Songs like Mercy Street by Peter Gabriel
Based on a tempo of (+/- 10%) and a similar genre
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INXS
By My Side
93 bpm • B min • 03:05 • -8.72db
60% Popularity • 52% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
60% Popularity • 52% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Crosby & Nash
Lay Me Down
93 bpm • A# min • 03:36 • -10.6db
42% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Frankie Goes To Hollywood
Bang
93 bpm • C Maj • 01:09 • -18.73db
42% Popularity • 29% Danceability • 32% Energy • 49% Liveness
95% Instrumentalness • 16% Positiveness
42% Popularity • 29% Danceability • 32% Energy • 49% Liveness
95% Instrumentalness • 16% Positiveness
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Kathleen Edwards
Goodnight, California
93 bpm • G min • 06:28 • -8db
34% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
34% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
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Mike Scott
Love Anyway
93 bpm • E Maj • 06:41 • -5.76db
26% Popularity • 36% Danceability • 83% Energy • 42% Liveness
1% Instrumentalness • 47% Positiveness
26% Popularity • 36% Danceability • 83% Energy • 42% Liveness
1% Instrumentalness • 47% Positiveness
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Peter Gabriel
Mercy Street
93 bpm • C# min • 06:17 • -16.68db
47% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 57% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Joan Armatrading
Love And Affection
93 bpm • E Maj • 04:28 • -13.25db
52% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Kansas
Dust in the Wind
94 bpm • G Maj • 03:26 • -10.69db
79% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
79% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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David Crosby
What's Broken
92 bpm • G Maj • 03:48 • -11.11db
29% Popularity • 70% Danceability • 54% Energy • 13% Liveness
10% Instrumentalness • 45% Positiveness
29% Popularity • 70% Danceability • 54% Energy • 13% Liveness
10% Instrumentalness • 45% Positiveness
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Dire Straits
Why Worry?
94 bpm • E Maj • 08:23 • -16.5db
53% Popularity • 61% Danceability • 21% Energy • 11% Liveness
24% Instrumentalness • 11% Positiveness
53% Popularity • 61% Danceability • 21% Energy • 11% Liveness
24% Instrumentalness • 11% Positiveness
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Hothouse Flowers
Isn't It Amazing
94 bpm • C Maj • 05:50 • -8.83db
29% Popularity • 46% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 46% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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David Sylvian
Red Guitar
94 bpm • G Maj • 05:11 • -9.01db
33% Popularity • 68% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
33% Popularity • 68% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Marianne Faithfull
Guilt
94 bpm • E min • 05:08 • -14.39db
33% Popularity • 57% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 60% Positiveness
33% Popularity • 57% Danceability • 28% Energy • 32% Liveness
3% Instrumentalness • 60% Positiveness
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Peter Gabriel
Mercy Street - New Blood Version
92 bpm • C# min • 05:59 • -21.66db
13% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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China Crisis
Christian - Extended Mix
94 bpm • A Maj • 05:37 • -19db
29% Popularity • 71% Danceability • 22% Energy • 11% Liveness
32% Instrumentalness • 55% Positiveness
29% Popularity • 71% Danceability • 22% Energy • 11% Liveness
32% Instrumentalness • 55% Positiveness
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Suzanne Vega
Headshots
94 bpm • C Maj • 03:07 • -11.99db
40% Popularity • 65% Danceability • 40% Energy • 9% Liveness
77% Instrumentalness • 60% Positiveness
40% Popularity • 65% Danceability • 40% Energy • 9% Liveness
77% Instrumentalness • 60% Positiveness
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Elvis Costello
Don't Let Me Be Misunderstood
94 bpm • B min • 03:21 • -9.27db
42% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Renaissance
Northern Lights
95 bpm • E Maj • 04:07 • -10.87db
36% Popularity • 50% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 50% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
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Jon & Vangelis
Outside Of This (Inside Of That)
95 bpm • F Maj • 05:03 • -23.63db
32% Popularity • 38% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 38% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Peter Gabriel
Fourteen Black Paintings
94 bpm • C Maj • 04:37 • -19.2db
25% Popularity • 28% Danceability • 29% Energy • 11% Liveness
38% Instrumentalness • 10% Positiveness
25% Popularity • 28% Danceability • 29% Energy • 11% Liveness
38% Instrumentalness • 10% Positiveness
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Howard Jones
No One Is To Blame
95 bpm • A Maj • 04:18 • -14db
49% Popularity • 74% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 74% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Black
Sweetest Smile
95 bpm • C# min • 05:24 • -12.78db
25% Popularity • 63% Danceability • 35% Energy • 9% Liveness
4% Instrumentalness • 18% Positiveness
25% Popularity • 63% Danceability • 35% Energy • 9% Liveness
4% Instrumentalness • 18% Positiveness
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Supertramp
Give A Little Bit
91 bpm • D Maj • 04:08 • -5.36db
75% Popularity • 53% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
75% Popularity • 53% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
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Sinéad O'Connor
Feel so Different
95 bpm • A min • 06:46 • -13.69db
41% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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The Police
The Bed's Too Big Without You
91 bpm • B min • 04:25 • -11.27db
53% Popularity • 74% Danceability • 75% Energy • 5% Liveness
19% Instrumentalness • 88% Positiveness
53% Popularity • 74% Danceability • 75% Energy • 5% Liveness
19% Instrumentalness • 88% Positiveness
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Peter Gabriel
This Is The Picture (Excellent Birds) - ...
91 bpm • C# Maj • 04:20 • -10.29db
26% Popularity • 82% Danceability • 45% Energy • 32% Liveness
30% Instrumentalness • 70% Positiveness
26% Popularity • 82% Danceability • 45% Energy • 32% Liveness
30% Instrumentalness • 70% Positiveness
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Howard Jones
Hide And Seek
91 bpm • D min • 04:49 • -9db
37% Popularity • 47% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
37% Popularity • 47% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Black
Sweetest Smile - Extended Version
95 bpm • C# min • 05:19 • -15.78db
34% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Supertramp
School
90 bpm • E min • 05:35 • -14.51db
60% Popularity • 37% Danceability • 47% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
60% Popularity • 37% Danceability • 47% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
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Suzanne Vega
In Liverpool
96 bpm • F min • 04:40 • -12db
37% Popularity • 61% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 61% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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INXS
Not Enough Time
96 bpm • D Maj • 04:10 • -6db
51% Popularity • 67% Danceability • 72% Energy • 43% Liveness
5% Instrumentalness • 28% Positiveness
51% Popularity • 67% Danceability • 72% Energy • 43% Liveness
5% Instrumentalness • 28% Positiveness
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Peter Gabriel
Games Without Frontiers
96 bpm • F# Maj • 04:06 • -9.56db
51% Popularity • 74% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 74% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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David Sylvian
Taking The Veil
90 bpm • B min • 04:40 • -13.22db
30% Popularity • 64% Danceability • 53% Energy • 7% Liveness
73% Instrumentalness • 90% Positiveness
30% Popularity • 64% Danceability • 53% Energy • 7% Liveness
73% Instrumentalness • 90% Positiveness
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The Fixx
Beautiful Friction
90 bpm • G min • 05:43 • -7.25db
23% Popularity • 55% Danceability • 86% Energy • 32% Liveness
14% Instrumentalness • 56% Positiveness
23% Popularity • 55% Danceability • 86% Energy • 32% Liveness
14% Instrumentalness • 56% Positiveness
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Double
The Captain of Her Heart
96 bpm • G# Maj • 04:34 • -9.49db
59% Popularity • 67% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 67% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Dire Straits
Love Over Gold
96 bpm • F Maj • 06:15 • -14.06db
51% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 8% Positiveness
51% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 8% Positiveness
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INXS
Never Tear Us Apart
97 bpm • C Maj • 03:04 • -7.56db
72% Popularity • 66% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
72% Popularity • 66% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Peter Gabriel
Lovetown - Remastered
90 bpm • C# min • 05:23 • -11.57db
36% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Howard Jones
What Is Love? - 2018 Remaster
97 bpm • C min • 03:41 • -5.93db
50% Popularity • 61% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 61% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Crowded House
Four Seasons In One Day
89 bpm • G Maj • 02:50 • -17.2db
55% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Tanita Tikaram
He Likes the Sun
88 bpm • B Maj • 05:28 • -13.05db
22% Popularity • 82% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 82% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Dire Straits
Iron Hand
89 bpm • E min • 03:08 • -15.49db
61% Popularity • 65% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
61% Popularity • 65% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Gerry Rafferty
As Wise as a Serpent
88 bpm • G Maj • 05:15 • -18.67db
29% Popularity • 51% Danceability • 26% Energy • 33% Liveness
2% Instrumentalness • 58% Positiveness
29% Popularity • 51% Danceability • 26% Energy • 33% Liveness
2% Instrumentalness • 58% Positiveness
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Peter Gabriel
Sledgehammer
96 bpm • C# Maj • 05:13 • -5.2db
63% Popularity • 66% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 66% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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The Adventures
Broken Land
98 bpm • D Maj • 05:04 • -13.15db
41% Popularity • 48% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 48% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Elbow
Mercy Street
88 bpm • C# min • 05:43 • -15.42db
20% Popularity • 33% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 33% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Aztec Camera
Knife
98 bpm • A Maj • 09:05 • -16.37db
15% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Dire Straits
The Man's Too Strong
98 bpm • G Maj • 04:38 • -10db
47% Popularity • 61% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 61% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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The Fixx
Less Cities, More Moving People
88 bpm • D min • 03:51 • -16db
27% Popularity • 61% Danceability • 57% Energy • 2% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 61% Danceability • 57% Energy • 2% Liveness
0% Instrumentalness • 87% Positiveness
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Peter Gabriel
In Your Eyes
89 bpm • B min • 05:27 • -7.25db
58% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Mike Oldfield
Foreign Affair
87 bpm • B Maj • 03:54 • -10.45db
46% Popularity • 77% Danceability • 52% Energy • 9% Liveness
13% Instrumentalness • 43% Positiveness
46% Popularity • 77% Danceability • 52% Energy • 9% Liveness
13% Instrumentalness • 43% Positiveness
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Mr. Mister
Broken Wings
99 bpm • C# min • 05:43 • -14.28db
70% Popularity • 29% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
70% Popularity • 29% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jon & Vangelis
Bird Song - Remastered
99 bpm • A# Maj • 01:23 • -13.87db
