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Melismantra
Songs like
Melismantra
by
Terry Riley
Based on a tempo of (+/- 10%) and a similar genre
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Lou Harrison
Suite for Symphonic Strings: 2. Chorale ...
87 bpm • B min • 05:51 • -33db
21% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Giacinto Scelsi
4 Pezzi (Su una nota sola): I. —
87 bpm • A# Maj • 02:56 • -35.32db
13% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
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John Zorn
Kol Nidre
87 bpm • E Maj • 05:52 • -25db
17% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
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Balanescu Quartet
Seduction
87 bpm • A min • 01:46 • -25.72db
38% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Karlheinz Stockhausen
Model 2
87 bpm • D# Maj • 01:58 • -29.97db
22% Popularity • 21% Danceability • 1% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
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Terry Riley
Raga Bihag Alap
87 bpm • C Maj • 04:00 • -17db
20% Popularity • 16% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Lou Harrison
Suite for Cello and Harp: I. Chorale
87 bpm • B min • 01:29 • -27.1db
18% Popularity • 19% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 11. Coda
87 bpm • G# Maj • 04:40 • -30.15db
9% Popularity • 14% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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György Ligeti
Musica ricercata No. 7 in B-Flat Major
87 bpm • D# Maj • 02:49 • -35.21db
30% Popularity • 21% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 68% Positiveness
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Popol Vuh
Ah!
87 bpm • G# Maj • 04:46 • -16.75db
27% Popularity • 19% Danceability • 19% Energy • 14% Liveness
79% Instrumentalness • 7% Positiveness
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Brian Eno
Fullness Of Wind (Variation On 'The Cano...
88 bpm • D Maj • 09:55 • -17.74db
28% Popularity • 9% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Terry Riley
The Harp of New Albion: IX. Circle of Wo...
87 bpm • F Maj • 09:45 • -24.56db
1% Popularity • 16% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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David Skidmore
Aliens with Extraordinary Abilities: Thi...
88 bpm • G min • 03:33 • -8.31db
10% Popularity • 22% Danceability • 72% Energy • 19% Liveness
94% Instrumentalness • 56% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 1. Opening P...
86 bpm • G# Maj • 01:48 • -33.64db
12% Popularity • 21% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
14% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Steve Reich
2x5: II. Slow
86 bpm • D min • 03:12 • -14.69db
20% Popularity • 74% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Louis Hardin
Symphonique #3 (Ode to Venus) - Instrume...
88 bpm • D Maj • 05:54 • -15.24db
24% Popularity • 20% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Terry Riley
In C: Part 03
86 bpm • C Maj • 05:07 • -19.17db
7% Popularity • 13% Danceability • 22% Energy • 21% Liveness
91% Instrumentalness • 3% Positiveness
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Moondog
Heimdall Fanfaire
88 bpm • A# Maj • 03:12 • -22.46db
11% Popularity • 48% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Anders Hillborg
11 Gates: No. 1. Drifting into D Major
85 bpm • G Maj • 01:52 • -26.94db
11% Popularity • 9% Danceability • 7% Energy • 74% Liveness
4% Instrumentalness • 4% Positiveness
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Pauline Oliveros
Monkey
85 bpm • E min • 02:52 • -42.47db
9% Popularity • 16% Danceability • 0% Energy • 9% Liveness
7% Instrumentalness • 3% Positiveness
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John Adams
Adams: Shaker Loops: III. Loops and Vers...
85 bpm • G min • 06:54 • -21.92db
14% Popularity • 20% Danceability • 17% Energy • 8% Liveness
57% Instrumentalness • 16% Positiveness
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Lou Harrison
Jahla (Music for Harp) - 1972
89 bpm • B Maj • 02:59 • -18.84db
8% Popularity • 44% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
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Jon Hassell
Ba-benzélé
89 bpm • C Maj • 06:17 • -29.44db
25% Popularity • 22% Danceability • 11% Energy • 33% Liveness
92% Instrumentalness • 29% Positiveness
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Bernard Parmegiani
De Natura Sonorum: Matières Induites
89 bpm • C# min • 03:52 • -16.49db
8% Popularity • 27% Danceability • 95% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Stuart Dempster
Deep Hockets
89 bpm • D min • 03:42 • -27db
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Giacinto Scelsi
Uaxuctum: III. —
85 bpm • A# Maj • 03:42 • -32.1db
14% Popularity • 14% Danceability • 2% Energy • 13% Liveness
38% Instrumentalness • 7% Positiveness
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Meredith Monk
Strand (Gathering)
90 bpm • E min • 01:55 • -30.86db
24% Popularity • 13% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 2% Positiveness
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György Ligeti
Ligeti: Atmosphères
84 bpm • C# Maj • 08:58 • -32db
27% Popularity • 8% Danceability • 7% Energy • 34% Liveness
11% Instrumentalness • 3% Positiveness
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Kit Downes
Seeing Things
90 bpm • F min • 02:13 • -33db
17% Popularity • 32% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
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Moondog
Fantasia - Remastered 2000
84 bpm • C Maj • 03:11 • -25.47db
11% Popularity • 21% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Paul Dresher
Channels Passing
90 bpm • A# Maj • 09:51 • -20.42db
9% Popularity • 43% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 18% Positiveness
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Pauline Oliveros
In the Houses of My Families
84 bpm • A# Maj • 00:59 • -21.9db
14% Popularity • 18% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Meredith Monk
The Games: Downfall (Arr. K. Thomson for...
90 bpm • A min • 03:55 • -9.46db
10% Popularity • 49% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Brian Eno
From The Same Hill - Remastered 2005
84 bpm • B min • 03:00 • -21.69db
32% Popularity • 22% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Ingram Marshall
Entrada: At The River
84 bpm • C min • 05:06 • -18.5db
11% Popularity • 10% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
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John Zorn
Kol Nidre
84 bpm • A Maj • 07:00 • -29db
9% Popularity • 8% Danceability • 2% Energy • 18% Liveness
81% Instrumentalness • 3% Positiveness
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Laurie Spiegel
Patchwork
90 bpm • B Maj • 09:46 • -13.16db
23% Popularity • 52% Danceability • 63% Energy • 14% Liveness
85% Instrumentalness • 65% Positiveness
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Ernst Reijseger
Child's Footprint
83 bpm • B min • 02:59 • -17.71db
16% Popularity • 8% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jon Hassell
Aurora
91 bpm • D Maj • 05:22 • -31db
27% Popularity • 12% Danceability • 9% Energy • 16% Liveness
96% Instrumentalness • 38% Positiveness
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John Adams
Shaker Loops (version for string orchest...
83 bpm • A Maj • 05:31 • -43db
13% Popularity • 8% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Ingram Marshall
Fog Tropes
84 bpm • A# Maj • 09:56 • -33db
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
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Henry Cowell
The Tides of Manaunaun - 1912
91 bpm • C# Maj • 02:29 • -20db
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Laurie Spiegel
Finding Voice
83 bpm • E Maj • 02:45 • -29.06db
22% Popularity • 9% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Ernst Reijseger
Deep Cave
83 bpm • C Maj • 03:37 • -26.02db
16% Popularity • 20% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Steve Reich
New York Counterpoint: I. Fast
83 bpm • F# Maj • 05:03 • -16.37db
14% Popularity • 50% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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La Monte Young
Compositions 1960: No. 2, Build a Fire -...
91 bpm • E min • 00:39 • -20.28db
16% Popularity • 57% Danceability • 73% Energy • 34% Liveness
88% Instrumentalness • 9% Positiveness
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Terry Riley
Long Bus Ride
92 bpm • F Maj • 01:42 • -11.93db
10% Popularity • 31% Danceability • 34% Energy • 15% Liveness
1% Instrumentalness • 57% Positiveness
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John Luther Adams
Canticles of the Sky: I. Sky with Four S...
92 bpm • G Maj • 04:24 • -15.68db
13% Popularity • 10% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Brian Eno
Brutal Ardour (Variation On 'The Canon I...
