Songs like Meant to Be (feat. Florida Georgia Line) by Bebe Rexha
Based on a tempo of (+/- 10%) and a similar genre
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Florida Georgia Line
Anything Goes
154 bpm • C Maj • 03:38 • -3.79db
60% Popularity • 46% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 46% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Bebe Rexha
Meant to Be
154 bpm • A# Maj • 02:44 • -6.61db
72% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
72% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Scotty McCreery
Five More Minutes
156 bpm • G Maj • 04:01 • -4.93db
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
76% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
76% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Bebe Rexha
You Can't Stop The Girl
152 bpm • G Maj • 02:38 • -6.34db
54% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 39% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Jason Mraz
I'm Yours
151 bpm • B Maj • 04:02 • -9.33db
81% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
81% Popularity • 70% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
63% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Sam Hunt
Take Your Time
158 bpm • B Maj • 04:03 • -5.6db
64% Popularity • 56% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
64% Popularity • 56% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Florida Georgia Line
May We All
150 bpm • G Maj • 03:46 • -4.31db
69% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Shawn Mendes
Stitches
150 bpm • C# Maj • 03:26 • -6.68db
81% Popularity • 75% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
81% Popularity • 75% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Luke Combs
1, 2 Many
149 bpm • F# Maj • 03:00 • -3.79db
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
71% Popularity • 54% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Jason Aldean
Got What I Got
160 bpm • D# min • 02:58 • -6.66db
65% Popularity • 51% Danceability • 58% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 51% Danceability • 58% Energy • 51% Liveness
0% Instrumentalness • 30% Positiveness
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Florida Georgia Line
Cruise - Remix
149 bpm • C min • 03:26 • -4db
42% Popularity • 53% Danceability • 92% Energy • 75% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 53% Danceability • 92% Energy • 75% Liveness
0% Instrumentalness • 64% Positiveness
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Dan + Shay
How Not To
160 bpm • B min • 03:12 • -3.59db
59% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
69% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Lane
Take Back Home Girl
160 bpm • B Maj • 03:32 • -4db
57% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Cody Johnson
'Til You Can't
160 bpm • C# Maj • 03:44 • -4.87db
73% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
73% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Shawn Mendes
Mercy
148 bpm • B min • 03:28 • -4.95db
81% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Darius Rucker
Wagon Wheel
148 bpm • A Maj • 04:58 • -7.17db
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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NF
Let You Down
148 bpm • F min • 03:32 • -5.68db
80% Popularity • 66% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
80% Popularity • 66% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Brett Young
In Case You Didn't Know
148 bpm • A# Maj • 03:44 • -7.31db
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Justin Bieber
Intentions
148 bpm • A Maj • 03:32 • -6.64db
74% Popularity • 81% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
74% Popularity • 81% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Carrie Underwood
Before He Cheats
148 bpm • F# min • 03:19 • -3.32db
80% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
80% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Anne-Marie
Alarm
147 bpm • C Maj • 03:25 • -5.09db
64% Popularity • 76% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
64% Popularity • 76% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Zara Larsson
Never Forget You
146 bpm • B min • 03:33 • -5.73db
73% Popularity • 58% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
73% Popularity • 58% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Sam Hunt
Make You Miss Me
146 bpm • G Maj • 03:45 • -6.63db
62% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Post Malone
Better Now
145 bpm • A# Maj • 03:51 • -5.8db
80% Popularity • 68% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
80% Popularity • 68% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Justin Bieber
Yummy - Country Remix
146 bpm • A min • 03:23 • -7db
34% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Vamps
All Night
145 bpm • G# Maj • 03:17 • -5.19db
69% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
69% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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The Chainsmokers
Last Day Alive
145 bpm • C Maj • 03:34 • -8.2db
46% Popularity • 44% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 44% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Combs
One Number Away
144 bpm • F# min • 03:41 • -6.16db
78% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
78% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Jason Aldean
Girl Like You
144 bpm • D# min • 03:13 • -4.2db
61% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Bryan
Drunk On You
144 bpm • A Maj • 03:33 • -4.4db
65% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
65% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Khalid
Love Lies
144 bpm • F# Maj • 03:21 • -5.63db
73% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Demi Lovato
Sorry Not Sorry
144 bpm • B min • 03:23 • -6.93db
74% Popularity • 71% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
74% Popularity • 71% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Little Big Town
Better Man
144 bpm • F Maj • 04:23 • -3.66db
62% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jason Aldean
Any Ol' Barstool
144 bpm • E Maj • 03:23 • -4.16db
60% Popularity • 54% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 54% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Bazzi
Mine
143 bpm • E Maj • 02:11 • -3.87db
73% Popularity • 71% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
