Songs like Midnight Waters by Jacka & The Schott of Love
Based on a tempo of (+/- 10%) and a similar genre
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The Frestonians
Slow Dance
140 bpm • B min • 03:55 • -10.35db
13% Popularity • 54% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
13% Popularity • 54% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
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the prohibition
Look at All the Shit the Monkeys Built
140 bpm • A min • 03:31 • -4.29db
0% Popularity • 39% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 39% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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The Technician aka Theo Starr
Far Out and Funky
140 bpm • D Maj • 05:02 • -13.89db
11% Popularity • 77% Danceability • 57% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
11% Popularity • 77% Danceability • 57% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
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Doublethink
Down and out in Paris
140 bpm • G Maj • 04:31 • -9.76db
21% Popularity • 32% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 32% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Les Biftecs
Region of Dreams
140 bpm • B min • 03:14 • -9.32db
14% Popularity • 32% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 32% Danceability • 94% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Sullie
Twisted Ideology
140 bpm • D Maj • 03:00 • -8db
9% Popularity • 52% Danceability • 73% Energy • 19% Liveness
29% Instrumentalness • 76% Positiveness
9% Popularity • 52% Danceability • 73% Energy • 19% Liveness
29% Instrumentalness • 76% Positiveness
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Jacka & The Schott of Love
Midnight Waters
140 bpm • C Maj • 03:26 • -9.29db
18% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Willis
End of the Day
140 bpm • G Maj • 04:00 • -8db
20% Popularity • 44% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 17% Positiveness
20% Popularity • 44% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 17% Positiveness
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Delaney Davidson
Care of You
140 bpm • D Maj • 04:22 • -10.46db
20% Popularity • 77% Danceability • 49% Energy • 34% Liveness
1% Instrumentalness • 61% Positiveness
20% Popularity • 77% Danceability • 49% Energy • 34% Liveness
1% Instrumentalness • 61% Positiveness
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Slim Loris
One for the Road
140 bpm • D Maj • 03:27 • -7.01db
19% Popularity • 55% Danceability • 60% Energy • 31% Liveness
9% Instrumentalness • 62% Positiveness
19% Popularity • 55% Danceability • 60% Energy • 31% Liveness
9% Instrumentalness • 62% Positiveness
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Potential Commotion
When You Walk In The Room
140 bpm • A# min • 02:47 • -13.65db
15% Popularity • 82% Danceability • 50% Energy • 46% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 82% Danceability • 50% Energy • 46% Liveness
0% Instrumentalness • 52% Positiveness
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Jim Sanchez
Front Porch
140 bpm • A min • 03:07 • -3.52db
9% Popularity • 60% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 60% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jacka & The Schott of Love
That Was Then (And This Is Now)
140 bpm • D# Maj • 04:02 • -6.67db
19% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Hippie Gun
Birddog
140 bpm • E Maj • 02:26 • -4.83db
11% Popularity • 58% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 58% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The Yubious
What I'm Going Through
140 bpm • C# Maj • 02:40 • -8.06db
15% Popularity • 52% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 52% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Sunday Cannons
Peter Pan Days
140 bpm • F# min • 04:10 • -9.32db
13% Popularity • 30% Danceability • 75% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 30% Danceability • 75% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
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Waco Brothers
Best That Money Can Buy
139 bpm • A Maj • 02:05 • -7.16db
11% Popularity • 59% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 59% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Nicholas Mowery
Review
139 bpm • G Maj • 05:29 • -8.48db
26% Popularity • 70% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 70% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Babes Nyc
Hyperactive
141 bpm • D Maj • 02:28 • -9db
2% Popularity • 36% Danceability • 63% Energy • 18% Liveness
10% Instrumentalness • 20% Positiveness
2% Popularity • 36% Danceability • 63% Energy • 18% Liveness
10% Instrumentalness • 20% Positiveness
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Red Guitars
Cloak and Dagger
139 bpm • C min • 03:51 • -7.88db
12% Popularity • 49% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 53% Positiveness
12% Popularity • 49% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 53% Positiveness
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Rafael K
The Old Crooked Road
141 bpm • D Maj • 04:58 • -13.3db
17% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Jacka & The Schott of Love
Press Play
141 bpm • E Maj • 03:48 • -9db
19% Popularity • 56% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
19% Popularity • 56% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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Brian Joseph Band
Song of the Bard
139 bpm • G Maj • 03:45 • -10db
13% Popularity • 26% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 26% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Expo
Eclipse
139 bpm • D Maj • 04:25 • -9.54db
9% Popularity • 69% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 86% Positiveness
9% Popularity • 69% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 86% Positiveness
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The Tangerines
Too Much, Too Soon, Too Little, Too Late
139 bpm • A Maj • 02:25 • -7.5db
10% Popularity • 56% Danceability • 65% Energy • 32% Liveness
2% Instrumentalness • 85% Positiveness
10% Popularity • 56% Danceability • 65% Energy • 32% Liveness
2% Instrumentalness • 85% Positiveness
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Edgar Carl
Bicycle
141 bpm • D Maj • 03:59 • -7.84db
0% Popularity • 44% Danceability • 67% Energy • 51% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 44% Danceability • 67% Energy • 51% Liveness
0% Instrumentalness • 29% Positiveness
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The Captains Syndrome
I Forgot
139 bpm • D Maj • 05:15 • -5.23db
11% Popularity • 35% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 35% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Jack Rubies
Corrupted
138 bpm • E min • 03:14 • -8.27db
9% Popularity • 47% Danceability • 82% Energy • 31% Liveness
3% Instrumentalness • 77% Positiveness
9% Popularity • 47% Danceability • 82% Energy • 31% Liveness
3% Instrumentalness • 77% Positiveness
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Ed Kuepper
Electrical Storm
142 bpm • D# Maj • 04:19 • -5.37db
15% Popularity • 31% Danceability • 84% Energy • 14% Liveness
27% Instrumentalness • 36% Positiveness
15% Popularity • 31% Danceability • 84% Energy • 14% Liveness
27% Instrumentalness • 36% Positiveness
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Carnival Road
Just Like The Rain
142 bpm • A Maj • 03:49 • -9.37db
11% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Sunnyboys
Lovers (On Another Planets Hell)
142 bpm • C Maj • 03:19 • -8.69db
8% Popularity • 50% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 50% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Harvey Doornink
Light
142 bpm • D Maj • 03:42 • -6.81db
21% Popularity • 52% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 52% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Peder Pan
Take Me to the Places
142 bpm • A Maj • 04:29 • -7.34db
19% Popularity • 56% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 56% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Hugh Cornwell
I Wannahideinsideaya
138 bpm • G Maj • 03:34 • -3.86db
10% Popularity • 58% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 58% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Kiefer Strong & The Mad Reefer
Astral Plane
142 bpm • F Maj • 02:55 • -8.74db
14% Popularity • 53% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 53% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Anthony Stango
You Talk Too Much
138 bpm • G Maj • 02:50 • -5.15db
9% Popularity • 55% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 55% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Shapeshifted
Sweet Fanny Mae
138 bpm • A Maj • 02:51 • -7.84db
11% Popularity • 47% Danceability • 84% Energy • 6% Liveness
8% Instrumentalness • 96% Positiveness
11% Popularity • 47% Danceability • 84% Energy • 6% Liveness
8% Instrumentalness • 96% Positiveness
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Sam Pinnock
Late Night
138 bpm • G# Maj • 02:22 • -12.83db
20% Popularity • 55% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 55% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Dead Root Revival
Distant Lover
138 bpm • G Maj • 04:35 • -10.33db
14% Popularity • 39% Danceability • 72% Energy • 15% Liveness
1% Instrumentalness • 61% Positiveness
14% Popularity • 39% Danceability • 72% Energy • 15% Liveness
1% Instrumentalness • 61% Positiveness
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Les Biftecs
Money and Morals
138 bpm • A Maj • 03:12 • -8.57db
14% Popularity • 40% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 40% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Gustaf
Package - Audiotree Live Version
138 bpm • E min • 02:42 • -7.97db
9% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The Waterboys
Medicine Bow - Elemental Rough Mix
143 bpm • A Maj • 05:49 • -8.39db
12% Popularity • 44% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 70% Positiveness
12% Popularity • 44% Danceability • 97% Energy • 38% Liveness
2% Instrumentalness • 70% Positiveness
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Shadowplay
Kingdom Gone
137 bpm • B min • 04:18 • -8.85db
7% Popularity • 33% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 33% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Superchunk
As in a Blender
137 bpm • D Maj • 02:21 • -7.1db
25% Popularity • 36% Danceability • 82% Energy • 30% Liveness
10% Instrumentalness • 46% Positiveness
25% Popularity • 36% Danceability • 82% Energy • 30% Liveness
10% Instrumentalness • 46% Positiveness
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Peder Pan
Rabadaba
143 bpm • B min • 03:05 • -6.2db
19% Popularity • 53% Danceability • 76% Energy • 37% Liveness
13% Instrumentalness • 83% Positiveness
19% Popularity • 53% Danceability • 76% Energy • 37% Liveness
13% Instrumentalness • 83% Positiveness
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Dr. Bernardo & the Medicine
Just Another Nervous Breakdown
137 bpm • E Maj • 03:30 • -6.94db
10% Popularity • 55% Danceability • 82% Energy • 47% Liveness
74% Instrumentalness • 92% Positiveness
10% Popularity • 55% Danceability • 82% Energy • 47% Liveness
74% Instrumentalness • 92% Positiveness
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Greg Kosic
Birds of a Feather
143 bpm • D Maj • 02:30 • -7.48db
11% Popularity • 50% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 50% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Satire of Games
What Does Aint Have
143 bpm • C Maj • 03:06 • -10.34db
21% Popularity • 30% Danceability • 88% Energy • 13% Liveness
83% Instrumentalness • 49% Positiveness
21% Popularity • 30% Danceability • 88% Energy • 13% Liveness
83% Instrumentalness • 49% Positiveness
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Hugh Cornwell
Too Much Trash
137 bpm • D min • 02:57 • -6.57db
8% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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The Tangerines
She Shines On
137 bpm • G Maj • 02:36 • -7db
10% Popularity • 53% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
10% Popularity • 53% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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The Latest
Try It With Me
137 bpm • B min • 03:37 • -7.38db
17% Popularity • 44% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 44% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
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Ric Gordon
Just Cant Get Enough
143 bpm • G Maj • 02:57 • -4.04db
10% Popularity • 48% Danceability • 98% Energy • 31% Liveness
1% Instrumentalness • 83% Positiveness
10% Popularity • 48% Danceability • 98% Energy • 31% Liveness
1% Instrumentalness • 83% Positiveness
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The Waterboys
Beverly Penn
143 bpm • C Maj • 06:10 • -8.05db
14% Popularity • 42% Danceability • 93% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
14% Popularity • 42% Danceability • 93% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
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Ty Stonehawker
Take Me To The Water
136 bpm • C Maj • 03:22 • -6.06db
33% Popularity • 52% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 52% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Sunday Cannons
Coping With Change
144 bpm • G# Maj • 03:15 • -8.75db
12% Popularity • 34% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 34% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Peter Holsapple
Comin' Down This Way
136 bpm • D Maj • 06:51 • -13.23db
7% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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9 o'clock Nasty
Smash Grab and Go!
144 bpm • E min • 02:15 • -9.92db
12% Popularity • 62% Danceability • 68% Energy • 28% Liveness
77% Instrumentalness • 63% Positiveness
12% Popularity • 62% Danceability • 68% Energy • 28% Liveness
77% Instrumentalness • 63% Positiveness
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The Tangerines
Girls on the Run
136 bpm • B min • 03:18 • -7db
9% Popularity • 59% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 59% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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The Satelliters
Don't Say No
136 bpm • D Maj • 02:54 • -5.22db
7% Popularity • 43% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
7% Popularity • 43% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Adrian Borland
Darkest Heart
136 bpm • A Maj • 04:03 • -9.05db
14% Popularity • 64% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 64% Positiveness
14% Popularity • 64% Danceability • 72% Energy • 12% Liveness
4% Instrumentalness • 64% Positiveness
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Johnny Pistachio
Slowpoke
136 bpm • E min • 04:18 • -9.29db
9% Popularity • 50% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 50% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Hugh Cornwell
When I Was A Young Man
144 bpm • E Maj • 03:13 • -5db
12% Popularity • 55% Danceability • 78% Energy • 11% Liveness
7% Instrumentalness • 56% Positiveness
12% Popularity • 55% Danceability • 78% Energy • 11% Liveness
7% Instrumentalness • 56% Positiveness
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Tree of Us
Blind Man Legend
136 bpm • D Maj • 02:35 • -7db
16% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jacka & The Schott of Love
Americana!
136 bpm • E Maj • 03:26 • -8db
20% Popularity • 55% Danceability • 76% Energy • 38% Liveness
1% Instrumentalness • 55% Positiveness
20% Popularity • 55% Danceability • 76% Energy • 38% Liveness
1% Instrumentalness • 55% Positiveness
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Big Bill
Ex-Con
144 bpm • G min • 02:44 • -5.02db
8% Popularity • 45% Danceability • 98% Energy • 49% Liveness
1% Instrumentalness • 24% Positiveness
8% Popularity • 45% Danceability • 98% Energy • 49% Liveness
1% Instrumentalness • 24% Positiveness
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Fan Tales
Why Did Chandler Have to Die
144 bpm • D Maj • 02:15 • -8.92db
21% Popularity • 55% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 55% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Kid Bowery
Brother Honey Passes Before Us
136 bpm • A# Maj • 03:12 • -7.2db
14% Popularity • 74% Danceability • 75% Energy • 37% Liveness
1% Instrumentalness • 65% Positiveness
14% Popularity • 74% Danceability • 75% Energy • 37% Liveness
1% Instrumentalness • 65% Positiveness
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The Boys
Organ Grinder 2023 Single Version - Rema...
144 bpm • C Maj • 03:34 • -8.33db
11% Popularity • 36% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 36% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 53% Positiveness
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Lord Esme
Karaoke King
145 bpm • E Maj • 03:28 • -6.21db
11% Popularity • 44% Danceability • 82% Energy • 21% Liveness
30% Instrumentalness • 75% Positiveness
11% Popularity • 44% Danceability • 82% Energy • 21% Liveness
30% Instrumentalness • 75% Positiveness
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Dave Graney & The Coral Snakes
Apollo 69
135 bpm • G Maj • 04:58 • -7.63db
8% Popularity • 47% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 47% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Dead Clones
Party of Dead
145 bpm • B min • 03:58 • -4.72db
7% Popularity • 52% Danceability • 94% Energy • 32% Liveness
3% Instrumentalness • 82% Positiveness
7% Popularity • 52% Danceability • 94% Energy • 32% Liveness
3% Instrumentalness • 82% Positiveness
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The Fiddle Leaf Figs
Little Bit Of Everything
145 bpm • D Maj • 03:12 • -8.17db
8% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Jacka & The Schott of Love
Heavenly Stranded
135 bpm • E Maj • 03:40 • -7.08db
16% Popularity • 44% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 44% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Legends & Deeds
Monster
135 bpm • E Maj • 02:29 • -5.52db
18% Popularity • 62% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 62% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Duncan Reid and the Big Heads
Just Try To Be Kind
145 bpm • E Maj • 02:19 • -5.55db
10% Popularity • 47% Danceability • 85% Energy • 16% Liveness
49% Instrumentalness • 74% Positiveness
10% Popularity • 47% Danceability • 85% Energy • 16% Liveness
49% Instrumentalness • 74% Positiveness
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The Deadlians
Beautiful Rosa
135 bpm • E min • 05:06 • -7.1db
12% Popularity • 49% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 49% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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The Frestonians
What's In It For Me?
145 bpm • E Maj • 02:20 • -5.74db
13% Popularity • 39% Danceability • 92% Energy • 33% Liveness
15% Instrumentalness • 55% Positiveness
13% Popularity • 39% Danceability • 92% Energy • 33% Liveness
15% Instrumentalness • 55% Positiveness
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The Captains Syndrome
Trouble
135 bpm • A min • 03:31 • -7.99db
9% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Steve Harley
Take The Men & The Horses Away
135 bpm • D Maj • 04:09 • -6.18db
7% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Spoonbend
Path of Destruction
135 bpm • A Maj • 03:28 • -6.77db
21% Popularity • 47% Danceability • 93% Energy • 13% Liveness
36% Instrumentalness • 71% Positiveness
21% Popularity • 47% Danceability • 93% Energy • 13% Liveness
36% Instrumentalness • 71% Positiveness
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Gruppo Sportivo
Lookalike
145 bpm • G Maj • 02:55 • -6.33db
16% Popularity • 47% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 47% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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The Filthy Tongues
Hang My Head
135 bpm • C Maj • 03:21 • -13.29db
14% Popularity • 60% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 60% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
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Srønx
Are You Ready (Ready For Love)
135 bpm • A Maj • 02:32 • -8.73db
16% Popularity • 49% Danceability • 79% Energy • 20% Liveness
77% Instrumentalness • 83% Positiveness
16% Popularity • 49% Danceability • 79% Energy • 20% Liveness
77% Instrumentalness • 83% Positiveness
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Ed Kuepper
Car Headlights
146 bpm • D Maj • 02:45 • -4.5db
13% Popularity • 47% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 47% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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John Kill
Undercover Punk
146 bpm • E Maj • 04:30 • -9.91db
9% Popularity • 63% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 63% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Bobby Dawson
Lost Working Days - Acoustic
135 bpm • D Maj • 03:22 • -8.82db
24% Popularity • 56% Danceability • 80% Energy • 32% Liveness
7% Instrumentalness • 74% Positiveness
24% Popularity • 56% Danceability • 80% Energy • 32% Liveness
7% Instrumentalness • 74% Positiveness
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Pernice Brothers
Hey, Guitar
146 bpm • C Maj • 03:53 • -2.86db
18% Popularity • 43% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 43% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Les Biftecs
Garbage
134 bpm • A Maj • 02:32 • -9.28db
18% Popularity • 35% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 35% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Sheepish
Smell of the Walls
146 bpm • D Maj • 02:15 • -9.96db
21% Popularity • 60% Danceability • 57% Energy • 15% Liveness
6% Instrumentalness • 51% Positiveness
21% Popularity • 60% Danceability • 57% Energy • 15% Liveness
6% Instrumentalness • 51% Positiveness
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Those Who Know the Son
Fading Away
146 bpm • A Maj • 01:53 • -6.7db
24% Popularity • 47% Danceability • 86% Energy • 31% Liveness
22% Instrumentalness • 74% Positiveness
24% Popularity • 47% Danceability • 86% Energy • 31% Liveness
22% Instrumentalness • 74% Positiveness
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Scotti Mars
Natasha
134 bpm • A min • 03:08 • -5.79db
1% Popularity • 62% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
1% Popularity • 62% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Aton O'Cat
A socialist who won the lottery
134 bpm • E Maj • 03:07 • -11db
10% Popularity • 66% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
10% Popularity • 66% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
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Otto Steffan
Reason
134 bpm • E Maj • 03:38 • -10.08db
20% Popularity • 55% Danceability • 87% Energy • 42% Liveness
1% Instrumentalness • 71% Positiveness
20% Popularity • 55% Danceability • 87% Energy • 42% Liveness
1% Instrumentalness • 71% Positiveness
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The Fuzztones
Eyes in the Back of My Head
147 bpm • F# Maj • 02:57 • -5.02db
8% Popularity • 50% Danceability • 98% Energy • 32% Liveness
43% Instrumentalness • 25% Positiveness
8% Popularity • 50% Danceability • 98% Energy • 32% Liveness
43% Instrumentalness • 25% Positiveness
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Alternative Radio
Black Sheep III
134 bpm • F Maj • 03:04 • -14.43db
25% Popularity • 51% Danceability • 72% Energy • 40% Liveness
12% Instrumentalness • 63% Positiveness
25% Popularity • 51% Danceability • 72% Energy • 40% Liveness
12% Instrumentalness • 63% Positiveness
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eigenminds
shadows
147 bpm • E min • 04:10 • -8.65db
11% Popularity • 35% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 35% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Peter Hook and The Light
Shadowplay - Live
147 bpm • C Maj • 04:50 • -7.94db
7% Popularity • 37% Danceability • 87% Energy • 77% Liveness
23% Instrumentalness • 6% Positiveness
7% Popularity • 37% Danceability • 87% Energy • 77% Liveness
23% Instrumentalness • 6% Positiveness
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The Waterboys
Son Of Dirt
133 bpm • G Maj • 06:15 • -7.85db
11% Popularity • 49% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 49% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
