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Messiah, HWV 56 / Pt. 2: "Hallelujah"
Songs like
Messiah, HWV 56 / Pt. 2: "Hallelujah"
by
George Frideric Handel
Based on a tempo of (+/- 10%) and a similar genre
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The Tabernacle Choir at Temple Square
Hallelujah from Messiah
109 bpm • D Maj • 03:55 • -11.33db
10% Popularity • 42% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
George Frideric Handel
Messiah, HWV 56, Pt. 2: No. 44, Chorus. ...
109 bpm • D Maj • 03:39 • -11.55db
41% Popularity • 40% Danceability • 40% Energy • 21% Liveness
40% Instrumentalness • 48% Positiveness
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South German Philharmonic
Messiah, All We Like Sheep Have Gone Ast...
110 bpm • F Maj • 04:10 • -15.24db
3% Popularity • 42% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jeremiah Clarke
Trumpet Voluntary
110 bpm • A Maj • 02:50 • -15db
6% Popularity • 53% Danceability • 6% Energy • 35% Liveness
94% Instrumentalness • 27% Positiveness
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Francesco Durante
Magnificat (Formerly Attrib. Pergolesi):...
110 bpm • A# Maj • 02:48 • -16.6db
11% Popularity • 48% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in C Major, Op. 3, No. 1...
110 bpm • C Maj • 02:33 • -19.92db
23% Popularity • 40% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
108 bpm • G Maj • 03:02 • -22.07db
8% Popularity • 19% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
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George Frideric Handel
Samson HWV 57 / Act 3: Let The Bright Se...
109 bpm • D Maj • 05:52 • -23.72db
9% Popularity • 45% Danceability • 9% Energy • 44% Liveness
13% Instrumentalness • 27% Positiveness
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The City of Prague Philharmonic Orchestra
Messiah, HWV 56, Pt. 2: Hallelujah Choru...
107 bpm • D Maj • 03:42 • -10.18db
16% Popularity • 43% Danceability • 36% Energy • 14% Liveness
74% Instrumentalness • 32% Positiveness
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Franz Xaver Süssmayr
Das Namensfest (The Name-Day): Quintet: ...
107 bpm • A# Maj • 02:28 • -20.15db
1% Popularity • 40% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: The Nutcracker, Op. 71, Act...
111 bpm • F Maj • 01:11 • -26.56db
43% Popularity • 45% Danceability • 13% Energy • 18% Liveness
41% Instrumentalness • 83% Positiveness
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Gabriel Fauré
Requiem: Libera me - Live
112 bpm • D min • 04:47 • -23.36db
19% Popularity • 20% Danceability • 8% Energy • 14% Liveness
12% Instrumentalness • 5% Positiveness
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Treorchy Male Voice Choir
Hallelujah Chorus
106 bpm • D Maj • 03:45 • -15.03db
4% Popularity • 29% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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George Frideric Handel
Judas Maccabaeus, HWV 63, Act III: Duet ...
109 bpm • F# Maj • 06:35 • -28db
26% Popularity • 33% Danceability • 2% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
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Jess Gillam
Merry Christmas Mr. Lawrence (Arr. Metca...
106 bpm • A# min • 04:37 • -17.65db
44% Popularity • 34% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Adelaide Symphony Orchestra
Swan Lake, Op.20, TH.12 / Act 2: Dance O...
106 bpm • F# min • 01:31 • -23.85db
27% Popularity • 68% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 86% Positiveness
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Pyotr Ilyich Tchaikovsky
The Nutcracker, Op. 71: Act II Tableau 3...
112 bpm • E min • 02:21 • -38.86db
51% Popularity • 32% Danceability • 1% Energy • 17% Liveness
65% Instrumentalness • 13% Positiveness
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London Philharmonic Orchestra
XXXI. Lift up your heads, o ye gates
106 bpm • F Maj • 03:07 • -15.91db
10% Popularity • 45% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Choir and Orchestra of Pro Christe
For Unto Us a Child Is Born
105 bpm • G Maj • 03:55 • -15.15db
0% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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George Frideric Handel
Hallelujah - Live
109 bpm • D Maj • 03:53 • -14.69db
12% Popularity • 46% Danceability • 27% Energy • 29% Liveness
36% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: III....
