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Mess Her Up - Single Edit
Songs like
Mess Her Up - Single Edit
by
Amy Shark
Based on a tempo of (+/- 10%) and a similar genre
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Holy Holy
Faces
160 bpm • C Maj • 03:28 • -5.13db
30% Popularity • 51% Danceability • 87% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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ROZES
Halfway There
160 bpm • C min • 03:27 • -4db
34% Popularity • 59% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Amy Shark
Mess Her Up - Single Edit
160 bpm • G Maj • 03:25 • -4.48db
40% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Bec Sandridge
EYES WIDE
160 bpm • D Maj • 03:58 • -4.89db
18% Popularity • 48% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Tuka
Dickheads
160 bpm • C Maj • 03:36 • -4.57db
16% Popularity • 75% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Sahara Beck
Here We Go Again
160 bpm • D min • 03:22 • -4.05db
18% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Herd
Bodies - triple j Like a Version
162 bpm • D min • 04:10 • -6db
27% Popularity • 55% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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GRAACE
Me Without You
160 bpm • D# Maj • 02:57 • -8.53db
12% Popularity • 48% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Amy Shark
Mess Her Up
160 bpm • G Maj • 03:28 • -4.89db
48% Popularity • 59% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Odette
Do You See Me
162 bpm • F Maj • 04:05 • -6.3db
22% Popularity • 71% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tuka
Naked Heart
158 bpm • C Maj • 03:47 • -9db
11% Popularity • 63% Danceability • 68% Energy • 34% Liveness
1% Instrumentalness • 55% Positiveness
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Ruby Fields
P Plates
158 bpm • C# Maj • 03:27 • -5db
45% Popularity • 50% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Morgan Evans
Diamonds - Intl Mix
158 bpm • D Maj • 02:52 • -5db
27% Popularity • 63% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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The Chainsmokers
The Reaper
164 bpm • G# min • 03:02 • -7.79db
53% Popularity • 63% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Amy Shark
Drive You Mad
162 bpm • G Maj • 03:32 • -7db
35% Popularity • 50% Danceability • 71% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Hilltop Hoods
Fire & Grace
164 bpm • F min • 03:49 • -7db
39% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Evermore
Light Surrounding You
164 bpm • D# Maj • 03:50 • -7db
51% Popularity • 41% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Ali Barter
Backseat
164 bpm • E Maj • 03:13 • -3.83db
18% Popularity • 29% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Birds Of Tokyo
Good Lord
156 bpm • C Maj • 03:25 • -4.82db
45% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Ricki-Lee
Not Too Late
165 bpm • A# Maj • 03:41 • -3db
31% Popularity • 44% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Amy Shark
Only Wanna Be With You
164 bpm • A Maj • 03:10 • -4db
47% Popularity • 53% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Thelma Plum
Nick Cave
166 bpm • B Maj • 02:45 • -9db
35% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Ruby Fields
Dinosaurs
154 bpm • A# Maj • 03:52 • -9db
48% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Eves Karydas
Further Than The Planes Fly
166 bpm • C Maj • 03:10 • -7db
41% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Greta Stanley
Come Undone
153 bpm • C Maj • 03:58 • -13.37db
16% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Ali Barter
Girlie Bits
153 bpm • E Maj • 03:11 • -6.5db
30% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Amy Shark
The Wolves
156 bpm • F Maj • 02:52 • -6.3db
34% Popularity • 37% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Samantha Jade
Bounce
167 bpm • C# Maj • 02:44 • -3.48db
32% Popularity • 77% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Kingswood
Say You Remember
168 bpm • G Maj • 04:13 • -5.22db
20% Popularity • 45% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Birds Of Tokyo
Lanterns - Single Version
168 bpm • C Maj • 03:56 • -6.86db
30% Popularity • 41% Danceability • 69% Energy • 17% Liveness
3% Instrumentalness • 30% Positiveness
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Greta Stanley
When January Comes
153 bpm • A Maj • 04:37 • -11.68db
21% Popularity • 24% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Thundamentals
Everybody But You
168 bpm • A min • 03:34 • -7.99db
43% Popularity • 58% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Amy Shark
I'll Be Yours
