21db
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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Lemon Demon
Amnesia Was Her Name
105 bpm • G Maj • 04:03 • -11.48db
56% Popularity • 86% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 74% Positiveness
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The Living Tombstone
Discord
105 bpm • G# min • 03:13 • -4.36db
70% Popularity • 68% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Melanie Martinez
Cry Baby
95 bpm • F min • 03:59 • -4.62db
70% Popularity • 69% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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The Blake Robinson Synthetic Orchestra
An Unhealthy Obsession
95 bpm • C# min • 02:58 • -9.46db
61% Popularity • 76% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Random Encounters
Just Monika: A Doki Doki Literature Club...
95 bpm • E Maj • 03:48 • -9.62db
50% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Barrett Wilbert Weed
Beautiful
95 bpm • C# Maj • 08:19 • -8.17db
60% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Paris Hilton
Zydrate Anatomy
95 bpm • C Maj • 03:23 • -6.71db
57% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Living Tombstone
No Mercy
105 bpm • D Maj • 02:34 • -5.94db
60% Popularity • 64% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Bo Burnham
Welcome to The Internet
95 bpm • D min • 04:35 • -8.59db
68% Popularity • 66% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Mandy Moore
Crossing the Line
106 bpm • A# Maj • 02:42 • -6.61db
47% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Nxdia
She Likes a Boy
106 bpm • F min • 02:09 • -7.84db
72% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Mitski
Washing Machine Heart
106 bpm • A Maj • 02:08 • -4.09db
83% Popularity • 61% Danceability • 82% Energy • 43% Liveness
51% Instrumentalness • 57% Positiveness
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Barlow & Bear
Burn for You
94 bpm • A# min • 02:53 • -6.28db
51% Popularity • 35% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Barrett Wilbert Weed
Dead Girl Walking
106 bpm • D# Maj • 03:24 • -6.5db
64% Popularity • 54% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Melanie Martinez
High School Sweethearts
94 bpm • A# min • 05:11 • -6.42db
71% Popularity • 65% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Leslie Odom Jr.
Dear Theodosia
107 bpm • A Maj • 03:04 • -10.48db
66% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Jorge Rivera-Herrans
Just a Man
107 bpm • F Maj • 02:30 • -7.75db
67% Popularity • 31% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Alex Brightman
Say My Name
94 bpm • F min • 03:55 • -5.94db
64% Popularity • 53% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Awkward Marina
Entropy (2014 Original)
107 bpm • G# Maj • 03:30 • -13.61db
52% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Rio Romeo
Inarticulation
93 bpm • B Maj • 02:43 • -8.04db
62% Popularity • 44% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Hadestown Original Broadway Company
Way Down Hadestown
93 bpm • A# min • 05:00 • -5.41db
39% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Blue Kid
The Dismemberment Song
107 bpm • C# min • 04:36 • -3.61db
49% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Stupendium
Vending Machine of Love
93 bpm • A# min • 04:23 • -2.82db
60% Popularity • 71% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Adventure Time
Remember You
108 bpm • F Maj • 02:15 • -16.15db
57% Popularity • 37% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 6% Positiveness
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Will Wood
The Main Character
108 bpm • C Maj • 04:25 • -4.33db
61% Popularity • 64% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Rachel Bay Jones
Anybody Have a Map?
108 bpm • G Maj • 02:26 • -6.37db
56% Popularity • 63% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Evan Todd
Blue
108 bpm • F# min • 02:47 • -5.2db
54% Popularity • 76% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Mad Tsai
killer queen
108 bpm • D# min • 02:58 • -5.35db
68% Popularity • 69% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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The Guy Who Didn't Like Musicals Cast
The Guy Who Didn't Like Musicals
108 bpm • G# Maj • 04:05 • -8.24db
41% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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The Taxpayers
I Love You Like An Alcoholic
108 bpm • E min • 03:35 • -6.49db
66% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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André De Shields
Wait for Me (Reprise)
92 bpm • C Maj • 03:12 • -6.35db
49% Popularity • 70% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 20% Positiveness
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Rachel Bay Jones
Good For You
108 bpm • D# Maj • 03:05 • -4.69db
56% Popularity • 63% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Mother Mother
Ghosting
92 bpm • B Maj • 04:45 • -5.1db
62% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Melanie Martinez
Mad Hatter
92 bpm • G# Maj • 03:21 • -4.51db
73% Popularity • 57% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Stephanie Mabey
The Zombie Song
92 bpm • E min • 02:52 • -8.6db
65% Popularity • 74% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Steven Universe
Peace and Love on the Planet Earth
92 bpm • D min • 01:52 • -11.05db
63% Popularity • 75% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Will Connolly
Voices in My Head
109 bpm • G Maj • 04:18 • -6db
33% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jack Stauber
Oh Klahoma
109 bpm • G Maj • 03:05 • -10.22db
70% Popularity • 70% Danceability • 40% Energy • 32% Liveness
1% Instrumentalness • 48% Positiveness
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Insane Clown Posse
My Axe
109 bpm • F# Maj • 03:52 • -4.17db
50% Popularity • 92% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Melanie Martinez
Class Fight
92 bpm • F# Maj • 02:41 • -8.44db
69% Popularity • 77% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Lillian Castillo
The Uranium Suite
91 bpm • C Maj • 03:56 • -14db
48% Popularity • 41% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Steven Universe
That Distant Shore
92 bpm • D Maj • 01:46 • -10.12db
53% Popularity • 44% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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Sodikken
Misery Meat
110 bpm • C# Maj • 01:04 • -14.24db
73% Popularity • 83% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Stupendium
The Fine Print
91 bpm • C Maj • 04:34 • -4.11db
63% Popularity • 76% Danceability • 90% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Madilyn Mei
Partner in Crime
110 bpm • B Maj • 03:00 • -10.19db
60% Popularity • 50% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Joriah Kwamé
Ordinary
110 bpm • E Maj • 03:20 • -7.36db
43% Popularity • 60% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Meant to Be Yours