Songs like Michael in the Bathroom by George Salazar
Based on a tempo of (+/- 10%) and a similar genre
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Sutton Foster
I Think I Got You Beat
120 bpm • E Maj • 04:37 • -8db
42% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Lindsay Mendez
The Ballad of Sara Berry
120 bpm • G# min • 04:49 • -7.98db
47% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Rob Rokicki
Camp Half-Blood - Bonus Track
120 bpm • F# min • 00:45 • -4.51db
34% Popularity • 84% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 84% Danceability • 69% Energy • 56% Liveness
0% Instrumentalness • 91% Positiveness
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Jorge Rivera-Herrans
The Horse and the Infant
120 bpm • C min • 03:53 • -7.7db
62% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 42% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Fankhauser
Seize The Day
120 bpm • D# Maj • 05:22 • -9.49db
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Will Connolly
Cecily Smith (Bonus Track)
120 bpm • G Maj • 04:49 • -13.07db
40% Popularity • 77% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 77% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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George Salazar
Michael in the Bathroom
120 bpm • E Maj • 05:07 • -6.9db
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Emily Rohm
The Ballad of Jane Doe
120 bpm • F min • 04:59 • -12.51db
61% Popularity • 33% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 33% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Nathan Amzi
My Dead Gay Son
120 bpm • F min • 03:48 • -5.99db
39% Popularity • 68% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 68% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Original Cast of Starship
Kick It Up A Notch
120 bpm • B min • 06:57 • -10db
34% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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SIX
No Way
119 bpm • F min • 04:01 • -6.5db
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Anthony Crivello
My Dead Gay Son
121 bpm • C# Maj • 03:42 • -6.42db
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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'Legally Blonde' Ensemble
Whipped into Shape
119 bpm • F# Maj • 04:20 • -9.88db
49% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Rannells
Love Thy Neighbor
119 bpm • G Maj • 04:31 • -5.88db
46% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Jeremy Jordan
This World Will Remember Us
119 bpm • E min • 03:34 • -10db
41% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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George Salazar
Michael in the Bathroom
119 bpm • E Maj • 04:57 • -7.75db
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Christopher Sieber
Love Thy Neighbor
119 bpm • G Maj • 04:19 • -5.24db
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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John Tartaglia
Story Of My Life
122 bpm • A Maj • 03:10 • -6db
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Alice Lee
Shine a Light (Reprise)
122 bpm • C# min • 00:42 • -5.38db
53% Popularity • 78% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 78% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Erika Henningsen
Stupid With Love
122 bpm • C Maj • 02:55 • -7.22db
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 80% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Kimiko Glenn
When He Sees Me
122 bpm • A# Maj • 03:43 • -6.45db
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Stephanie Hsu
I Love Play Rehearsal
122 bpm • F Maj • 02:55 • -11db
33% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Carrie Compere
D.O.A.
118 bpm • G# Maj • 03:13 • -4.72db
40% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Brian D'Arcy James
Overture/Big Bright Beautiful World
122 bpm • D Maj • 05:43 • -6.97db
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Jon Eidson
Big Fun
118 bpm • G# Maj • 04:14 • -6.03db
57% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 86% Danceability • 68% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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George Salazar
I Love Play Rehearsal
118 bpm • B Maj • 03:29 • -15.92db
15% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Gregg Edelman
You're Nothing Without Me
122 bpm • C Maj • 03:22 • -13.12db
39% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ashley Park
What's Wrong With Me?
123 bpm • C Maj • 02:04 • -10.43db
50% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Chris McCarrell
Killer Quest!
