Songs like Meant To Be by Ber
Based on a tempo of (+/- 10%) and a similar genre
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Jenna Raine
Fumbled the Bag
174 bpm • E Maj • 03:09 • -6.84db
44% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ber
Meant To Be
174 bpm • C# Maj • 02:43 • -11db
61% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Rosie Darling
Witness
174 bpm • D Maj • 03:55 • -9.76db
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 43% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Madeline The Person
MEAN! - Remix
174 bpm • G Maj • 02:23 • -9db
57% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Holly Humberstone
Haunted House
173 bpm • A Maj • 02:13 • -10.01db
48% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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FINNEAS
Partners in Crime
173 bpm • G Maj • 03:43 • -12.71db
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sabrina Carpenter
skinny dipping - Acoustic
172 bpm • E Maj • 03:12 • -11.18db
37% Popularity • 41% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 41% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Haughey
My Love
176 bpm • A Maj • 03:11 • -10.09db
41% Popularity • 34% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 34% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Emily James
Cannonball
176 bpm • C# Maj • 02:43 • -9.55db
45% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 68% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Madeline The Person
MEAN!
175 bpm • G Maj • 02:23 • -10db
62% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 50% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Tors
Does He Make You Happy? (Demo)
172 bpm • G min • 04:03 • -7.03db
45% Popularity • 47% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 47% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Caleb Hearn
1000 reasons
172 bpm • B Maj • 02:34 • -11.46db
63% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 64% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jenna Doe
Shapeshift
172 bpm • A Maj • 02:25 • -8db
43% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 53% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sophie Holohan
Good Mourning
172 bpm • C Maj • 03:06 • -12db
30% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lexi Jayde
you don't deserve these tears
172 bpm • C# Maj • 02:12 • -8db
45% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 49% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Madeline The Person
I Talk to the Sky
172 bpm • C Maj • 03:18 • -8.21db
23% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ber
It's Impressive
177 bpm • E Maj • 02:05 • -13.12db
44% Popularity • 31% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 31% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tommy Lefroy
Shoot
177 bpm • G Maj • 02:37 • -15.25db
41% Popularity • 36% Danceability • 17% Energy • 13% Liveness
17% Instrumentalness • 15% Positiveness
41% Popularity • 36% Danceability • 17% Energy • 13% Liveness
17% Instrumentalness • 15% Positiveness
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vaultboy
way after forever
171 bpm • G Maj • 02:53 • -10.29db
58% Popularity • 54% Danceability • 20% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 54% Danceability • 20% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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Noah Kahan
Someone Like You
178 bpm • F Maj • 03:06 • -7.49db
67% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
67% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Sabrina Sterling
Love Me That Way
170 bpm • D Maj • 02:44 • -9.34db
37% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 53% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Gracie Abrams
Better
170 bpm • C# Maj • 02:50 • -8db
56% Popularity • 46% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 46% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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John K
ilym
179 bpm • C# min • 03:56 • -8.14db
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Olivia Rodrigo
1 step forward, 3 steps back
169 bpm • D Maj • 02:43 • -12.63db
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
80% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Dylan Conrique
get over you
169 bpm • B Maj • 02:53 • -7.07db
45% Popularity • 34% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 34% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
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Lizzy McAlpine
Apple Pie
180 bpm • A# Maj • 04:19 • -12.27db
59% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Clara Mae
Missing You Sucks
180 bpm • C Maj • 02:58 • -7db
41% Popularity • 34% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 34% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Emily James
Brooklyn - Stripped
180 bpm • A# Maj • 02:51 • -12.43db
36% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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BLÜ EYES
never got better
168 bpm • C Maj • 02:58 • -8db
33% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Ber
Your Internet Sucks
168 bpm • B Maj • 02:49 • -9db
33% Popularity • 68% Danceability • 66% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 68% Danceability • 66% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
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Sabrina Sterling
Ride Or Die
168 bpm • B Maj • 03:19 • -11.6db
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Rosie Darling
Always Almost
167 bpm • C Maj • 03:22 • -8.45db
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Haley Joelle
Jealous of Paris
182 bpm • D# Maj • 02:21 • -9.27db
50% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 35% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Emily James
Brooklyn
180 bpm • A# Maj • 02:50 • -10db
51% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Ashley Kutcher
Emotionless
182 bpm • B Maj • 02:16 • -8db
48% Popularity • 38% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 38% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Laura Zocca
The City
184 bpm • D Maj • 03:41 • -13.13db
34% Popularity • 37% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 37% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Sadie Jean
WYD Now?
