Songs like Moan by Robin Rogers
Based on a tempo of (+/- 10%) and a similar genre
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Debbie Davies
Rockin' You Baby
119 bpm • E Maj • 03:24 • -7.98db
13% Popularity • 71% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 71% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Robin Rogers
Moan
119 bpm • E min • 04:30 • -7.08db
5% Popularity • 81% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
5% Popularity • 81% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Mike Zito
The Dead of Night
119 bpm • G min • 04:05 • -7.24db
10% Popularity • 81% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 81% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Kenny Neal
Old Friends
119 bpm • G Maj • 04:37 • -9.85db
22% Popularity • 56% Danceability • 64% Energy • 9% Liveness
10% Instrumentalness • 86% Positiveness
22% Popularity • 56% Danceability • 64% Energy • 9% Liveness
10% Instrumentalness • 86% Positiveness
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Seth Walker
Leap of Faith
119 bpm • G# Maj • 04:22 • -8.43db
9% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Shemekia Copeland
Isn't That So
119 bpm • A# min • 03:17 • -7.25db
17% Popularity • 78% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 78% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Lou Ann Barton
Te Ni Nee Ni
118 bpm • B min • 03:07 • -12.74db
18% Popularity • 80% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 80% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Trampled Under Foot
No! I Ain`t Gonna Let You Go
118 bpm • G Maj • 05:28 • -9.42db
7% Popularity • 51% Danceability • 55% Energy • 89% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 51% Danceability • 55% Energy • 89% Liveness
0% Instrumentalness • 54% Positiveness
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Big Bill Morganfield
Hoochie Coochie Girl
118 bpm • F# Maj • 03:13 • -6.59db
9% Popularity • 76% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 76% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Danielle Nicole
Someday You Might Change Your Mind
120 bpm • A min • 05:25 • -5.84db
26% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Deborah Coleman
If You Love Me Like You Say
118 bpm • C Maj • 03:38 • -4.8db
10% Popularity • 75% Danceability • 78% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
10% Popularity • 75% Danceability • 78% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
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Deanna Bogart
In The Rain
120 bpm • G Maj • 04:07 • -8db
12% Popularity • 59% Danceability • 73% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
12% Popularity • 59% Danceability • 73% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
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Annika Chambers
Let the Sass Out
120 bpm • A min • 04:36 • -3.21db
6% Popularity • 52% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 52% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Candye Kane
When I Put the Blues on You
118 bpm • C Maj • 02:24 • -8.69db
16% Popularity • 69% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 69% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Toronzo Cannon
The Preacher, The Politican Or The Pimp
118 bpm • A# min • 04:12 • -6.57db
21% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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The Reverend Shawn Amos
Ain't Gonna Name Names
120 bpm • E Maj • 02:50 • -5.25db
16% Popularity • 71% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 71% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Mississippi Heat
Sweet Poison
120 bpm • D Maj • 03:53 • -3.41db
7% Popularity • 59% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 59% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Shemekia Copeland
In The Blood Of The Blues
120 bpm • D Maj • 04:52 • -5.52db
29% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Wes Herndon
Blues For A Wife
120 bpm • G# Maj • 03:07 • -7.06db
8% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 67% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Ronnie Baker Brooks
See You Hurt No More
120 bpm • A Maj • 05:55 • -9.13db
10% Popularity • 59% Danceability • 40% Energy • 69% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 59% Danceability • 40% Energy • 69% Liveness
0% Instrumentalness • 25% Positiveness
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Katie Webster
I'm Still Leaving You
118 bpm • D# Maj • 03:36 • -11db
34% Popularity • 60% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 60% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Lou Ann Barton
You Can Have My Husband
120 bpm • C Maj • 03:20 • -13.76db
16% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Ana Popovic
Unconditional
118 bpm • B min • 03:52 • -6.36db
29% Popularity • 64% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
29% Popularity • 64% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Floyd Lee & His Mean Blues Band
Think I Got Somethin' on My Mind
121 bpm • G Maj • 04:27 • -8.01db
12% Popularity • 61% Danceability • 43% Energy • 11% Liveness
26% Instrumentalness • 60% Positiveness
12% Popularity • 61% Danceability • 43% Energy • 11% Liveness
26% Instrumentalness • 60% Positiveness
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Angela Strehli
Neighbor, Neighbor
117 bpm • A# min • 04:20 • -13.92db
10% Popularity • 69% Danceability • 42% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
10% Popularity • 69% Danceability • 42% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
