Songs like Mixed Signals by Ruth B.
Based on a tempo of (+/- 10%) and a similar genre
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Ali Gatie
Moonlight
120 bpm • B Maj • 03:48 • -6.66db
60% Popularity • 80% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 80% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Billie Eilish
Bored
120 bpm • G Maj • 03:00 • -12.7db
81% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
81% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Lauv
The Story Never Ends
120 bpm • A Maj • 03:49 • -9.4db
58% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 60% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Kodaline
Brother
120 bpm • A# Maj • 03:23 • -5.91db
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Haley Joelle
Memory Lane
120 bpm • C# Maj • 02:34 • -12db
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Anne-Marie
Her
120 bpm • A# Maj • 02:57 • -5.57db
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Chord Overstreet
Hold On - Acoustic
120 bpm • D Maj • 03:20 • -9.73db
45% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Kodaline
Brother - Acoustic
120 bpm • D# Maj • 03:22 • -8.55db
52% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Zevia
if depression gets the best of me
120 bpm • C Maj • 03:00 • -15db
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ruth B.
Mixed Signals
120 bpm • C Maj • 04:15 • -8.32db
57% Popularity • 61% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 61% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Nessa Barrett
Pain
120 bpm • C Maj • 03:39 • -14.77db
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 47% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Michal Leah
The Way I Love You
120 bpm • E Maj • 02:32 • -9.36db
62% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lewis Capaldi
Rush
120 bpm • C# Maj • 03:18 • -7.39db
61% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 63% Danceability • 61% Energy • 64% Liveness
0% Instrumentalness • 38% Positiveness
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Alexander 23
High School
120 bpm • F# Maj • 03:08 • -7.04db
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Dean Lewis
The Last Bit Of Us
120 bpm • G Maj • 03:22 • -9.5db
68% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
68% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Olivia O'Brien
Find What You're Looking For
121 bpm • G Maj • 03:07 • -11.58db
48% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Elina
Champion
120 bpm • F# Maj • 02:53 • -9.01db
50% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 65% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Zevia
we're just friends
121 bpm • D Maj • 02:59 • -11db
39% Popularity • 53% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 53% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Savy Henry
The Best Part
119 bpm • E Maj • 02:28 • -13.72db
37% Popularity • 30% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 30% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Conan Gray
Lookalike
122 bpm • A# Maj • 03:40 • -10.12db
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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AJ Mitchell
Used to Be
118 bpm • F Maj • 02:54 • -6.55db
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lexi Jayde
If I Really Love You
122 bpm • C Maj • 03:14 • -14.1db
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Avery Lynch
i put you first, and you did too (as wri...
122 bpm • G min • 03:44 • -15.76db
32% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Grace Grundy
Scared to Be Lonely
122 bpm • D Maj • 02:58 • -6.87db
45% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Isak Danielson
Hold My Hand
122 bpm • G min • 03:21 • -9.58db
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Ruth B.
I Was Married
118 bpm • C Maj • 01:34 • -11db
34% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Lewis Capaldi
One
118 bpm • A Maj • 02:59 • -7.09db
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
64% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Chord Overstreet
What's Left of You
118 bpm • C Maj • 02:58 • -6db
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Zevia
live to die
122 bpm • G# Maj • 02:55 • -11.35db
36% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 72% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Alessia Cara
Out Of Love
118 bpm • G Maj • 03:47 • -9.25db
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
68% Popularity • 48% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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James Bay
If You Ever Wanna Be In Love - James Bay...
118 bpm • B Maj • 03:56 • -8.43db
61% Popularity • 68% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 68% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 36% Positiveness
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Ruth B.
Sweet Chamomile
118 bpm • F# min • 03:28 • -6.96db
38% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 62% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Noah Cyrus
Lonely
122 bpm • F Maj • 02:24 • -8.27db
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
66% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Sody
Nothing Ever Changes
123 bpm • B Maj • 03:02 • -7db
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Lewis Capaldi
when the party's over - Recorded at Spot...
117 bpm • A# Maj • 03:52 • -10.27db
64% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lennon Stella
Older Than I Am
117 bpm • A Maj • 03:01 • -8.95db
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
50% Popularity • 44% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Catie Turner
i luv him.
123 bpm • C Maj • 03:45 • -9.5db
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 65% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Elina
Mirage
117 bpm • F# min • 02:44 • -12db
43% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 52% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Ruth B.
Princess Peach
123 bpm • D Maj • 03:32 • -7.06db
38% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Haley Joelle
Things You Don't Know
123 bpm • F Maj • 02:08 • -11db
48% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 60% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Gracie Abrams
Mean It
123 bpm • A min • 02:51 • -9.5db
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 56% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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X Ambassadors
Unsteady
117 bpm • C Maj • 03:13 • -6.17db
74% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
74% Popularity • 39% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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John Legend
Nervous
123 bpm • D Maj • 03:08 • -4.84db
60% Popularity • 55% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 55% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Birdy
Not About Angels
117 bpm • C Maj • 03:09 • -11.88db
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 40% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ruth B.