181 bpm • C# Maj • 02:24 • -10.99db
69% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 38% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ber
Room For You
163 bpm • B Maj • 03:41 • -12.3db
33% Popularity • 37% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 37% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Haley Joelle
Emergency Contact
163 bpm • G Maj • 02:36 • -8db
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Alexander 23
Crash
185 bpm • E Maj • 03:14 • -5.25db
41% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Lily Williams
I Hope You Think Of Me
187 bpm • B Maj • 02:38 • -11.02db
43% Popularity • 44% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 44% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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J. Maya
Sunday Crossword
161 bpm • G# Maj • 03:04 • -7.75db
44% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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shy martin
wish I didn't know you
161 bpm • A Maj • 02:53 • -9db
36% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Blake Rose
Movie
160 bpm • F Maj • 04:07 • -9db
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
70% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
70% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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FLETCHER
Healing
160 bpm • D Maj • 03:07 • -7.25db
55% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 58% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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sundial
rollercoaster
160 bpm • D Maj • 02:31 • -14.02db
36% Popularity • 38% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 38% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Haley Joelle
Red Lights
160 bpm • F# Maj • 02:54 • -9.64db
41% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Miki Ratsula
i walked a mile in my room
160 bpm • C# Maj • 02:35 • -11db
23% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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JORDY
Close To You
160 bpm • G# Maj • 02:59 • -8db
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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carobae
dance around
159 bpm • A# Maj • 02:27 • -7db
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Abe Parker
Butterflies
160 bpm • D# Maj • 03:03 • -7.04db
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Kessler
I Think I
159 bpm • D# Maj • 02:49 • -10db
41% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
41% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Charlie Oriain
Grow Out Of It
159 bpm • A Maj • 02:31 • -14.97db
24% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Katie Gregson-MacLeod
complex
191 bpm • C Maj • 03:59 • -7.79db
50% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 32% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Maddie Zahm
Blind Spot
158 bpm • C# min • 03:21 • -8.78db
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Haley Joelle
Something To Do
157 bpm • E Maj • 03:13 • -9.12db
32% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 36% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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ROSIE
Sad Sad Sad
193 bpm • D Maj • 03:01 • -8.62db
25% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ber
Halfway
155 bpm • C Maj • 03:02 • -12db
23% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 58% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Munn
the reason i hate home
154 bpm • C min • 02:43 • -6.53db
50% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 47% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Gracie Abrams
Alright
197 bpm • C min • 02:24 • -12.26db
53% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 58% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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BLÜ EYES
getting older
154 bpm • D Maj • 02:46 • -8.24db
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 57% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 79% Positiveness
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ROSIE
Someone You Once Had
153 bpm • C# Maj • 03:12 • -6.15db
43% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Sophie Holohan
Codependent
198 bpm • G# Maj • 03:19 • -8.76db
39% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Bebe Stockwell
Love Me Back
152 bpm • G min • 02:28 • -14.54db
52% Popularity • 49% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 49% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Sam MacPherson
Counts
200 bpm • D Maj • 02:35 • -8.65db
39% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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LANY
nobody else
152 bpm • C Maj • 03:17 • -14.51db
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Katherine Li
If I Weren't Me
200 bpm • G Maj • 02:31 • -6.7db
45% Popularity • 29% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
45% Popularity • 29% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
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Sody
Old Flame
152 bpm • A Maj • 02:47 • -8.25db
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Ashley Kutcher
Sleepy
200 bpm • D# Maj • 03:08 • -13.84db
43% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Lizzy McAlpine
reckless driving
200 bpm • C Maj • 03:09 • -10db
64% Popularity • 53% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 53% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Gracie Abrams
Where do we go now?
151 bpm • A# Maj • 04:03 • -10.64db
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
66% Popularity • 61% Danceability • 67% Energy • 15% Liveness
3% Instrumentalness • 65% Positiveness
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Caleb Hearn
We're Getting Older
151 bpm • G Maj • 02:41 • -9.44db
51% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Beth McCarthy
She Gets the Flowers
151 bpm • D Maj • 03:39 • -7.06db
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Riley Biederer
proud
201 bpm • B Maj • 03:55 • -8.45db
33% Popularity • 38% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 38% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Charlie Oriain
A Little Time
150 bpm • F# Maj • 02:50 • -7.6db
19% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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BLÜ EYES
you'd never know
150 bpm • G# Maj • 03:05 • -9.7db
54% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
54% Popularity • 63% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Munn
this house is not a home
150 bpm • G# Maj • 02:38 • -7.06db
53% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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NERIAH
Love Me Like That
150 bpm • D Maj • 02:19 • -6.42db
46% Popularity • 61% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 61% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Devon Gabriella
how could you?
150 bpm • G Maj • 02:40 • -9.74db
35% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 47% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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Alfie Jukes
Spiderwebs
150 bpm • G Maj • 02:33 • -9.39db
50% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Nealon
Bring You Home
149 bpm • A min • 02:36 • -7.77db
34% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Benson Boone
Before You
203 bpm • G# min • 03:07 • -7.11db
74% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
74% Popularity • 27% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Katherine Li
Happening Again
149 bpm • C Maj • 02:53 • -6db
48% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 65% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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Devon Gabriella
older
150 bpm • A Maj • 02:37 • -14.57db
38% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Lily Williams
What If I Still Miss You?
148 bpm • F Maj • 03:20 • -8.46db
24% Popularity • 55% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 55% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
