Songs like Miss You a Little (feat. lovelytheband) by Bryce Vine
Based on a tempo of (+/- 10%) and a similar genre
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Haiden Henderson
Sorry to Your Next Ex
141 bpm • G# Maj • 02:49 • -8db
49% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Lost Kings
Feather
141 bpm • D Maj • 03:31 • -6.6db
40% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bryce Vine
Miss You a Little
141 bpm • C Maj • 02:48 • -4.76db
58% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 64% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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lovelytheband
broken - Cash Cash Remix
141 bpm • B min • 03:11 • -3.11db
42% Popularity • 50% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 50% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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ChrispyD
ight bet
142 bpm • F Maj • 01:21 • -7.27db
63% Popularity • 74% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
63% Popularity • 74% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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RL Grime
UCLA
140 bpm • C# Maj • 03:12 • -3.02db
63% Popularity • 54% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
63% Popularity • 54% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Post Malone
When I’m Alone
140 bpm • A# min • 03:15 • -6.12db
55% Popularity • 48% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
55% Popularity • 48% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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The Band CAMINO
1 Last Cigarette
140 bpm • C Maj • 03:05 • -3.62db
52% Popularity • 58% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 58% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Bryce Vine
Blame It On Me
140 bpm • C# Maj • 02:11 • -7db
39% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Alex Jordahl
Kids Don't Fall in Love
140 bpm • F Maj • 04:04 • -8db
33% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Skeez
Momma
140 bpm • A min • 03:40 • -8.13db
35% Popularity • 63% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 63% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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MILES
MOSH PIT
140 bpm • A min • 02:07 • -5.38db
44% Popularity • 79% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 79% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Bazzi
3:15
142 bpm • C# Maj • 02:47 • -5.48db
62% Popularity • 65% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
62% Popularity • 65% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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ChrispyD
backwards
140 bpm • C# Maj • 02:18 • -7.77db
51% Popularity • 77% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 77% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Loote
85%
140 bpm • G Maj • 02:54 • -7.59db
53% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Kid Quill
90s kids
140 bpm • F min • 03:26 • -5.13db
40% Popularity • 77% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 77% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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BabyJake
Cigarettes On Patios
140 bpm • E min • 03:27 • -5.47db
61% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Nightly
on your sleeve
140 bpm • D# Maj • 03:26 • -4.1db
37% Popularity • 61% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 61% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Maroon 5
Can't Leave You Alone
140 bpm • G# Maj • 03:16 • -7.3db
55% Popularity • 73% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 73% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Bryce Vine
Factory Love
140 bpm • G# Maj • 03:28 • -5.57db
16% Popularity • 81% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 81% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Bad Suns
Life Was Easier When I Only Cared About ...
140 bpm • C# Maj • 03:51 • -4.79db
51% Popularity • 63% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
51% Popularity • 63% Danceability • 91% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
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Little Hurt
Alaska
140 bpm • G Maj • 03:08 • -3.32db
46% Popularity • 79% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 79% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Kid Quill
Curbside
140 bpm • A min • 02:46 • -9.86db
35% Popularity • 85% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 85% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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SEBASTIAN PAUL
IMPATIENT
142 bpm • C# Maj • 03:09 • -5.76db
50% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Brent de la Cruz
In the Future
140 bpm • C Maj • 02:34 • -5.14db
29% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Braden Bales
CHRONICALLY CAUTIOUS
140 bpm • C# Maj • 01:59 • -4.33db
60% Popularity • 70% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
60% Popularity • 70% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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mgk
drug dealer
143 bpm • A# Maj • 02:52 • -3.88db
56% Popularity • 63% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 63% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Soleil Bashale
Red Eyes
143 bpm • G# Maj • 03:29 • -6.34db
37% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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MASN
Strawberry Huracan
139 bpm • D Maj • 02:57 • -5.08db
43% Popularity • 62% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 62% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Bryce Vine
It Falls Apart
139 bpm • D Maj • 02:21 • -5.89db
38% Popularity • 73% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 73% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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BabyJake
Head In The Clouds
139 bpm • G Maj • 02:27 • -6db
59% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
59% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Grady
Easier to Say
139 bpm • C# min • 02:19 • -8.04db
38% Popularity • 77% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 77% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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G-Eazy
Running Wild (Tumblr Girls 2)
144 bpm • A# Maj • 03:52 • -5.17db
38% Popularity • 63% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 63% Danceability • 79% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
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Atlus
You're a Fucking Bitch Hope You Know Tha...
144 bpm • C# min • 02:43 • -5.68db
67% Popularity • 79% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
67% Popularity • 79% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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mgk
more than life
144 bpm • G min • 03:16 • -5.36db
57% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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ILLENIUM
Good Things Fall Apart
144 bpm • D Maj • 03:36 • -5.42db
63% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Astronomers
Bad Type
144 bpm • G# Maj • 03:10 • -8.7db
50% Popularity • 75% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 75% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Blake Rose
Heavy Shit
138 bpm • C Maj • 03:15 • -4db
42% Popularity • 61% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 61% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Kubla Kahn
Love Me Like I Love You
145 bpm • C# min • 02:56 • -7.48db
34% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Virginia To Vegas
no excuses
145 bpm • A Maj • 03:17 • -5db
33% Popularity • 78% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 78% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Ocean Park Standoff
Good Time
145 bpm • G# Maj • 02:52 • -5.9db
49% Popularity • 71% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 71% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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PUBLIC
Honey In The Summer - COASTR. Remix
137 bpm • B Maj • 03:45 • -8db
30% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Heather Sommer
you heard me
137 bpm • F# min • 02:58 • -7.01db
51% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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girlfriends
California
145 bpm • G Maj • 02:43 • -5.27db
48% Popularity • 55% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 55% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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blackbear
@ my worst
137 bpm • E min • 03:11 • -5.15db
61% Popularity • 62% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
61% Popularity • 62% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Bryce Vine
Nostalgia
146 bpm • D min • 02:34 • -3.47db
44% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Lost Kings
Oops (I'm Sorry)
146 bpm • D Maj • 03:22 • -5db
37% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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good problem
Stitches
146 bpm • F# Maj • 02:40 • -6.96db
32% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Two Friends
Hell
146 bpm • C Maj • 03:27 • -3db
46% Popularity • 50% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 50% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Julia Wolf
Nikes
136 bpm • B Maj • 02:29 • -7.47db
34% Popularity • 75% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 75% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Mike Posner
I'm Not Dead Yet
136 bpm • C Maj • 02:58 • -6.01db
49% Popularity • 72% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 72% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Bryce Vine
Care At All
146 bpm • C# min • 03:09 • -7.74db
39% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Christian French
thank god
136 bpm • F# min • 02:39 • -5.82db
42% Popularity • 84% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 84% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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The Score
Bad Days
136 bpm • B min • 02:22 • -4.16db
48% Popularity • 68% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 68% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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lovelytheband
buzz cut
147 bpm • B Maj • 03:38 • -6.43db
43% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Trevor Daniel
Story
147 bpm • C# min • 02:20 • -2.99db
40% Popularity • 59% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 59% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Mokita
Crash
147 bpm • F# min • 02:48 • -5.68db
44% Popularity • 70% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 70% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Bryce Vine
On the Ball
146 bpm • D Maj • 03:10 • -5.65db
42% Popularity • 67% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 67% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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mgk
ay!
147 bpm • D Maj • 02:04 • -6.69db
64% Popularity • 74% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 74% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Post Malone
Hateful
147 bpm • F# min • 02:58 • -5.5db
54% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
54% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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lovelytheband
buzz cut
147 bpm • B Maj • 03:38 • -6db
31% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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The Chainsmokers
High
135 bpm • C Maj • 02:55 • -6.18db
65% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
65% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Fly By Midnight
Automatic
135 bpm • G# Maj • 02:37 • -6.18db
58% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Tawnted
Start a War
135 bpm • D# Maj • 01:55 • -10.11db
44% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 76% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Bryce Vine
Miss You a Little - UTAH Remix
148 bpm • A# Maj • 02:42 • -5.73db
14% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Bazzi
Little Miss Sunshine
135 bpm • C Maj • 02:47 • -5.02db
41% Popularity • 72% Danceability • 57% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 72% Danceability • 57% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
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Crankdat
Dollars
148 bpm • G# Maj • 02:35 • -4.52db
41% Popularity • 66% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 66% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Aries
FOOL'S GOLD
134 bpm • F# min • 02:29 • -8.55db
51% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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lovelytheband
loneliness for love
133 bpm • E Maj • 03:55 • -5db
40% Popularity • 60% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 60% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Half an Orange
Blink 182
150 bpm • A# min • 03:04 • -7db
40% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 59% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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SZNS
Comin' Thru
150 bpm • C# Maj • 03:17 • -13db
33% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Gryffin
Lose Your Love
150 bpm • C min • 03:31 • -3.67db
49% Popularity • 51% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 51% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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mgk
Glass House
150 bpm • C# min • 03:21 • -7.01db
66% Popularity • 68% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
66% Popularity • 68% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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DOUBLECAMP
Smoke and Mirrors
150 bpm • E Maj • 03:11 • -5.73db
51% Popularity • 74% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 74% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Tessa Violet
Games
150 bpm • C# Maj • 03:29 • -5db
39% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Chri$tian Gate$
Dangerous State of Mind
150 bpm • D# min • 01:55 • -4.05db
64% Popularity • 70% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 70% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Bryce Vine
Los Angeles
150 bpm • C# min • 03:13 • -6.1db
43% Popularity • 73% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 73% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Masked Wolf
Jenny I’m Sorry
150 bpm • E Maj • 02:51 • -4.08db
18% Popularity • 65% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 65% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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FITZ
Congratulations
132 bpm • F min • 02:22 • -2.57db
36% Popularity • 68% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 68% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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DOUBLECAMP
Happier
150 bpm • F# min • 03:08 • -3db
47% Popularity • 67% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 67% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Aries
CONVERSATIONS
132 bpm • G Maj • 02:44 • -6.49db
47% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 67% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Beren Olivia
History
132 bpm • F Maj • 03:22 • -7.21db
40% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Bryce Vine
Strawberry Water
131 bpm • G Maj • 02:20 • -7.98db
36% Popularity • 81% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 81% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:43 • -5.11db
82% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
82% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Valley
nevermind
131 bpm • A Maj • 02:56 • -8.04db
48% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Post Malone
Waiting For Never
152 bpm • A# Maj • 03:16 • -3.74db
65% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Train
I Know
152 bpm • C# Maj • 03:03 • -5.8db
50% Popularity • 68% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 68% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Bluey Thomas
Coming Off (w/ Brevin Kim)
152 bpm • C# Maj • 02:09 • -8db
47% Popularity • 70% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 70% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Bryce Vine
Drew Barrymore
152 bpm • B min • 03:11 • -6.89db
51% Popularity • 76% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 76% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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emma løv
Friends
152 bpm • C Maj • 02:50 • -6.73db
48% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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FITZ
Head Up High
130 bpm • F Maj • 02:12 • -1.33db
45% Popularity • 61% Danceability • 88% Energy • 49% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 61% Danceability • 88% Energy • 49% Liveness
0% Instrumentalness • 42% Positiveness
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Knox
Time Machine
130 bpm • B Maj • 02:48 • -6db
43% Popularity • 78% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 78% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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mgk
pretty toxic revolver
130 bpm • B min • 02:46 • -12.79db
61% Popularity • 70% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 70% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Russ
Are You Entertained
130 bpm • A# min • 02:36 • -6.88db
61% Popularity • 59% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 59% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Bryce Vine
Margot Robbie
130 bpm • F# Maj • 02:47 • -4.55db
47% Popularity • 75% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 75% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Christian French
By Myself
130 bpm • C# min • 03:04 • -6.97db
53% Popularity • 68% Danceability • 55% Energy • 65% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 68% Danceability • 55% Energy • 65% Liveness
0% Instrumentalness • 70% Positiveness
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gavn!
Poseidon
130 bpm • D Maj • 03:01 • -8.74db
45% Popularity • 88% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
45% Popularity • 88% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Tai Verdes
i deserve 2 b alone
130 bpm • G Maj • 02:45 • -6db
48% Popularity • 84% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 84% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