123 bpm • A Maj • 03:05 • -6.21db
40% Popularity • 74% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 74% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Joey Richter
Somebody's Gotta Do It
122 bpm • G# Maj • 03:21 • -13.98db
33% Popularity • 82% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 82% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Andrew Keenan-Bolger
Partner in Crime
116 bpm • D Maj • 04:27 • -8.46db
35% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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George Salazar
The Answer
117 bpm • D Maj • 04:54 • -16db
21% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Alli Mauzey
Screw Loose
116 bpm • G Maj • 02:46 • -7db
46% Popularity • 55% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 55% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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StarKid Productions
Tickle-Me Wiggly Jingle
124 bpm • G# Maj • 02:46 • -8db
32% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Chris McCarrell
Drive
116 bpm • E Maj • 04:34 • -7.05db
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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T'Shan Williams
Never Shut Up Again
124 bpm • A# min • 03:16 • -4.36db
50% Popularity • 74% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 74% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Ethan Slater
(I Guess I) Miss You
116 bpm • A# Maj • 03:41 • -9.57db
34% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Lillian Castillo
Sugar Cloud
124 bpm • G Maj • 03:53 • -13db
46% Popularity • 55% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 55% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Original Broadway Cast Of Matilda The Musical
Revolting Children
116 bpm • G Maj • 02:33 • -8db
45% Popularity • 68% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 68% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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George Salazar
Song of the Brown Buffalo
124 bpm • D Maj • 03:26 • -9db
20% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Krysta Rodriguez
Pulled
125 bpm • C Maj • 02:59 • -7.96db
50% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Keith David
Friends on the Other Side
115 bpm • A min • 03:34 • -7.41db
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 40% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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StarKid Productions
Our Doors Are Open
115 bpm • A Maj • 03:27 • -10.63db
35% Popularity • 71% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 71% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Annaleigh Ashford
Bend and Snap
125 bpm • A Maj • 03:20 • -8.93db
49% Popularity • 81% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 81% Danceability • 62% Energy • 63% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Keenan-Bolger
Santa Fe (Prologue)
125 bpm • C Maj • 03:05 • -14.05db
45% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Nick Blaemire
Pura Vida
115 bpm • C Maj • 04:21 • -9.27db
6% Popularity • 31% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 31% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Krysta Rodriguez
Crazier Than You
115 bpm • E min • 02:51 • -7.45db
46% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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SIX
Heart of Stone
115 bpm • F Maj • 05:11 • -8.14db
60% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
60% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Jessie Mueller
She Used to Be Mine
125 bpm • F# Maj • 04:20 • -8.57db
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Original Broadway Cast Of School Of Rock
Stick It to the Man
115 bpm • C Maj • 03:12 • -3.81db
46% Popularity • 63% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 63% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Bring It On: The Musical - Original Broadway Cast
What I Was Born To Do
125 bpm • B min • 04:53 • -4.48db
45% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 68% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Original StarKid Cast of Twisted
No One Remembers Achmed
125 bpm • F Maj • 03:39 • -8db
35% Popularity • 62% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 62% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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36 Questions
Our Word
115 bpm • G# min • 05:17 • -9db
52% Popularity • 77% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 77% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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The Guy Who Didn't Like Musicals Cast
La Dee Dah Dah Day
115 bpm • D Maj • 03:17 • -6.23db
41% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Catherine Zeta-Jones
Cell Block Tango
125 bpm • C# Maj • 07:22 • -12.09db
48% Popularity • 60% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 60% Danceability • 34% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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StarKid Productions
Take Me Back
115 bpm • C Maj • 05:35 • -10.33db
33% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Schwartz
No Good Deed
115 bpm • B Maj • 03:31 • -6.77db
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Original StarKid Cast of Twisted
Take off Your Clothes
126 bpm • B min • 02:50 • -9.11db
29% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Krystina Alabado
The Story of The Phantom
126 bpm • C# min • 05:13 • -8.83db
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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George Salazar
Two-Player Game
114 bpm • D Maj • 03:45 • -6.49db
37% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Alex Brightman
Invisible (Reprise) / On the Roof
114 bpm • F Maj • 01:48 • -10db
47% Popularity • 48% Danceability • 31% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 48% Danceability • 31% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Bell Bundy
Serious
114 bpm • C# Maj • 03:13 • -11.98db
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Nick Blaemire
Valentine's Day
126 bpm • G Maj • 04:16 • -6.94db
13% Popularity • 57% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 57% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Christopher Fitzgerald
I Love You Like a Table
126 bpm • G# Maj • 01:56 • -5.46db
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Daniel Breaker
Don't Let Me Go
127 bpm • D Maj • 02:49 • -6.14db
45% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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George Salazar
Norman
126 bpm • F Maj • 04:09 • -12.3db
13% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jason Tam
Be More Chill, Pt. 1
114 bpm • B min • 04:24 • -7.71db
26% Popularity • 62% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 62% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Patti Murin
What Do You Know About Love?
