Songs like Mercy by Julian Sas
Based on a tempo of (+/- 10%) and a similar genre
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Michael Burks
I Smell Smoke
101 bpm • F min • 03:50 • -6db
36% Popularity • 61% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 61% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Robin Trower
Tide Of Confusion
101 bpm • F min • 03:47 • -8.7db
35% Popularity • 61% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Julian Sas
Mercy
101 bpm • F Maj • 04:00 • -3db
28% Popularity • 71% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
28% Popularity • 71% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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Buddaheads
Nothing To Lose
101 bpm • A Maj • 03:52 • -4.47db
24% Popularity • 49% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 49% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Beth Hart, Joe Bonamassa
Rhymes (Live)
101 bpm • C min • 05:05 • -5.47db
28% Popularity • 55% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 55% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 86% Positiveness
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Dave Hole
These Blues Are Here To Stay
101 bpm • A Maj • 06:22 • -6.48db
18% Popularity • 34% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 34% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 78% Positiveness
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Alvin Youngblood Hart
Motivational Speaker
102 bpm • D Maj • 03:55 • -6.66db
33% Popularity • 61% Danceability • 85% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
33% Popularity • 61% Danceability • 85% Energy • 11% Liveness
3% Instrumentalness • 64% Positiveness
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Lonnie Mack
Stop
102 bpm • A# Maj • 09:25 • -11.75db
18% Popularity • 36% Danceability • 46% Energy • 96% Liveness
71% Instrumentalness • 25% Positiveness
18% Popularity • 36% Danceability • 46% Energy • 96% Liveness
71% Instrumentalness • 25% Positiveness
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Back Door Slam
Outside Woman Blues
100 bpm • B min • 03:27 • -4db
24% Popularity • 37% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 37% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Buddaheads
Company Graveyard
102 bpm • C Maj • 04:32 • -5.62db
25% Popularity • 58% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 58% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Sari Schorr
The New Revolution
102 bpm • D Maj • 05:23 • -5.8db
29% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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David Gogo
Fooling Myself
102 bpm • E min • 04:12 • -8.63db
23% Popularity • 62% Danceability • 81% Energy • 23% Liveness
1% Instrumentalness • 72% Positiveness
23% Popularity • 62% Danceability • 81% Energy • 23% Liveness
1% Instrumentalness • 72% Positiveness
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King King
Broken Heal
100 bpm • D Maj • 03:48 • -6.11db
19% Popularity • 49% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 49% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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Tommy Castro
Ninety-Nine and One Half
102 bpm • A Maj • 03:43 • -5db
33% Popularity • 71% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 71% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Royal Southern Brotherhood
Reach My Goal
100 bpm • G# Maj • 05:00 • -6.93db
15% Popularity • 65% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 65% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Buddaheads
Howlin' At The Moon
102 bpm • C# Maj • 04:31 • -4.82db
22% Popularity • 59% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 59% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Lance Lopez
Your Love
103 bpm • B Maj • 03:40 • -8.46db
27% Popularity • 61% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 61% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Mark May
She's A Stranger
103 bpm • F# min • 05:37 • -7.02db
16% Popularity • 63% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 65% Positiveness
16% Popularity • 63% Danceability • 73% Energy • 21% Liveness
1% Instrumentalness • 65% Positiveness
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King King
Don’t You Get the Feeling (You’ve Be...
