Songs like Melodie D'amour by Edmundo Ros
Based on a tempo of (+/- 10%) and a similar genre
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Claudius Alzner
Kann den Liebe Sünde sein - Für eine N...
81 bpm • D# Maj • 02:48 • -13.07db
18% Popularity • 56% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 67% Positiveness
18% Popularity • 56% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 67% Positiveness
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Edmundo Ros
Melodie D'amour
81 bpm • D# Maj • 03:08 • -13db
27% Popularity • 68% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 68% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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The Four Aces
Love is a Many Splendored Thing
82 bpm • D Maj • 02:58 • -10db
29% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 32% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Anita O'Day
Peanut Vendor
82 bpm • A Maj • 02:42 • -13db
32% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 70% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Tony Mottola y Su Orquesta
Sorrento
82 bpm • A min • 02:47 • -12.94db
27% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
27% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
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Lester Lanin
The Merry Widow Waltz - Bright Viennese ...
80 bpm • G Maj • 01:59 • -9.98db
23% Popularity • 34% Danceability • 36% Energy • 52% Liveness
76% Instrumentalness • 55% Positiveness
23% Popularity • 34% Danceability • 36% Energy • 52% Liveness
76% Instrumentalness • 55% Positiveness
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Mantovani y Su Gran Orquesta
Siboney
80 bpm • C min • 03:12 • -8.51db
23% Popularity • 43% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 69% Positiveness
23% Popularity • 43% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 69% Positiveness
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Edmundo Ros
Melodie D' Amour (Alternate Take)
81 bpm • D# Maj • 03:04 • -13db
22% Popularity • 68% Danceability • 39% Energy • 19% Liveness
69% Instrumentalness • 73% Positiveness
22% Popularity • 68% Danceability • 39% Energy • 19% Liveness
69% Instrumentalness • 73% Positiveness
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Don Costa
The Third Man - Remastered
82 bpm • C# Maj • 02:06 • -9db
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
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Pat Boone
Friendly Persuasion
82 bpm • B Maj • 03:06 • -12db
34% Popularity • 14% Danceability • 32% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
34% Popularity • 14% Danceability • 32% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
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Tony Mottola y Su Orquesta
Non Dimenticar
80 bpm • F# min • 02:50 • -12.97db
23% Popularity • 47% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 34% Positiveness
23% Popularity • 47% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 34% Positiveness
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Billy May
The Continental
82 bpm • G# Maj • 02:25 • -13.47db
29% Popularity • 49% Danceability • 21% Energy • 16% Liveness
61% Instrumentalness • 40% Positiveness
29% Popularity • 49% Danceability • 21% Energy • 16% Liveness
61% Instrumentalness • 40% Positiveness
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Flo Sandon's
El Negro Zumbon
82 bpm • D# Maj • 03:17 • -8db
17% Popularity • 77% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 77% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Edmundo Ros
Miami Beach Rumba
82 bpm • A# min • 02:31 • -14.85db
3% Popularity • 64% Danceability • 41% Energy • 6% Liveness
8% Instrumentalness • 96% Positiveness
3% Popularity • 64% Danceability • 41% Energy • 6% Liveness
8% Instrumentalness • 96% Positiveness
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The Four Aces
A Woman in Love
83 bpm • G# Maj • 03:19 • -11.92db
34% Popularity • 24% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 24% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Sophia Loren
Tu vo' fa l'americano - Alternate Take
83 bpm • A# Maj • 02:46 • -10db
23% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Wayne Newton
L-O-V-E - Remastered
79 bpm • A Maj • 02:48 • -12db
39% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ballroom Dance Orchestra
Young at Heart
79 bpm • A# Maj • 03:06 • -9.84db
26% Popularity • 26% Danceability • 36% Energy • 22% Liveness
87% Instrumentalness • 36% Positiveness
26% Popularity • 26% Danceability • 36% Energy • 22% Liveness
87% Instrumentalness • 36% Positiveness
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Günter Noris
Swing and Jive (Jive)
83 bpm • F Maj • 02:47 • -6.05db
14% Popularity • 62% Danceability • 65% Energy • 15% Liveness
3% Instrumentalness • 88% Positiveness
14% Popularity • 62% Danceability • 65% Energy • 15% Liveness
3% Instrumentalness • 88% Positiveness
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Edmundo Ros
I Love to Mambo
82 bpm • C Maj • 02:59 • -8.98db
5% Popularity • 78% Danceability • 76% Energy • 7% Liveness
62% Instrumentalness • 97% Positiveness
5% Popularity • 78% Danceability • 76% Energy • 7% Liveness
62% Instrumentalness • 97% Positiveness
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Les & Larry Elgart
Skyliner
79 bpm • D Maj • 02:12 • -14db
34% Popularity • 75% Danceability • 25% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
34% Popularity • 75% Danceability • 25% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
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Orquesta Serenata Tropical
El Manisero
84 bpm • B Maj • 01:59 • -8db
34% Popularity • 56% Danceability • 83% Energy • 47% Liveness
76% Instrumentalness • 85% Positiveness
34% Popularity • 56% Danceability • 83% Energy • 47% Liveness
76% Instrumentalness • 85% Positiveness
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Edmundo Ros & His Orchestra
Cherry Pink And Apple Blossom White
78 bpm • D# Maj • 02:10 • -10.66db
20% Popularity • 64% Danceability • 53% Energy • 18% Liveness
88% Instrumentalness • 95% Positiveness
20% Popularity • 64% Danceability • 53% Energy • 18% Liveness
88% Instrumentalness • 95% Positiveness
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Hugo Winterhalter And His Orchestra
A Taste of Honey
78 bpm • A min • 03:11 • -10db
26% Popularity • 18% Danceability • 48% Energy • 24% Liveness
5% Instrumentalness • 52% Positiveness
26% Popularity • 18% Danceability • 48% Energy • 24% Liveness
5% Instrumentalness • 52% Positiveness
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Enoch Light
Blame It on the Bossa Nova
85 bpm • A Maj • 02:31 • -12db
19% Popularity • 60% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 60% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Edmundo Ros
Mamambo
84 bpm • G Maj • 03:32 • -10.89db
6% Popularity • 87% Danceability • 80% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
6% Popularity • 87% Danceability • 80% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
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Ronald Valentino
Serenata a la Luz de la Luna
85 bpm • E min • 03:37 • -11db
48% Popularity • 65% Danceability • 25% Energy • 33% Liveness
58% Instrumentalness • 34% Positiveness
48% Popularity • 65% Danceability • 25% Energy • 33% Liveness
58% Instrumentalness • 34% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
I LEFT MY HEART IN SAN FRANCISCO
85 bpm • C# Maj • 03:16 • -10db
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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The Sandpipers
La Mer (Beyond The Sea)
85 bpm • F Maj • 02:42 • -15.15db
29% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Montez
Fly Me to the Moon
86 bpm • F Maj • 01:47 • -12.52db
33% Popularity • 61% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 61% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Vaughn y su Orquesta
Wonderland By Night
77 bpm • E Maj • 02:59 • -9db
20% Popularity • 32% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
20% Popularity • 32% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Edmundo Ros
Vaba-Ba-Boom
84 bpm • F min • 02:59 • -9db
8% Popularity • 78% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 94% Positiveness
8% Popularity • 78% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 94% Positiveness
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Roy Etzel
Mitternachts-Blues
86 bpm • C Maj • 04:27 • -12db
11% Popularity • 34% Danceability • 26% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
11% Popularity • 34% Danceability • 26% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
34% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
34% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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The Four Aces
Stranger in Paradise
86 bpm • F Maj • 02:58 • -11db
30% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
30% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
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Jimmy Roselli
Buona Sera, Mrs. Campbell
86 bpm • D# Maj • 02:37 • -11.49db
12% Popularity • 54% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 54% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Joe Loss & His Orchestra
Fascination Waltz
86 bpm • A# Maj • 03:04 • -15db
17% Popularity • 38% Danceability • 12% Energy • 16% Liveness
78% Instrumentalness • 24% Positiveness
17% Popularity • 38% Danceability • 12% Energy • 16% Liveness
78% Instrumentalness • 24% Positiveness
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Edmundo Ros
It Ain't Necessarily So
85 bpm • A min • 02:08 • -11db
7% Popularity • 58% Danceability • 72% Energy • 23% Liveness
2% Instrumentalness • 66% Positiveness
7% Popularity • 58% Danceability • 72% Energy • 23% Liveness
2% Instrumentalness • 66% Positiveness
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Ray Anthony & His Orchestra
At Last
87 bpm • F Maj • 02:40 • -13.57db
16% Popularity • 38% Danceability • 16% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
16% Popularity • 38% Danceability • 16% Energy • 13% Liveness
60% Instrumentalness • 18% Positiveness
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The Columbia Ballroom Orchestra
Moon River
86 bpm • F Maj • 02:26 • -20db
23% Popularity • 14% Danceability • 19% Energy • 20% Liveness
89% Instrumentalness • 13% Positiveness
23% Popularity • 14% Danceability • 19% Energy • 20% Liveness
89% Instrumentalness • 13% Positiveness
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Horst Jankowski
Charming Vienna
88 bpm • G Maj • 02:31 • -12db
34% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
34% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
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Jane Morgan
Fascination - 2024 Remastered
88 bpm • F Maj • 02:23 • -13.45db
25% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 20% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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George Duning Orchestra
Bing! Bang! Bong!
