Songs like Messages from the Stars by The Rah Band
Based on a tempo of (+/- 10%) and a similar genre
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Psychic Mirrors
I Come for Your Love
106 bpm • A min • 05:35 • -12.46db
19% Popularity • 86% Danceability • 56% Energy • 8% Liveness
39% Instrumentalness • 45% Positiveness
19% Popularity • 86% Danceability • 56% Energy • 8% Liveness
39% Instrumentalness • 45% Positiveness
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Lonnie Liston Smith
Summer Nights
106 bpm • F min • 05:05 • -12db
43% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 53% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Macabre Plaza
Middle of Nowhere
106 bpm • G# min • 01:01 • -6.06db
58% Popularity • 61% Danceability • 72% Energy • 19% Liveness
93% Instrumentalness • 57% Positiveness
58% Popularity • 61% Danceability • 72% Energy • 19% Liveness
93% Instrumentalness • 57% Positiveness
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Stereolab
The Flower Called Nowhere
106 bpm • F# min • 05:15 • -12db
51% Popularity • 54% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 54% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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The Rah Band
Messages from the Stars
106 bpm • B Maj • 07:40 • -11.36db
49% Popularity • 72% Danceability • 56% Energy • 8% Liveness
5% Instrumentalness • 80% Positiveness
49% Popularity • 72% Danceability • 56% Energy • 8% Liveness
5% Instrumentalness • 80% Positiveness
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Patrice Rushen
To Each His Own
106 bpm • A# min • 04:14 • -14db
44% Popularity • 92% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 92% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Psychic Mirrors
In My Eyes
106 bpm • C Maj • 04:04 • -8.82db
11% Popularity • 68% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 68% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Stennes
Eyes Didn't Let Me Open
106 bpm • D# Maj • 02:55 • -10.89db
37% Popularity • 38% Danceability • 70% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
37% Popularity • 38% Danceability • 70% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Khruangbin
Time (You and I)
105 bpm • B Maj • 05:42 • -14db
62% Popularity • 75% Danceability • 49% Energy • 8% Liveness
15% Instrumentalness • 92% Positiveness
62% Popularity • 75% Danceability • 49% Energy • 8% Liveness
15% Instrumentalness • 92% Positiveness
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Boncana Maïga
Koyma Hondo
106 bpm • C min • 04:00 • -8db
39% Popularity • 69% Danceability • 74% Energy • 31% Liveness
22% Instrumentalness • 96% Positiveness
39% Popularity • 69% Danceability • 74% Energy • 31% Liveness
22% Instrumentalness • 96% Positiveness
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Bobby Caldwell
You Belong To Me
105 bpm • E min • 03:11 • -17.23db
51% Popularity • 85% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 85% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Leon Ware
Why I Came to California
107 bpm • C# Maj • 04:10 • -10db
40% Popularity • 69% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 69% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Rah Band
Sam the Samba Man - Remix
105 bpm • C Maj • 07:27 • -8.89db
19% Popularity • 42% Danceability • 72% Energy • 4% Liveness
44% Instrumentalness • 96% Positiveness
19% Popularity • 42% Danceability • 72% Energy • 4% Liveness
44% Instrumentalness • 96% Positiveness
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Kleeer
Tonight
105 bpm • A min • 05:10 • -14.72db
36% Popularity • 84% Danceability • 33% Energy • 4% Liveness
71% Instrumentalness • 88% Positiveness
36% Popularity • 84% Danceability • 33% Energy • 4% Liveness
71% Instrumentalness • 88% Positiveness
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Arthur Russell
Make 1,2
105 bpm • G Maj • 02:49 • -9db
32% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
32% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
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Thundercat
Friend Zone
107 bpm • C# Maj • 03:12 • -4.96db
52% Popularity • 59% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 59% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sylvester
I Need Somebody To Love Tonight
105 bpm • G Maj • 06:51 • -17.85db
37% Popularity • 73% Danceability • 36% Energy • 7% Liveness
90% Instrumentalness • 86% Positiveness
37% Popularity • 73% Danceability • 36% Energy • 7% Liveness
90% Instrumentalness • 86% Positiveness
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William DeVaughn
Be Thankful for What You've Got - David ...
107 bpm • F# min • 03:41 • -13.14db
55% Popularity • 78% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
55% Popularity • 78% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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The Rah Band
Star Dance
107 bpm • A min • 07:23 • -8.25db
20% Popularity • 66% Danceability • 85% Energy • 7% Liveness
6% Instrumentalness • 91% Positiveness
20% Popularity • 66% Danceability • 85% Energy • 7% Liveness
6% Instrumentalness • 91% Positiveness
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George McCrae
You Can Have It All
105 bpm • G# Maj • 02:54 • -10db
44% Popularity • 42% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 66% Positiveness
44% Popularity • 42% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 66% Positiveness
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Nu Genea
Ddoje Facce
105 bpm • D# min • 04:21 • -8.4db
51% Popularity • 90% Danceability • 46% Energy • 5% Liveness
26% Instrumentalness • 93% Positiveness
51% Popularity • 90% Danceability • 46% Energy • 5% Liveness
26% Instrumentalness • 93% Positiveness
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Kano
Can't Hold Back (Your Loving)
107 bpm • A min • 06:15 • -9.37db
32% Popularity • 88% Danceability • 57% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
32% Popularity • 88% Danceability • 57% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
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B.W.H.
Stop
107 bpm • A# min • 06:42 • -14.48db
29% Popularity • 68% Danceability • 74% Energy • 10% Liveness
60% Instrumentalness • 99% Positiveness
29% Popularity • 68% Danceability • 74% Energy • 10% Liveness
60% Instrumentalness • 99% Positiveness
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Connan Mockasin
Do I Make You Feel Shy?
107 bpm • G Maj • 03:14 • -13db
27% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Rah Band
Out On the Edge
105 bpm • C Maj • 05:22 • -11.06db
12% Popularity • 62% Danceability • 77% Energy • 8% Liveness
7% Instrumentalness • 60% Positiveness
12% Popularity • 62% Danceability • 77% Energy • 8% Liveness
7% Instrumentalness • 60% Positiveness
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Change
Mutual Attraction - Single Version
104 bpm • C# Maj • 04:13 • -5.6db
14% Popularity • 75% Danceability • 71% Energy • 4% Liveness
1% Instrumentalness • 77% Positiveness
14% Popularity • 75% Danceability • 71% Energy • 4% Liveness
1% Instrumentalness • 77% Positiveness
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Michael Wycoff
Looking Up to You
104 bpm • G min • 05:20 • -9.01db
45% Popularity • 69% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 69% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Durutti Column
Sketch for Summer
108 bpm • D min • 02:58 • -9.9db
47% Popularity • 65% Danceability • 74% Energy • 14% Liveness
82% Instrumentalness • 53% Positiveness
47% Popularity • 65% Danceability • 74% Energy • 14% Liveness
82% Instrumentalness • 53% Positiveness
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笠井 紀美子
As
108 bpm • B min • 06:15 • -13.12db
31% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Leroy Hutson
I Think I'm Falling In Love
108 bpm • F min • 03:39 • -9.96db
34% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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The Rah Band
Perfumed Garden
105 bpm • F min • 06:29 • -6.65db
10% Popularity • 56% Danceability • 73% Energy • 40% Liveness
60% Instrumentalness • 61% Positiveness
10% Popularity • 56% Danceability • 73% Energy • 40% Liveness
60% Instrumentalness • 61% Positiveness
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Drugdealer
Suddenly
108 bpm • E Maj • 03:17 • -7.54db
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
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Jackson Sisters
I Believe In Miracles - Extended Version
108 bpm • F Maj • 04:51 • -11.68db
39% Popularity • 67% Danceability • 82% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 67% Danceability • 82% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
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Minako Yoshida
MIDNIGHT DRIVER
104 bpm • D Maj • 07:44 • -8db
46% Popularity • 75% Danceability • 76% Energy • 6% Liveness
46% Instrumentalness • 93% Positiveness
46% Popularity • 75% Danceability • 76% Energy • 6% Liveness
46% Instrumentalness • 93% Positiveness
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Saâda Bonaire
The Facts
108 bpm • F Maj • 05:13 • -7db
29% Popularity • 73% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 73% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 65% Positiveness
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Geoffrey Landers
Say You'll Say So
108 bpm • D Maj • 05:09 • -10.57db
33% Popularity • 71% Danceability • 64% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
33% Popularity • 71% Danceability • 64% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
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The Rah Band
Perfumed Garden
105 bpm • F min • 06:33 • -6.57db
27% Popularity • 64% Danceability • 66% Energy • 17% Liveness
12% Instrumentalness • 75% Positiveness
27% Popularity • 64% Danceability • 66% Energy • 17% Liveness
12% Instrumentalness • 75% Positiveness
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Laid Back
Fly Away / Walking in the Sunshine - 200...
