Songs like Missin Love by Gabby Barrett
Based on a tempo of (+/- 10%) and a similar genre
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Jordan Davis
Buy Dirt
178 bpm • E Maj • 02:47 • -6.73db
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
82% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Gabby Barrett
The Good Ones - Wedding Version
180 bpm • D Maj • 03:38 • -6.11db
39% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dan + Shay
Steal My Love
180 bpm • D Maj • 02:42 • -5.45db
55% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Kelsea Ballerini
I Hate Love Songs
180 bpm • B Maj • 03:11 • -7.81db
40% Popularity • 38% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 38% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmie Allen
Make Me Want To
180 bpm • D Maj • 02:52 • -3.21db
56% Popularity • 52% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 52% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Kip Moore
Somethin' 'Bout A Truck
176 bpm • B Maj • 03:33 • -5.42db
69% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
69% Popularity • 55% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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Two Birds
I'll Fight
180 bpm • D Maj • 03:34 • -8.66db
7% Popularity • 47% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 47% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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MacKenzie Porter
These Days
176 bpm • A Maj • 02:52 • -3db
47% Popularity • 46% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 46% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Justin Moore
We Didn't Have Much
176 bpm • F# Maj • 02:54 • -8.02db
67% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Old Dominion
Make It Sweet
180 bpm • G Maj • 03:07 • -4.45db
60% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 42% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Rhett
What’s Your Country Song
174 bpm • F Maj • 02:51 • -6.15db
70% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
70% Popularity • 36% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Jordan Davis
Almost Maybes
180 bpm • B Maj • 02:59 • -4.03db
67% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
67% Popularity • 48% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tyler Rich
Leave Her Wild
174 bpm • C Maj • 03:19 • -5.1db
56% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Tenille Townes
Somebody's Daughter
174 bpm • C Maj • 03:46 • -5.22db
46% Popularity • 48% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 48% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Little Big Town
Girl Crush
174 bpm • C Maj • 03:13 • -10.22db
69% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Maddie & Tae
Bathroom Floor
184 bpm • D Maj • 02:33 • -4.3db
47% Popularity • 52% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 52% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
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Jake Owen
Barefoot Blue Jean Night
172 bpm • E Maj • 02:47 • -4.68db
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
72% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Tim McGraw
Something Like That
172 bpm • F Maj • 03:03 • -5.68db
72% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 51% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Avery Anna
Just Cause I Love You
184 bpm • E Maj • 03:19 • -6.54db
47% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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HARDY
ONE BEER
186 bpm • D Maj • 02:53 • -8.35db
71% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
71% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Bailey Zimmerman
Where It Ends
170 bpm • A Maj • 02:59 • -5.07db
80% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
80% Popularity • 43% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Maddie & Tae
Woman You Got
170 bpm • A# Maj • 02:57 • -3.55db
46% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Brett Young
Not Yet
170 bpm • C# Maj • 02:54 • -6.11db
51% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 46% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Jordan Davis
Trying
170 bpm • F# Maj • 02:56 • -7db
59% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Rich
The Difference
170 bpm • A Maj • 03:06 • -5db
54% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Dan + Shay
You
170 bpm • C Maj • 03:16 • -6.21db
61% Popularity • 54% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 54% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Gabby Barrett
Write It on My Heart
170 bpm • G Maj • 02:59 • -5.94db
34% Popularity • 48% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 48% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Miranda Lambert
Gunpowder & Lead
188 bpm • C Maj • 03:11 • -3.19db
66% Popularity • 33% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 33% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Brett Young
Lady
170 bpm • G Maj • 03:14 • -7.98db
64% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Florida Georgia Line
God, Your Mama, And Me
168 bpm • G Maj • 03:03 • -3.73db
60% Popularity • 44% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 44% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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RaeLynn
Judgin' To Jesus
168 bpm • F Maj • 02:43 • -2.98db
39% Popularity • 49% Danceability • 84% Energy • 84% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 49% Danceability • 84% Energy • 84% Liveness
0% Instrumentalness • 78% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
57% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Gabby Barrett
You're the Only Reason
168 bpm • F# Maj • 02:59 • -5db
39% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Spencer Crandall
My Person
166 bpm • G Maj • 02:57 • -5.29db
59% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Ashley McBryde
Light On In The Kitchen
166 bpm • F Maj • 03:32 • -7.69db
51% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Chicks
Cowboy Take Me Away
164 bpm • F# Maj • 04:47 • -7.26db
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
70% Popularity • 47% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Parker McCollum
Burn It Down
162 bpm • D Maj • 03:53 • -5.63db
69% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 46% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Wallen
Wasted On You
196 bpm • B min • 02:58 • -5.24db
84% Popularity • 50% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
84% Popularity • 50% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
60% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
60% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Cody Johnson
'Til You Can't
160 bpm • C# Maj • 03:44 • -4.87db
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
74% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Carly Pearce
Next Girl
160 bpm • B Maj • 02:44 • -4db
59% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
59% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Sophia Scott
She Ain't Me
160 bpm • D Maj • 03:16 • -17db
47% Popularity • 51% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 51% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Lane
Take Back Home Girl
160 bpm • B Maj • 03:32 • -4db
58% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Lainey Wilson
Sayin’ What I’m Thinkin’
160 bpm • B Maj • 03:21 • -9.15db
54% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 60% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Tim McGraw
Live Like You Were Dying
160 bpm • G Maj • 05:00 • -7.73db
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
69% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Nate Smith
Wildfire
160 bpm • F# Maj • 03:10 • -4.99db
56% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Dan + Shay
How Not To
160 bpm • B min • 03:12 • -3.59db
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 50% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Abby Anderson
Make Him Wait
159 bpm • D# Maj • 03:23 • -8.18db
45% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Florida Georgia Line
Simple
200 bpm • D# Maj • 03:05 • -3.72db
71% Popularity • 36% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
71% Popularity • 36% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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RaeLynn
Bra Off
200 bpm • C# Maj • 02:46 • -5db
42% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Lauren Alaina
Run
200 bpm • A Maj • 03:19 • -5.51db
42% Popularity • 43% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 43% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Jordan Davis
Singles You Up
200 bpm • G Maj • 03:02 • -3.59db
69% Popularity • 49% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
69% Popularity • 49% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Cody Johnson
On My Way to You
158 bpm • C# Maj • 03:33 • -5.48db
64% Popularity • 44% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 44% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Parmalee
Girl In Mine
202 bpm • G# Maj • 02:34 • -4.24db
64% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Avery Anna
I Will (When You Do)
156 bpm • C# Maj • 03:27 • -5.31db
70% Popularity • 44% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 44% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Lindsay Ell
wAnt me back
156 bpm • E Maj • 03:13 • -4.16db
43% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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RaeLynn
God Made Girls
156 bpm • D# Maj • 03:35 • -2.94db
51% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
51% Popularity • 49% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
60% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Parmalee
Gonna Love You
156 bpm • D# Maj • 02:58 • -4.28db
55% Popularity • 42% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
55% Popularity • 42% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Megan Moroney
Tennessee Orange
156 bpm • A Maj • 03:43 • -6.64db
77% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
53% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Scotty McCreery
Five More Minutes
156 bpm • G Maj • 04:01 • -4.93db
69% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Runaway June
Buy My Own Drinks
156 bpm • F Maj • 03:22 • -4.36db
48% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
48% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Thomas Rhett
Slow Down Summer
156 bpm • B Maj • 03:37 • -5.64db
51% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Priscilla Block
Wish You Were The Whiskey
156 bpm • C# min • 03:08 • -2.92db
45% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Ashley McBryde
Bible and a .44
156 bpm • A# Maj • 03:55 • -8.4db
50% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Morgan Wallen
7 Summers
204 bpm • C Maj • 03:30 • -5.13db
77% Popularity • 47% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
77% Popularity • 47% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Janson
Drunk Girl
204 bpm • C Maj • 03:27 • -8.43db
56% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Dustin Lynch
Thinking 'Bout You
204 bpm • G# Maj • 02:51 • -3.29db
73% Popularity • 36% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
73% Popularity • 36% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ashley Cooke
Never Til Now
154 bpm • A# Maj • 02:53 • -7db
50% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
50% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Alexandra Kay
I Kinda Don't
154 bpm • D# Maj • 03:46 • -8db
48% Popularity • 55% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 55% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Morgan Wallen
Bandaid On A Bullet Hole
155 bpm • D Maj • 03:54 • -6.75db
69% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
69% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Dustin Lynch
Thinking 'Bout You
204 bpm • G# Maj • 02:50 • -4.45db
65% Popularity • 39% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
65% Popularity • 39% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Eli Young Band
Even If It Breaks Your Heart
208 bpm • C Maj • 03:40 • -4.74db
68% Popularity • 50% Danceability • 53% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
68% Popularity • 50% Danceability • 53% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
77% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
77% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Cody Johnson
Diamond In My Pocket
152 bpm • G Maj • 03:16 • -3.51db
73% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
73% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Gabby Barrett
Footprints On The Moon
152 bpm • G# min • 03:10 • -4.98db
45% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Nate Smith
Under My Skin
152 bpm • G# Maj • 02:58 • -6db
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness