Songs like Messe Basse: Sanctus by Lichfield Cathedral Choir
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Reinagle
In Christ there is no east or west
84 bpm • C Maj • 01:21 • -26db
17% Popularity • 23% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 23% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 5% Positiveness
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John Frederick Lampe
Kent "Father, in Whom Thy Saints Are One...
84 bpm • D Maj • 03:17 • -17.84db
11% Popularity • 20% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 20% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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John Ireland
Communion Service in C Major: Agnus Dei
84 bpm • A min • 02:09 • -33.91db
18% Popularity • 15% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Margaret Rizza
O God, Be Gracious
84 bpm • E min • 04:22 • -24.95db
13% Popularity • 16% Danceability • 6% Energy • 9% Liveness
26% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 9% Liveness
26% Instrumentalness • 4% Positiveness
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Gittan Glans
When Breathing like a Bird
84 bpm • D Maj • 01:55 • -18.7db
8% Popularity • 19% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
8% Popularity • 19% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
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George Martin
Psalm 139 "O Lord, Thou Has Searched Me ...
84 bpm • C# Maj • 07:03 • -32.86db
3% Popularity • 14% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
3% Popularity • 14% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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Independent Presbyterian Church Savannah
Psalm 16 (Leominster)
84 bpm • D# Maj • 03:59 • -24.13db
8% Popularity • 13% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Credo: IIIe. C...
84 bpm • A# Maj • 03:19 • -17.24db
8% Popularity • 12% Danceability • 16% Energy • 8% Liveness
14% Instrumentalness • 5% Positiveness
8% Popularity • 12% Danceability • 16% Energy • 8% Liveness
14% Instrumentalness • 5% Positiveness
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Thomas Morley
Nolo Mortem Peccatoris - Live
83 bpm • E min • 03:15 • -20.95db
11% Popularity • 15% Danceability • 18% Energy • 64% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 15% Danceability • 18% Energy • 64% Liveness
0% Instrumentalness • 9% Positiveness
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Horatio W. Parker
Now Sinks the Sun
85 bpm • G Maj • 06:56 • -23db
11% Popularity • 11% Danceability • 11% Energy • 6% Liveness
41% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 11% Energy • 6% Liveness
41% Instrumentalness • 4% Positiveness
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Church of the Assumption Choir
Life-Giving Bread, Saving Cup
85 bpm • D# Maj • 05:36 • -15.19db
16% Popularity • 16% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 8% Positiveness
16% Popularity • 16% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 8% Positiveness
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George William Warren
God of our fathers
85 bpm • A# Maj • 01:36 • -20.95db
13% Popularity • 23% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 23% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
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Kammerchor Wilhelmshaven
Lobt Gott, erlöste Scharen
83 bpm • F Maj • 02:11 • -20.16db
10% Popularity • 24% Danceability • 13% Energy • 8% Liveness
25% Instrumentalness • 41% Positiveness
10% Popularity • 24% Danceability • 13% Energy • 8% Liveness
25% Instrumentalness • 41% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Holy God, We Praise Thy Name
83 bpm • F Maj • 03:55 • -17.59db
12% Popularity • 11% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
12% Popularity • 11% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 11% Positiveness
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Samuel Sebastian Wesley
Psalm 6 "O Lord Rebuke Me Not"
83 bpm • A Maj • 02:23 • -29db
12% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Josef Rheinberger
Missa in G Major, Op. 151 "St. Crucis": ...
83 bpm • G Maj • 01:39 • -26.64db
9% Popularity • 16% Danceability • 3% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
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Bob Chilcott
St. John Passion, Part II: Christ, My Be...
83 bpm • G# Maj • 04:14 • -24.96db
8% Popularity • 10% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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George Job Elvey
Come, ye thankful people, come
85 bpm • F Maj • 02:45 • -26.3db
13% Popularity • 13% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 13% Positiveness
13% Popularity • 13% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 13% Positiveness
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John Bell
Love One Another
83 bpm • D Maj • 02:18 • -18.52db
11% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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St Edmundsbury Cathedral Choir
The race that long in darkness pined
83 bpm • D# Maj • 02:10 • -30db
11% Popularity • 18% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Charles Villiers Stanford
Psalm 29 "Bring unto the Lord O Ye Might...
85 bpm • F Maj • 02:44 • -25.8db
9% Popularity • 21% Danceability • 9% Energy • 17% Liveness
2% Instrumentalness • 18% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 17% Liveness
2% Instrumentalness • 18% Positiveness
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Salt Lake Vocal Artists
Spaseniye Sodelal
83 bpm • D Maj • 03:22 • -19.2db
12% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Walter G. Whinfield
Wychbold "In the Cross of Christ I Glory...