113 bpm • G Maj • 02:17 • -21.11db
12% Popularity • 59% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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The City of Prague Philharmonic Brass
Oh Come, All Ye Faithful
105 bpm • D Maj • 02:27 • -13.16db
21% Popularity • 38% Danceability • 8% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
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The Tabernacle Choir at Temple Square
Hallelujah Chorus
105 bpm • C Maj • 03:57 • -15.32db
11% Popularity • 26% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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The Sixteen
Messiah: Part 2, Hallelujah! (Chorus)
105 bpm • C# Maj • 03:57 • -11.97db
18% Popularity • 31% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Franz Schubert
Magnificat, D. 486: I. Magnificat animam...
105 bpm • C Maj • 02:17 • -17db
8% Popularity • 45% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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George Frideric Handel
Messiah, HWV 56: Pt. II: Hallelujah! (Ch...
109 bpm • D Maj • 03:48 • -16.96db
11% Popularity • 38% Danceability • 19% Energy • 9% Liveness
5% Instrumentalness • 34% Positiveness
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Boston Pops Orchestra
Hallelujah Chorus From "The Messiah"
113 bpm • D Maj • 03:37 • -13.59db
10% Popularity • 55% Danceability • 33% Energy • 11% Liveness
75% Instrumentalness • 62% Positiveness
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Toronto Mendelssohn Choir
The Huron Carol
113 bpm • G min • 02:38 • -29.21db
2% Popularity • 18% Danceability • 9% Energy • 15% Liveness
15% Instrumentalness • 9% Positiveness
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Choir of King's College, Cambridge
Sussex Carol (On Christmas Night)
113 bpm • G Maj • 01:54 • -20.81db
17% Popularity • 25% Danceability • 18% Energy • 14% Liveness
37% Instrumentalness • 26% Positiveness
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The Choir and Orchestra of Pro Christe
Glory to God in the Highest
114 bpm • D Maj • 01:49 • -16.43db
0% Popularity • 32% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Franz Schubert
Ave Maria, D.839
104 bpm • A# Maj • 03:31 • -30.82db
20% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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The Tabernacle Choir at Temple Square
Hallelujah
104 bpm • D Maj • 03:58 • -14.58db
31% Popularity • 36% Danceability • 31% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2, Scene 7:...
109 bpm • C# Maj • 03:52 • -14.53db
12% Popularity • 43% Danceability • 35% Energy • 22% Liveness
50% Instrumentalness • 36% Positiveness
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John Rutter
Magnificat: II. Of a Rose, a Lovely Rose
104 bpm • A min • 05:00 • -29.86db
13% Popularity • 26% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 5% Positiveness
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Gordon Jacob
Fanfare & National Anthem
114 bpm • G Maj • 02:16 • -16.16db
17% Popularity • 28% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Oratorio de Noël, Op. 12: No. 9 Consurg...
114 bpm • G Maj • 06:02 • -28.37db
9% Popularity • 17% Danceability • 6% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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The Sixteen
Messiah: Part 1, For unto us a child is ...
104 bpm • F# Maj • 04:01 • -15.01db
19% Popularity • 47% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Ludwig van Beethoven
Christus am Olberge, Op. 85: Christus am...
114 bpm • C Maj • 03:46 • -17.27db
0% Popularity • 39% Danceability • 18% Energy • 8% Liveness
56% Instrumentalness • 22% Positiveness
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George Frideric Handel
Messiah, HWV 56, Pt. 1: No. 21, Chorus. ...
108 bpm • A# Maj • 01:58 • -17.35db
32% Popularity • 55% Danceability • 22% Energy • 13% Liveness
2% Instrumentalness • 68% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44: Ouverture
103 bpm • F# Maj • 04:20 • -21.87db
20% Popularity • 36% Danceability • 17% Energy • 34% Liveness
94% Instrumentalness • 71% Positiveness
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John Rutter
The Lord is my shepherd
103 bpm • D min • 05:17 • -28.89db
19% Popularity • 19% Danceability • 4% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Franz Schubert
3 Marches militaires, Op. 51, D. 733: No...
115 bpm • D Maj • 04:59 • -21.18db
16% Popularity • 58% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 59% Positiveness
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Benjamin Britten
Jubilate Deo
103 bpm • G Maj • 02:40 • -21.7db
14% Popularity • 22% Danceability • 8% Energy • 31% Liveness
0% Instrumentalness • 11% Positiveness
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The City of Prague Philharmonic Chamber Group
Cantata, BWV 208 "Sheep May Safely Graze...
115 bpm • A# Maj • 03:07 • -13.7db
26% Popularity • 24% Danceability • 26% Energy • 11% Liveness
50% Instrumentalness • 28% Positiveness
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George Frideric Handel
Messiah, HWV 56 / Pt. 2: All They That S...
110 bpm • A# Maj • 00:47 • -16.25db
14% Popularity • 40% Danceability • 22% Energy • 17% Liveness
1% Instrumentalness • 40% Positiveness
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The Choir and Orchestra of Pro Christe
Hallelujah Chorus
103 bpm • D Maj • 03:50 • -10.47db
1% Popularity • 53% Danceability • 39% Energy • 28% Liveness
2% Instrumentalness • 50% Positiveness
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Joseph Haydn
Missa Brevis No. 7 In B Major St. Joanni...
116 bpm • A# Maj • 03:55 • -20.3db
12% Popularity • 22% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 8% Positiveness
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Glasgow Chorus and Orchestra
Aleluya
103 bpm • C# Maj • 03:57 • -9.6db
4% Popularity • 41% Danceability • 37% Energy • 11% Liveness
77% Instrumentalness • 32% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Nutcracker (Suite), Op. 71a, TH. 35:...
103 bpm • E min • 02:06 • -38.38db
32% Popularity • 28% Danceability • 1% Energy • 32% Liveness
0% Instrumentalness • 7% Positiveness
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The Tabernacle Choir at Temple Square
How Great Thou Art
116 bpm • A# Maj • 05:02 • -23.46db
34% Popularity • 17% Danceability • 7% Energy • 13% Liveness
46% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah, HWV 56, Pt. 2: No. 33, Chorus. ...
108 bpm • F Maj • 02:57 • -16.72db
30% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The City of Prague Philharmonic Orchestra
The Nutcracker, Op. 71, Act II, Scene XV...
116 bpm • E min • 01:54 • -21.77db
41% Popularity • 47% Danceability • 9% Energy • 6% Liveness
93% Instrumentalness • 7% Positiveness
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Joseph Haydn
Awake the Harp
102 bpm • D Maj • 02:20 • -18.91db
2% Popularity • 30% Danceability • 26% Energy • 33% Liveness
46% Instrumentalness • 64% Positiveness
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The Cathedral Singers
Jesu, Joy of Man's Desiring
102 bpm • G Maj • 03:39 • -13.31db
28% Popularity • 15% Danceability • 18% Energy • 13% Liveness
60% Instrumentalness • 13% Positiveness
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Giovanni Gabrieli
Canzon Septimi Toni No. 2
117 bpm • G# Maj • 02:47 • -16.49db
6% Popularity • 44% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 27% Positiveness
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London Philharmonic Orchestra
Le Lac des Cygnes : La Danse des Petits ...
102 bpm • F# min • 01:34 • -32.07db
32% Popularity • 68% Danceability • 2% Energy • 12% Liveness
79% Instrumentalness • 76% Positiveness
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George Frideric Handel
Messiah, HWV 56, Pt. 1: No. 2, Recit. Co...
108 bpm • E Maj • 06:23 • -20.06db
36% Popularity • 31% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Charles-Marie Widor
Symphony No. 5 in F minor, Op. 42 No. 1 ...
102 bpm • F Maj • 06:19 • -16.49db
8% Popularity • 35% Danceability • 26% Energy • 17% Liveness
94% Instrumentalness • 11% Positiveness
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Henry Purcell
Trumpet Tune
117 bpm • D Maj • 01:21 • -13.08db
23% Popularity • 49% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 26% Positiveness
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John Gardner
Tomorrow shall be my dancing day
117 bpm • D Maj • 01:55 • -21.65db
16% Popularity • 46% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Royal Philharmonic Orchestra
The Nutcracker: Dance Of The Mirlitons
118 bpm • D Maj • 02:45 • -24.58db
11% Popularity • 57% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: The Nutcracker, Op. 71: Min...
119 bpm • A# Maj • 03:09 • -26.78db
50% Popularity • 42% Danceability • 5% Energy • 6% Liveness
84% Instrumentalness • 34% Positiveness
► Preview
George Frideric Handel
Messiah, HWV 56, Pt. 2: Hallelujah - Par...
110 bpm • C# Maj • 03:45 • -11.78db
13% Popularity • 35% Danceability • 32% Energy • 8% Liveness
30% Instrumentalness • 36% Positiveness
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Claude Debussy
Children's Corner, L. 113: IV. The Snow ...
119 bpm • A# Maj • 02:44 • -28.96db
33% Popularity • 27% Danceability • 4% Energy • 18% Liveness
93% Instrumentalness • 10% Positiveness
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Choir of King's College, Cambridge
Coventry Carol
100 bpm • G Maj • 02:12 • -28.14db
25% Popularity • 16% Danceability • 7% Energy • 11% Liveness
39% Instrumentalness • 18% Positiveness
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John Rutter
Shepherd's Pipe Carol
119 bpm • F Maj • 03:08 • -18.01db
4% Popularity • 33% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
120 bpm • E Maj • 02:42 • -30.57db
49% Popularity • 55% Danceability • 1% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Émile Waldteufel
Les Patineurs, Waltz, Op. 183
99 bpm • A Maj • 07:32 • -18.33db
38% Popularity • 36% Danceability • 15% Energy • 6% Liveness
86% Instrumentalness • 21% Positiveness
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George Frideric Handel
Messiah, HWV 56, Pt. 1: For unto us a ch...
108 bpm • F# Maj • 03:52 • -16.07db
34% Popularity • 51% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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César Franck
Panis Angelicus (Arr. Cullen for Cello a...
120 bpm • A Maj • 04:26 • -23.79db
27% Popularity • 18% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
For Unto Us A Child Is Born
99 bpm • G Maj • 04:09 • -14.48db
20% Popularity • 48% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 56% Positiveness
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Franz Xaver Süssmayr
Das Namensfest (The Name-Day): Aria: Uns...
99 bpm • D# Maj • 02:43 • -24.34db
1% Popularity • 22% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Nikolai Rimsky-Korsakov
Christmas Eve: Act I: Scene VI - Process...
99 bpm • C Maj • 00:44 • -36.78db
34% Popularity • 15% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Torelli
Concerto Grosso in G Minor, Op. 8, No. 6...
98 bpm • G min • 02:17 • -18.13db
23% Popularity • 47% Danceability • 11% Energy • 24% Liveness
92% Instrumentalness • 20% Positiveness
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George Frideric Handel
Messiah, HWV 56: Hallelujah
108 bpm • D Maj • 03:48 • -15.07db
9% Popularity • 42% Danceability • 28% Energy • 12% Liveness
10% Instrumentalness • 52% Positiveness
► Preview
Arcangelo Corelli
Concerto grosso in G Minor, Op. 6, No. 8...
121 bpm • D Maj • 03:18 • -22db
44% Popularity • 20% Danceability • 9% Energy • 12% Liveness
72% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Missa brevis In C, K.220 "Spatzenmesse":...
98 bpm • C Maj • 03:33 • -16.23db
15% Popularity • 21% Danceability • 17% Energy • 11% Liveness
39% Instrumentalness • 19% Positiveness
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Ralph Vaughan Williams
English Folk Song Suite: 1. March: Seven...
121 bpm • F min • 03:21 • -17.06db
33% Popularity • 43% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 56% Positiveness
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South German Philharmonic
Messiah, And With His Stripes We Are Hea...
98 bpm • F min • 01:57 • -16.89db
3% Popularity • 20% Danceability • 30% Energy • 30% Liveness
3% Instrumentalness • 30% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Op. 8 La Primavera "Sp...
98 bpm • E Maj • 03:28 • -21.15db
17% Popularity • 44% Danceability • 9% Energy • 20% Liveness
69% Instrumentalness • 36% Positiveness
► Preview
George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2, Scene 7:...
110 bpm • C# Maj • 03:41 • -17.67db
13% Popularity • 36% Danceability • 21% Energy • 17% Liveness
29% Instrumentalness • 28% Positiveness
► Preview
Arcangelo Corelli
Concerto grosso in D Major, Op. 6, No. 1...
98 bpm • C# Maj • 01:18 • -18.89db
29% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Giuseppe Torelli
Concerto Grosso in G Minor, Op. 8, No. 6...
122 bpm • G min • 01:30 • -16db
29% Popularity • 41% Danceability • 18% Energy • 46% Liveness
20% Instrumentalness • 64% Positiveness
► Preview
Claudio Monteverdi
Cantate Domino
97 bpm • F Maj • 02:09 • -19.68db
21% Popularity • 17% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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South German Philharmonic
Messiah, Glory To God In The Highest
98 bpm • D Maj • 02:26 • -17.83db
4% Popularity • 37% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
London Philharmonic Orchestra
XII. for unto us a child a child is born
97 bpm • G Maj • 04:11 • -15.74db
12% Popularity • 43% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
George Frideric Handel
Messiah, Part 2: Hallelujah! (chorus)
108 bpm • D Maj • 03:48 • -14.38db
21% Popularity • 43% Danceability • 31% Energy • 22% Liveness
25% Instrumentalness • 35% Positiveness
► Preview
Orchestra of the Antipodes
Messiah, Hwv 56, Pt. 1: 4. "And the Glor...
97 bpm • G# Maj • 02:26 • -17.11db
9% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Alessandro Marcello
Oboe Concerto in D Minor: III. Presto
97 bpm • F Maj • 04:03 • -18.04db
25% Popularity • 53% Danceability • 31% Energy • 28% Liveness
94% Instrumentalness • 65% Positiveness
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Antonio Vivaldi
Gloria, RV. 589: Gloria Excelsis Deo
123 bpm • C# Maj • 02:27 • -20.61db
9% Popularity • 52% Danceability • 18% Energy • 10% Liveness
6% Instrumentalness • 46% Positiveness
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Royal Philharmonic Orchestra
The Nutcracker: Waltz Of The Flowers
96 bpm • D Maj • 07:04 • -17.87db
26% Popularity • 25% Danceability • 12% Energy • 5% Liveness
82% Instrumentalness • 10% Positiveness
► Preview
London Philharmonic Orchestra
Worthy Is The Lamb That Was Slain-Amen
124 bpm • D Maj • 07:04 • -14.11db
17% Popularity • 31% Danceability • 32% Energy • 18% Liveness
70% Instrumentalness • 23% Positiveness
► Preview
George Frideric Handel
Messiah, HWV 56, Pt. 2: No. 27, Recit. A...
124 bpm • F min • 02:51 • -16.74db
30% Popularity • 38% Danceability • 25% Energy • 28% Liveness
1% Instrumentalness • 61% Positiveness
► Preview
Antonio Lotti
Crucifixus a 8
124 bpm • C min • 03:10 • -23.75db
22% Popularity • 19% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
96 bpm • G Maj • 03:30 • -20.56db
13% Popularity • 27% Danceability • 14% Energy • 16% Liveness
90% Instrumentalness • 27% Positiveness
► Preview
Narada Nutcracker Performers
Dance Of The Mirlitons
124 bpm • D Maj • 03:25 • -24.47db
20% Popularity • 56% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 48% Positiveness
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London Symphony Orchestra
Chinese Dance from The Nutcracker Suite,...
125 bpm • F Maj • 01:06 • -16.28db
27% Popularity • 55% Danceability • 28% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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London Philharmonic Orchestra
VII. and he shall purify the sons of Lev...
95 bpm • G min • 02:33 • -15.87db
16% Popularity • 48% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
► Preview
George Frideric Handel
Messiah: Part I, No 20. He Shall Feed Hi...
95 bpm • G min • 04:58 • -30.08db
11% Popularity • 22% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Camille Saint-Saëns
Oratorio de Noel, Op. 12: Tollite hostia...
126 bpm • G Maj • 01:59 • -17.5db
25% Popularity • 25% Danceability • 26% Energy • 26% Liveness
38% Instrumentalness • 11% Positiveness
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Messiah, HWV 56 / Pt. 2: "Hallelujah"