83 bpm • D Maj • 08:13 • -15.99db
22% Popularity • 16% Danceability • 20% Energy • 42% Liveness
49% Instrumentalness • 4% Positiveness
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Julius Eastman
Femenine: No. 1, Prime
92 bpm • D# Maj • 08:48 • -17.88db
29% Popularity • 20% Danceability • 18% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
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Luciano Berio
Six Encores: Wasserklavier
82 bpm • C# Maj • 02:02 • -41.51db
24% Popularity • 41% Danceability • 0% Energy • 7% Liveness
77% Instrumentalness • 11% Positiveness
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Jon Hassell
Slipstream
82 bpm • F# min • 02:54 • -15db
21% Popularity • 34% Danceability • 46% Energy • 42% Liveness
66% Instrumentalness • 25% Positiveness
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Popol Vuh
Nicht Hoch Im Himmel
82 bpm • D# min • 06:18 • -21.49db
19% Popularity • 20% Danceability • 9% Energy • 12% Liveness
49% Instrumentalness • 4% Positiveness
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Pierre Boulez
Répons: Section 1
82 bpm • G# min • 02:58 • -20.75db
15% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
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Arvo Pärt
Tabula Rasa: I. Ludus
92 bpm • F Maj • 09:56 • -16.87db
15% Popularity • 22% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 3% Positiveness
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Meredith Monk
Turtle Dreams Cabaret: Tokyo Cha Cha (Ar...
82 bpm • E min • 09:44 • -9.85db
11% Popularity • 61% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Tomasz Trzcinski
Minipulsars, Pt. 2: Bing 4
82 bpm • D min • 01:26 • -18.56db
16% Popularity • 30% Danceability • 28% Energy • 27% Liveness
76% Instrumentalness • 20% Positiveness
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Cluster
Mit Simaen
93 bpm • C Maj • 01:32 • -24.06db
41% Popularity • 48% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Morton Feldman
Rothko Chapel 4
82 bpm • A min • 04:38 • -38db
20% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, XIII. Le Cygne ...
93 bpm • G Maj • 03:02 • -25.69db
30% Popularity • 11% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 3. Hymn II
82 bpm • G# Maj • 05:25 • -29db
17% Popularity • 8% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Arvo Pärt
Solfeggio
82 bpm • C Maj • 04:46 • -22.58db
13% Popularity • 12% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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La Monte Young
Compositions 1960: No. 10, To Bob Morris...
93 bpm • D# Maj • 00:40 • -11.81db
11% Popularity • 60% Danceability • 26% Energy • 38% Liveness
58% Instrumentalness • 38% Positiveness
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Wayne Hankin
Dusk
93 bpm • D Maj • 02:34 • -18.47db
13% Popularity • 15% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
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Ernst Reijseger
Ostinato #3
81 bpm • G Maj • 03:25 • -26.83db
12% Popularity • 22% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Terry Riley
G Song (arr. Keisuke Nakagoshi for piano...
93 bpm • G min • 09:30 • -24db
17% Popularity • 26% Danceability • 13% Energy • 19% Liveness
89% Instrumentalness • 16% Positiveness
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Meredith Monk
Tower
81 bpm • A min • 01:37 • -20.89db
20% Popularity • 36% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 09:03 • -31.19db
21% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
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Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
81 bpm • E min • 02:36 • -24.6db
8% Popularity • 34% Danceability • 2% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
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Laraaji
Meditation No. 2
81 bpm • D min • 07:50 • -26.77db
34% Popularity • 13% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Luigi Russolo
Intonarumori : gorgogliatore (gurgler) -...
94 bpm • A Maj • 01:22 • -26db
12% Popularity • 44% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 57% Positiveness
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Luciano Berio
6 Encores: No. 3, Wasserklavier
81 bpm • A# min • 02:10 • -31db
23% Popularity • 31% Danceability • 3% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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Pierre Henry
Classique: Bidule et un
81 bpm • D Maj • 01:54 • -23.09db
12% Popularity • 55% Danceability • 39% Energy • 18% Liveness
28% Instrumentalness • 26% Positiveness
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Terry Riley
Music for the Gift: Part 2
81 bpm • D min • 01:52 • -12.25db
7% Popularity • 58% Danceability • 39% Energy • 10% Liveness
68% Instrumentalness • 86% Positiveness
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Morton Feldman
Something Wild in the City: Mary Ann's T...
94 bpm • A Maj • 03:07 • -43db
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 2. Titanic H...
