Songs like Miserere mei, Deus, IJ. 50: I. Miserere mei, Deus by Josquin des Prez
Based on a tempo of (+/- 10%) and a similar genre
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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![Nymphes des bois. Déploration [sur la mort] de Johannes Ockeghem, NJE 29.18 cover art](https://i.scdn.co/image/ab67616d00001e02d85233c3249986a2b1025e82)
Josquin des Prez
Nymphes des bois. Déploration [sur la m...
124 bpm • A min • 05:28 • -19.37db
8% Popularity • 17% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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John Dowland
Unquiet Thoughts
124 bpm • G min • 03:24 • -20db
9% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
9% Popularity • 44% Danceability • 5% Energy • 32% Liveness
1% Instrumentalness • 39% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 1, Introï...
126 bpm • D Maj • 02:50 • -25db
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Jacobus Gallus
Mirabile mysterium
125 bpm • E Maj • 03:51 • -20.32db
12% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 12% Liveness
13% Instrumentalness • 3% Positiveness
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Johannes Ockeghem
Intemerata Dei mater: III. Aspiciat faci...
124 bpm • F Maj • 02:23 • -18.71db
9% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
9% Popularity • 17% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Sub tuum praesidium, H. 28
126 bpm • G min • 02:18 • -26db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
34% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
34% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Jacques Arcadelt
Missa Noe Noe: II. Gloria
124 bpm • D min • 04:28 • -25.11db
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
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Josquin des Prez
Pater noster - Ave Maria
123 bpm • D min • 07:05 • -21.17db
9% Popularity • 20% Danceability • 19% Energy • 8% Liveness
40% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 19% Energy • 8% Liveness
40% Instrumentalness • 6% Positiveness
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Francesco da Milano
Fantasia sexta
123 bpm • F Maj • 02:00 • -30db
24% Popularity • 48% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
24% Popularity • 48% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 94% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Gloria Tibi Domine ...
127 bpm • A min • 01:48 • -26.36db
16% Popularity • 19% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Arcadelt
Il bianco e dolce cigno
127 bpm • E Maj • 02:11 • -14db
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 21% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Josquin des Prez
Absalon fili mi
127 bpm • D# Maj • 04:32 • -23.88db
9% Popularity • 17% Danceability • 10% Energy • 26% Liveness
63% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 10% Energy • 26% Liveness
63% Instrumentalness • 4% Positiveness
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The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
33% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
123 bpm • E min • 01:10 • -24db
25% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
25% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Hildegard von Bingen
Lectio II
127 bpm • F min • 01:45 • -40.32db
9% Popularity • 33% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 33% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Intonatio: Deus in adiutorium / Responso...
128 bpm • D Maj • 02:12 • -12.99db
12% Popularity • 33% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
12% Popularity • 33% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
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Josquin des Prez
Missa Ave maris stella: Gloria
127 bpm • A min • 04:40 • -22.05db
9% Popularity • 19% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Loyset Compère
Quis numerare queat: I. Quis numerare qu...
128 bpm • F Maj • 01:32 • -18.87db
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
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Philippe Verdelot
Se mai provasti donna
128 bpm • G# min • 01:33 • -18.88db
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
29% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Josquin des Prez
Ave Maria…virgo serena à 4
127 bpm • B Maj • 04:10 • -15.2db
12% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ans Del Judici Tot...
128 bpm • F Maj • 02:23 • -29db
22% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Eustache du Caurroy
At The Crossroads... : Fantaisie à 3 su...
128 bpm • D min • 01:47 • -26.52db
16% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
16% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Piffaro
Alla Caccia
129 bpm • D Maj • 01:22 • -17db
11% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
11% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
122 bpm • E min • 01:22 • -28db
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Psalmus 147: Lauda Jerusalem
129 bpm • G min • 05:09 • -17.83db
8% Popularity • 21% Danceability • 25% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 25% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Josquin des Prez
Missa malheur me bat, NJE 9.1: I. Kyrie
128 bpm • A min • 03:21 • -17.46db
9% Popularity • 20% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Hildegard von Bingen
O virtus Sapientie (arr. S. Kammen for v...
130 bpm • A min • 02:55 • -24.49db
10% Popularity • 27% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
10% Popularity • 27% Danceability • 4% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
23% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
23% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Antoine Brumel
Tous les regretz
131 bpm • D min • 02:02 • -24.99db
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Josquin des Prez
Missa Gaudeamus: XVIII. Agnus Dei II
128 bpm • C Maj • 01:19 • -29.71db
14% Popularity • 30% Danceability • 2% Energy • 6% Liveness
11% Instrumentalness • 5% Positiveness
14% Popularity • 30% Danceability • 2% Energy • 6% Liveness
11% Instrumentalness • 5% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
24% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
24% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Isaac
I. 1459 El Tiempo de Maximiliano I (Rey ...
131 bpm • F Maj • 04:19 • -20.5db
11% Popularity • 16% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
14% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Josquin des Prez
La déploration [sur la mort] de Johanne...
128 bpm • A min • 03:30 • -24.38db
11% Popularity • 17% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
11% Popularity • 17% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
24% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
24% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Syntagma Musicum
L'Amor Donna, Ch'Io Te Porto (Anonymous)
119 bpm • A# Maj • 02:08 • -19db
9% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
9% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
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Nicolas Gombert
Triste départ
132 bpm • D min • 03:16 • -14db
8% Popularity • 18% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
31% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
31% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Josquin des Prez
Praeter rerum seriem: II. Secunda pars
128 bpm • D min • 03:36 • -22.42db
12% Popularity • 19% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 14% Positiveness
12% Popularity • 19% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 14% Positiveness
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Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Heinrich Isaac
Chanson: Innsbruck, ich muß dich lassen
132 bpm • F Maj • 03:26 • -24db
9% Popularity • 23% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
9% Popularity • 23% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Francesco Landini
Non avra ma'pieta questa mia donna
133 bpm • C Maj • 04:18 • -15db
10% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Josquin des Prez
Guillaume se va chaufer
129 bpm • C Maj • 01:03 • -17.59db
15% Popularity • 26% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 26% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Claude Gervaise
Allemandes - Arranged by Piffaro
118 bpm • G# Maj • 03:17 • -22db
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
► Preview
Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Antoine Brumel
Mater patris et filia
133 bpm • C# Maj • 03:43 • -24.2db
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
12% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Hildegard von Bingen
Ordo Virtutum, Prolog: "Audite "o lucis ...
133 bpm • F Maj • 04:19 • -20.52db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Josquin des Prez
Missa Hercules dux Ferrariae: II. Gloria
129 bpm • A min • 04:26 • -21.33db
9% Popularity • 20% Danceability • 17% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 17% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Johannes Ockeghem
Missa Prolationum: Sanctus
133 bpm • F# Maj • 03:14 • -23.64db
11% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
11% Popularity • 19% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
► Preview
Claudio Monteverdi
Anima dolorosa
133 bpm • C Maj • 03:49 • -22.99db
17% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hieronimus Parabosco
Ricercare XIV « Da Pacem »
117 bpm • D min • 02:16 • -20.08db
16% Popularity • 20% Danceability • 6% Energy • 35% Liveness
75% Instrumentalness • 8% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 35% Liveness
75% Instrumentalness • 8% Positiveness
► Preview
Josquin des Prez
Vultum tuum deprecabuntur, NJE 25.14: In...
129 bpm • B Maj • 02:41 • -35.63db
15% Popularity • 17% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 17% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Hildegard von Bingen
Columba aspexit
134 bpm • F Maj • 07:20 • -29.83db
14% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 26% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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Orlando Gibbons
The silver swan
134 bpm • F Maj • 01:27 • -22.03db
9% Popularity • 18% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 41% Liveness
0% Instrumentalness • 5% Positiveness
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Josquin des Prez
De profundis, "Psalm 129"
134 bpm • A min • 04:54 • -21.39db
12% Popularity • 18% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Pierre de la Rue
Soubz ce tumbel
116 bpm • C Maj • 05:03 • -24.03db
13% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
13% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Hildegard von Bingen
O quam mirabilis est (Antiphona)
116 bpm • G Maj • 02:37 • -29.93db
16% Popularity • 28% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 28% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Cipriano de Rore
Tutti i madrigali a quattro voci, R 2513...
116 bpm • G min • 02:23 • -12.83db
11% Popularity • 22% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 22% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Nicolas Gombert
Media vita
135 bpm • D min • 07:53 • -24.11db
9% Popularity • 16% Danceability • 9% Energy • 12% Liveness
18% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 12% Liveness
18% Instrumentalness • 4% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Paschal de l'Estocart
Octonaires de la vanité du monde, Livre...
135 bpm • C# min • 01:00 • -21.57db
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
18% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Biagio Marini
Sinfonia
115 bpm • A min • 01:39 • -24.05db
24% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
24% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Alonso Mudarra
Pavana II
115 bpm • B min • 02:11 • -22.05db
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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Josquin des Prez
O Virgo prudentissima: I. Prima pars
135 bpm • D min • 03:56 • -22.37db
9% Popularity • 18% Danceability • 12% Energy • 8% Liveness
18% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 8% Liveness
18% Instrumentalness • 5% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
22% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
22% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