73% Popularity • 71% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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Lady A
Just A Kiss
143 bpm • C# Maj • 03:38 • -5.83db
63% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
74% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
74% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
60% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Marshmello
Silence
142 bpm • E Maj • 03:00 • -3.09db
82% Popularity • 52% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 52% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
56% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Imagine Dragons
Thunder
168 bpm • C Maj • 03:07 • -4.83db
86% Popularity • 60% Danceability • 82% Energy • 15% Liveness
13% Instrumentalness • 29% Positiveness
86% Popularity • 60% Danceability • 82% Energy • 15% Liveness
13% Instrumentalness • 29% Positiveness
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Florida Georgia Line
God, Your Mama, And Me
168 bpm • G Maj • 03:03 • -3.73db
60% Popularity • 44% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 44% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Bailey Zimmerman
Religiously
141 bpm • C# Maj • 02:58 • -6.52db
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
80% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Morgan Wallen
Thought You Should Know
140 bpm • F# Maj • 03:35 • -6.16db
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
78% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Stell
Prayed For You
140 bpm • A Maj • 03:30 • -5.86db
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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HARDY
wait in the truck
140 bpm • F# Maj • 04:37 • -6.98db
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Shawn Mendes
In My Blood
140 bpm • F Maj • 03:31 • -7.32db
74% Popularity • 62% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
74% Popularity • 62% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Combs
Love You Anyway
140 bpm • E Maj • 03:49 • -7.42db
73% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
73% Popularity • 53% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Morgan Wallen
Thinkin’ Bout Me
140 bpm • D# min • 02:57 • -5.78db
85% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
85% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Lonestar
Amazed
140 bpm • C# Maj • 04:00 • -8db
69% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
69% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Bebe Rexha
Bad Bitch
140 bpm • F Maj • 03:17 • -6.25db
56% Popularity • 66% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 66% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Cole Swindell
Middle of a Memory
140 bpm • B Maj • 03:46 • -4.23db
60% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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mgk
At My Best
170 bpm • G min • 03:19 • -6.7db
57% Popularity • 52% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 52% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Zac Brown Band
Chicken Fried
170 bpm • F# Maj • 03:58 • -4.25db
77% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
77% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Rodney Atkins
Take A Back Road
170 bpm • D# Maj • 03:29 • -4db
69% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
69% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Brett Young
Lady
170 bpm • G Maj • 03:14 • -7.98db
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Florida Georgia Line
Sun Daze
170 bpm • E Maj • 03:04 • -3.78db
62% Popularity • 48% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 85% Positiveness
62% Popularity • 48% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 85% Positiveness
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Calum Scott
You Are The Reason
171 bpm • A# Maj • 03:24 • -7.7db
79% Popularity • 33% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
79% Popularity • 33% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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One Direction
Drag Me Down
138 bpm • C min • 03:12 • -5.67db
80% Popularity • 73% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
80% Popularity • 73% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Lukas Graham
Love Someone
172 bpm • A min • 03:25 • -6.58db
70% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
70% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Combs
Better Together
138 bpm • C Maj • 03:39 • -11.5db
76% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
76% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jonas Brothers
Sucker
138 bpm • C# min • 03:01 • -5.07db
80% Popularity • 84% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
80% Popularity • 84% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Martin Garrix
Scared to Be Lonely
138 bpm • C# min • 03:40 • -7.79db
77% Popularity • 58% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
77% Popularity • 58% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Hunt
Leave The Night On
172 bpm • A Maj • 03:12 • -3.81db
61% Popularity • 51% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 51% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Old Dominion
No Such Thing as a Broken Heart
172 bpm • G# Maj • 02:56 • -4.3db
61% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
61% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Randy Houser
Runnin' Outta Moonlight
172 bpm • D Maj • 03:13 • -3.72db
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
66% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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mgk
Bad Things
138 bpm • D Maj • 03:59 • -4.76db
71% Popularity • 70% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
71% Popularity • 70% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Bryan
Kick The Dust Up
172 bpm • C# Maj • 03:10 • -2.32db
64% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
64% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Jason Aldean
She's Country
172 bpm • C# min • 03:40 • -2.83db
72% Popularity • 55% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
72% Popularity • 55% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Wallen
Cowgirls
172 bpm • G# Maj • 03:01 • -3.81db
82% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
82% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Little Big Town
Girl Crush
174 bpm • C Maj • 03:13 • -10.22db
68% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