87 bpm • F Maj • 02:31 • -10db
19% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Edmundo Ros
One at a Time
85 bpm • F min • 01:50 • -13db
3% Popularity • 84% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 84% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Claudius Alzner
What a wonderful world - Les feulles mor...
75 bpm • F Maj • 03:13 • -12db
15% Popularity • 38% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
15% Popularity • 38% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Lester Lanin
Desafinado-Bright Bossa Nova
88 bpm • C Maj • 01:56 • -16.69db
26% Popularity • 70% Danceability • 33% Energy • 3% Liveness
85% Instrumentalness • 90% Positiveness
26% Popularity • 70% Danceability • 33% Energy • 3% Liveness
85% Instrumentalness • 90% Positiveness
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Ray Anthony
I Don't Know Why (I Just Do)
74 bpm • D# Maj • 02:48 • -14.25db
15% Popularity • 41% Danceability • 19% Energy • 15% Liveness
88% Instrumentalness • 27% Positiveness
15% Popularity • 41% Danceability • 19% Energy • 15% Liveness
88% Instrumentalness • 27% Positiveness
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Jean Paques
I Could Have Danced All Night
74 bpm • D# Maj • 02:02 • -20.87db
31% Popularity • 65% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 92% Positiveness
31% Popularity • 65% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 92% Positiveness
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Al Martino
I Love You Because
89 bpm • G# Maj • 02:43 • -12.75db
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 29% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Pat Boone
April Love
89 bpm • G# Maj • 02:28 • -9.81db
23% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
23% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Edmundo Ros
Talk t'me (Calypso)
89 bpm • F Maj • 02:34 • -12.29db
16% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 71% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Kurt Edelhagen
Langsamer Walzer: 30 Takte Pro Minute - ...
89 bpm • G# Maj • 03:02 • -12.15db
32% Popularity • 39% Danceability • 28% Energy • 22% Liveness
67% Instrumentalness • 16% Positiveness
32% Popularity • 39% Danceability • 28% Energy • 22% Liveness
67% Instrumentalness • 16% Positiveness
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Arthur Murray Orchestra
Tequila
89 bpm • A# min • 02:27 • -9.3db
19% Popularity • 63% Danceability • 88% Energy • 27% Liveness
47% Instrumentalness • 98% Positiveness
19% Popularity • 63% Danceability • 88% Energy • 27% Liveness
47% Instrumentalness • 98% Positiveness
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Ronald Valentino
A Través de los Años
90 bpm • D# Maj • 02:53 • -10db
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
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Russ Conway
Roulette
90 bpm • D Maj • 02:09 • -9.31db
25% Popularity • 49% Danceability • 75% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
25% Popularity • 49% Danceability • 75% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Frank Chacksfield & His Orchestra
La Mer
90 bpm • F Maj • 02:55 • -15.01db
18% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
18% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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The Sandpipers
Cuando Sali De Cuba (The Wind Will Chang...
90 bpm • A Maj • 02:37 • -13.68db
38% Popularity • 57% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 61% Positiveness
38% Popularity • 57% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 61% Positiveness
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Jean Paques
C'est magnifique
90 bpm • G Maj • 01:37 • -13.49db
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
90 bpm • C Maj • 02:49 • -13.13db
45% Popularity • 71% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 71% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Russ Conway
Party Pops (Part 2)
90 bpm • A# Maj • 02:16 • -11.27db
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
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Horst Jankowski
Happy Frankfurt
91 bpm • G min • 02:33 • -11.41db
32% Popularity • 51% Danceability • 38% Energy • 20% Liveness
82% Instrumentalness • 60% Positiveness
32% Popularity • 51% Danceability • 38% Energy • 20% Liveness
82% Instrumentalness • 60% Positiveness
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The Columbia Ballroom Orchestra
Fascination
91 bpm • C Maj • 02:27 • -16.72db
29% Popularity • 35% Danceability • 26% Energy • 17% Liveness
49% Instrumentalness • 8% Positiveness
29% Popularity • 35% Danceability • 26% Energy • 17% Liveness
49% Instrumentalness • 8% Positiveness
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Pat Boone
I'll Be Home
72 bpm • G# Maj • 02:59 • -12.28db
32% Popularity • 39% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 39% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Edmundo Ros
Football Footbal
91 bpm • C Maj • 02:47 • -5.89db
5% Popularity • 84% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
5% Popularity • 84% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Kai Warner
Summerwind
91 bpm • F Maj • 02:11 • -15.41db
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
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Russ Conway
Side Saddle
91 bpm • D# Maj • 01:54 • -13db
28% Popularity • 56% Danceability • 53% Energy • 13% Liveness
91% Instrumentalness • 97% Positiveness
28% Popularity • 56% Danceability • 53% Energy • 13% Liveness
91% Instrumentalness • 97% Positiveness
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Al Caiola & His Guitar
Baby Elephant Walk Java - Remastered
91 bpm • C Maj • 04:03 • -10db
8% Popularity • 55% Danceability • 56% Energy • 5% Liveness
55% Instrumentalness • 76% Positiveness
8% Popularity • 55% Danceability • 56% Energy • 5% Liveness
55% Instrumentalness • 76% Positiveness
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Sarah Vaughan
Eternally
72 bpm • F Maj • 02:26 • -12.54db
30% Popularity • 23% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 23% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jack Jones
Lady
92 bpm • A Maj • 02:44 • -8.62db
33% Popularity • 31% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 31% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Pat Boone
April Love
93 bpm • G# Maj • 02:43 • -17.86db
45% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
45% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
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Ray Anthony
Samba De Orfeu - Remastered
93 bpm • C# Maj • 02:37 • -14db
30% Popularity • 52% Danceability • 36% Energy • 10% Liveness
81% Instrumentalness • 63% Positiveness
30% Popularity • 52% Danceability • 36% Energy • 10% Liveness
81% Instrumentalness • 63% Positiveness
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Russ Conway
China Tea
92 bpm • A# Maj • 02:05 • -12.42db
25% Popularity • 60% Danceability • 53% Energy • 32% Liveness
89% Instrumentalness • 94% Positiveness
25% Popularity • 60% Danceability • 53% Energy • 32% Liveness
89% Instrumentalness • 94% Positiveness
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Edmundo Ros
Mambo No 5
93 bpm • A# Maj • 02:20 • -10.34db
11% Popularity • 76% Danceability • 82% Energy • 18% Liveness
67% Instrumentalness • 77% Positiveness
11% Popularity • 76% Danceability • 82% Energy • 18% Liveness
67% Instrumentalness • 77% Positiveness
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Digno GarcÃa
The Bird
93 bpm • F Maj • 02:03 • -7.87db
39% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Claudius Alzner
Ich tanze mit dir in den Himmel hinein -...
94 bpm • G Maj • 04:23 • -12db
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
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The Champs
Limbo Rock
94 bpm • G Maj • 02:02 • -9db
25% Popularity • 75% Danceability • 78% Energy • 7% Liveness
36% Instrumentalness • 95% Positiveness
25% Popularity • 75% Danceability • 78% Energy • 7% Liveness
36% Instrumentalness • 95% Positiveness
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Caterina Valente
Maria Elena
95 bpm • A Maj • 03:08 • -11.38db
16% Popularity • 42% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 42% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Russ Conway
The Westminster Waltz
94 bpm • D Maj • 02:34 • -11.3db
25% Popularity • 45% Danceability • 56% Energy • 6% Liveness
83% Instrumentalness • 65% Positiveness
25% Popularity • 45% Danceability • 56% Energy • 6% Liveness
83% Instrumentalness • 65% Positiveness
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Enoch Light
Aloha Oe
95 bpm • G Maj • 02:30 • -19.4db
16% Popularity • 50% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
16% Popularity • 50% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Edmundo Ros
Patricia
94 bpm • A# min • 02:09 • -13.46db
2% Popularity • 72% Danceability • 71% Energy • 4% Liveness
81% Instrumentalness • 97% Positiveness
2% Popularity • 72% Danceability • 71% Energy • 4% Liveness
81% Instrumentalness • 97% Positiveness
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Eddie Calvert
Sucu Sucu
95 bpm • A# Maj • 02:11 • -7.43db
34% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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Horst Jankowski
So What's New?
96 bpm • F Maj • 01:55 • -7db
35% Popularity • 71% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 75% Positiveness
35% Popularity • 71% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 75% Positiveness
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Chris Montez
The Shadow Of Your Smile
96 bpm • C Maj • 02:24 • -13.61db
39% Popularity • 58% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 58% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Russ Conway
Lesson One
95 bpm • C# Maj • 02:29 • -8.65db
26% Popularity • 58% Danceability • 87% Energy • 7% Liveness
85% Instrumentalness • 96% Positiveness
26% Popularity • 58% Danceability • 87% Energy • 7% Liveness
85% Instrumentalness • 96% Positiveness
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Kay Starr
It's All Right With Me - 2002 - Remaster...
96 bpm • F min • 01:57 • -11.88db
40% Popularity • 76% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 76% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Kai Warner
So In Love
96 bpm • G# Maj • 02:34 • -12db
28% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
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Nini Rosso
Greensleaves/Il Silenzio
96 bpm • C# min • 03:16 • -17.02db
15% Popularity • 18% Danceability • 22% Energy • 24% Liveness
68% Instrumentalness • 26% Positiveness
15% Popularity • 18% Danceability • 22% Energy • 24% Liveness
68% Instrumentalness • 26% Positiveness
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Norman Candler
Tea for Two - Remastered
96 bpm • C Maj • 02:32 • -7db
31% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
31% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
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Edmundo Ros
Together
98 bpm • G# Maj • 03:05 • -16.56db
6% Popularity • 61% Danceability • 45% Energy • 9% Liveness
60% Instrumentalness • 58% Positiveness
6% Popularity • 61% Danceability • 45% Energy • 9% Liveness
60% Instrumentalness • 58% Positiveness
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Russ Conway
Pepe
98 bpm • G Maj • 02:17 • -11.47db
24% Popularity • 64% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 91% Positiveness
24% Popularity • 64% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 91% Positiveness
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Billy Vaughn y su Orquesta
Theme From "A Summer Place"
97 bpm • C Maj • 02:44 • -8db
30% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
30% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
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Italian Ballroom
Solitario - 25 bpm
98 bpm • G min • 03:01 • -8.31db
32% Popularity • 64% Danceability • 49% Energy • 37% Liveness
61% Instrumentalness • 47% Positiveness
32% Popularity • 64% Danceability • 49% Energy • 37% Liveness
61% Instrumentalness • 47% Positiveness
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Reg Owen
Manhattan Spiritual
98 bpm • G# Maj • 02:45 • -14.89db
17% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
17% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
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Ballroom Dance Orchestra
Sail Along Silvery Moon
99 bpm • F Maj • 02:05 • -11.61db
40% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
40% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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Tony Mottola y Su Orquesta
The Poor People of Paris
99 bpm • A# min • 02:11 • -10.72db
35% Popularity • 88% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 72% Positiveness
35% Popularity • 88% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 72% Positiveness
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MelodÃas Mágicas
Maria Elena
100 bpm • G min • 02:38 • -14db
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
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Miguel Nacel
Siempre En Me Corazon
99 bpm • D# Maj • 01:49 • -14db
36% Popularity • 69% Danceability • 27% Energy • 14% Liveness
83% Instrumentalness • 30% Positiveness
36% Popularity • 69% Danceability • 27% Energy • 14% Liveness
83% Instrumentalness • 30% Positiveness