42% Popularity • 32% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
42% Popularity • 32% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Dire Straits
Romeo And Juliet
88 bpm • F Maj • 06:00 • -12db
70% Popularity • 61% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
70% Popularity • 61% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Mark Knopfler
Sailing To Philadelphia
99 bpm • F# min • 05:28 • -11.06db
49% Popularity • 61% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
49% Popularity • 61% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
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Peter Gabriel
Wallflower
87 bpm • D# Maj • 06:38 • -15.38db
24% Popularity • 30% Danceability • 20% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
24% Popularity • 30% Danceability • 20% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
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Seal
Prayer for the Dying
100 bpm • F Maj • 05:30 • -7.52db
42% Popularity • 31% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
42% Popularity • 31% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
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Frankie Goes To Hollywood
Is Anybody Out There
100 bpm • F Maj • 07:24 • -17.84db
26% Popularity • 50% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 50% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Lloyd Cole
Butterfly
100 bpm • C Maj • 03:02 • -12.62db
29% Popularity • 66% Danceability • 49% Energy • 16% Liveness
29% Instrumentalness • 56% Positiveness
29% Popularity • 66% Danceability • 49% Energy • 16% Liveness
29% Instrumentalness • 56% Positiveness
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Dire Straits
Follow Me Home
99 bpm • B min • 05:50 • -18db
46% Popularity • 73% Danceability • 40% Energy • 35% Liveness
60% Instrumentalness • 57% Positiveness
46% Popularity • 73% Danceability • 40% Energy • 35% Liveness
60% Instrumentalness • 57% Positiveness
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Supertramp
Downstream
87 bpm • A Maj • 04:00 • -8.64db
45% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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10,000 Maniacs
What's the Matter Here?
100 bpm • A Maj • 04:49 • -16.31db
39% Popularity • 59% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 59% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Robbie Robertson
Fallen Angel
100 bpm • G# Maj • 05:53 • -18db
31% Popularity • 56% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 56% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Gabriel
Lay Your Hands On Me
100 bpm • E min • 06:09 • -14.69db
24% Popularity • 64% Danceability • 41% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
24% Popularity • 64% Danceability • 41% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
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Sinéad O'Connor
All Apologies
100 bpm • E Maj • 02:37 • -28db
59% Popularity • 74% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
59% Popularity • 74% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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a-ha
Memorial Beach
86 bpm • D min • 04:36 • -16db
20% Popularity • 60% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 60% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Joan Armatrading
Love By You
86 bpm • F Maj • 03:15 • -18.66db
13% Popularity • 70% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 70% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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David Sylvian
The Ink In The Well
85 bpm • E min • 04:30 • -12.47db
27% Popularity • 36% Danceability • 54% Energy • 12% Liveness
12% Instrumentalness • 50% Positiveness
27% Popularity • 36% Danceability • 54% Energy • 12% Liveness
12% Instrumentalness • 50% Positiveness
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The Waterboys
Old England - 2004 Remaster
101 bpm • C Maj • 05:31 • -10db
32% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Peter Gabriel
Father, Son
85 bpm • A Maj • 04:56 • -19.22db
29% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Crosby, Stills & Nash
Cathedral
102 bpm • B Maj • 05:17 • -16db
42% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Elvis Costello & The Attractions
Everyday I Write The Book
102 bpm • C# min • 03:54 • -9.1db
47% Popularity • 65% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 65% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Lloyd Cole and the Commotions
Forest Fire - Extended Version
102 bpm • A Maj • 05:12 • -9.03db
35% Popularity • 64% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
35% Popularity • 64% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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The Rolling Stones
Almost Hear You Sigh - Remastered
102 bpm • C# min • 04:37 • -5.39db
43% Popularity • 65% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 65% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Dire Straits
Private Investigations
84 bpm • A Maj • 06:45 • -20.08db
56% Popularity • 36% Danceability • 10% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
56% Popularity • 36% Danceability • 10% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
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Peter Gabriel
Come Talk To Me
102 bpm • D Maj • 07:05 • -11.19db
38% Popularity • 49% Danceability • 67% Energy • 27% Liveness
2% Instrumentalness • 53% Positiveness
38% Popularity • 49% Danceability • 67% Energy • 27% Liveness
2% Instrumentalness • 53% Positiveness
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Pete Townshend
Face The Face
102 bpm • C min • 05:54 • -12db
37% Popularity • 70% Danceability • 90% Energy • 5% Liveness
6% Instrumentalness • 45% Positiveness
37% Popularity • 70% Danceability • 90% Energy • 5% Liveness
6% Instrumentalness • 45% Positiveness
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Patti Smith
When Doves Cry
102 bpm • G Maj • 04:59 • -8.57db
43% Popularity • 80% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 80% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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R.E.M.
