Songs like midnight love by girl in red
Based on a tempo of (+/- 10%) and a similar genre
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Djo
Roddy
180 bpm • C Maj • 04:12 • -9db
70% Popularity • 56% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 67% Positiveness
70% Popularity • 56% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 67% Positiveness
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Dove Cameron
Boyfriend
180 bpm • G min • 02:33 • -6.54db
74% Popularity • 34% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
74% Popularity • 34% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Ricky Montgomery
Talk to You
180 bpm • D Maj • 03:34 • -7.05db
59% Popularity • 51% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 51% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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girl in red
midnight love
180 bpm • D min • 03:13 • -9.89db
69% Popularity • 28% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
69% Popularity • 28% Danceability • 54% Energy • 11% Liveness
10% Instrumentalness • 26% Positiveness
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Montell Fish
Hotel
180 bpm • C min • 03:17 • -8.74db
81% Popularity • 23% Danceability • 43% Energy • 59% Liveness
2% Instrumentalness • 19% Positiveness
81% Popularity • 23% Danceability • 43% Energy • 59% Liveness
2% Instrumentalness • 19% Positiveness
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Olivia Rodrigo
deja vu
181 bpm • D Maj • 03:35 • -7.22db
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 44% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Surf Curse
Freaks
180 bpm • A Maj • 02:27 • -9.92db
84% Popularity • 34% Danceability • 94% Energy • 5% Liveness
63% Instrumentalness • 41% Positiveness
84% Popularity • 34% Danceability • 94% Energy • 5% Liveness
63% Instrumentalness • 41% Positiveness
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Cavetown
Boys Will Be Bugs
179 bpm • C# Maj • 05:29 • -11.72db
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
69% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Mother Mother
Hayloft II
178 bpm • A min • 03:35 • -4.54db
75% Popularity • 33% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
75% Popularity • 33% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Lovejoy
One Day
183 bpm • A# min • 02:24 • -8.57db
63% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Jack Stauber's Micropop
Just Take My Wallet
184 bpm • C Maj • 01:19 • -16.87db
69% Popularity • 57% Danceability • 15% Energy • 12% Liveness
76% Instrumentalness • 21% Positiveness
69% Popularity • 57% Danceability • 15% Energy • 12% Liveness
76% Instrumentalness • 21% Positiveness
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Lonely God
Marlboro Nights
176 bpm • D Maj • 01:08 • -6.63db
47% Popularity • 47% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 47% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Cigarettes After Sex
You're All I Want
182 bpm • F Maj • 04:24 • -10.95db
72% Popularity • 23% Danceability • 47% Energy • 11% Liveness
83% Instrumentalness • 28% Positiveness
72% Popularity • 23% Danceability • 47% Energy • 11% Liveness
83% Instrumentalness • 28% Positiveness
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Eyedress
Romantic Lover
184 bpm • A min • 01:26 • -9.3db
83% Popularity • 66% Danceability • 45% Energy • 20% Liveness
92% Instrumentalness • 54% Positiveness
83% Popularity • 66% Danceability • 45% Energy • 20% Liveness
92% Instrumentalness • 54% Positiveness
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Beach Bunny
Sports
186 bpm • A Maj • 02:44 • -5.28db
74% Popularity • 23% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
74% Popularity • 23% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
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Roar
I Can't Handle Change
186 bpm • F Maj • 03:18 • -8.48db
75% Popularity • 25% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
75% Popularity • 25% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Surf Curse
Disco
173 bpm • B min • 02:32 • -8.7db
69% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
69% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Olivia Rodrigo
favorite crime
173 bpm • A Maj • 02:32 • -10.5db
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
85% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Mitski
Me and My Husband
172 bpm • C# Maj • 02:17 • -5.31db
76% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
76% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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girl in red
Say It - Spotify Studio Oyster Recording
172 bpm • A# Maj • 02:53 • -7db
51% Popularity • 52% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 52% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Steve Lacy
Dark Red
172 bpm • F# Maj • 02:53 • -4.02db
87% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
87% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Taylor Swift
champagne problems
171 bpm • C Maj • 04:04 • -12.08db
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
79% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ricky Montgomery
Line Without a Hook
190 bpm • G# Maj • 04:09 • -4.97db
78% Popularity • 43% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
78% Popularity • 43% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Alex G
Advice
170 bpm • A# Maj • 02:37 • -5.71db
67% Popularity • 36% Danceability • 61% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
67% Popularity • 36% Danceability • 61% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
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Cavetown
Meteor Shower
170 bpm • F Maj • 04:25 • -10.31db
66% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
66% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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girl in red
4am
169 bpm • A Maj • 01:50 • -13.77db
64% Popularity • 42% Danceability • 39% Energy • 20% Liveness
34% Instrumentalness • 30% Positiveness
64% Popularity • 42% Danceability • 39% Energy • 20% Liveness
34% Instrumentalness • 30% Positiveness
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Steve Lacy
Bad Habit
169 bpm • C# Maj • 03:52 • -7.09db
79% Popularity • 69% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
79% Popularity • 69% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Dominic Fike
Babydoll
168 bpm • G min • 01:37 • -5.3db
85% Popularity • 76% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
85% Popularity • 76% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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The Neighbourhood
Unfair
194 bpm • G# Maj • 02:26 • -7.33db
67% Popularity • 48% Danceability • 57% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
67% Popularity • 48% Danceability • 57% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Dr. Dog
Where'd All the Time Go?
166 bpm • D Maj • 03:54 • -4.19db
78% Popularity • 45% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 45% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
84% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Men I Trust
Show Me How
166 bpm • F Maj • 03:35 • -11.96db
81% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
81% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
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Sir Chloe
Too Close
166 bpm • A Maj • 02:50 • -5.73db
68% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
68% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Current Joys
New Flesh
166 bpm • A Maj • 02:47 • -16.07db
74% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
74% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
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Harmless
Swing Lynn
165 bpm • D Maj • 05:21 • -1.82db
73% Popularity • 46% Danceability • 94% Energy • 11% Liveness
76% Instrumentalness • 45% Positiveness
73% Popularity • 46% Danceability • 94% Energy • 11% Liveness
76% Instrumentalness • 45% Positiveness
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The Strokes
The Adults Are Talking
165 bpm • F Maj • 05:09 • -5.67db
81% Popularity • 59% Danceability • 75% Energy • 31% Liveness
11% Instrumentalness • 65% Positiveness
81% Popularity • 59% Danceability • 75% Energy • 31% Liveness
11% Instrumentalness • 65% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
83% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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girl in red
we fell in love in october - sped up
164 bpm • B Maj • 02:26 • -11.45db
48% Popularity • 46% Danceability • 53% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
48% Popularity • 46% Danceability • 53% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
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Cults
Always Forever
163 bpm • G# Maj • 03:43 • -5.93db
81% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
81% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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beabadoobee
Dance with Me
200 bpm • E Maj • 03:54 • -10.29db
62% Popularity • 36% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
62% Popularity • 36% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Lana Del Rey
Chemtrails Over The Country Club
201 bpm • E min • 04:31 • -13.13db
80% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
80% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Olivia Rodrigo
get him back!
162 bpm • F Maj • 03:31 • -5.72db
82% Popularity • 55% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
82% Popularity • 55% Danceability • 85% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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girl in red
bad idea!
162 bpm • C# Maj • 03:39 • -6.1db
73% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
73% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
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The Neighbourhood
Stargazing
160 bpm • C Maj • 03:37 • -7.8db
71% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
71% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Chase Atlantic
Meddle About
160 bpm • E min • 03:23 • -6.41db
77% Popularity • 38% Danceability • 80% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
77% Popularity • 38% Danceability • 80% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
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Billie Eilish
Getting Older
160 bpm • A# Maj • 04:04 • -17.26db
71% Popularity • 60% Danceability • 13% Energy • 12% Liveness
12% Instrumentalness • 37% Positiveness
71% Popularity • 60% Danceability • 13% Energy • 12% Liveness
12% Instrumentalness • 37% Positiveness
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Aidan Bissett
More Than Friends
160 bpm • F# Maj • 03:03 • -6.79db
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 56% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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girl in red
Too Much
162 bpm • F min • 03:03 • -5.98db
72% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Penelope Scott
Lotta True Crime
159 bpm • G# Maj • 03:22 • -14.46db
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
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Brye
LEMONS
159 bpm • E min • 03:52 • -10.82db
59% Popularity • 62% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 62% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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The Walters
Sweet Marie
204 bpm • A Maj • 02:17 • -8.38db
71% Popularity • 24% Danceability • 42% Energy • 12% Liveness
65% Instrumentalness • 25% Positiveness
71% Popularity • 24% Danceability • 42% Energy • 12% Liveness
65% Instrumentalness • 25% Positiveness
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Coyote Theory
This Side of Paradise
158 bpm • A Maj • 04:02 • -6.07db
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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girl in red
i'll die anyway.
158 bpm • C Maj • 03:12 • -6.89db
64% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
64% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
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Her's
She Needs Him
157 bpm • C# Maj • 05:14 • -5.92db
63% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
63% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
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Mazzy Star
Fade Into You
157 bpm • A Maj • 04:55 • -13.93db
81% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
81% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Suki Waterhouse
To Love
157 bpm • D Maj • 03:56 • -4.45db
60% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Beach Bunny
6 Weeks
157 bpm • A# Maj • 04:01 • -6.66db
46% Popularity • 33% Danceability • 86% Energy • 27% Liveness
10% Instrumentalness • 62% Positiveness
46% Popularity • 33% Danceability • 86% Energy • 27% Liveness
10% Instrumentalness • 62% Positiveness
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Olivia Rodrigo
all-american bitch
156 bpm • F# Maj • 02:45 • -4.23db
81% Popularity • 43% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
81% Popularity • 43% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
75% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Clairo
Bubble Gum
208 bpm • A Maj • 02:55 • -24.64db
77% Popularity • 51% Danceability • 2% Energy • 39% Liveness
0% Instrumentalness • 23% Positiveness
77% Popularity • 51% Danceability • 2% Energy • 39% Liveness
0% Instrumentalness • 23% Positiveness
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Sir Chloe
Walk You Home
155 bpm • C min • 02:48 • -5.27db
58% Popularity • 37% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 37% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Faye Webster
I Know You
155 bpm • A# Maj • 04:11 • -13db
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Phoebe Bridgers
Moon Song
155 bpm • C# Maj • 04:37 • -12.51db
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
69% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Eyedress
Cocaine Sunday
154 bpm • E Maj • 02:48 • -6.49db
71% Popularity • 54% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 43% Positiveness
71% Popularity • 54% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 43% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