167 bpm • C min • 03:27 • -5.66db
28% Popularity • 30% Danceability • 65% Energy • 19% Liveness
1% Instrumentalness • 16% Positiveness
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Darling Brando
Beat Up Guitar
152 bpm • B Maj • 03:36 • -6.57db
20% Popularity • 44% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Sahara Beck
Queen of Hearts
169 bpm • B min • 04:11 • -4.42db
19% Popularity • 54% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Birds Of Tokyo
Lanterns
168 bpm • C Maj • 04:22 • -8db
53% Popularity • 40% Danceability • 65% Energy • 14% Liveness
5% Instrumentalness • 31% Positiveness
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E^ST
FRESH OUT OF LOVE
151 bpm • A min • 02:50 • -8.92db
25% Popularity • 55% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Shungudzo
Long Live the Billionaire
170 bpm • D# Maj • 03:11 • -7.49db
24% Popularity • 27% Danceability • 41% Energy • 26% Liveness
13% Instrumentalness • 17% Positiveness
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Amy Shark
Weekends
153 bpm • B Maj • 03:10 • -6db
42% Popularity • 28% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Alex the Astronaut
Happy Song - Shed Mix
170 bpm • C Maj • 04:13 • -5.32db
9% Popularity • 55% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Zoe A'dore
Bury It
150 bpm • C min • 03:21 • -4.29db
15% Popularity • 69% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Allday
Big Yellow Taxi - triple j Like A Versio...
150 bpm • E Maj • 02:49 • -8.28db
39% Popularity • 76% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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E^ST
WALKING HOME IN THE RAIN
170 bpm • G Maj • 02:43 • -7.93db
33% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Coda Conduct
The Monologue
150 bpm • F min • 03:34 • -6.79db
17% Popularity • 83% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Amy Shark
I'm a Liar
153 bpm • F Maj • 03:24 • -5.25db
30% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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GRAACE
Hard to Say
150 bpm • G# Maj • 03:14 • -6.52db
24% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Sahara Beck
I Haven't Done A Thing Today
150 bpm • A Maj • 03:39 • -3.1db
13% Popularity • 52% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Alex Lahey
Don’t Be So Hard On Yourself
149 bpm • C Maj • 04:18 • -5.34db
25% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Meg Washington
Claws
172 bpm • D Maj • 03:43 • -9.8db
12% Popularity • 49% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Montaigne
The Dying Song
172 bpm • C Maj • 03:24 • -3.38db
29% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Amy Shark
The Idiot
152 bpm • A Maj • 03:17 • -5.17db
34% Popularity • 57% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Nicole Millar
Gimme A Break
172 bpm • G# min • 03:03 • -5db
22% Popularity • 47% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Thelma Plum
Better in Blak
148 bpm • C# Maj • 03:12 • -5.24db
53% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Chelcee Grimes
I Need a Night Out
148 bpm • E Maj • 03:20 • -5.03db
8% Popularity • 70% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Thundamentals
I Miss You
148 bpm • B Maj • 03:25 • -7db
45% Popularity • 73% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Eves Karydas
There For You
148 bpm • C# min • 04:12 • -7.86db
22% Popularity • 35% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Amy Shark
Golden Fleece
150 bpm • A# Maj • 04:12 • -14db
32% Popularity • 59% Danceability • 36% Energy • 17% Liveness
2% Instrumentalness • 12% Positiveness
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E^ST
Blowjob
174 bpm • C Maj • 03:32 • -5.89db
17% Popularity • 46% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Montaigne
Love Might Be Found (Volcano)
174 bpm • D Maj • 03:43 • -4.02db
23% Popularity • 46% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Ruby Fields
Ritalin
175 bpm • F Maj • 03:08 • -4db
36% Popularity • 35% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Amila
Owe It All To You
146 bpm • G Maj • 03:02 • -10.95db
13% Popularity • 72% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Thelma Plum
Not Angry Anymore
175 bpm • B Maj • 03:23 • -6db
43% Popularity • 65% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Amy Shark
Mess Her Up - Acoustic
150 bpm • G Maj • 03:30 • -8.4db
38% Popularity • 56% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Peking Duk
Move
176 bpm • A Maj • 03:27 • -6db
38% Popularity • 29% Danceability • 82% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Tyne-James Organ
In My Arms
145 bpm • E Maj • 03:47 • -6.81db
27% Popularity • 57% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Jarryd James
Slow Motion
145 bpm • G# min • 03:34 • -4.52db
11% Popularity • 62% Danceability • 78% Energy • 74% Liveness
38% Instrumentalness • 73% Positiveness
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Thirsty Merc
Tommy and Krista
145 bpm • B Maj • 03:52 • -4.95db
49% Popularity • 63% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Be Charlotte
Do Not Disturb
145 bpm • A# Maj • 02:47 • -7.65db
15% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Amy Shark
All the Lies About Me
174 bpm • D Maj • 02:57 • -8.99db
36% Popularity • 40% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Samsaruh
The Beginning
177 bpm • G min • 03:44 • -6.79db
11% Popularity • 33% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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E^ST
MAYBE IT'S ME
177 bpm • B min • 02:45 • -5.33db
18% Popularity • 60% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Andrew Austin
Everything and More
177 bpm • G# Maj • 03:11 • -4.05db
12% Popularity • 43% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Jess Kent
No Love Songs
144 bpm • G min • 03:08 • -6.43db
11% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Rowena Wise
To Pretend
144 bpm • G Maj • 03:30 • -8.17db
12% Popularity • 51% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
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Amy Shark
Miss You
176 bpm • C min • 02:56 • -6.53db
37% Popularity • 63% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Woodes
Change My Mind
144 bpm • A Maj • 03:20 • -7.12db
22% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Odette
Collide
178 bpm • D# min • 03:43 • -7.27db
34% Popularity • 60% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Montaigne
I'm a Fantastic Wreck
144 bpm • B Maj • 03:14 • -5.67db
27% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Birds Of Tokyo
Without Me - triple j Like A Version
143 bpm • C# Maj • 03:24 • -11db
38% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
34% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Amy Shark
Lonely Still
144 bpm • E Maj • 02:48 • -6.39db
37% Popularity • 63% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Eves Karydas
Get Me So High
142 bpm • C# min • 02:55 • -5.25db
26% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Ali Barter
Four Days
180 bpm • G Maj • 03:26 • -7.13db
9% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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GRAACE
Have Fun At Your Party
180 bpm • A# Maj • 03:40 • -9.7db
23% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
30% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Odette
Lights Out
180 bpm • F# Maj • 03:32 • -7.32db
37% Popularity • 70% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Amy Shark
All Loved Up
178 bpm • A Maj • 03:30 • -6.33db
46% Popularity • 56% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Germein
Knocking at my Door
142 bpm • G Maj • 03:18 • -5.38db
13% Popularity • 52% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Rowena Wise
F**ked Up Over You
142 bpm • F Maj • 03:22 • -5.68db
16% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Eilish Gilligan
S.M.F.Y.
141 bpm • G Maj • 03:38 • -8.55db
12% Popularity • 63% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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BOI
Imaginary Boys
140 bpm • C# Maj • 03:33 • -5.63db
16% Popularity • 66% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Mason Watts
Recovery
140 bpm • D Maj • 03:21 • -7.2db
19% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Amy Shark
Worst Girl
179 bpm • E Maj • 03:52 • -7.33db
33% Popularity • 32% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Germein
Talking
140 bpm • G# min • 03:30 • -7.39db
15% Popularity • 67% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Odette
Feverbreak
140 bpm • G min • 04:17 • -8.79db
19% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
50% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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Eves Karydas
Wildest Ones
140 bpm • F# Maj • 04:04 • -10.33db
34% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Hein Cooper
Invincible
139 bpm • G# Maj • 03:38 • -8.04db
25% Popularity • 40% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Amy Shark
The Slow Song
142 bpm • E Maj • 02:52 • -5.7db
30% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Erthlings
Cuts & Bruises
184 bpm • F Maj • 03:45 • -9.15db
23% Popularity • 50% Danceability • 64% Energy • 14% Liveness
15% Instrumentalness • 45% Positiveness
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Mess Her Up - Single Edit