102 bpm • G# min • 03:08 • -4.79db
19% Popularity • 63% Danceability • 80% Energy • 17% Liveness
7% Instrumentalness • 75% Positiveness
19% Popularity • 63% Danceability • 80% Energy • 17% Liveness
7% Instrumentalness • 75% Positiveness
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Kai Strauss
The Blues Is Handmade
100 bpm • E min • 06:05 • -5.21db
24% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Robin Trower
If You Believe in Me
103 bpm • G Maj • 07:05 • -9.02db
16% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 68% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Eric Steckel
Juke Joint
99 bpm • F# Maj • 03:27 • -7.6db
27% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Tommy Castro
Love Is
99 bpm • F min • 04:40 • -5db
39% Popularity • 76% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 76% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Danny Bryant's Redeyeband
Blues All Over Me
99 bpm • C Maj • 04:08 • -3.16db
14% Popularity • 35% Danceability • 90% Energy • 34% Liveness
15% Instrumentalness • 67% Positiveness
14% Popularity • 35% Danceability • 90% Energy • 34% Liveness
15% Instrumentalness • 67% Positiveness
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King King
Crazy
99 bpm • G Maj • 04:34 • -5.9db
32% Popularity • 58% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 67% Positiveness
32% Popularity • 58% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 67% Positiveness
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Devon Allman
Can't Lose 'Em All
99 bpm • E min • 03:45 • -7.26db
35% Popularity • 52% Danceability • 84% Energy • 23% Liveness
2% Instrumentalness • 55% Positiveness
35% Popularity • 52% Danceability • 84% Energy • 23% Liveness
2% Instrumentalness • 55% Positiveness
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The Rides
I've Got To Use My Imagination
99 bpm • F min • 06:15 • -5db
38% Popularity • 52% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 52% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Stan Webb
The Thrill Has Gone (Live)
99 bpm • A min • 06:52 • -10.11db
33% Popularity • 39% Danceability • 55% Energy • 99% Liveness
10% Instrumentalness • 16% Positiveness
33% Popularity • 39% Danceability • 55% Energy • 99% Liveness
10% Instrumentalness • 16% Positiveness
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Corey Stevens
I'll Play The Blues
99 bpm • C min • 03:48 • -10.09db
32% Popularity • 73% Danceability • 47% Energy • 4% Liveness
8% Instrumentalness • 82% Positiveness
32% Popularity • 73% Danceability • 47% Energy • 4% Liveness
8% Instrumentalness • 82% Positiveness
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Virgil & The Accelerators
88
99 bpm • C# Maj • 03:54 • -7.2db
13% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Thackery And The Drivers
Chained To The Blues Line
103 bpm • C Maj • 05:01 • -6.8db
26% Popularity • 67% Danceability • 76% Energy • 20% Liveness
5% Instrumentalness • 81% Positiveness
26% Popularity • 67% Danceability • 76% Energy • 20% Liveness
5% Instrumentalness • 81% Positiveness
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Ben Poole
Dirty Laundry
98 bpm • C Maj • 05:40 • -6.73db
37% Popularity • 75% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
37% Popularity • 75% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
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Savoy Brown
I Can't Stop the Blues
104 bpm • F# min • 05:29 • -4db
29% Popularity • 63% Danceability • 76% Energy • 12% Liveness
41% Instrumentalness • 93% Positiveness
29% Popularity • 63% Danceability • 76% Energy • 12% Liveness
41% Instrumentalness • 93% Positiveness
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Albert Castiglia
Cadillac Assembly Line
104 bpm • A min • 05:01 • -5db
32% Popularity • 48% Danceability • 92% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
32% Popularity • 48% Danceability • 92% Energy • 17% Liveness
1% Instrumentalness • 84% Positiveness
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Corey Stevens
Sad Blue Eyes
104 bpm • C# Maj • 03:25 • -9.24db
24% Popularity • 79% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 79% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Burks
What Are You Doin' to Me
98 bpm • C Maj • 03:58 • -6db
30% Popularity • 51% Danceability • 69% Energy • 40% Liveness
2% Instrumentalness • 79% Positiveness
30% Popularity • 51% Danceability • 69% Energy • 40% Liveness
2% Instrumentalness • 79% Positiveness
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Julian Sas
Bound To Roll
104 bpm • C Maj • 03:59 • -3.26db
17% Popularity • 57% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 57% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Mick Clarke
Complicated Woman
104 bpm • G Maj • 04:19 • -6.09db
28% Popularity • 58% Danceability • 81% Energy • 25% Liveness
70% Instrumentalness • 80% Positiveness
28% Popularity • 58% Danceability • 81% Energy • 25% Liveness
70% Instrumentalness • 80% Positiveness
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Tommy Castro