Belong
103 bpm • G Maj • 04:06 • -4.52db
38% Popularity • 53% Danceability • 73% Energy • 22% Liveness
74% Instrumentalness • 57% Positiveness
38% Popularity • 53% Danceability • 73% Energy • 22% Liveness
74% Instrumentalness • 57% Positiveness
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The Waterboys
A Pagan Place - 2002 Remaster
103 bpm • G Maj • 05:14 • -6.94db
29% Popularity • 45% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 45% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Crowded House
Into Temptation
84 bpm • E min • 04:33 • -15.88db
47% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Peter Gabriel
Only Us
102 bpm • D Maj • 06:32 • -11.25db
25% Popularity • 33% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
25% Popularity • 33% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
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Orchestral Manoeuvres In The Dark
Souvenir - Remastered 2003
103 bpm • C# Maj • 03:39 • -7.56db
54% Popularity • 74% Danceability • 74% Energy • 9% Liveness
88% Instrumentalness • 84% Positiveness
54% Popularity • 74% Danceability • 74% Energy • 9% Liveness
88% Instrumentalness • 84% Positiveness
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Thomas Dolby
Screen Kiss
103 bpm • B min • 05:33 • -15.47db
23% Popularity • 50% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 50% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Roger Hodgson
London
84 bpm • C min • 04:10 • -14.26db
35% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Genesis
Throwing It All Away - 2007 Remaster
84 bpm • F# Maj • 03:49 • -7.41db
60% Popularity • 38% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
60% Popularity • 38% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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R.E.M.
How The West Was Won And Where It Got Us
84 bpm • D Maj • 04:31 • -11.64db
35% Popularity • 51% Danceability • 42% Energy • 13% Liveness
33% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 42% Energy • 13% Liveness
33% Instrumentalness • 44% Positiveness
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Peter Gabriel
Solsbury Hill
102 bpm • B Maj • 04:21 • -8.62db
69% Popularity • 68% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
69% Popularity • 68% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Gerry Rafferty
The Right Moment
84 bpm • A min • 03:24 • -22db
32% Popularity • 39% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
32% Popularity • 39% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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The Cars
Drive - 2017 Remaster
83 bpm • F# Maj • 03:54 • -7.87db
72% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 26% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Style Council
You're The Best Thing
83 bpm • C# min • 05:40 • -6db
53% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Sinéad O'Connor
Black Boys on Mopeds
104 bpm • E Maj • 03:52 • -15db
48% Popularity • 54% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 54% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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R.E.M.
Low
103 bpm • B min • 04:56 • -7.73db
40% Popularity • 55% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
40% Popularity • 55% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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Rickie Lee Jones
On Saturday Afternoons in 1963
83 bpm • D Maj • 02:31 • -17db
37% Popularity • 32% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 32% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Crowded House
Help Is Coming
83 bpm • D min • 04:49 • -9.41db
29% Popularity • 41% Danceability • 56% Energy • 12% Liveness
45% Instrumentalness • 45% Positiveness
29% Popularity • 41% Danceability • 56% Energy • 12% Liveness
45% Instrumentalness • 45% Positiveness
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Lloyd Cole and the Commotions
Are You Ready To Be Heartbroken?
104 bpm • G Maj • 03:05 • -16db
42% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Al Stewart
End of the Day
104 bpm • F# min • 03:11 • -19db
35% Popularity • 60% Danceability • 26% Energy • 7% Liveness
5% Instrumentalness • 26% Positiveness
35% Popularity • 60% Danceability • 26% Energy • 7% Liveness
5% Instrumentalness • 26% Positiveness
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Sinéad O'Connor
Three Babies
104 bpm • C Maj • 04:43 • -12.9db
44% Popularity • 43% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
44% Popularity • 43% Danceability • 18% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