85 bpm • D Maj • 01:49 • -18.77db
18% Popularity • 21% Danceability • 14% Energy • 26% Liveness
1% Instrumentalness • 33% Positiveness
18% Popularity • 21% Danceability • 14% Energy • 26% Liveness
1% Instrumentalness • 33% Positiveness
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The Guilford Cathedral Choir
When All Thy Mercies
85 bpm • E Maj • 03:18 • -18.54db
11% Popularity • 11% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
11% Popularity • 11% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Messe Basse
85 bpm • G Maj • 02:18 • -20.26db
0% Popularity • 17% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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George Cooper
St. Sepulchre "Jesus, Where'er Thy Peopl...
83 bpm • D# Maj • 02:23 • -23.51db
11% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Charles Gounod
Messe brève No. 7: IV. O Salutaris Host...
82 bpm • F Maj • 02:19 • -35.08db
15% Popularity • 9% Danceability • 1% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 1% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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Arthur Henry Brown
Saffron Walden "Just As I Am, Without On...
83 bpm • C# Maj • 03:50 • -22db
11% Popularity • 11% Danceability • 13% Energy • 12% Liveness
5% Instrumentalness • 12% Positiveness
11% Popularity • 11% Danceability • 13% Energy • 12% Liveness
5% Instrumentalness • 12% Positiveness
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George Dyson
Nunc Dimittis in F Major (1)
82 bpm • F Maj • 02:19 • -35.79db
13% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Maurice Duruflé
Requiem, Op. 9: II. Kyrie eléison
86 bpm • F Maj • 03:32 • -16.44db
7% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Edwin George Monk
Psalm 119 "I Call with My Whole Heart"
86 bpm • A min • 07:50 • -29.72db
4% Popularity • 17% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Gloria
86 bpm • D min • 06:10 • -27db
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
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Prima Luce
Little Hymn to Saint Joseph
82 bpm • F# Maj • 02:26 • -23.54db
8% Popularity • 16% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Ron Harris
The Choir Invisible
82 bpm • C Maj • 03:28 • -33.63db
8% Popularity • 13% Danceability • 2% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 2% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
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Thomas Tallis
If Ye Love Me
82 bpm • F Maj • 01:59 • -30db
9% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Harmonious Chorale Ghana
Angels Voices, Ever Singing
86 bpm • D Maj • 03:31 • -12.17db
16% Popularity • 14% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 14% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Thomas Ravenscroft
Bristol "Hark, the Glad Sound"
86 bpm • G Maj • 01:53 • -24db
9% Popularity • 11% Danceability • 13% Energy • 20% Liveness
7% Instrumentalness • 19% Positiveness
9% Popularity • 11% Danceability • 13% Energy • 20% Liveness
7% Instrumentalness • 19% Positiveness
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George Lloyd
Requiem for counter-tenor, choir & organ...
86 bpm • C# Maj • 03:30 • -16.55db
12% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
12% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
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Kenneth Leighton
Solus ad victimam
82 bpm • D min • 04:33 • -21.33db
9% Popularity • 15% Danceability • 13% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 13% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
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Wells Cathedral Choir
Hymn - Light's Abode, Celestial Salem
82 bpm • A# Maj • 03:59 • -20.27db
9% Popularity • 13% Danceability • 12% Energy • 14% Liveness
86% Instrumentalness • 6% Positiveness
9% Popularity • 13% Danceability • 12% Energy • 14% Liveness
86% Instrumentalness • 6% Positiveness
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Kammerchor Wilhelmshaven
Lasst uns wahrhaftig sein in der Liebe
82 bpm • A# Maj • 03:32 • -22.63db
9% Popularity • 10% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 4% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
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Harmonious Chorale Ghana
Ayeyi Ndwom Na Meto Mema Nyame (Live)
86 bpm • A Maj • 07:00 • -16.25db
9% Popularity • 18% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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The Concordia Choir
Beautiful Savior
86 bpm • D Maj • 03:53 • -25.27db
20% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: I. Kyrie
82 bpm • D min • 00:52 • -28db
18% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
18% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
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Stralsund Gesangbuch (1665)
Praise to the Lord, the almighty, the ki...
82 bpm • G Maj • 03:03 • -20db
16% Popularity • 12% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 12% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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Thomas Attwood Walmisley
Psalm 9 "I Will Give Thanks unto Thee, O...
82 bpm • A Maj • 05:38 • -25db
13% Popularity • 20% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 20% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Þorvaldur Blöndal
Nú sefur jörðin sumargræn
87 bpm • F Maj • 02:42 • -33.06db
15% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
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John Ireland
Evening Service in F Major: Nunc dimitti...
87 bpm • F Maj • 02:31 • -20.1db
13% Popularity • 18% Danceability • 12% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 12% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Independent Presbyterian Church Savannah
Psalm 134 (All Saints Old)
81 bpm • C Maj • 01:24 • -16.25db
17% Popularity • 19% Danceability • 32% Energy • 13% Liveness
37% Instrumentalness • 27% Positiveness
17% Popularity • 19% Danceability • 32% Energy • 13% Liveness
37% Instrumentalness • 27% Positiveness
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Williams Croft
St. Anne "O God, Our Help in Ages Past"
87 bpm • C Maj • 02:36 • -19db
22% Popularity • 21% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
22% Popularity • 21% Danceability • 19% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
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Harmonious Chorale Ghana
Christ Is Made the Sure Foundation
81 bpm • G Maj • 04:21 • -13.29db
14% Popularity • 12% Danceability • 31% Energy • 44% Liveness
1% Instrumentalness • 16% Positiveness
14% Popularity • 12% Danceability • 31% Energy • 44% Liveness
1% Instrumentalness • 16% Positiveness
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George Dyson
Evening Service in D Major: II. Nunc dim...
81 bpm • D Maj • 03:01 • -32.51db
1% Popularity • 14% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
1% Popularity • 14% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
23% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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John Ireland
Adam lay ybounden
81 bpm • C min • 01:36 • -28db
15% Popularity • 20% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 20% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Charles Gounod
Messe brève No. 7: IIb. Quoniam tu solu...
87 bpm • C Maj • 00:54 • -20.4db
12% Popularity • 31% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 31% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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James Whitbourn
A Prayer from South Africa
87 bpm • D Maj • 01:56 • -24db
18% Popularity • 22% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 22% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Percy C. Buck
Psalm 18 "I Will Love Thee O Lord My Str...
81 bpm • A# Maj • 12:27 • -26.95db
8% Popularity • 16% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 16% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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William Harold Ferguson
Wolvercote "O Jesus, I Have Promised"
81 bpm • A Maj • 03:23 • -19db
9% Popularity • 9% Danceability • 21% Energy • 27% Liveness
56% Instrumentalness • 20% Positiveness
9% Popularity • 9% Danceability • 21% Energy • 27% Liveness
56% Instrumentalness • 20% Positiveness
► Preview
Clement Schofield & des. Malcolm Archer
The day Thou gavest, Lord, is ended
81 bpm • G# Maj • 03:12 • -21.32db
12% Popularity • 13% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
12% Popularity • 13% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
► Preview
![4 Motets pour le temps de Noël, FP 152 (Excerpts): No. 4, Hodie Christus natus est [Remastered] cover art](https://i.scdn.co/image/ab67616d00001e0289aa727d5f2c5de69aa1d154)
Francis Poulenc
4 Motets pour le temps de Noël, FP 152 ...
81 bpm • G# Maj • 02:19 • -25.68db
0% Popularity • 45% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 45% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Maurice Greene
I Will Lay Me Down in Peace
87 bpm • A Maj • 02:45 • -33.83db
0% Popularity • 20% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Choir of St Mary's Cathedral, Edinburgh
Dear Lord And Father
81 bpm • D# Maj • 03:47 • -31db
20% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Kevin Siegfried
Shaker Songs: I. Peace
81 bpm • G Maj • 03:19 • -31.47db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Benjamin Lamb
As with gladness men of old
87 bpm • G# Maj • 02:36 • -17.92db
0% Popularity • 17% Danceability • 16% Energy • 33% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 16% Energy • 33% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Somnium Ensemble
Sävel (op. 29b, nr. 1)
87 bpm • F min • 03:07 • -23.68db
8% Popularity • 13% Danceability • 8% Energy • 6% Liveness
11% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 8% Energy • 6% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
William Henry Harris
Psalm 122 "I Was Glad When They Said unt...
81 bpm • C# Maj • 03:02 • -29.97db
1% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Crüger
Now Thank We All Our God
81 bpm • F Maj • 02:49 • -24db
12% Popularity • 17% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
12% Popularity • 17% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
John Goss
Lauda anima "Praise, My Soul, the King o...
87 bpm • D Maj • 02:50 • -18db
11% Popularity • 19% Danceability • 14% Energy • 8% Liveness
58% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 14% Energy • 8% Liveness
58% Instrumentalness • 8% Positiveness
► Preview
John Robinson
Psalm No. 24
81 bpm • A min • 02:23 • -26.02db
0% Popularity • 28% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
0% Popularity • 28% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
D.A. Cooper
Psalm 55 "Hear My Prayer, O God"
81 bpm • F min • 05:36 • -29.68db
9% Popularity • 17% Danceability • 5% Energy • 25% Liveness
7% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 25% Liveness
7% Instrumentalness • 6% Positiveness
► Preview
Gabriel Fauré
Messe Basse
81 bpm • C# min • 02:20 • -23.95db
0% Popularity • 12% Danceability • 7% Energy • 21% Liveness
4% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 21% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
William Tans'ur
Colchester ("O 'twas a joyful sound to h...
81 bpm • G# Maj • 01:33 • -20.64db
9% Popularity • 30% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 30% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
10% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Bliss
Let The Lower Lights Be Burning
81 bpm • A# Maj • 02:35 • -22.87db
3% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
3% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
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Samuel Sebastian Wesley
Hereford "O Thou Who Camest from Above"
81 bpm • E Maj • 03:03 • -17.82db
10% Popularity • 12% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
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St. Thomas Choir Of Men And Boys
Psalm 150: O Praise God In His Holiness ...
88 bpm • A# Maj • 02:00 • -36.45db
11% Popularity • 11% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Margaret Bonds
The Ballad of the Brown King: VIII. That...
80 bpm • G# Maj • 01:24 • -18.26db
8% Popularity • 19% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
15% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Edward Hopkins
Psalm 15 "Lord Who Shall Dwell in Thy Ta...
88 bpm • F Maj • 02:20 • -29.43db
9% Popularity • 19% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 19% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Percy C. Buck
Gonfalon Royal "The Royal Banners Forwar...
88 bpm • G Maj • 03:32 • -25db
10% Popularity • 17% Danceability • 8% Energy • 15% Liveness
69% Instrumentalness • 17% Positiveness
10% Popularity • 17% Danceability • 8% Energy • 15% Liveness
69% Instrumentalness • 17% Positiveness
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Benjamin Lamb
Once in royal David's city
80 bpm • G# Maj • 03:11 • -21.18db
0% Popularity • 10% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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William Henry Harris
Come Down O Love Divine
80 bpm • G# Maj • 04:20 • -25.93db
0% Popularity • 11% Danceability • 4% Energy • 10% Liveness
19% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 4% Energy • 10% Liveness
19% Instrumentalness • 3% Positiveness
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William P. Rowlands
Love divine, all loves excelling (Blaenw...
80 bpm • F# Maj • 03:40 • -16.16db
8% Popularity • 21% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
8% Popularity • 21% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Jaakko Mäntyjärvi
Trinity Service: The Lord's Prayer
80 bpm • G# min • 02:35 • -17.54db
13% Popularity • 17% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
When in our music God is glorified
88 bpm • G Maj • 01:55 • -23db
14% Popularity • 15% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
14% Popularity • 15% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Samuel Webbe
Melcombe "New Every Morning Is the Love"
88 bpm • D# Maj • 02:10 • -25db
15% Popularity • 15% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 15% Danceability • 11% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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19th Century Welsh
Hymn: Llanfair "Welsh Hymn Melody"
88 bpm • G Maj • 03:45 • -22.04db
12% Popularity • 24% Danceability • 16% Energy • 37% Liveness
65% Instrumentalness • 12% Positiveness
12% Popularity • 24% Danceability • 16% Energy • 37% Liveness
65% Instrumentalness • 12% Positiveness
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James MacMillan
The Lord’s Prayer
80 bpm • D min • 01:58 • -25.75db
13% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Johann Georg Ebeling
Franconia "Blest Are the Pure in Heart"
80 bpm • A Maj • 01:59 • -32db
18% Popularity • 23% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
John Stainer
Cross of Jesus, Cross of Sorrow
80 bpm • F Maj • 02:05 • -37db
11% Popularity • 17% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
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Heinrich Kaminski
Psalm 130: Israel hoffet auf den Herren
88 bpm • D min • 01:45 • -20db
20% Popularity • 23% Danceability • 18% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 18% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Sir Sydney Hugo Nicholson
Psalm 101 "My Song Shall Be of Mercy and...
80 bpm • G# Maj • 03:02 • -30db
10% Popularity • 15% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 15% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
By All Your Saints In Warfare
88 bpm • D min • 02:22 • -20.82db
8% Popularity • 13% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
8% Popularity • 13% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Robert Lucas Pearsall
Lay a Garland
80 bpm • D# Maj • 03:06 • -20db
13% Popularity • 11% Danceability • 16% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 16% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Hubert Parry
O Praise ye the Lord
88 bpm • A# Maj • 02:51 • -20.38db
9% Popularity • 16% Danceability • 18% Energy • 13% Liveness
56% Instrumentalness • 15% Positiveness
9% Popularity • 16% Danceability • 18% Energy • 13% Liveness
56% Instrumentalness • 15% Positiveness