81 bpm • G# Maj • 05:09 • -37db
17% Popularity • 18% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Giacinto Scelsi
Three Latin Prayers for solo voice: Ave ...
80 bpm • E min • 03:44 • -34db
9% Popularity • 12% Danceability • 1% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Michael Gordon
Industry
94 bpm • F# min • 11:24 • -7.07db
11% Popularity • 14% Danceability • 47% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Paul Lansky
Notjustmoreidlechatter
80 bpm • F Maj • 08:03 • -17.06db
10% Popularity • 21% Danceability • 38% Energy • 25% Liveness
61% Instrumentalness • 53% Positiveness
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Arvo Pärt
Für Alina - Reprise
80 bpm • F# min • 10:53 • -38.56db
29% Popularity • 51% Danceability • 0% Energy • 8% Liveness
12% Instrumentalness • 27% Positiveness
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Karlheinz Stockhausen
Stimmung: Model 3
80 bpm • D# Maj • 01:23 • -26db
10% Popularity • 20% Danceability • 7% Energy • 30% Liveness
5% Instrumentalness • 8% Positiveness
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Brian Eno
2/1 - Remastered 2004
95 bpm • G# Maj • 08:54 • -24db
45% Popularity • 12% Danceability • 8% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
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Jon Hassell
Delta Rain Dream
80 bpm • F# Maj • 03:29 • -24db
30% Popularity • 50% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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John Adams
Shaker Loops (version for string orchest...
80 bpm • F Maj • 07:13 • -24db
9% Popularity • 18% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 17% Positiveness
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Kaija Saariaho
7 Papillons: No. 4. —
79 bpm • G Maj • 02:13 • -22db
16% Popularity • 11% Danceability • 3% Energy • 16% Liveness
52% Instrumentalness • 5% Positiveness
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György Ligeti
Lontano
79 bpm • C# Maj • 09:25 • -26.7db
32% Popularity • 7% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
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Karlheinz Stockhausen
Model 1
95 bpm • C min • 01:19 • -30.46db
26% Popularity • 22% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Brian Eno
2/2 (Arr. E. Ziporyn)
80 bpm • A# Maj • 12:00 • -13.13db
12% Popularity • 8% Danceability • 16% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Jon Hassell
Last Night The Moon Came
80 bpm • E min • 11:15 • -25.89db
34% Popularity • 16% Danceability • 8% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Roedelius
Lullaby
96 bpm • A Maj • 02:27 • -26.48db
39% Popularity • 32% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 24% Positiveness
► Preview
Terry Riley
The Harp of New Albion: X. Land's End
96 bpm • F# min • 06:50 • -24.9db
2% Popularity • 22% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
György Ligeti
Lux aeterna
79 bpm • D# Maj • 08:50 • -40.71db
26% Popularity • 7% Danceability • 0% Energy • 9% Liveness
61% Instrumentalness • 2% Positiveness
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Harold Budd
Juno
79 bpm • D# Maj • 08:20 • -30.8db
28% Popularity • 13% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Karlheinz Stockhausen
Klavierstück V, Work No. 4: Klavierstuc...
95 bpm • C# Maj • 05:11 • -20db
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
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Jon Hassell
Caracas Night September 11, 1975
96 bpm • F min • 02:07 • -22db
34% Popularity • 32% Danceability • 30% Energy • 29% Liveness
3% Instrumentalness • 56% Positiveness
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Steve Reich
Electric Counterpoint: II. Slow
96 bpm • E Maj • 03:22 • -21.87db
28% Popularity • 71% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
► Preview
Meredith Monk
The Games: Memory Song (Arr. J. Wolfe fo...
79 bpm • C Maj • 06:44 • -10.95db
13% Popularity • 36% Danceability • 29% Energy • 64% Liveness
0% Instrumentalness • 18% Positiveness
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La Monte Young
Compositions 1960: No. 13 - Arr. for Gui...
79 bpm • F Maj • 00:45 • -12.87db
12% Popularity • 50% Danceability • 30% Energy • 14% Liveness
62% Instrumentalness • 13% Positiveness
► Preview
Toru Takemitsu
Piano Pieces for Children: No. 2. Clouds
96 bpm • A Maj • 01:39 • -33db
37% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Melismantra