Somewhere
104 bpm • A Maj • 03:30 • -5.2db
42% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Doyle Bramhall
Change It
104 bpm • F Maj • 03:02 • -8.24db
38% Popularity • 61% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 61% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Jim Suhler
Tijuana Bible
105 bpm • B Maj • 04:11 • -9db
18% Popularity • 84% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 84% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Peter Frampton Band
Me And My Guitar
97 bpm • D Maj • 04:23 • -5.61db
31% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Thackery
Blind Man In the Night
97 bpm • F# min • 08:54 • -5.93db
15% Popularity • 40% Danceability • 54% Energy • 9% Liveness
12% Instrumentalness • 24% Positiveness
15% Popularity • 40% Danceability • 54% Energy • 9% Liveness
12% Instrumentalness • 24% Positiveness
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Billy F Gibbons
Let The Left Hand Know
105 bpm • D Maj • 03:53 • -5.77db
33% Popularity • 46% Danceability • 71% Energy • 15% Liveness
11% Instrumentalness • 43% Positiveness
33% Popularity • 46% Danceability • 71% Energy • 15% Liveness
11% Instrumentalness • 43% Positiveness
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Blindside Blues Band
Renegade
97 bpm • F# min • 04:18 • -6db
11% Popularity • 45% Danceability • 88% Energy • 36% Liveness
1% Instrumentalness • 76% Positiveness
11% Popularity • 45% Danceability • 88% Energy • 36% Liveness
1% Instrumentalness • 76% Positiveness
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Simon McBride
Go Down Gamblin'
105 bpm • A Maj • 03:36 • -4.86db
15% Popularity • 53% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 53% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Burks
Love Disease
105 bpm • D Maj • 03:20 • -2.36db
34% Popularity • 42% Danceability • 74% Energy • 6% Liveness
4% Instrumentalness • 69% Positiveness
34% Popularity • 42% Danceability • 74% Energy • 6% Liveness
4% Instrumentalness • 69% Positiveness
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Peter Frampton Band
Going Down Slow
105 bpm • G Maj • 05:12 • -5.64db
31% Popularity • 38% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 38% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Royal Southern Brotherhood
World Blues
105 bpm • G Maj • 04:09 • -7.03db
24% Popularity • 73% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
24% Popularity • 73% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
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The Blues Mystery
My Friend's Child
105 bpm • A min • 05:33 • -4.74db
20% Popularity • 32% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 32% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Bernie Marsden
Wedding Day
97 bpm • E min • 03:29 • -6.02db
26% Popularity • 66% Danceability • 66% Energy • 3% Liveness
1% Instrumentalness • 59% Positiveness
26% Popularity • 66% Danceability • 66% Energy • 3% Liveness
1% Instrumentalness • 59% Positiveness
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Julian Sas
Highway 61 Revisited
97 bpm • D Maj • 04:18 • -5.14db
5% Popularity • 44% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 44% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Jessy Martens and Band
Stronger
97 bpm • F# min • 03:50 • -7.44db
28% Popularity • 72% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 72% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Stoney Curtis Band
Last Train to Chicago
97 bpm • E min • 05:55 • -8.34db
12% Popularity • 41% Danceability • 90% Energy • 16% Liveness
12% Instrumentalness • 36% Positiveness
12% Popularity • 41% Danceability • 90% Energy • 16% Liveness
12% Instrumentalness • 36% Positiveness
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Devon Allman
Watch What You Say
97 bpm • A min • 04:18 • -5.78db
29% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Lonnie Mack
Riding The Blinds
97 bpm • G Maj • 04:22 • -10.1db
34% Popularity • 52% Danceability • 71% Energy • 97% Liveness
18% Instrumentalness • 65% Positiveness
34% Popularity • 52% Danceability • 71% Energy • 97% Liveness
18% Instrumentalness • 65% Positiveness
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Bryce Janey
Burning Flame
106 bpm • B Maj • 05:15 • -5.97db
12% Popularity • 44% Danceability • 53% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 53% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
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Blindside Blues Band
Little Red Rooster
106 bpm • C Maj • 07:40 • -5.76db
15% Popularity • 24% Danceability • 83% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
15% Popularity • 24% Danceability • 83% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Eric Steckel
Waitin' for the Bus
106 bpm • C# Maj • 03:51 • -6.44db
36% Popularity • 50% Danceability • 92% Energy • 9% Liveness
51% Instrumentalness • 91% Positiveness
36% Popularity • 50% Danceability • 92% Energy • 9% Liveness
51% Instrumentalness • 91% Positiveness
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Tony Spinner
All Mine
96 bpm • F# min • 04:12 • -5.15db
12% Popularity • 35% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 35% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Stevie Nimmo
Roll the Dice Again
106 bpm • G Maj • 04:34 • -5.18db
21% Popularity • 47% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 47% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Tommy Castro
Nonchalant
106 bpm • C Maj • 03:55 • -3.62db
33% Popularity • 62% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 62% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Dr. Wu'
I Don't Need No Woman Like You
106 bpm • G Maj • 04:01 • -5db
11% Popularity • 37% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 37% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Altered Five Blues Band
Ten Thousand Watts
96 bpm • A min • 03:22 • -5.63db
32% Popularity • 61% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 61% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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King King
More Than I Can Take
96 bpm • E min • 03:55 • -5.95db
42% Popularity • 68% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 68% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Tony Spinner
Freedom
106 bpm • B Maj • 03:50 • -7db
23% Popularity • 37% Danceability • 80% Energy • 35% Liveness
1% Instrumentalness • 89% Positiveness
23% Popularity • 37% Danceability • 80% Energy • 35% Liveness
1% Instrumentalness • 89% Positiveness
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Mick Fleetwood and Friends
Rattlesnake Shake - with Steven Tyler, B...
106 bpm • D Maj • 04:49 • -8.92db
28% Popularity • 49% Danceability • 87% Energy • 85% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 49% Danceability • 87% Energy • 85% Liveness
0% Instrumentalness • 35% Positiveness
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Bill Perry
Bluesman
106 bpm • B min • 03:27 • -5db
26% Popularity • 47% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 47% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Smokin' Joe Kubek & Bnois King
RU4 Real?
96 bpm • A Maj • 06:08 • -3.7db
27% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Anthony Gomes
Up 2 Zero
107 bpm • A Maj • 03:13 • -2.56db
12% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 52% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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BBM
Waiting In The Wings
107 bpm • D min • 03:42 • -8.31db
39% Popularity • 43% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 43% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Too Slim and the Taildraggers
Devil's Hostage
95 bpm • F# Maj • 05:49 • -7.17db
23% Popularity • 33% Danceability • 73% Energy • 10% Liveness
48% Instrumentalness • 48% Positiveness
23% Popularity • 33% Danceability • 73% Energy • 10% Liveness
48% Instrumentalness • 48% Positiveness
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Laurence Jones
The Thrill Is Gone
95 bpm • B min • 05:28 • -8.17db
29% Popularity • 52% Danceability • 61% Energy • 33% Liveness
32% Instrumentalness • 56% Positiveness
29% Popularity • 52% Danceability • 61% Energy • 33% Liveness
32% Instrumentalness • 56% Positiveness
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Albert Castiglia
Easy Distance
108 bpm • C Maj • 02:49 • -5.34db
23% Popularity • 61% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 61% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Julian Sas
Stranger Blues
108 bpm • G Maj • 04:56 • -8.52db
10% Popularity • 34% Danceability • 83% Energy • 11% Liveness
6% Instrumentalness • 23% Positiveness
10% Popularity • 34% Danceability • 83% Energy • 11% Liveness
6% Instrumentalness • 23% Positiveness
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Mark May
Mercury Blues
108 bpm • G Maj • 05:19 • -6db
18% Popularity • 45% Danceability • 74% Energy • 21% Liveness
12% Instrumentalness • 76% Positiveness
18% Popularity • 45% Danceability • 74% Energy • 21% Liveness
12% Instrumentalness • 76% Positiveness
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King King
One More Time Around
95 bpm • G Maj • 04:47 • -5.89db
24% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Buddaheads
Showdown
108 bpm • C# min • 03:38 • -7.34db
20% Popularity • 60% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 60% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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BBM
High Cost Of Loving
94 bpm • C Maj • 05:40 • -9.25db
27% Popularity • 53% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 53% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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David Gogo
World Turning
108 bpm • D Maj • 03:31 • -6.91db
24% Popularity • 51% Danceability • 77% Energy • 21% Liveness
4% Instrumentalness • 35% Positiveness
24% Popularity • 51% Danceability • 77% Energy • 21% Liveness
4% Instrumentalness • 35% Positiveness
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Dave Hole
You Don't Have to Be Pretty to Sing the ...