108 bpm • A min • 08:32 • -10db
42% Popularity • 95% Danceability • 39% Energy • 15% Liveness
50% Instrumentalness • 74% Positiveness
42% Popularity • 95% Danceability • 39% Energy • 15% Liveness
50% Instrumentalness • 74% Positiveness
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Naked Eyes
I Could Show You How - 2018 Remaster
108 bpm • D min • 03:24 • -6.79db
40% Popularity • 68% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 68% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Gloria Ann Taylor
Love Is a Hurtin' Thing - 12" Version
103 bpm • F min • 07:16 • -10db
32% Popularity • 36% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 36% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Saâda Bonaire
Invitation
108 bpm • E min • 05:21 • -9.35db
34% Popularity • 74% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 74% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Haruomi Hosono
スポーツマン (2019 Remastering)
109 bpm • D Maj • 04:05 • -4.31db
42% Popularity • 81% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 81% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Rah Band
Perfumed Garden - Remix
104 bpm • C min • 06:53 • -10.78db
22% Popularity • 66% Danceability • 67% Energy • 9% Liveness
21% Instrumentalness • 85% Positiveness
22% Popularity • 66% Danceability • 67% Energy • 9% Liveness
21% Instrumentalness • 85% Positiveness
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Ekkah
What's Up
109 bpm • G# min • 04:03 • -4.33db
27% Popularity • 87% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 87% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Aura
Yesterday's Love
109 bpm • D Maj • 04:52 • -7.18db
30% Popularity • 59% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
30% Popularity • 59% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
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Parallel Dance Ensemble
Shopping Cart
109 bpm • E min • 04:05 • -6.75db
49% Popularity • 89% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
49% Popularity • 89% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Christy Essien Igbokwe
Take Life Easy
103 bpm • A min • 04:15 • -10.88db
39% Popularity • 83% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 87% Positiveness
39% Popularity • 83% Danceability • 67% Energy • 10% Liveness
17% Instrumentalness • 87% Positiveness
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The System
You Are in My System
109 bpm • A# min • 05:57 • -13.51db
38% Popularity • 84% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 84% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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The Rah Band
Two Bodies
108 bpm • D# Maj • 04:34 • -4.93db
18% Popularity • 79% Danceability • 90% Energy • 18% Liveness
33% Instrumentalness • 90% Positiveness
18% Popularity • 79% Danceability • 90% Energy • 18% Liveness
33% Instrumentalness • 90% Positiveness
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Breakwater
No Limit
109 bpm • C# Maj • 04:15 • -13db
28% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Tom Tom Club
Genius Of Love
103 bpm • D Maj • 05:39 • -10.84db
52% Popularity • 93% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 93% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Parallel Dance Ensemble
Juices
103 bpm • E Maj • 03:29 • -8.48db
44% Popularity • 72% Danceability • 60% Energy • 44% Liveness
3% Instrumentalness • 94% Positiveness
44% Popularity • 72% Danceability • 60% Energy • 44% Liveness
3% Instrumentalness • 94% Positiveness
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Sly & The Family Stone
Ha Ha, Hee Hee
109 bpm • C Maj • 03:45 • -9db
39% Popularity • 74% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 74% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Marcos Valle
Estrelar
103 bpm • G min • 05:13 • -10.58db
61% Popularity • 88% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
61% Popularity • 88% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Rah Band
Float
108 bpm • E min • 05:34 • -10.57db
21% Popularity • 82% Danceability • 52% Energy • 6% Liveness
32% Instrumentalness • 92% Positiveness
21% Popularity • 82% Danceability • 52% Energy • 6% Liveness
32% Instrumentalness • 92% Positiveness
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Sean Nicholas Savage
Abracadabra
103 bpm • F# Maj • 03:52 • -11.66db
31% Popularity • 77% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 77% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Mild High Club
Skiptracing
109 bpm • B min • 03:39 • -9.2db
52% Popularity • 72% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 72% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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Cortex
Datura
103 bpm • D Maj • 02:29 • -11db
42% Popularity • 57% Danceability • 62% Energy • 12% Liveness
83% Instrumentalness • 97% Positiveness
42% Popularity • 57% Danceability • 62% Energy • 12% Liveness
83% Instrumentalness • 97% Positiveness
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Michael Jackson
Baby Be Mine
110 bpm • B min • 04:20 • -10.29db
65% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
65% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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George Clanton
Livin' Loose
110 bpm • G# Maj • 05:49 • -5.42db
45% Popularity • 30% Danceability • 95% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 30% Danceability • 95% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
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The Rah Band
Blue Horizon Drifter
104 bpm • G min • 06:51 • -4.76db
7% Popularity • 50% Danceability • 70% Energy • 13% Liveness
82% Instrumentalness • 43% Positiveness
7% Popularity • 50% Danceability • 70% Energy • 13% Liveness
82% Instrumentalness • 43% Positiveness
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Midnight Magic
Beam Me Up
110 bpm • C# Maj • 05:22 • -8.13db
54% Popularity • 80% Danceability • 66% Energy • 5% Liveness
6% Instrumentalness • 88% Positiveness
54% Popularity • 80% Danceability • 66% Energy • 5% Liveness
6% Instrumentalness • 88% Positiveness
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Jakob
You and I
110 bpm • C Maj • 02:42 • -9.8db
57% Popularity • 80% Danceability • 62% Energy • 14% Liveness
29% Instrumentalness • 76% Positiveness
57% Popularity • 80% Danceability • 62% Energy • 14% Liveness
29% Instrumentalness • 76% Positiveness
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Nathan Haines
Fm
110 bpm • B min • 04:38 • -8.77db
38% Popularity • 84% Danceability • 52% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
38% Popularity • 84% Danceability • 52% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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Blood Orange
Is It All Over My Face & Tower of Meanin...
110 bpm • D Maj • 06:24 • -8.41db
33% Popularity • 80% Danceability • 78% Energy • 27% Liveness
78% Instrumentalness • 20% Positiveness
33% Popularity • 80% Danceability • 78% Energy • 27% Liveness
78% Instrumentalness • 20% Positiveness
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Aged In Harmony
You're a Melody - Extended Disco Version
110 bpm • A Maj • 04:19 • -8.62db
29% Popularity • 80% Danceability • 50% Energy • 5% Liveness
36% Instrumentalness • 92% Positiveness
29% Popularity • 80% Danceability • 50% Energy • 5% Liveness
36% Instrumentalness • 92% Positiveness
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The Rah Band
Perfumed Garden
103 bpm • F min • 03:40 • -13.47db
12% Popularity • 64% Danceability • 48% Energy • 30% Liveness
3% Instrumentalness • 67% Positiveness
12% Popularity • 64% Danceability • 48% Energy • 30% Liveness
3% Instrumentalness • 67% Positiveness
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Donny Benét
Konichiwa
110 bpm • D min • 04:37 • -9db
47% Popularity • 81% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
47% Popularity • 81% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
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Psychic Mirrors
Veronica's House of Tarot
110 bpm • D min • 01:12 • -10.38db
27% Popularity • 87% Danceability • 46% Energy • 18% Liveness
8% Instrumentalness • 65% Positiveness
27% Popularity • 87% Danceability • 46% Energy • 18% Liveness
8% Instrumentalness • 65% Positiveness
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Shakatak
Bitch to the Boys
110 bpm • G# Maj • 06:27 • -13db
34% Popularity • 78% Danceability • 50% Energy • 9% Liveness
62% Instrumentalness • 91% Positiveness
34% Popularity • 78% Danceability • 50% Energy • 9% Liveness
62% Instrumentalness • 91% Positiveness
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Puzzle
Loose Cannon
110 bpm • B min • 02:57 • -3.25db
58% Popularity • 59% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 59% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Aged In Harmony
You're a Melody
110 bpm • A Maj • 03:07 • -9db
33% Popularity • 80% Danceability • 45% Energy • 5% Liveness
44% Instrumentalness • 69% Positiveness
33% Popularity • 80% Danceability • 45% Energy • 5% Liveness
44% Instrumentalness • 69% Positiveness
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Escape from New York
Fire in My Heart
102 bpm • E min • 05:13 • -8.19db
35% Popularity • 66% Danceability • 69% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
35% Popularity • 66% Danceability • 69% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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The Rah Band
Something About the Music
109 bpm • F min • 04:18 • -10.71db
13% Popularity • 62% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 62% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Saâda Bonaire
You Could Be More As You Are
110 bpm • C Maj • 05:56 • -9.64db
46% Popularity • 97% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
46% Popularity • 97% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Pink Rhythm
India - 7" Version
102 bpm • F min • 03:33 • -6db
13% Popularity • 57% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 57% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Dorothy Ashby
By The Time I Get To Phoenix
102 bpm • C min • 03:30 • -9db
42% Popularity • 60% Danceability • 69% Energy • 7% Liveness
81% Instrumentalness • 72% Positiveness
42% Popularity • 60% Danceability • 69% Energy • 7% Liveness
81% Instrumentalness • 72% Positiveness
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Daryl Hall & John Oates
I Can't Go for That (No Can Do)
111 bpm • C min • 05:07 • -9.51db
67% Popularity • 89% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 89% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Mndsgn
Cosmic Perspective
111 bpm • G# Maj • 04:19 • -8db
33% Popularity • 69% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 60% Positiveness
33% Popularity • 69% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 60% Positiveness
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The Rah Band
Riding On a Fantasy
102 bpm • A# Maj • 05:52 • -4.49db
20% Popularity • 57% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
20% Popularity • 57% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
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Saâda Bonaire
More Women
102 bpm • A Maj • 05:10 • -10.21db
44% Popularity • 82% Danceability • 55% Energy • 7% Liveness
44% Instrumentalness • 86% Positiveness
44% Popularity • 82% Danceability • 55% Energy • 7% Liveness
44% Instrumentalness • 86% Positiveness
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The Jones Girls
Nights Over Egypt
111 bpm • A min • 04:39 • -14.32db
51% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
51% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
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Pink Rhythm
India
102 bpm • F min • 05:26 • -7db
15% Popularity • 64% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 64% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Psychic Mirrors
The Witching Hour
111 bpm • G# Maj • 04:26 • -11db
30% Popularity • 74% Danceability • 78% Energy • 8% Liveness
82% Instrumentalness • 90% Positiveness
30% Popularity • 74% Danceability • 78% Energy • 8% Liveness
82% Instrumentalness • 90% Positiveness
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Donny Benét
Negroni Summer
111 bpm • E min • 03:48 • -9.64db
41% Popularity • 81% Danceability • 54% Energy • 7% Liveness
24% Instrumentalness • 68% Positiveness
41% Popularity • 81% Danceability • 54% Energy • 7% Liveness
24% Instrumentalness • 68% Positiveness
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The Rah Band
What'll Become of the Children?
110 bpm • G Maj • 07:32 • -10.18db
23% Popularity • 66% Danceability • 68% Energy • 52% Liveness
2% Instrumentalness • 86% Positiveness
23% Popularity • 66% Danceability • 68% Energy • 52% Liveness
2% Instrumentalness • 86% Positiveness
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Nice Guys
Makes You Fly
111 bpm • C# Maj • 06:08 • -5db
45% Popularity • 61% Danceability • 93% Energy • 12% Liveness
29% Instrumentalness • 49% Positiveness
45% Popularity • 61% Danceability • 93% Energy • 12% Liveness
29% Instrumentalness • 49% Positiveness
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Hiroshi Sato
SAY GOODBYE
111 bpm • F Maj • 03:26 • -8.51db
46% Popularity • 77% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 77% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Steve Monite
Welcome My Love
111 bpm • G min • 06:13 • -10.5db
37% Popularity • 80% Danceability • 56% Energy • 4% Liveness
71% Instrumentalness • 60% Positiveness
37% Popularity • 80% Danceability • 56% Energy • 4% Liveness
71% Instrumentalness • 60% Positiveness
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Psychic Mirrors
Draw Me Your Favorite Funk
111 bpm • A Maj • 04:36 • -10.39db
30% Popularity • 67% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 67% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Gene Dunlap
There's Talk - Remastered
111 bpm • G# min • 03:34 • -11.05db
39% Popularity • 74% Danceability • 56% Energy • 4% Liveness
34% Instrumentalness • 89% Positiveness
39% Popularity • 74% Danceability • 56% Energy • 4% Liveness
34% Instrumentalness • 89% Positiveness
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The Rah Band
A Woman's Life
101 bpm • A min • 03:34 • -6.11db
16% Popularity • 65% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 65% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Vance and Suzzanne
I Can't Get Along Without You
111 bpm • A min • 06:40 • -7db
36% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Heatwave
Central Heating
101 bpm • G# Maj • 04:49 • -11db
27% Popularity • 76% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 76% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Pamoja
Oooh, Baby
101 bpm • D Maj • 03:40 • -11.86db
36% Popularity • 74% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
36% Popularity • 74% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
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Psychic Mirrors
Charlene
111 bpm • G Maj • 04:50 • -7.65db
28% Popularity • 68% Danceability • 73% Energy • 6% Liveness
16% Instrumentalness • 87% Positiveness
28% Popularity • 68% Danceability • 73% Energy • 6% Liveness
16% Instrumentalness • 87% Positiveness
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Marta Acuna
Dance, Dance, Dance (Disco Version)
111 bpm • A Maj • 06:15 • -11.89db
30% Popularity • 58% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 58% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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The Rah Band
Clouds Across the Moon
101 bpm • G Maj • 04:45 • -12db
45% Popularity • 66% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 66% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