Dandelions
117 bpm • C# Maj • 03:53 • -2.96db
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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We Three
Heaven's Not Too Far
117 bpm • A Maj • 04:02 • -6.58db
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
53% Popularity • 47% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Michal Leah
Used To It
117 bpm • C Maj • 02:42 • -9db
43% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Labrinth
Jealous
117 bpm • C# Maj • 04:47 • -8.95db
73% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
73% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Sody
What We Had
124 bpm • G Maj • 03:02 • -7.44db
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Dave Thomas Junior
I Can't Make You Love Me
124 bpm • D# min • 05:30 • -14.02db
47% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
47% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Ruth B.
Dandelions (NY Rooftop Session Live)
117 bpm • C# Maj • 03:59 • -5.69db
26% Popularity • 64% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 64% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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Rachel Grae
Hope You're Proud
116 bpm • D Maj • 03:08 • -10.84db
54% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Hayd
Closure
124 bpm • D Maj • 03:16 • -16.18db
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 69% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Sody
Let You Know
124 bpm • E min • 03:10 • -6.71db
39% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Zevia
perfect
124 bpm • F Maj • 03:03 • -14.71db
34% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Ruth B.
Lost Boy
123 bpm • G Maj • 04:36 • -9.3db
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 59% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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JP Saxe
Explain You
124 bpm • B Maj • 03:18 • -11.55db
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 37% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Sara Kays
Remember That Night? - Acoustic
124 bpm • G min • 03:42 • -13db
39% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Etham
Before I Lose My Mind - Stripped
125 bpm • C min • 03:46 • -11.14db
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 64% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Sleeping At Last
Turning Page
115 bpm • D# Maj • 04:15 • -8.5db
70% Popularity • 31% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
70% Popularity • 31% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Ruth B.
Lost Boy - Live
124 bpm • G Maj • 04:24 • -14db
13% Popularity • 48% Danceability • 9% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 48% Danceability • 9% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
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Ella Henderson
Yours
125 bpm • C Maj • 02:48 • -10.41db
47% Popularity • 58% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 58% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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James TW
When You Love Someone - Acoustic
125 bpm • G Maj • 03:30 • -8.36db
59% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Avery Lynch
When It Ends
115 bpm • C Maj • 03:49 • -8.68db
38% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Lewis Capaldi
Lost On You
126 bpm • A# Maj • 03:17 • -8.23db
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Schulte
You Said You'd Grow Old With Me
114 bpm • C Maj • 03:44 • -7.04db
59% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Sody
Bedroom Ceiling
126 bpm • F# Maj • 03:00 • -7.7db
40% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Jamie Miller
Hold You 'Til We’re Old
126 bpm • A# Maj • 03:02 • -5.21db
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 58% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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James TW
When You Love Someone
126 bpm • G Maj • 03:36 • -6.09db
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
70% Popularity • 68% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Julia Michaels
Issues - Acoustic
114 bpm • G# Maj • 02:55 • -6.13db
57% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 69% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Dean Lewis
Be Alright - Acoustic
126 bpm • A Maj • 03:17 • -9.02db
57% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Zoe Wees
Control - Acoustic Guitar Version
114 bpm • E Maj • 03:51 • -7.65db
52% Popularity • 63% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 63% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Rhys Lewis
Reason To Hate You
127 bpm • C# min • 03:58 • -9.78db
31% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Catie Turner
Home
113 bpm • B min • 03:27 • -12.02db
45% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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James TW
Hopeless Romantics
114 bpm • A min • 02:59 • -6.86db
56% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Hanniou
heartbeats
113 bpm • A min • 02:31 • -11db
57% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 41% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nessa Barrett
lovebomb
113 bpm • G Maj • 03:09 • -16db
56% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sami Rose
stay
113 bpm • C# Maj • 03:57 • -11.21db
47% Popularity • 61% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 61% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Natalie Taylor
Come to This
128 bpm • C Maj • 03:37 • -7.21db
38% Popularity • 31% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 31% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Cat Burns
go - Lower & Slower
113 bpm • D min • 03:44 • -10.31db
49% Popularity • 51% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 51% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Munn
I Lost Myself
128 bpm • D Maj • 03:11 • -6.23db
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 65% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Nicki Minaj
Grand Piano
128 bpm • E Maj • 04:19 • -10.81db
52% Popularity • 33% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 33% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Charlotte Lawrence
Everybody Loves You
112 bpm • D Maj • 03:24 • -10.28db
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 48% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Zevia
pain's my only home
112 bpm • C Maj • 03:17 • -14.6db
51% Popularity • 35% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 35% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
