Songs like Moanin' by Charles Mingus
Based on a tempo of (+/- 10%) and a similar genre
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Cannonball Adderley
Autumn Leaves
111 bpm • G min • 10:59 • -9db
55% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Charles Mingus
Moanin'
111 bpm • F min • 08:02 • -10.32db
44% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Modern Jazz Quartet
Blues in C Minor
111 bpm • C min • 08:00 • -20db
30% Popularity • 54% Danceability • 14% Energy • 17% Liveness
19% Instrumentalness • 33% Positiveness
30% Popularity • 54% Danceability • 14% Energy • 17% Liveness
19% Instrumentalness • 33% Positiveness
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Sonny Rollins
St. Thomas
111 bpm • G Maj • 03:55 • -11db
31% Popularity • 61% Danceability • 40% Energy • 6% Liveness
60% Instrumentalness • 54% Positiveness
31% Popularity • 61% Danceability • 40% Energy • 6% Liveness
60% Instrumentalness • 54% Positiveness
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Buddy Rich and His Sextet
Young Blood
111 bpm • G# Maj • 05:59 • -9.77db
8% Popularity • 33% Danceability • 96% Energy • 5% Liveness
2% Instrumentalness • 44% Positiveness
8% Popularity • 33% Danceability • 96% Energy • 5% Liveness
2% Instrumentalness • 44% Positiveness
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Art Farmer
It Ain't Necessarily So
111 bpm • G min • 04:29 • -15.54db
15% Popularity • 71% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 71% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Kurt Rosenwinkel
Zhivago
111 bpm • C# Maj • 08:45 • -11.37db
27% Popularity • 32% Danceability • 39% Energy • 11% Liveness
71% Instrumentalness • 40% Positiveness
27% Popularity • 32% Danceability • 39% Energy • 11% Liveness
71% Instrumentalness • 40% Positiveness
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Charles Mingus
Moanin' - Mono Audio
110 bpm • F min • 07:58 • -11db
13% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Duke Ellington
Haupe
111 bpm • A# Maj • 02:36 • -20db
47% Popularity • 42% Danceability • 2% Energy • 10% Liveness
19% Instrumentalness • 14% Positiveness
47% Popularity • 42% Danceability • 2% Energy • 10% Liveness
19% Instrumentalness • 14% Positiveness
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Jesus Molina
Night in Tunisia
110 bpm • D Maj • 03:36 • -15.34db
42% Popularity • 53% Danceability • 46% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
42% Popularity • 53% Danceability • 46% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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The Modern Jazz Quartet
Django
110 bpm • F min • 07:03 • -16.19db
26% Popularity • 62% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
26% Popularity • 62% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Tommy Flanagan
Angel Eyes - Studio
110 bpm • F Maj • 05:49 • -19db
42% Popularity • 49% Danceability • 14% Energy • 15% Liveness
82% Instrumentalness • 14% Positiveness
42% Popularity • 49% Danceability • 14% Energy • 15% Liveness
82% Instrumentalness • 14% Positiveness
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Alice Coltrane
Turiya & Ramakrishna
110 bpm • F# Maj • 08:18 • -14.67db
54% Popularity • 42% Danceability • 30% Energy • 25% Liveness
90% Instrumentalness • 13% Positiveness
54% Popularity • 42% Danceability • 30% Energy • 25% Liveness
90% Instrumentalness • 13% Positiveness
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Charles Mingus
Peggy's Blue Skylight - Edit
112 bpm • F min • 05:33 • -13.27db
7% Popularity • 49% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
7% Popularity • 49% Danceability • 47% Energy • 13% Liveness
6% Instrumentalness • 61% Positiveness
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Joshua Redman
The Ocean
112 bpm • C# Maj • 06:36 • -11.64db
8% Popularity • 58% Danceability • 56% Energy • 97% Liveness
44% Instrumentalness • 88% Positiveness
8% Popularity • 58% Danceability • 56% Energy • 97% Liveness
44% Instrumentalness • 88% Positiveness
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Wes Montgomery Trio
Freddie Freeloader
113 bpm • F min • 05:14 • -24.55db
34% Popularity • 40% Danceability • 20% Energy • 11% Liveness
41% Instrumentalness • 52% Positiveness
34% Popularity • 40% Danceability • 20% Energy • 11% Liveness
41% Instrumentalness • 52% Positiveness
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Miles Davis
'Round Midnight
113 bpm • A# min • 05:55 • -11.12db
54% Popularity • 49% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 49% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Ahmad Jamal
The Surrey With The Fringe On Top
113 bpm • C Maj • 02:49 • -21.55db
30% Popularity • 64% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 76% Positiveness
30% Popularity • 64% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 76% Positiveness
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Alice Coltrane
Blue Nile
112 bpm • B min • 07:01 • -13db
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
38% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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Benny Goodman
Sing, Sing, Sing
113 bpm • D min • 08:40 • -9.19db
49% Popularity • 63% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
49% Popularity • 63% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
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Charles Mingus
Tensions
110 bpm • G# Maj • 06:32 • -18db
23% Popularity • 56% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
23% Popularity • 56% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Wes Montgomery Trio
Too Late Now
113 bpm • C Maj • 04:51 • -25.37db
38% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
38% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
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Sonny Clark
Cool Struttin'
109 bpm • G min • 09:23 • -8db
48% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Cannonball Adderley
One For Daddy-O
108 bpm • F min • 08:25 • -7.26db
47% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Art Tatum
I Cover The Waterfront
109 bpm • G Maj • 02:32 • -22.61db
35% Popularity • 50% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
35% Popularity • 50% Danceability • 13% Energy • 13% Liveness
92% Instrumentalness • 35% Positiveness
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The Dave Brubeck Quartet
Blue Rondo à la Turk
114 bpm • G min • 06:43 • -11.91db
50% Popularity • 59% Danceability • 40% Energy • 11% Liveness
35% Instrumentalness • 47% Positiveness
50% Popularity • 59% Danceability • 40% Energy • 11% Liveness
35% Instrumentalness • 47% Positiveness
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Charles Mingus
Body And Soul - Take 6
112 bpm • F# Maj • 10:41 • -14.2db
25% Popularity • 54% Danceability • 30% Energy • 28% Liveness
8% Instrumentalness • 49% Positiveness
25% Popularity • 54% Danceability • 30% Energy • 28% Liveness
8% Instrumentalness • 49% Positiveness
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Kenny Garrett
Sing a Song of Song
108 bpm • F# min • 07:22 • -10.42db
32% Popularity • 41% Danceability • 61% Energy • 18% Liveness
42% Instrumentalness • 54% Positiveness
32% Popularity • 41% Danceability • 61% Energy • 18% Liveness
42% Instrumentalness • 54% Positiveness
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Buddy Rich and His Sextet
Br Blues
108 bpm • C# Maj • 03:14 • -10.65db
22% Popularity • 46% Danceability • 63% Energy • 32% Liveness
2% Instrumentalness • 79% Positiveness
22% Popularity • 46% Danceability • 63% Energy • 32% Liveness
2% Instrumentalness • 79% Positiveness
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Woody Herman
Jazz Me Blues
108 bpm • A min • 03:04 • -11.33db
33% Popularity • 59% Danceability • 64% Energy • 93% Liveness
25% Instrumentalness • 84% Positiveness
33% Popularity • 59% Danceability • 64% Energy • 93% Liveness
25% Instrumentalness • 84% Positiveness
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John Coltrane Quartet
Chim Chim Cheree
114 bpm • F min • 06:58 • -11.01db
15% Popularity • 32% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 32% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Duke Ellington
In A Sentimental Mood
108 bpm • D# min • 04:15 • -12.44db
66% Popularity • 46% Danceability • 30% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
66% Popularity • 46% Danceability • 30% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
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Eastern Rebellion
Bolivia
114 bpm • D Maj • 10:10 • -15db
22% Popularity • 53% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
22% Popularity • 53% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Ornette Coleman
Law Years
114 bpm • G# Maj • 05:20 • -11db
17% Popularity • 57% Danceability • 45% Energy • 57% Liveness
6% Instrumentalness • 54% Positiveness
17% Popularity • 57% Danceability • 45% Energy • 57% Liveness
6% Instrumentalness • 54% Positiveness
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Charles Mingus
Open Letter To Duke
108 bpm • A# min • 05:49 • -13.11db
31% Popularity • 48% Danceability • 47% Energy • 34% Liveness
8% Instrumentalness • 19% Positiveness
31% Popularity • 48% Danceability • 47% Energy • 34% Liveness
8% Instrumentalness • 19% Positiveness
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Miles Davis
Summertime
108 bpm • A# min • 03:17 • -20db
46% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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John Coltrane Quartet
Lonnie's Lament
108 bpm • C min • 11:47 • -15.8db
36% Popularity • 50% Danceability • 23% Energy • 14% Liveness
11% Instrumentalness • 19% Positiveness
36% Popularity • 50% Danceability • 23% Energy • 14% Liveness
11% Instrumentalness • 19% Positiveness
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Oliver Nelson
Stolen Moments
107 bpm • C min • 08:45 • -13.08db
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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Ahmad Jamal
Pavanne
107 bpm • F Maj • 05:47 • -15.76db
41% Popularity • 65% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
41% Popularity • 65% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 61% Positiveness
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The Marsalis Family
Swinging At The Haven
107 bpm • G# Maj • 06:56 • -13.27db
8% Popularity • 60% Danceability • 46% Energy • 71% Liveness
49% Instrumentalness • 68% Positiveness
8% Popularity • 60% Danceability • 46% Energy • 71% Liveness
49% Instrumentalness • 68% Positiveness
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Charles Mingus
All The Things You Are - All
108 bpm • G Maj • 04:50 • -18.65db
33% Popularity • 24% Danceability • 9% Energy • 35% Liveness
3% Instrumentalness • 4% Positiveness
33% Popularity • 24% Danceability • 9% Energy • 35% Liveness
3% Instrumentalness • 4% Positiveness
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Hank Levy
Whiplash
107 bpm • F Maj • 01:55 • -3.84db
58% Popularity • 75% Danceability • 79% Energy • 29% Liveness
34% Instrumentalness • 86% Positiveness
58% Popularity • 75% Danceability • 79% Energy • 29% Liveness
34% Instrumentalness • 86% Positiveness
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Gerry Mulligan
Blues In Time
115 bpm • G min • 09:04 • -15.45db
18% Popularity • 57% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 57% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Oliver Nelson
Yearnin'
107 bpm • F Maj • 06:23 • -12db
32% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
32% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
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Don Ellis
The Devil Made Me Write This Piece
115 bpm • G# Maj • 05:58 • -14.21db
14% Popularity • 48% Danceability • 64% Energy • 4% Liveness
67% Instrumentalness • 88% Positiveness
14% Popularity • 48% Danceability • 64% Energy • 4% Liveness
67% Instrumentalness • 88% Positiveness
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Wes Montgomery Trio
The End Of A Love Affair
115 bpm • C# Maj • 03:13 • -18db
44% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
44% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Gerry Mulligan Sextet
In The Wee Small Hours Of The Morning
115 bpm • G Maj • 05:39 • -24db
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Charles Mingus
Reincarnation of a Love Bird - 2nd Versi...
107 bpm • G Maj • 06:58 • -12.47db
28% Popularity • 41% Danceability • 43% Energy • 52% Liveness
4% Instrumentalness • 33% Positiveness
28% Popularity • 41% Danceability • 43% Energy • 52% Liveness
4% Instrumentalness • 33% Positiveness
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John Scofield
The Red One
107 bpm • E min • 04:19 • -10.02db
40% Popularity • 52% Danceability • 49% Energy • 7% Liveness
90% Instrumentalness • 68% Positiveness
40% Popularity • 52% Danceability • 49% Energy • 7% Liveness
90% Instrumentalness • 68% Positiveness
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Hank Mobley
The Good Life - Remastered 2000/Rudy Van...
115 bpm • G# Maj • 05:08 • -15db
37% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
37% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
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Joshua Redman
Jazz Crimes
115 bpm • G# min • 06:43 • -11.87db
31% Popularity • 77% Danceability • 56% Energy • 5% Liveness
83% Instrumentalness • 78% Positiveness
31% Popularity • 77% Danceability • 56% Energy • 5% Liveness
83% Instrumentalness • 78% Positiveness
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Charles Lloyd
Forest Flower
115 bpm • B min • 07:51 • -11.53db
14% Popularity • 45% Danceability • 56% Energy • 26% Liveness
35% Instrumentalness • 72% Positiveness
14% Popularity • 45% Danceability • 56% Energy • 26% Liveness
35% Instrumentalness • 72% Positiveness
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Oscar Peterson Trio
C Jam Blues
115 bpm • F Maj • 03:23 • -18.66db
49% Popularity • 47% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 86% Positiveness
49% Popularity • 47% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 86% Positiveness
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Oliver Nelson
Theme From Mr. Broadway
107 bpm • F min • 05:43 • -10.95db
22% Popularity • 46% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 46% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Ornette Coleman
Chronology
115 bpm • C Maj • 06:03 • -11db
24% Popularity • 58% Danceability • 42% Energy • 26% Liveness
24% Instrumentalness • 57% Positiveness
24% Popularity • 58% Danceability • 42% Energy • 26% Liveness
24% Instrumentalness • 57% Positiveness
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Hank Mobley
Split Feelin's - Remastered 1999/Rudy Va...
116 bpm • G min • 04:55 • -9db
35% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Gerald Wilson
Blues For Yna Yna
116 bpm • D min • 06:52 • -14.84db
13% Popularity • 43% Danceability • 35% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
13% Popularity • 43% Danceability • 35% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
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Duke Ellington
Caravan
107 bpm • F min • 04:14 • -10.78db
39% Popularity • 43% Danceability • 60% Energy • 11% Liveness
45% Instrumentalness • 75% Positiveness
39% Popularity • 43% Danceability • 60% Energy • 11% Liveness
45% Instrumentalness • 75% Positiveness
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Buddy Rich and His Sextet
Late Date
106 bpm • C# Maj • 05:12 • -16.48db
26% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
26% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
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John Wasson
Caravan
106 bpm • G# Maj • 09:15 • -9.08db
59% Popularity • 42% Danceability • 78% Energy • 7% Liveness
85% Instrumentalness • 42% Positiveness
59% Popularity • 42% Danceability • 78% Energy • 7% Liveness
85% Instrumentalness • 42% Positiveness
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Mingus Big Band
Moanin'
116 bpm • G# Maj • 08:59 • -9.65db
44% Popularity • 39% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 39% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Wayne Shorter
Speak No Evil - Remastered1998/Rudy Van ...
106 bpm • F min • 08:23 • -7.15db
45% Popularity • 46% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 46% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Oliver Nelson
Blues And The Abstract Truth
116 bpm • G min • 05:12 • -13db
26% Popularity • 49% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 76% Positiveness
26% Popularity • 49% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 76% Positiveness
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Sonny Rollins Quartet
The Most Beautiful Girl In The World
116 bpm • C# Maj • 05:35 • -13.02db
28% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
28% Popularity • 55% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Charles Mingus
II B.S. - Edit
106 bpm • C Maj • 04:48 • -10.63db
38% Popularity • 43% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 70% Positiveness
38% Popularity • 43% Danceability • 53% Energy • 10% Liveness
25% Instrumentalness • 70% Positiveness
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Herbie Hancock
Cantaloupe Island - Remastered 1999/Rudy...
116 bpm • C min • 05:33 • -8.18db
61% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Weather Report
Palladium
116 bpm • A Maj • 04:45 • -8db
33% Popularity • 45% Danceability • 78% Energy • 76% Liveness
3% Instrumentalness • 74% Positiveness
33% Popularity • 45% Danceability • 78% Energy • 76% Liveness
3% Instrumentalness • 74% Positiveness
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Miles Davis And Milt Jackson Quintet
Changes
116 bpm • C# Maj • 07:10 • -19.37db
40% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
40% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Wes Montgomery Trio
Geno
116 bpm • D min • 02:55 • -19db
48% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
48% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
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Ornette Coleman
Congeniality
116 bpm • C Maj • 06:47 • -15db
25% Popularity • 62% Danceability • 32% Energy • 2% Liveness
35% Instrumentalness • 49% Positiveness
25% Popularity • 62% Danceability • 32% Energy • 2% Liveness
35% Instrumentalness • 49% Positiveness
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Ahmad Jamal
Sometimes I Feel Like A Motherless Child
116 bpm • C# Maj • 05:47 • -16.75db
19% Popularity • 79% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 56% Positiveness
19% Popularity • 79% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 56% Positiveness
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John Coltrane Quartet
Nancy (With The Laughing Face)
116 bpm • F Maj • 03:11 • -14db
59% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
59% Popularity • 52% Danceability • 14% Energy • 15% Liveness
19% Instrumentalness • 30% Positiveness
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Wynton Kelly
On Green Dolphin Street
106 bpm • C min • 04:44 • -17db
39% Popularity • 59% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
39% Popularity • 59% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 55% Positiveness
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Chet Baker Quartet
Imagination
116 bpm • G# min • 03:02 • -18db
45% Popularity • 49% Danceability • 9% Energy • 14% Liveness
98% Instrumentalness • 10% Positiveness
45% Popularity • 49% Danceability • 9% Energy • 14% Liveness
98% Instrumentalness • 10% Positiveness
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Thelonious Monk
'Round Midnight
117 bpm • G# Maj • 03:13 • -9.98db
55% Popularity • 54% Danceability • 32% Energy • 6% Liveness
65% Instrumentalness • 21% Positiveness
55% Popularity • 54% Danceability • 32% Energy • 6% Liveness
65% Instrumentalness • 21% Positiveness
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Gerry Mulligan Quartet
Bernie's Tune
106 bpm • C min • 02:54 • -9.94db
45% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
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Charles Mingus
Hora Decubitus
117 bpm • C# Maj • 04:43 • -8db
28% Popularity • 39% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 75% Positiveness
28% Popularity • 39% Danceability • 73% Energy • 10% Liveness
18% Instrumentalness • 75% Positiveness
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John Coltrane Quartet
I Wish I Knew
105 bpm • G Maj • 04:50 • -15db
46% Popularity • 48% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 21% Positiveness
46% Popularity • 48% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 21% Positiveness
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Rahsaan Roland Kirk
Alfie
105 bpm • C Maj • 02:52 • -19.86db
50% Popularity • 45% Danceability • 5% Energy • 13% Liveness
69% Instrumentalness • 33% Positiveness
50% Popularity • 45% Danceability • 5% Energy • 13% Liveness
69% Instrumentalness • 33% Positiveness
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Barney Kessel
On Green Dolphin Street
105 bpm • C# Maj • 04:01 • -27.49db
22% Popularity • 48% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
22% Popularity • 48% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
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Don Ellis
Go Back Home
117 bpm • F min • 03:19 • -10.59db
16% Popularity • 52% Danceability • 72% Energy • 9% Liveness
40% Instrumentalness • 59% Positiveness
16% Popularity • 52% Danceability • 72% Energy • 9% Liveness
40% Instrumentalness • 59% Positiveness
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Thelonious Monk
Body and Soul
105 bpm • C# Maj • 04:28 • -16.83db
37% Popularity • 51% Danceability • 29% Energy • 7% Liveness
89% Instrumentalness • 23% Positiveness
37% Popularity • 51% Danceability • 29% Energy • 7% Liveness
89% Instrumentalness • 23% Positiveness
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Charles Mingus
Girl Of My Dreams
105 bpm • G# Maj • 04:07 • -17.3db
26% Popularity • 45% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 45% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Sonny Rollins
St. Thomas
105 bpm • C Maj • 06:46 • -8.44db
45% Popularity • 54% Danceability • 61% Energy • 10% Liveness
44% Instrumentalness • 75% Positiveness
45% Popularity • 54% Danceability • 61% Energy • 10% Liveness
44% Instrumentalness • 75% Positiveness
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Weather Report
A Remark You Made
105 bpm • G# Maj • 06:50 • -15.24db
38% Popularity • 50% Danceability • 17% Energy • 6% Liveness
13% Instrumentalness • 14% Positiveness
38% Popularity • 50% Danceability • 17% Energy • 6% Liveness
13% Instrumentalness • 14% Positiveness
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John Coltrane Quartet
Softly As In A Morning Sunrise - Live At...
105 bpm • C min • 06:37 • -12db
33% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 45% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Wes Montgomery Trio
'Round Midnight
118 bpm • D# min • 04:53 • -25.45db
48% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
48% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
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Yusef Lateef
Ching Miau - Remastered 2023
104 bpm • G min • 03:19 • -12.37db
40% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Charles Mingus
Tijuana Gift Shop - 1957/62 Master Takes
118 bpm • G# Maj • 03:52 • -14.35db
13% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 53% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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The Colorado Jazz Trio
The Saga of Harrison Crabfeathers
118 bpm • C min • 02:38 • -10.05db
20% Popularity • 50% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 74% Positiveness
20% Popularity • 50% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 74% Positiveness
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Bud Powell Trio
Lullaby of Birdland
118 bpm • G Maj • 01:49 • -17db
43% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
43% Popularity • 56% Danceability • 32% Energy • 28% Liveness
1% Instrumentalness • 78% Positiveness
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Thelonious Monk
I'm Confessin' (That I Love You)
104 bpm • C# Maj • 02:37 • -9.46db
50% Popularity • 62% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
50% Popularity • 62% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Miles Davis
Milestones
118 bpm • A min • 05:42 • -7.46db
54% Popularity • 55% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 55% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Emily Remler
Daahound
118 bpm • F# Maj • 05:15 • -19.29db
26% Popularity • 43% Danceability • 33% Energy • 14% Liveness
6% Instrumentalness • 69% Positiveness
26% Popularity • 43% Danceability • 33% Energy • 14% Liveness
6% Instrumentalness • 69% Positiveness
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Herb Ellis
A Simple Tune
118 bpm • C Maj • 04:11 • -11db
27% Popularity • 80% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 59% Positiveness
27% Popularity • 80% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 59% Positiveness
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Weather Report
Black Market
104 bpm • F min • 06:28 • -18db
29% Popularity • 38% Danceability • 54% Energy • 24% Liveness
22% Instrumentalness • 76% Positiveness
29% Popularity • 38% Danceability • 54% Energy • 24% Liveness
22% Instrumentalness • 76% Positiveness
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Bud Powell
You Go To My Head - Remastered 1998/Rudy...
119 bpm • F Maj • 03:15 • -12.82db
45% Popularity • 48% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 56% Positiveness
45% Popularity • 48% Danceability • 34% Energy • 12% Liveness
76% Instrumentalness • 56% Positiveness
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Oliver Nelson
Butch And Butch
104 bpm • C Maj • 04:34 • -9.84db
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