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Wentus Blues Band
I Got to Go
121 bpm • D Maj • 04:06 • -5.91db
11% Popularity • 48% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 48% Danceability • 79% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
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Candye Kane
I Put A Hex On You
121 bpm • G min • 03:54 • -7.39db
12% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Corey Stevens
Blue Suede Shoes
117 bpm • F# min • 03:54 • -10db
11% Popularity • 79% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
11% Popularity • 79% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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The Holmes Brothers
My Word Is My Bond
117 bpm • D Maj • 03:04 • -8.2db
13% Popularity • 61% Danceability • 81% Energy • 36% Liveness
1% Instrumentalness • 64% Positiveness
13% Popularity • 61% Danceability • 81% Energy • 36% Liveness
1% Instrumentalness • 64% Positiveness
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Nick Moss Band
Make Way for Me
116 bpm • G Maj • 03:24 • -6.02db
15% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Rusty Zinn
Just Like A Fish
117 bpm • F Maj • 03:37 • -6.62db
13% Popularity • 73% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 73% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Ana Popovic
Can't You See What You're Doing to Me
122 bpm • B min • 03:52 • -3db
28% Popularity • 32% Danceability • 97% Energy • 40% Liveness
3% Instrumentalness • 30% Positiveness
28% Popularity • 32% Danceability • 97% Energy • 40% Liveness
3% Instrumentalness • 30% Positiveness
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Debbie Davies
Takin' It All To Vegas
122 bpm • F# min • 03:14 • -7.95db
22% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Shemekia Copeland
Big Lovin' Woman
116 bpm • C Maj • 03:43 • -7.95db
12% Popularity • 72% Danceability • 87% Energy • 26% Liveness
1% Instrumentalness • 93% Positiveness
12% Popularity • 72% Danceability • 87% Energy • 26% Liveness
1% Instrumentalness • 93% Positiveness
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Mike Mattison
That Makes Two Of Us
116 bpm • C# Maj • 04:18 • -8db
10% Popularity • 68% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 68% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Robin Rogers
Nobody's Gonna Hurt You
116 bpm • F min • 02:49 • -6.28db
0% Popularity • 76% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 76% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Fiona Boyes
Blues in My Heart
116 bpm • E Maj • 03:52 • -10.56db
10% Popularity • 82% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 82% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Koko Taylor
Blues Hotel
122 bpm • C# Maj • 04:04 • -6.03db
15% Popularity • 67% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 67% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Jim Byrnes
Old Dog, New Tricks
116 bpm • C Maj • 04:18 • -5.66db
14% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Shemekia Copeland
Has Anybody Seen My Man
116 bpm • C Maj • 03:37 • -6.7db
13% Popularity • 64% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
13% Popularity • 64% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Mississippi MacDonald
Hard Luck And Trouble
116 bpm • E min • 03:04 • -6.27db
13% Popularity • 72% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 72% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Lisa Mann
Give You My Love
122 bpm • F Maj • 06:25 • -5.35db
14% Popularity • 65% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 65% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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James Armstrong
Blues Been Good to Me
116 bpm • E min • 02:55 • -7db
21% Popularity • 75% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 75% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Robin Rogers
Drunkard's Alley
116 bpm • D Maj • 03:19 • -4.34db
0% Popularity • 73% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 73% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Gina Sicilia
Hey Sugar
122 bpm • F Maj • 02:22 • -4.22db
11% Popularity • 56% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 56% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Katie Webster
Hard Lovin' Mama
123 bpm • C Maj • 04:12 • -15db
20% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 59% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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W.C. Clark
You Left The Water Running
116 bpm • G Maj • 03:17 • -3.75db
17% Popularity • 71% Danceability • 80% Energy • 44% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 71% Danceability • 80% Energy • 44% Liveness
0% Instrumentalness • 88% Positiveness
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Eliza Neals
You Ain't My Dog No More
115 bpm • A min • 04:24 • -6.58db
22% Popularity • 53% Danceability • 74% Energy • 32% Liveness
21% Instrumentalness • 45% Positiveness
22% Popularity • 53% Danceability • 74% Energy • 32% Liveness
21% Instrumentalness • 45% Positiveness
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Ina Forsman
Talk To Me
123 bpm • F min • 03:40 • -5.85db
12% Popularity • 58% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 58% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Debbie Davies
Picture This
115 bpm • E Maj • 04:01 • -8.54db
14% Popularity • 71% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 71% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Shemekia Copeland
It's 2 A.M.
123 bpm • G# Maj • 04:28 • -6.63db
20% Popularity • 67% Danceability • 73% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 67% Danceability • 73% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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Charlotta Curves
You Better Believe Me
115 bpm • D Maj • 03:29 • -7.92db
8% Popularity • 67% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 67% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Sam Myers
Waitin' On You Mama
115 bpm • B min • 04:52 • -7.26db
8% Popularity • 80% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
8% Popularity • 80% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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Cee Cee James
Love Makes Change
115 bpm • B min • 05:44 • -8.39db
7% Popularity • 76% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 76% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Kelley Hunt
I've Got a Good Feeling
123 bpm • C Maj • 02:58 • -6.43db
9% Popularity • 66% Danceability • 64% Energy • 22% Liveness
5% Instrumentalness • 77% Positiveness
9% Popularity • 66% Danceability • 64% Energy • 22% Liveness
5% Instrumentalness • 77% Positiveness
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Jimmy Burns
Cold As Ice
115 bpm • B min • 04:11 • -6.58db
16% Popularity • 73% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 73% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Shemekia Copeland
Love Song
123 bpm • B Maj • 03:03 • -5.76db
32% Popularity • 75% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 75% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Dani Wilde
Don't Go Making Me Cry
123 bpm • D Maj • 03:30 • -5.62db
9% Popularity • 78% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 78% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Compagniet
Sweet
115 bpm • D Maj • 04:34 • -5.02db
20% Popularity • 70% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 70% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Sena Ehrhardt
Buried Alive
115 bpm • A min • 03:56 • -4.42db
9% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Fiona Boyes
Call Their Name
115 bpm • A min • 05:19 • -8.99db
7% Popularity • 73% Danceability • 65% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
7% Popularity • 73% Danceability • 65% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
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Noah Gilbert
Who Is Whistling
123 bpm • E min • 04:02 • -8.81db
16% Popularity • 55% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 55% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Trampled Under Foot
It Would Be Nice
123 bpm • D min • 04:06 • -5.45db
7% Popularity • 59% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 59% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Rick Estrin & The Nightcats
Big Money
115 bpm • C Maj • 02:40 • -4.85db
18% Popularity • 82% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 82% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Heather Newman
Lonely on Beale
123 bpm • G Maj • 04:11 • -9.56db
11% Popularity • 49% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 49% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Sena Ehrhardt
Stakes Have Gone Up
123 bpm • C Maj • 03:18 • -6.34db
9% Popularity • 67% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 67% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Candye Kane
Till You Go Too Far
115 bpm • D Maj • 03:45 • -4.93db
8% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Kara Grainger
Little Pack of Lies
114 bpm • C Maj • 04:27 • -8.58db
8% Popularity • 77% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 77% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Robin Rogers
Treat Me Right
124 bpm • F min • 02:18 • -5.44db
2% Popularity • 68% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
2% Popularity • 68% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Karen Lovely
Fish Outta Water
114 bpm • E min • 03:50 • -7.97db
28% Popularity • 76% Danceability • 46% Energy • 13% Liveness
33% Instrumentalness • 65% Positiveness
28% Popularity • 76% Danceability • 46% Energy • 13% Liveness
33% Instrumentalness • 65% Positiveness
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Dani Wilde
Shine
114 bpm • D min • 04:44 • -5.89db
6% Popularity • 78% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 78% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Teresa James
Wind Cries the Blues
114 bpm • A min • 06:02 • -9.68db
7% Popularity • 71% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 71% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Keb' Mo'
Don’t Throw It Away
114 bpm • A Maj • 02:58 • -5.58db
24% Popularity • 84% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 84% Danceability • 68% Energy • 63% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Ray Jones
Devil Woman
124 bpm • G Maj • 04:57 • -9.95db
12% Popularity • 74% Danceability • 60% Energy • 31% Liveness
58% Instrumentalness • 71% Positiveness
12% Popularity • 74% Danceability • 60% Energy • 31% Liveness
58% Instrumentalness • 71% Positiveness
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Robin Rogers
Color-Blind Angel
124 bpm • A min • 05:16 • -6.06db
5% Popularity • 73% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 73% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Shakura S'Aida
Outskirts of Memphis
125 bpm • G# Maj • 05:07 • -5.14db
21% Popularity • 69% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 69% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Lil Ed & The Blues Imperials
Deep In My Soul
125 bpm • A# Maj • 04:33 • -5db
16% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
16% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
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Joanna Connor
Nothin' But The Blues
125 bpm • A Maj • 04:03 • -5db
10% Popularity • 72% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 72% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Anni Piper
Blow up Doll
125 bpm • E min • 03:39 • -8.09db
12% Popularity • 54% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 54% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Mississippi Heat
Jean's Jive
125 bpm • G min • 03:08 • -5db
16% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
16% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
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Robin Rogers
You Don't Know
114 bpm • G# Maj • 04:52 • -8.31db
0% Popularity • 80% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 80% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Katie Webster
Try A Little Tenderness
125 bpm • G Maj • 04:19 • -13.29db
19% Popularity • 61% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 61% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Helge Tallqvist Band
Got Love If You Want It
125 bpm • G min • 03:07 • -4.47db
8% Popularity • 57% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 57% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Sena Ehrhardt
On The Clock
125 bpm • B min • 02:48 • -7.07db
5% Popularity • 83% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
5% Popularity • 83% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Maria Muldaur
Blues Go Walking
113 bpm • B min • 03:14 • -6.65db
8% Popularity • 70% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 70% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jane Lee Hooker
Later On
125 bpm • A Maj • 05:38 • -3.89db
16% Popularity • 40% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 40% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Robin Rogers
Ocean of Tears
125 bpm • A min • 04:47 • -6.92db
1% Popularity • 73% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
1% Popularity • 73% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Selwyn Birchwood
She Loves Me Not
113 bpm • A Maj • 03:56 • -4.03db
8% Popularity • 65% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 65% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Toronzo Cannon
Stop Me When I'm Lying
125 bpm • C Maj • 03:59 • -5.44db
22% Popularity • 72% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 72% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Katie Webster
Who's Making Love?
125 bpm • A# min • 04:00 • -11.88db
19% Popularity • 73% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 73% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Lou Ann Barton
Shake Your Hips
125 bpm • G min • 05:00 • -12.19db
10% Popularity • 65% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 65% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Larry Garner
Shut It Down
113 bpm • A Maj • 09:16 • -10db
12% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Robin Rogers
What We Are Worth
113 bpm • D Maj • 03:36 • -5.6db
0% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Gaye Adegbalola
She Just Wants To Dance
126 bpm • E Maj • 04:52 • -9.24db
19% Popularity • 68% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 68% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 79% Positiveness
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Liz Mandeville
Quit Me On a Voice Mail
126 bpm • G Maj • 04:44 • -6.8db
15% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bernard Allison
Low Down Dirty - Blues Caravan Live 2018
113 bpm • A Maj • 04:48 • -5.95db
9% Popularity • 37% Danceability • 92% Energy • 98% Liveness
25% Instrumentalness • 47% Positiveness
9% Popularity • 37% Danceability • 92% Energy • 98% Liveness
25% Instrumentalness • 47% Positiveness
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Sena Ehrhardt
Slow Down
126 bpm • G Maj • 03:41 • -7db
11% Popularity • 64% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 64% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Larry Garner
Miss boss
125 bpm • A Maj • 03:54 • -8.78db
9% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
