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Miami
Songs like
Miami
by
Noah Cunane
Based on a tempo of (+/- 10%) and a similar genre
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Noah Cunane
Miami
151 bpm • A Maj • 02:59 • -8.57db
32% Popularity • 72% Danceability • 22% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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Social House
At Least We Can Say That We Tried
151 bpm • D# Maj • 02:36 • -7.8db
37% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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ROLE MODEL
gucci chair
150 bpm • C# min • 03:07 • -7.8db
35% Popularity • 37% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Max Leone
Malleable
150 bpm • G# min • 02:48 • -7db
37% Popularity • 69% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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X Lovers
Sweatshirt
152 bpm • F Maj • 03:17 • -5.72db
34% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Kwaku
Faults
150 bpm • G# Maj • 02:22 • -6.63db
17% Popularity • 74% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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James Quick
Sink
150 bpm • G# Maj • 04:01 • -10.55db
27% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Danny Houston
Slow Dance
152 bpm • B min • 02:25 • -5.06db
28% Popularity • 81% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Peach Tree Rascals
not ok
152 bpm • A# Maj • 02:46 • -3.92db
29% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Alex Frew
Get Out Alive
150 bpm • C Maj • 03:11 • -5.78db
22% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
28% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Lev
When I Hurt You
152 bpm • D Maj • 03:06 • -10.09db
10% Popularity • 56% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
45% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Brendan Bennett
It Gets Better
150 bpm • D Maj • 02:45 • -9.43db
21% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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WESLEY
STAY THE NIGHT
150 bpm • D# min • 03:48 • -5.8db
13% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Restless Modern
It's Just Quiet
150 bpm • G# min • 02:36 • -9.17db
12% Popularity • 43% Danceability • 38% Energy • 24% Liveness
6% Instrumentalness • 13% Positiveness
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ROLE MODEL
better the first time
154 bpm • C Maj • 03:09 • -3.51db
38% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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.irg
new jersey
148 bpm • G# min • 03:43 • -11.02db
31% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
49% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Alec Wigdahl
Lipstick
148 bpm • A Maj • 02:55 • -7.5db
23% Popularity • 80% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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DYSN
The Place He's Only Dreamed Of
154 bpm • A Maj • 03:19 • -7db
14% Popularity • 29% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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WATTS
Get Up
148 bpm • G# Maj • 03:17 • -7.99db
11% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Ollie Wade
Love's Mistake
154 bpm • D# Maj • 03:52 • -6.98db
18% Popularity • 37% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew Chaim
Byways
155 bpm • E Maj • 03:41 • -11.56db
27% Popularity • 46% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
67% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Lauren Sanderson
To The People I Hurt
155 bpm • G Maj • 03:23 • -8.94db
25% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Max Leone
The Beach
155 bpm • A min • 02:45 • -6.55db
31% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Emma Oliver
Getting Older
155 bpm • F# Maj • 03:45 • -8.88db
22% Popularity • 42% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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INTRN
Voicemail
155 bpm • C# Maj • 03:10 • -10db
19% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Goody Grace
Used To Be
146 bpm • C Maj • 02:54 • -9.54db
27% Popularity • 42% Danceability • 40% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Phangs
Nothing to Do with You
156 bpm • D Maj • 02:52 • -14db
20% Popularity • 75% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
44% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Ruel
say it over
156 bpm • D min • 03:58 • -10.94db
46% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Ant Saunders
Effortless
156 bpm • G min • 02:41 • -5.98db
26% Popularity • 72% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Cameron Sanderson
Please, Listen Close
156 bpm • A Maj • 02:47 • -11.73db
20% Popularity • 59% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
35% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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jackson lee morgan
time to let go
146 bpm • E min • 03:28 • -9.35db
10% Popularity • 63% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Tori Templet
Butterfly Rain
146 bpm • G min • 03:43 • -15db
31% Popularity • 84% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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X Lovers
Life
146 bpm • G Maj • 02:45 • -5db
15% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Sam MacPherson
No Bad Memories
146 bpm • A# Maj • 03:40 • -8.56db
23% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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CaRter
Workin' On
146 bpm • G Maj • 03:17 • -13.08db
19% Popularity • 45% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Julia Wolf
Hoops
157 bpm • C Maj • 03:19 • -9.18db
43% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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MOD SUN
I Remember Way Too Much - Acoustic Versi...
145 bpm • E Maj • 03:42 • -10.39db
31% Popularity • 54% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Phil Good
Falling
157 bpm • A# Maj • 02:50 • -6.78db
26% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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ROLE MODEL
doyouseeit
145 bpm • G Maj • 02:29 • -6db
36% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Goody Grace
If I Want To
145 bpm • E Maj • 02:36 • -3.92db
30% Popularity • 53% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Alex Porat
happy for you
145 bpm • F# Maj • 03:27 • -6.79db
23% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Quinn Lewis
Before We End This
145 bpm • A# Maj • 02:57 • -11.82db
19% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lloret
Good Things Fall Apart
145 bpm • D Maj • 03:35 • -15.58db
18% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tayler Buono
My Person
144 bpm • D Maj • 03:06 • -7.75db
33% Popularity • 60% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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JT Roach
Murderer
158 bpm • A# Maj • 02:51 • -12.93db
16% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Social House
Love Me Back
158 bpm • D# Maj • 02:35 • -10.27db
37% Popularity • 56% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Avery Lynch
Holding My Own Hand
158 bpm • D# Maj • 03:36 • -7db
34% Popularity • 68% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Chris James
The Fallout
144 bpm • F Maj • 03:11 • -11.63db
21% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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CVBZ
Feel Like You’re Mine (Taigo Remix)
159 bpm • C Maj • 03:23 • -5db
34% Popularity • 41% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Nic D
Trust Your Insides
144 bpm • A# min • 02:53 • -12.16db
25% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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WELOVEYOUMATTY
2 AM
158 bpm • G# min • 03:17 • -7.07db
0% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Golds
Fragile
159 bpm • A Maj • 03:12 • -6.99db
32% Popularity • 38% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Quinn Lewis
One of Us
143 bpm • C Maj • 03:25 • -6.76db
21% Popularity • 42% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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CaRter
How You've Been
143 bpm • F Maj • 03:41 • -8.86db
34% Popularity • 79% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Devin Kennedy
Happy Yet
143 bpm • D Maj • 02:33 • -8db
28% Popularity • 67% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Adum
Help Myself
160 bpm • A# Maj • 03:33 • -9.83db
33% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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OCTAVIO the Dweeb
4letterword
160 bpm • G# Maj • 03:20 • -4.91db
34% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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remy
la boyfriends
160 bpm • D Maj • 02:51 • -6.42db
19% Popularity • 65% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 50% Positiveness
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Quinn Lewis
Where Do We Go When We Die
160 bpm • F Maj • 03:12 • -7.28db
17% Popularity • 68% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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gavn!
Bridges
160 bpm • D Maj • 02:24 • -10.63db
33% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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ayokay
California Will Never Rest
142 bpm • D Maj • 03:29 • -8.31db
24% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Noah Cunane
Lips
142 bpm • E min • 02:18 • -7.8db
18% Popularity • 63% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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The Maine
Black Butterflies & Déjà Vu (Acoustic)
161 bpm • F Maj • 03:48 • -7.25db
29% Popularity • 51% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Clinton Kane
this is what anxiety feels like
142 bpm • C min • 03:48 • -10.21db
28% Popularity • 47% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Toddy Smith
Perfect Morning
141 bpm • B Maj • 02:34 • -8.47db
24% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Lovaas
Tired
162 bpm • F min • 03:22 • -8.62db
25% Popularity • 52% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Dylan Dunlap
Who Would Have Thought
141 bpm • B Maj • 04:04 • -7.45db
42% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Boy In Space
Caroline
140 bpm • C# min • 02:38 • -7db
43% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Nate Traveller
Sunset
140 bpm • D Maj • 03:18 • -9db
19% Popularity • 76% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Mac Hunt
Haircut
140 bpm • E Maj • 02:58 • -8.16db
24% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jesse Aicher
Last Night, 4 Years Ago
140 bpm • B Maj • 03:15 • -6.91db
23% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Noah Cunane
Rich Girls
140 bpm • D# min • 02:17 • -4db
9% Popularity • 70% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Saint Christopher
Downhill
140 bpm • F# Maj • 02:46 • -7.46db
19% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Bangers Only
Imaginary Friends
140 bpm • E min • 03:07 • -14.48db
25% Popularity • 70% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 51% Positiveness
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RILEY
Everybody Leaves
140 bpm • G Maj • 02:13 • -7.91db
22% Popularity • 85% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Peech.
Lemonade
140 bpm • A# Maj • 03:00 • -14.87db
16% Popularity • 73% Danceability • 23% Energy • 14% Liveness
1% Instrumentalness • 61% Positiveness
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Joshua Golden
used to
140 bpm • G min • 03:01 • -5db
43% Popularity • 62% Danceability • 72% Energy • 61% Liveness
0% Instrumentalness • 44% Positiveness
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Noah Cunane
Vampire
140 bpm • F min • 02:07 • -5db
35% Popularity • 52% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Chandler
Addicted 2 U
140 bpm • F Maj • 03:31 • -6db
24% Popularity • 73% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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yaeow
Stuck Here Without You
140 bpm • G min • 02:07 • -12.55db
28% Popularity • 66% Danceability • 43% Energy • 24% Liveness
31% Instrumentalness • 31% Positiveness
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Josh Sahunta
We'll Be Alright
140 bpm • F min • 02:29 • -6.29db
21% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Carly Nikbakht
323
140 bpm • A# Maj • 03:00 • -16db
18% Popularity • 61% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Dylan Jordan
aliso
140 bpm • G Maj • 02:50 • -7.06db
24% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sally Boy
just friends now
140 bpm • B min • 01:38 • -11db
23% Popularity • 80% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Dekleyn
Bite (Original)
140 bpm • D Maj • 03:41 • -6.81db
22% Popularity • 60% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
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asking for a friend
Summer Sky
139 bpm • F# Maj • 04:06 • -11db
28% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Rence
Endless
164 bpm • G Maj • 03:26 • -6.18db
41% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Dylan Rockoff
Out of Season
164 bpm • A# Maj • 03:14 • -12.81db
23% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jake Scott
Like No One Does - Acoustic
139 bpm • A# Maj • 02:37 • -8.78db
28% Popularity • 47% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Rishi
Lonely Broken People
139 bpm • C# min • 03:48 • -10db
28% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Motel 7
Same Side
164 bpm • B Maj • 02:21 • -9.91db
18% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Graham Riley
Pain on My Mind
165 bpm • B min • 04:07 • -9db
26% Popularity • 48% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Emma Oliver
i'm sorry, i miss you
138 bpm • B Maj • 02:55 • -7db
22% Popularity • 55% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Anthony Russo
Nobody To Love
138 bpm • G Maj • 03:33 • -7.29db
43% Popularity • 68% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 49% Positiveness
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Miami