108 bpm • G Maj • 03:57 • -7.53db
27% Popularity • 60% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 60% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Jeff Strahan
Southern Jeans
94 bpm • C# Maj • 07:30 • -10.49db
13% Popularity • 54% Danceability • 50% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
13% Popularity • 54% Danceability • 50% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
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The Nimmo Brothers
The Thrill Is Gone
94 bpm • B min • 06:52 • -7.87db
17% Popularity • 45% Danceability • 81% Energy • 63% Liveness
1% Instrumentalness • 64% Positiveness
17% Popularity • 45% Danceability • 81% Energy • 63% Liveness
1% Instrumentalness • 64% Positiveness
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Stan Webb
Strange Situations
109 bpm • A min • 03:50 • -9.02db
18% Popularity • 59% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 59% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Sean Chambers
Brown Sugar
109 bpm • A Maj • 04:00 • -12.03db
13% Popularity • 38% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 38% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Smokin' Joe Kubek & Bnois King
Sleeping With One Eye Open
109 bpm • F min • 04:20 • -3.6db
27% Popularity • 66% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 66% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Mark May
Sweet Spot
109 bpm • D Maj • 04:54 • -7db
27% Popularity • 64% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
27% Popularity • 64% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
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Bryce Janey
Walkin' On A Live Wire
93 bpm • D Maj • 06:08 • -5.63db
20% Popularity • 40% Danceability • 73% Energy • 19% Liveness
3% Instrumentalness • 48% Positiveness
20% Popularity • 40% Danceability • 73% Energy • 19% Liveness
3% Instrumentalness • 48% Positiveness
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The Nimmo Brothers
Lady Luck
93 bpm • C Maj • 03:38 • -9.8db
16% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Doyle Bramhall
She's Gone
109 bpm • D Maj • 04:37 • -8.5db
32% Popularity • 62% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 62% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Samantha Fish
Leavin' Kind
110 bpm • A Maj • 03:57 • -7.81db
29% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Julian Sas
High and Low
93 bpm • D Maj • 05:08 • -6.08db
14% Popularity • 53% Danceability • 77% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
14% Popularity • 53% Danceability • 77% Energy • 13% Liveness
2% Instrumentalness • 58% Positiveness
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Rob Tognoni
Shakin' the Devil's Hand
110 bpm • D# Maj • 04:43 • -3.25db
28% Popularity • 68% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 68% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Alastair Greene
Wontcha Tell Me
93 bpm • E min • 03:59 • -6.96db
17% Popularity • 47% Danceability • 80% Energy • 37% Liveness
3% Instrumentalness • 70% Positiveness
17% Popularity • 47% Danceability • 80% Energy • 37% Liveness
3% Instrumentalness • 70% Positiveness
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Lance Lopez
So Alone
110 bpm • C# Maj • 04:30 • -7.11db
28% Popularity • 63% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 71% Positiveness
28% Popularity • 63% Danceability • 78% Energy • 32% Liveness
2% Instrumentalness • 71% Positiveness
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Billy F Gibbons
Mo’ Slower Blues
110 bpm • F Maj • 03:57 • -4db
26% Popularity • 69% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 69% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 86% Positiveness
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Blindside Blues Band
Journey to the Stars
93 bpm • A Maj • 04:27 • -6db
21% Popularity • 36% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 36% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Dave Fields
Force of Will
110 bpm • F# Maj • 04:55 • -8.77db
12% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness