Songs like Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sequentia: Dies irae by Michael Haydn
Based on a tempo of (+/- 10%) and a similar genre
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
129 bpm • C min • 07:18 • -19.15db
12% Popularity • 35% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 35% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 205*: IV. Me...
129 bpm • D Maj • 03:00 • -19.52db
0% Popularity • 47% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 31% Positiveness
0% Popularity • 47% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 31% Positiveness
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Carl Ditters von Dittersdorf
Oboe Concerto in D Minor, L. 25b: I. All...
129 bpm • D Maj • 05:53 • -20db
6% Popularity • 50% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
6% Popularity • 50% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Kyrie
129 bpm • G Maj • 03:01 • -24.31db
17% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
17% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
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Franz Liszt Chamber Orchestra
21 Hungarian Dances: Molto Vivace
129 bpm • A Maj • 01:33 • -15.86db
2% Popularity • 33% Danceability • 22% Energy • 18% Liveness
74% Instrumentalness • 60% Positiveness
2% Popularity • 33% Danceability • 22% Energy • 18% Liveness
74% Instrumentalness • 60% Positiveness
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Arcangelo Corelli
Concerto Grosso in B-Flat Major, Op. 6, ...
129 bpm • A# Maj • 03:28 • -19.83db
4% Popularity • 34% Danceability • 12% Energy • 18% Liveness
41% Instrumentalness • 28% Positiveness
4% Popularity • 34% Danceability • 12% Energy • 18% Liveness
41% Instrumentalness • 28% Positiveness
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Michael Haydn
Missa Sanctae Ursulae, MH 546: Et resurr...
129 bpm • C Maj • 06:17 • -21.09db
9% Popularity • 46% Danceability • 15% Energy • 8% Liveness
13% Instrumentalness • 37% Positiveness
9% Popularity • 46% Danceability • 15% Energy • 8% Liveness
13% Instrumentalness • 37% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater en fa mineur pour soprano, ...
129 bpm • A# min • 05:11 • -18.55db
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Divertimento No. 17 in D Major, K. 334: ...
129 bpm • D Maj • 09:21 • -22.43db
0% Popularity • 34% Danceability • 7% Energy • 17% Liveness
16% Instrumentalness • 23% Positiveness
0% Popularity • 34% Danceability • 7% Energy • 17% Liveness
16% Instrumentalness • 23% Positiveness
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Franz Schubert
Messe G-Dur D 167 - Ferdinand Schubert F...
129 bpm • D Maj • 02:50 • -9.64db
11% Popularity • 38% Danceability • 40% Energy • 16% Liveness
48% Instrumentalness • 31% Positiveness
11% Popularity • 38% Danceability • 40% Energy • 16% Liveness
48% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Aus der Tiefen rufe ich, Herr, zu dir, B...
129 bpm • C min • 01:09 • -19.52db
11% Popularity • 22% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 22% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Franz Liszt Chamber Orchestra
21 Hungarian Dances: Allegro
129 bpm • G Maj • 02:30 • -15.81db
3% Popularity • 38% Danceability • 8% Energy • 8% Liveness
63% Instrumentalness • 35% Positiveness
3% Popularity • 38% Danceability • 8% Energy • 8% Liveness
63% Instrumentalness • 35% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "See, your Roya...
128 bpm • C Maj • 05:17 • -20.47db
18% Popularity • 45% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 45% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Anton Bruckner
Requiem in D Minor, WAB 39: IVa. Agnus D...
128 bpm • D min • 02:47 • -21.93db
11% Popularity • 24% Danceability • 6% Energy • 27% Liveness
2% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 27% Liveness
2% Instrumentalness • 7% Positiveness
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Franz Schubert
Mass No.2 in G Major, D.167: II. Gloria
129 bpm • D Maj • 02:51 • -19.89db
14% Popularity • 27% Danceability • 13% Energy • 17% Liveness
61% Instrumentalness • 15% Positiveness
14% Popularity • 27% Danceability • 13% Energy • 17% Liveness
61% Instrumentalness • 15% Positiveness
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Michael Haydn
Concertino in D Major: I. Larghetto
128 bpm • D Maj • 06:55 • -22db
9% Popularity • 27% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 13% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 13% Positiveness
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Arcangelo Corelli
Concerto grosso in D Major, Op. 6 No. 4:...
128 bpm • D Maj • 03:26 • -17.49db
6% Popularity • 46% Danceability • 20% Energy • 8% Liveness
76% Instrumentalness • 40% Positiveness
6% Popularity • 46% Danceability • 20% Energy • 8% Liveness
76% Instrumentalness • 40% Positiveness
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Felix Mendelssohn
Paulus: II. Teil: Nr. 42 Chor "Sehet, we...
128 bpm • G# Maj • 02:46 • -26.04db
27% Popularity • 24% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
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Lauro Rossi
Requiem for Rossini: V. Agnus Dei: Agnus...
128 bpm • A Maj • 06:22 • -21.93db
1% Popularity • 23% Danceability • 9% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
1% Popularity • 23% Danceability • 9% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
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George Frideric Handel
St. John Passion, HWV deest: Part I: Rec...
130 bpm • A Maj • 00:54 • -19db
4% Popularity • 60% Danceability • 15% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
4% Popularity • 60% Danceability • 15% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Major, K. 317 "Coronation": II...
128 bpm • C Maj • 06:24 • -13.69db
19% Popularity • 41% Danceability • 36% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
19% Popularity • 41% Danceability • 36% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Michael Haydn
Missa Subtitulo S. Francisci Seraphici, ...
130 bpm • D Maj • 06:02 • -18.86db
3% Popularity • 40% Danceability • 24% Energy • 6% Liveness
61% Instrumentalness • 51% Positiveness
3% Popularity • 40% Danceability • 24% Energy • 6% Liveness
61% Instrumentalness • 51% Positiveness
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Arcangelo Corelli
Concerto Grosso in F Major, Op. 6, No. 2...
130 bpm • F Maj • 01:54 • -18.29db
7% Popularity • 43% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 53% Positiveness
7% Popularity • 43% Danceability • 12% Energy • 8% Liveness
96% Instrumentalness • 53% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Die Auferstehung und Himmelfa...
130 bpm • A# Maj • 02:04 • -18.46db
9% Popularity • 50% Danceability • 18% Energy • 15% Liveness
3% Instrumentalness • 31% Positiveness
9% Popularity • 50% Danceability • 18% Energy • 15% Liveness
3% Instrumentalness • 31% Positiveness
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Carl Ditters von Dittersdorf
Oboe Concerto in C Major, L. 39: I. Alle...
131 bpm • C Maj • 04:22 • -18.49db
5% Popularity • 41% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 49% Positiveness
5% Popularity • 41% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 49% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 2, Coro...
131 bpm • F Maj • 01:28 • -22.14db
18% Popularity • 23% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 23% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Magnificat in E-Flat Major, BWV 243a: Et...
127 bpm • A min • 03:29 • -24.91db
12% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: VII. Eia Mater
131 bpm • E min • 02:26 • -19.86db
27% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Mass in C Major, Op. 86: Kyrie
127 bpm • C Maj • 04:43 • -25db
14% Popularity • 18% Danceability • 7% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 7% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 11: Batta...
127 bpm • C# Maj • 01:35 • -18.85db
34% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
34% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Davide penitente, K. 469: Cantiam le glo...
127 bpm • C Maj • 02:03 • -21.25db
30% Popularity • 28% Danceability • 23% Energy • 16% Liveness
64% Instrumentalness • 26% Positiveness
30% Popularity • 28% Danceability • 23% Energy • 16% Liveness
64% Instrumentalness • 26% Positiveness
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Michael Haydn
Violin Concerto in A Major, MH 207: I. A...
131 bpm • A Maj • 07:04 • -17.61db
0% Popularity • 49% Danceability • 15% Energy • 5% Liveness
42% Instrumentalness • 52% Positiveness
0% Popularity • 49% Danceability • 15% Energy • 5% Liveness
42% Instrumentalness • 52% Positiveness
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Felix Mendelssohn
O Haupt voll Blut und Wunden, MWV A 8: I...
131 bpm • C min • 02:02 • -21.08db
9% Popularity • 27% Danceability • 16% Energy • 7% Liveness
76% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 16% Energy • 7% Liveness
76% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
132 bpm • B min • 07:55 • -23.27db
26% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
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Johann Christian Bach
Amadis de Gaule, W. G39: Act II Scene V:...
132 bpm • E Maj • 02:25 • -21.08db
25% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
25% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Gloria: G...
132 bpm • A Maj • 01:12 • -17.71db
21% Popularity • 42% Danceability • 14% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
21% Popularity • 42% Danceability • 14% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
126 bpm • D Maj • 02:09 • -15.67db
1% Popularity • 40% Danceability • 4% Energy • 21% Liveness
24% Instrumentalness • 56% Positiveness
1% Popularity • 40% Danceability • 4% Energy • 21% Liveness
24% Instrumentalness • 56% Positiveness
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
126 bpm • D# Maj • 02:26 • -18.65db
13% Popularity • 39% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 39% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Johann Nepomuk Hummel
Hummel: Trumpet Concerto in E Major, WoO...
126 bpm • A# Maj • 10:59 • -18.86db
5% Popularity • 42% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
5% Popularity • 42% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 - Part One:...
126 bpm • G Maj • 01:50 • -25.74db
9% Popularity • 23% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
9% Popularity • 23% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
17% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: XXIII. Agnus Dei...
132 bpm • C min • 02:08 • -26.61db
23% Popularity • 18% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
126 bpm • C Maj • 04:37 • -25db
18% Popularity • 32% Danceability • 8% Energy • 40% Liveness
5% Instrumentalness • 14% Positiveness
18% Popularity • 32% Danceability • 8% Energy • 40% Liveness
5% Instrumentalness • 14% Positiveness
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Michael Haydn
Missa Subtitulo S. Francisci Seraphici, ...
132 bpm • D Maj • 02:09 • -17.83db
5% Popularity • 45% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 45% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Nr. 1 Chor "Herr, der d...
125 bpm • A Maj • 04:30 • -17.54db
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Jesu, der du meine Seele, BWV 78: Duet A...
126 bpm • A Maj • 04:50 • -24.19db
13% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act III, Scene 3, Cor...
125 bpm • F# min • 02:38 • -17.22db
15% Popularity • 53% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 53% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Francesco Durante
Magnificat in B flat major: Sicut erat i...
125 bpm • A Maj • 01:56 • -18db
16% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
132 bpm • G Maj • 04:23 • -21.48db
15% Popularity • 32% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 32% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Franz Schubert
Schubert: Mass in G Major, D. 167: Glori...
133 bpm • D Maj • 02:45 • -16.75db
9% Popularity • 37% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 37% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Carl Ditters von Dittersdorf
Oboe Concerto in G Major, L. 42: III. Al...
133 bpm • G Maj • 04:47 • -16.83db
3% Popularity • 40% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 47% Positiveness
3% Popularity • 40% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 47% Positiveness
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Johann Sebastian Bach
Was mir behagt, ist nur die muntre Jagd!...
126 bpm • A# Maj • 03:57 • -17.29db
15% Popularity • 33% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 33% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
125 bpm • C min • 01:08 • -16.18db
23% Popularity • 44% Danceability • 22% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
23% Popularity • 44% Danceability • 22% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
124 bpm • G Maj • 04:03 • -23.22db
1% Popularity • 37% Danceability • 11% Energy • 33% Liveness
85% Instrumentalness • 68% Positiveness
1% Popularity • 37% Danceability • 11% Energy • 33% Liveness
85% Instrumentalness • 68% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Credo: Cr...
124 bpm • G Maj • 03:17 • -22db
12% Popularity • 40% Danceability • 9% Energy • 13% Liveness
18% Instrumentalness • 19% Positiveness
12% Popularity • 40% Danceability • 9% Energy • 13% Liveness
18% Instrumentalness • 19% Positiveness
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Carl Philipp Emanuel Bach
Heilig ist Gott, Wq. 217: Heilig ist Got...
135 bpm • B Maj • 05:56 • -20db
9% Popularity • 21% Danceability • 17% Energy • 9% Liveness
79% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 17% Energy • 9% Liveness
79% Instrumentalness • 5% Positiveness
► Preview
Johann Sebastian Bach
Mass in B Minor, BWV 232, Kyrie: No. 2, ...
125 bpm • C# Maj • 05:38 • -19db
18% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
George Frideric Handel
Water Music Suite No. 2 in D Major, HWV ...
135 bpm • D Maj • 02:08 • -15.63db
1% Popularity • 23% Danceability • 10% Energy • 33% Liveness
78% Instrumentalness • 21% Positiveness
1% Popularity • 23% Danceability • 10% Energy • 33% Liveness
78% Instrumentalness • 21% Positiveness
► Preview
Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
134 bpm • C Maj • 03:51 • -18.54db
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
35% Instrumentalness • 24% Positiveness
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
35% Instrumentalness • 24% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso in C Minor, Op. 6, No. 3...
135 bpm • C min • 02:43 • -20db
5% Popularity • 30% Danceability • 9% Energy • 13% Liveness
73% Instrumentalness • 26% Positiveness
5% Popularity • 30% Danceability • 9% Energy • 13% Liveness
73% Instrumentalness • 26% Positiveness
► Preview
Ludwig van Beethoven
Fidelio, Op. 72, Act II: Wer ein holdes ...
135 bpm • C Maj • 04:00 • -14.41db
4% Popularity • 37% Danceability • 34% Energy • 10% Liveness
7% Instrumentalness • 56% Positiveness
4% Popularity • 37% Danceability • 34% Energy • 10% Liveness
7% Instrumentalness • 56% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
25% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
25% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
► Preview
Francois-Joseph Gossec
Grande Messe des Morts: XVII. Sequentia:...
123 bpm • G min • 04:34 • -20db
9% Popularity • 21% Danceability • 14% Energy • 9% Liveness
48% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 14% Energy • 9% Liveness
48% Instrumentalness • 6% Positiveness
► Preview
Thomas Hengelbrock
Miserere in C minor: Gloria Patri I
122 bpm • D# min • 03:32 • -18.45db
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
► Preview
Wolfgang Amadeus Mozart
Divertimento in D Major, K. 205*: II. Me...
123 bpm • D Maj • 03:07 • -20.22db
0% Popularity • 43% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
0% Popularity • 43% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
► Preview
George Frideric Handel
Dixit Dominus, HWV 232: 9. Gloria Patri
122 bpm • F# min • 06:17 • -17.66db
7% Popularity • 35% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 35% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso in D Major, Op. 6, No. 1...
123 bpm • A Maj • 01:22 • -19.45db
25% Popularity • 41% Danceability • 14% Energy • 26% Liveness
80% Instrumentalness • 31% Positiveness
25% Popularity • 41% Danceability • 14% Energy • 26% Liveness
80% Instrumentalness • 31% Positiveness
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Ludwig van Beethoven
II. Gloria: Gloria
136 bpm • D min • 05:47 • -17.21db
10% Popularity • 23% Danceability • 16% Energy • 18% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 23% Danceability • 16% Energy • 18% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Camerata Cassovia
Exsultate, Jubilate, K. 165: Alleluia
122 bpm • F Maj • 02:42 • -14.25db
24% Popularity • 42% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 42% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • B Maj • 05:52 • -21db
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: II. Walzer
137 bpm • G Maj • 03:47 • -20.05db
0% Popularity • 25% Danceability • 15% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
0% Popularity • 25% Danceability • 15% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
► Preview
George Frideric Handel
Dixit Dominus, HWV 232: 6. Dominus a dex...
137 bpm • C# min • 03:16 • -19db
7% Popularity • 27% Danceability • 24% Energy • 19% Liveness
43% Instrumentalness • 40% Positiveness
7% Popularity • 27% Danceability • 24% Energy • 19% Liveness
43% Instrumentalness • 40% Positiveness
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Felix Mendelssohn
Lauda Sion, Op. 73: IV. In hac mensa
137 bpm • G Maj • 04:24 • -27.38db
10% Popularity • 19% Danceability • 6% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 6% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms / Orch. Hidas: 21 Hungarian Dance...
137 bpm • D min • 03:01 • -17.92db
16% Popularity • 35% Danceability • 5% Energy • 24% Liveness
90% Instrumentalness • 28% Positiveness
16% Popularity • 35% Danceability • 5% Energy • 24% Liveness
90% Instrumentalness • 28% Positiveness
► Preview
Gaetano Gaspari
Requiem for Rossini: III. Offertorium: D...
121 bpm • A min • 02:14 • -22.04db
1% Popularity • 21% Danceability • 10% Energy • 12% Liveness
15% Instrumentalness • 10% Positiveness
1% Popularity • 21% Danceability • 10% Energy • 12% Liveness
15% Instrumentalness • 10% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
121 bpm • D Maj • 01:56 • -14.74db
9% Popularity • 40% Danceability • 42% Energy • 38% Liveness
86% Instrumentalness • 60% Positiveness
9% Popularity • 40% Danceability • 42% Energy • 38% Liveness
86% Instrumentalness • 60% Positiveness
► Preview
Arcangelo Corelli
Concerto grosso in D Major, Op. 6 No. 4:...
137 bpm • D Maj • 02:38 • -18.46db
5% Popularity • 34% Danceability • 6% Energy • 48% Liveness
56% Instrumentalness • 52% Positiveness
5% Popularity • 34% Danceability • 6% Energy • 48% Liveness
56% Instrumentalness • 52% Positiveness
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Michael Haydn
Missa Subtitulo S. Francisci Seraphici, ...
137 bpm • F Maj • 02:56 • -26.3db
3% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 5% Positiveness
3% Popularity • 18% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Carl Ditters von Dittersdorf
Oboe d'amore Concerto in A Major, L. 43b...
137 bpm • A Maj • 02:31 • -15.31db
5% Popularity • 57% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 64% Positiveness
5% Popularity • 57% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 64% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: Et resurrexit
137 bpm • E Maj • 08:43 • -19db
13% Popularity • 27% Danceability • 20% Energy • 23% Liveness
87% Instrumentalness • 25% Positiveness
13% Popularity • 27% Danceability • 20% Energy • 23% Liveness
87% Instrumentalness • 25% Positiveness
► Preview
Felix Mendelssohn
Paulus: I. Teil: Nr. 10 Chor "Siehe, wir...
138 bpm • D# Maj • 03:45 • -25.78db
18% Popularity • 15% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
18% Popularity • 15% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Franz Liszt Chamber Orchestra
Serenade No. 13 in G Major, K. 525 "Eine...
137 bpm • G Maj • 05:53 • -20.77db
1% Popularity • 48% Danceability • 8% Energy • 8% Liveness
52% Instrumentalness • 49% Positiveness
1% Popularity • 48% Danceability • 8% Energy • 8% Liveness
52% Instrumentalness • 49% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
121 bpm • G Maj • 04:06 • -16.95db
1% Popularity • 44% Danceability • 27% Energy • 34% Liveness
88% Instrumentalness • 74% Positiveness
1% Popularity • 44% Danceability • 27% Energy • 34% Liveness
88% Instrumentalness • 74% Positiveness
► Preview
Michael Haydn
Missa Subtitulo S. Francisci Seraphici, ...
137 bpm • G Maj • 06:17 • -20.02db
3% Popularity • 33% Danceability • 15% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
3% Popularity • 33% Danceability • 15% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
► Preview
Johann Sebastian Bach
Messe in B Minor, BWV 232: No. 6, Laudam...
121 bpm • G# Maj • 04:10 • -23db
9% Popularity • 32% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 32% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: IV. Wie l...
120 bpm • D# Maj • 05:02 • -26.38db
13% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Matthews
Agnus Dei-adagio
138 bpm • A# Maj • 03:17 • -20.82db
3% Popularity • 20% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 6% Positiveness
3% Popularity • 20% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 6% Positiveness
► Preview
George Frideric Handel
Giulio Cesare in Egitto, HWV 17 / Atto t...
120 bpm • F# Maj • 04:19 • -21.11db
10% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mass in C Major, K. 317 "Coronation": V....
121 bpm • C Maj • 03:21 • -18.74db
14% Popularity • 27% Danceability • 12% Energy • 5% Liveness
28% Instrumentalness • 7% Positiveness
14% Popularity • 27% Danceability • 12% Energy • 5% Liveness
28% Instrumentalness • 7% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 2, Orfe...
139 bpm • G Maj • 05:37 • -28db
18% Popularity • 20% Danceability • 3% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 3% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Michael Haydn
Missa Sanctae Ursulae, MH 546: Gloria (S...
138 bpm • C Maj • 10:36 • -24.53db
10% Popularity • 24% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
10% Popularity • 24% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 13% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245, Part 2: No. 3...
138 bpm • C# Maj • 04:04 • -22db
6% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
6% Popularity • 28% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
139 bpm • C# Maj • 01:50 • -16.77db
15% Popularity • 41% Danceability • 28% Energy • 11% Liveness
36% Instrumentalness • 52% Positiveness
15% Popularity • 41% Danceability • 28% Energy • 11% Liveness
36% Instrumentalness • 52% Positiveness
► Preview
Ludwig van Beethoven
Fidelio, Op. 72, Act I: Aria. Hat man ni...
139 bpm • A# Maj • 02:46 • -20.28db
7% Popularity • 38% Danceability • 13% Energy • 30% Liveness
34% Instrumentalness • 35% Positiveness
7% Popularity • 38% Danceability • 13% Energy • 30% Liveness
34% Instrumentalness • 35% Positiveness
► Preview
Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
138 bpm • G Maj • 05:51 • -17.05db
7% Popularity • 47% Danceability • 15% Energy • 7% Liveness
64% Instrumentalness • 47% Positiveness
7% Popularity • 47% Danceability • 15% Energy • 7% Liveness
64% Instrumentalness • 47% Positiveness