114 bpm • A# Maj • 04:38 • -6.4db
45% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Jennifer Damiano
Superboy and the Invisible Girl
127 bpm • D Maj • 02:08 • -6.77db
40% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Jorge Rivera-Herrans
Full Speed Ahead
113 bpm • D# Maj • 03:00 • -6.26db
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Patrick Page
Hey, Little Songbird
127 bpm • C min • 03:32 • -12.85db
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 48% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Pays to Be an Animal
128 bpm • F# Maj • 03:55 • -9.84db
28% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Neil Patrick Harris
My Eyes
128 bpm • B min • 02:47 • -8db
43% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Amber Efe
There! Right There!
128 bpm • D Maj • 03:27 • -11.14db
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 72% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
46% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Ethan Slater
Hero is My Middle Name
128 bpm • F# Maj • 03:15 • -5.53db
37% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Sophia Anne Caruso
Jump in the Line / Dead Mom - Reprise
112 bpm • C Maj • 02:05 • -6.16db
48% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Will Roland
Voices in My Head
112 bpm • F Maj • 04:44 • -7.94db
26% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Krystina Alabado
Babbling Brooke
112 bpm • G# Maj • 04:45 • -9.44db
27% Popularity • 78% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 78% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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![Won't Say I'm in Love (Mashup) [feat. Terrence Williams, Jamahl Rawls & Foti] cover art](https://i.scdn.co/image/ab67616d00001e024e748b175ac0cea73c546d95)
Thomas Sanders
Won't Say I'm in Love (Mashup)
112 bpm • G Maj • 03:13 • -10.03db
35% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Barrett Wilbert Weed
Apex Predator
112 bpm • C Maj • 03:13 • -4.39db
53% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Varian
Let Me Make You Proud (Reprise)
112 bpm • C# Maj • 01:02 • -8db
41% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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George Salazar
Two-Player Game
112 bpm • D Maj • 03:55 • -11.37db
13% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Will Roland
Two-Player Game
112 bpm • D Maj • 04:02 • -7db
28% Popularity • 59% Danceability • 62% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 59% Danceability • 62% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
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Melina KB
Never Acting at All
129 bpm • C Maj • 02:25 • -7db
50% Popularity • 75% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 75% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Bebe Neuwirth
Just Around The Corner
129 bpm • F# Maj • 03:58 • -10db
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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'Falsettos' 2016 Broadway Company
Falsettoland / About Time
111 bpm • F min • 04:12 • -7.21db
42% Popularity • 56% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 56% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Brad Oscar
A Musical
129 bpm • A# Maj • 07:47 • -8db
44% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Eric William Morris
Be More Chill - Pt. 1
111 bpm • A Maj • 03:49 • -8.59db
33% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Carrie Compere
The Oracle
111 bpm • F min • 01:14 • -6.76db
36% Popularity • 54% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 54% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
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Cast of Galavant
I Love You (As Much As Someone Like Me C...
129 bpm • A min • 01:54 • -5db
29% Popularity • 52% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 52% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Jessica Keenan Wynn
The Me Inside of Me
111 bpm • A# min • 05:15 • -9.33db
52% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Grace McLean
In My House
111 bpm • B min • 03:07 • -8.79db
36% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • A# Maj • 05:54 • -8.71db
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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![Falling (Reprise) / Take Me as I Am [Reprise] cover art](https://i.scdn.co/image/ab67616d00001e02b1b7523552fb499b3250eb41)
Max Crumm
Falling (Reprise) / Take Me as I Am [Rep...
111 bpm • C Maj • 03:24 • -4.74db
1% Popularity • 36% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 36% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Drew Gehling
It Only Takes a Taste
111 bpm • F# Maj • 03:08 • -12db
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness