Songs like Miss Misery (Early Version) by Elliott Smith
Based on a tempo of (+/- 10%) and a similar genre
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Elliott Smith
Pictures Of Me - Remastered 2017
135 bpm • D min • 03:46 • -7.33db
33% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Breeders
Do You Love Me Now?
135 bpm • D Maj • 03:01 • -12db
45% Popularity • 47% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 32% Positiveness
45% Popularity • 47% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 32% Positiveness
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Sonic Youth
Schizophrenia
135 bpm • D Maj • 04:38 • -11.46db
54% Popularity • 36% Danceability • 70% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
54% Popularity • 36% Danceability • 70% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Mazzy Star
Take Everything
134 bpm • A Maj • 04:53 • -11.68db
48% Popularity • 40% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
48% Popularity • 40% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Wilco
Ashes of American Flags - 2022 Remaster
134 bpm • D Maj • 04:44 • -11.29db
36% Popularity • 30% Danceability • 36% Energy • 7% Liveness
20% Instrumentalness • 25% Positiveness
36% Popularity • 30% Danceability • 36% Energy • 7% Liveness
20% Instrumentalness • 25% Positiveness
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Fiona Apple
A Mistake
136 bpm • C Maj • 04:56 • -8.3db
54% Popularity • 62% Danceability • 77% Energy • 19% Liveness
3% Instrumentalness • 54% Positiveness
54% Popularity • 62% Danceability • 77% Energy • 19% Liveness
3% Instrumentalness • 54% Positiveness
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Elliott Smith
Between The Bars
135 bpm • G min • 02:21 • -23.63db
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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Car Seat Headrest
Nervous Young Inhumans
134 bpm • F# min • 05:25 • -10.79db
50% Popularity • 48% Danceability • 32% Energy • 42% Liveness
10% Instrumentalness • 34% Positiveness
50% Popularity • 48% Danceability • 32% Energy • 42% Liveness
10% Instrumentalness • 34% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Mount Eerie
Moon Sequel
136 bpm • G Maj • 02:35 • -16.14db
40% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 14% Positiveness
40% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 14% Positiveness
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Neutral Milk Hotel
Ghost
136 bpm • E Maj • 04:08 • -4db
48% Popularity • 19% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 19% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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The Magnetic Fields
Reno Dakota
134 bpm • D Maj • 01:05 • -7.93db
45% Popularity • 63% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
45% Popularity • 63% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
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Elliott Smith
Junk Bond Trader
135 bpm • C min • 03:49 • -7db
44% Popularity • 54% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 54% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Stereolab
Pack Yr Romantic Mind
134 bpm • G Maj • 05:06 • -15.68db
46% Popularity • 52% Danceability • 36% Energy • 10% Liveness
77% Instrumentalness • 76% Positiveness
46% Popularity • 52% Danceability • 36% Energy • 10% Liveness
77% Instrumentalness • 76% Positiveness
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Silver Jews
Trains Across The Sea
134 bpm • C Maj • 03:15 • -12.45db
46% Popularity • 49% Danceability • 48% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
46% Popularity • 49% Danceability • 48% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
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Nick Drake
Horn
137 bpm • C# Maj • 01:21 • -11.41db
48% Popularity • 59% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
48% Popularity • 59% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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my bloody valentine
off your face
137 bpm • F# Maj • 04:14 • -8.61db
43% Popularity • 37% Danceability • 85% Energy • 29% Liveness
86% Instrumentalness • 43% Positiveness
43% Popularity • 37% Danceability • 85% Energy • 29% Liveness
86% Instrumentalness • 43% Positiveness
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Blur
You're so Great - 2012 Remaster
133 bpm • B Maj • 03:35 • -9.79db
49% Popularity • 50% Danceability • 72% Energy • 34% Liveness
78% Instrumentalness • 64% Positiveness
49% Popularity • 50% Danceability • 72% Energy • 34% Liveness
78% Instrumentalness • 64% Positiveness
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Elliott Smith
Satellite
136 bpm • G Maj • 02:25 • -17.94db
38% Popularity • 42% Danceability • 22% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
38% Popularity • 42% Danceability • 22% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
59% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
59% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Songs: Ohia
Just Be Simple
137 bpm • B min • 04:20 • -9.55db
41% Popularity • 50% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
41% Popularity • 50% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Weyes Blood
Something to Believe
137 bpm • E Maj • 04:45 • -8.59db
52% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Fiona Apple
Sullen Girl
138 bpm • A min • 03:54 • -11.54db
53% Popularity • 31% Danceability • 30% Energy • 12% Liveness
12% Instrumentalness • 15% Positiveness
53% Popularity • 31% Danceability • 30% Energy • 12% Liveness
12% Instrumentalness • 15% Positiveness
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Mazzy Star
I've Been Let Down
138 bpm • C Maj • 03:17 • -21db
50% Popularity • 56% Danceability • 10% Energy • 9% Liveness
9% Instrumentalness • 31% Positiveness
50% Popularity • 56% Danceability • 10% Energy • 9% Liveness
9% Instrumentalness • 31% Positiveness
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Mount Eerie
Great Ghosts
132 bpm • F# min • 03:14 • -20db
29% Popularity • 60% Danceability • 11% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
29% Popularity • 60% Danceability • 11% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
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Deerhunter
Cover Me (Slowly)
132 bpm • E Maj • 01:21 • -6db
44% Popularity • 20% Danceability • 83% Energy • 18% Liveness
82% Instrumentalness • 39% Positiveness
44% Popularity • 20% Danceability • 83% Energy • 18% Liveness
82% Instrumentalness • 39% Positiveness
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Elliott Smith
Waltz #2 (XO)
132 bpm • A# Maj • 04:40 • -7.67db
60% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
60% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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No. 2
Who's Behind the Door?
132 bpm • A Maj • 04:32 • -9.21db
6% Popularity • 27% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
6% Popularity • 27% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Slowdive
Souvlaki Space Station
138 bpm • E min • 05:57 • -8.28db
52% Popularity • 39% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 44% Positiveness
52% Popularity • 39% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 44% Positiveness
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Sweet Trip
Your World is Eternally Complete - 2021 ...
132 bpm • F Maj • 04:20 • -11db
45% Popularity • 63% Danceability • 39% Energy • 11% Liveness
67% Instrumentalness • 23% Positiveness
45% Popularity • 63% Danceability • 39% Energy • 11% Liveness
67% Instrumentalness • 23% Positiveness
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Neutral Milk Hotel
King of Carrot Flowers Pts. 2 & 3
132 bpm • F Maj • 03:06 • -5.4db
50% Popularity • 22% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 22% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Sebadoh
Skull - Remastered
139 bpm • F# Maj • 02:24 • -9.89db
44% Popularity • 28% Danceability • 64% Energy • 11% Liveness
50% Instrumentalness • 39% Positiveness
44% Popularity • 28% Danceability • 64% Energy • 11% Liveness
50% Instrumentalness • 39% Positiveness
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Elliott Smith
Punch And Judy
132 bpm • A min • 02:25 • -18.96db
41% Popularity • 46% Danceability • 24% Energy • 11% Liveness
9% Instrumentalness • 24% Positiveness
41% Popularity • 46% Danceability • 24% Energy • 11% Liveness
9% Instrumentalness • 24% Positiveness
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Hope Sandoval & The Warm Inventions
Lose Me On the Way
139 bpm • C# min • 04:38 • -13.62db
47% Popularity • 27% Danceability • 38% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
47% Popularity • 27% Danceability • 38% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
68% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
68% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Black Country, New Road
Concorde
131 bpm • A Maj • 06:03 • -11.88db
55% Popularity • 56% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 31% Positiveness
55% Popularity • 56% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 31% Positiveness
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Birddog
Summer Again
131 bpm • E min • 03:18 • -12.97db
5% Popularity • 66% Danceability • 41% Energy • 4% Liveness
1% Instrumentalness • 80% Positiveness
5% Popularity • 66% Danceability • 41% Energy • 4% Liveness
1% Instrumentalness • 80% Positiveness
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Nick Drake
Parasite
131 bpm • B Maj • 03:34 • -9.29db
49% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mazzy Star
Blue Light
139 bpm • E Maj • 05:10 • -15.51db
63% Popularity • 45% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
63% Popularity • 45% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
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Sufjan Stevens
Concerning the UFO sighting near Highlan...
131 bpm • G Maj • 02:08 • -14.99db
54% Popularity • 45% Danceability • 15% Energy • 16% Liveness
30% Instrumentalness • 39% Positiveness
54% Popularity • 45% Danceability • 15% Energy • 16% Liveness
30% Instrumentalness • 39% Positiveness
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Fiona Apple
Get Gone
130 bpm • A# min • 04:07 • -9.77db
60% Popularity • 69% Danceability • 40% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 69% Danceability • 40% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
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Black Country, New Road
Bread Song
130 bpm • E Maj • 06:21 • -13.94db
49% Popularity • 35% Danceability • 27% Energy • 9% Liveness
13% Instrumentalness • 7% Positiveness
49% Popularity • 35% Danceability • 27% Energy • 9% Liveness
13% Instrumentalness • 7% Positiveness
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Coma Cinema
Virgin Veins
140 bpm • D# Maj • 02:35 • -11db
46% Popularity • 67% Danceability • 47% Energy • 22% Liveness
61% Instrumentalness • 54% Positiveness
46% Popularity • 67% Danceability • 47% Energy • 22% Liveness
61% Instrumentalness • 54% Positiveness
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Cocteau Twins
I Wear Your Ring
140 bpm • D min • 03:29 • -5.48db
51% Popularity • 45% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 45% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Weyes Blood
A Lot's Gonna Change
140 bpm • C# Maj • 04:21 • -10.16db
58% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
58% Popularity • 22% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Heatmiser
Low-Flying Jets
130 bpm • C Maj • 02:50 • -8db
33% Popularity • 69% Danceability • 67% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
33% Popularity • 69% Danceability • 67% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
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The Velvet Underground
Who Loves the Sun - 2015 Remaster
130 bpm • E Maj • 02:46 • -8.83db
53% Popularity • 44% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 44% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Sufjan Stevens
Futile Devices
140 bpm • E Maj • 02:13 • -18.65db
64% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
64% Popularity • 58% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 37% Positiveness
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Belle and Sebastian
If You're Feeling Sinister
130 bpm • F# Maj • 05:21 • -13.36db
41% Popularity • 58% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 58% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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PJ Harvey
One Line
129 bpm • B min • 03:13 • -7.82db
47% Popularity • 64% Danceability • 52% Energy • 17% Liveness
9% Instrumentalness • 43% Positiveness
47% Popularity • 64% Danceability • 52% Energy • 17% Liveness
9% Instrumentalness • 43% Positiveness
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Lush
For Love
130 bpm • F# min • 03:29 • -11.04db
54% Popularity • 51% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 51% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Sparklehorse
Piano Fire
129 bpm • F# min • 02:43 • -7.62db
51% Popularity • 52% Danceability • 79% Energy • 35% Liveness
1% Instrumentalness • 68% Positiveness
51% Popularity • 52% Danceability • 79% Energy • 35% Liveness
1% Instrumentalness • 68% Positiveness
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Fiona Apple
Paper Bag
141 bpm • C Maj • 03:39 • -9.9db
67% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
67% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Birddog
Rattlesnakes
129 bpm • G Maj • 01:57 • -8.55db
7% Popularity • 34% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
7% Popularity • 34% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 37% Positiveness
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Pinegrove
Need
141 bpm • A# Maj • 01:50 • -9.03db
49% Popularity • 40% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
49% Popularity • 40% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Elliott Smith
Twilight
141 bpm • C Maj • 04:29 • -13.11db
44% Popularity • 42% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 42% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Mount Eerie
Woolly Mammoth's Mighty Absence
129 bpm • A Maj • 03:29 • -20.14db
26% Popularity • 55% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 32% Positiveness
26% Popularity • 55% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 32% Positiveness
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Belle and Sebastian
The Fox in the Snow
129 bpm • C# Maj • 04:11 • -15.01db
41% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Fiona Apple
I Want You To Love Me
141 bpm • A min • 03:57 • -8.82db
59% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
59% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
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Whatever, Dad
Warsh_Tippy and Zelda
129 bpm • G Maj • 04:14 • -21.56db
58% Popularity • 42% Danceability • 8% Energy • 12% Liveness
32% Instrumentalness • 6% Positiveness
58% Popularity • 42% Danceability • 8% Energy • 12% Liveness
32% Instrumentalness • 6% Positiveness
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Pavement
Zürich Is Stained
129 bpm • C Maj • 01:41 • -8db
54% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Daniel Johnston
Walking the Cow
142 bpm • A# min • 03:34 • -16.87db
44% Popularity • 57% Danceability • 31% Energy • 17% Liveness
95% Instrumentalness • 83% Positiveness
44% Popularity • 57% Danceability • 31% Energy • 17% Liveness
95% Instrumentalness • 83% Positiveness
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Adrianne Lenker
zombie girl
128 bpm • G# Maj • 02:44 • -19.38db
54% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Radiohead
Nude
128 bpm • E Maj • 04:15 • -9.79db
70% Popularity • 52% Danceability • 34% Energy • 9% Liveness
58% Instrumentalness • 17% Positiveness
70% Popularity • 52% Danceability • 34% Energy • 9% Liveness
58% Instrumentalness • 17% Positiveness
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Fiona Apple
Slow Like Honey
142 bpm • G min • 05:56 • -12.12db
51% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Sufjan Stevens
To Be Alone With You
142 bpm • C min • 02:48 • -18db
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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Elliott Smith
Clementine
142 bpm • C Maj • 02:46 • -18.02db
49% Popularity • 59% Danceability • 16% Energy • 14% Liveness
61% Instrumentalness • 30% Positiveness
49% Popularity • 59% Danceability • 16% Energy • 14% Liveness
61% Instrumentalness • 30% Positiveness
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Mount Eerie
Ravens
128 bpm • E min • 06:39 • -18.09db
33% Popularity • 60% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
33% Popularity • 60% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Slowdive
Altogether
143 bpm • G Maj • 03:41 • -15.17db
49% Popularity • 22% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
49% Popularity • 22% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
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Belle and Sebastian
Waiting for the Moon to Rise
143 bpm • A min • 03:12 • -11.16db
46% Popularity • 45% Danceability • 57% Energy • 16% Liveness
3% Instrumentalness • 59% Positiveness
46% Popularity • 45% Danceability • 57% Energy • 16% Liveness
3% Instrumentalness • 59% Positiveness
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Adrianne Lenker
two reverse
143 bpm • C# Maj • 03:33 • -15.4db
53% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
53% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Duster
Heading for the Door
127 bpm • D Maj • 03:08 • -9.57db
52% Popularity • 50% Danceability • 50% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
52% Popularity • 50% Danceability • 50% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
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Lush
I Have the Moon
127 bpm • A Maj • 03:58 • -6.89db
45% Popularity • 49% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 49% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Birddog
Rattlesnakes demo
127 bpm • B min • 02:09 • -20.12db
3% Popularity • 61% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 61% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Slowdive
Celia's Dream
142 bpm • E Maj • 04:09 • -6db
51% Popularity • 27% Danceability • 60% Energy • 7% Liveness
82% Instrumentalness • 38% Positiveness
51% Popularity • 27% Danceability • 60% Energy • 7% Liveness
82% Instrumentalness • 38% Positiveness
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Angel Olsen
Some things Cosmic
144 bpm • G# Maj • 02:54 • -13.54db
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
51% Popularity • 21% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Adrianne Lenker
half return
144 bpm • D# Maj • 02:08 • -12db
59% Popularity • 44% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
59% Popularity • 44% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
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The Smiths
Well I Wonder - 2011 Remaster
127 bpm • B min • 03:59 • -10.84db
65% Popularity • 64% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
65% Popularity • 64% Danceability • 59% Energy • 17% Liveness
1% Instrumentalness • 82% Positiveness
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Car Seat Headrest
Bodys
144 bpm • D Maj • 06:46 • -7.36db
57% Popularity • 52% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
57% Popularity • 52% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Sufjan Stevens
All of Me Wants All of You
144 bpm • B min • 03:41 • -17.44db
54% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Starflyer 59
Fell In Love At 22
127 bpm • F# Maj • 02:32 • -8.37db
49% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Pavement
Gold Soundz
126 bpm • A Maj • 02:39 • -9.36db
52% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Elliott Smith
Sweet Adeline
144 bpm • G min • 03:15 • -11.69db
45% Popularity • 55% Danceability • 27% Energy • 9% Liveness
45% Instrumentalness • 28% Positiveness
45% Popularity • 55% Danceability • 27% Energy • 9% Liveness
45% Instrumentalness • 28% Positiveness
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Mazzy Star
Common Burn
126 bpm • G Maj • 05:09 • -15db
51% Popularity • 40% Danceability • 17% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
51% Popularity • 40% Danceability • 17% Energy • 10% Liveness
38% Instrumentalness • 14% Positiveness
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Mount Eerie
Moon, I Already Know
126 bpm • B min • 01:25 • -21db
47% Popularity • 51% Danceability • 13% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
47% Popularity • 51% Danceability • 13% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
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Bright Eyes
We Are Nowhere and It's Now
145 bpm • A Maj • 04:12 • -8.27db
47% Popularity • 43% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
47% Popularity • 43% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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PJ Harvey
This Mess We're In
126 bpm • C Maj • 03:55 • -9.63db
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
59% Popularity • 54% Danceability • 57% Energy • 9% Liveness
19% Instrumentalness • 41% Positiveness
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LCD Soundsystem
Never as Tired as When I'm Waking Up
126 bpm • D Maj • 04:49 • -6.63db
46% Popularity • 65% Danceability • 48% Energy • 20% Liveness
2% Instrumentalness • 36% Positiveness
46% Popularity • 65% Danceability • 48% Energy • 20% Liveness
2% Instrumentalness • 36% Positiveness
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Elliott Smith
No Name #4
126 bpm • A Maj • 02:29 • -12.85db
30% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Cat Power
No Sense
126 bpm • E Maj • 04:50 • -12db
32% Popularity • 54% Danceability • 23% Energy • 10% Liveness
31% Instrumentalness • 3% Positiveness
32% Popularity • 54% Danceability • 23% Energy • 10% Liveness
31% Instrumentalness • 3% Positiveness
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Belle and Sebastian
The State I Am In
145 bpm • F# Maj • 04:57 • -13.19db
40% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Flaming Lips
Feeling Yourself Disintegrate - 2017 Rem...
145 bpm • G# min • 05:17 • -8.77db
39% Popularity • 40% Danceability • 63% Energy • 8% Liveness
54% Instrumentalness • 47% Positiveness
39% Popularity • 40% Danceability • 63% Energy • 8% Liveness
54% Instrumentalness • 47% Positiveness
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Sparklehorse
Saturday
125 bpm • A# Maj • 02:27 • -9db
41% Popularity • 70% Danceability • 39% Energy • 45% Liveness
4% Instrumentalness • 23% Positiveness
41% Popularity • 70% Danceability • 39% Energy • 45% Liveness
4% Instrumentalness • 23% Positiveness
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The Sundays
My Finest Hour
145 bpm • E Maj • 03:59 • -11.29db
40% Popularity • 51% Danceability • 51% Energy • 18% Liveness
3% Instrumentalness • 41% Positiveness
40% Popularity • 51% Danceability • 51% Energy • 18% Liveness
3% Instrumentalness • 41% Positiveness
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Elliott Smith
No Name No. 5
145 bpm • C Maj • 03:43 • -15.46db
42% Popularity • 51% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 16% Positiveness
42% Popularity • 51% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 16% Positiveness
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Hope Sandoval & The Warm Inventions
Suzanne
125 bpm • G Maj • 04:51 • -15db
49% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
49% Popularity • 51% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 16% Positiveness
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The Magnetic Fields
When You're Old and Lonely
125 bpm • G Maj • 01:57 • -16db
44% Popularity • 43% Danceability • 24% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
44% Popularity • 43% Danceability • 24% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
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Neutral Milk Hotel
Two-Headed Boy
146 bpm • G Maj • 04:26 • -4.08db
54% Popularity • 34% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 34% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
