Songs like Mobile Suit Gundam: Iron-Blooded Orphans by Masaru Yokoyama
Based on a tempo of (+/- 10%) and a similar genre
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Masaru Yokoyama
Signs of Victory
120 bpm • G Maj • 01:47 • -8.6db
17% Popularity • 73% Danceability • 90% Energy • 13% Liveness
90% Instrumentalness • 36% Positiveness
17% Popularity • 73% Danceability • 90% Energy • 13% Liveness
90% Instrumentalness • 36% Positiveness
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Hiroaki Tsutsumi
Be The Adam and Eve Of This Stone World
120 bpm • G Maj • 02:28 • -11.07db
27% Popularity • 61% Danceability • 72% Energy • 20% Liveness
32% Instrumentalness • 24% Positiveness
27% Popularity • 61% Danceability • 72% Energy • 20% Liveness
32% Instrumentalness • 24% Positiveness
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Frying-Pan
Windy Zone - Theme of Furuya -
120 bpm • A min • 02:01 • -9db
22% Popularity • 47% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
22% Popularity • 47% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
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神前 暁
Vivy -Unrivaled-
120 bpm • E min • 02:06 • -8.87db
34% Popularity • 44% Danceability • 97% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
34% Popularity • 44% Danceability • 97% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
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Akira Senju
Crisis in the North
120 bpm • D Maj • 01:35 • -11db
35% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
35% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
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芳賀 敬太
星の生まれる刻
120 bpm • G# Maj • 04:05 • -9.67db
25% Popularity • 39% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
25% Popularity • 39% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 26% Positiveness
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Masaru Yokoyama
Mobile Suit Gundam: Iron-Blooded Orphans
120 bpm • E min • 02:40 • -6.79db
42% Popularity • 60% Danceability • 86% Energy • 24% Liveness
87% Instrumentalness • 29% Positiveness
42% Popularity • 60% Danceability • 86% Energy • 24% Liveness
87% Instrumentalness • 29% Positiveness
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Shiro SAGISU
soundscape to ardor
120 bpm • A min • 02:48 • -14db
47% Popularity • 55% Danceability • 43% Energy • 9% Liveness
73% Instrumentalness • 53% Positiveness
47% Popularity • 55% Danceability • 43% Energy • 9% Liveness
73% Instrumentalness • 53% Positiveness
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Hiroaki Tsutsumi
Get Exited!!
120 bpm • A min • 02:12 • -10db
31% Popularity • 61% Danceability • 87% Energy • 6% Liveness
82% Instrumentalness • 57% Positiveness
31% Popularity • 61% Danceability • 87% Energy • 6% Liveness
82% Instrumentalness • 57% Positiveness
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Kevin Penkin
Crystalline
120 bpm • D min • 02:14 • -10db
25% Popularity • 38% Danceability • 60% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
25% Popularity • 38% Danceability • 60% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Kenji Kawai
Strike
120 bpm • C# Maj • 02:24 • -13.53db
19% Popularity • 63% Danceability • 66% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
19% Popularity • 63% Danceability • 66% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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梶浦 由記
this day, and never again
120 bpm • D min • 03:32 • -12db
30% Popularity • 21% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
30% Popularity • 21% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
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Masaru Yokoyama
In a Fury
120 bpm • D min • 02:30 • -7.19db
17% Popularity • 80% Danceability • 67% Energy • 31% Liveness
31% Instrumentalness • 61% Positiveness
17% Popularity • 80% Danceability • 67% Energy • 31% Liveness
31% Instrumentalness • 61% Positiveness
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Shiro SAGISU
Invasion
120 bpm • F min • 02:50 • -11db
49% Popularity • 69% Danceability • 50% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
49% Popularity • 69% Danceability • 50% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
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Kenichiro Suehiro
THEME OF CID KAGENOU
120 bpm • F Maj • 03:53 • -7.14db
40% Popularity • 35% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 20% Positiveness
40% Popularity • 35% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 20% Positiveness
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KOHTA YAMAMOTO
From You, 2,000 Years Ago
120 bpm • C min • 06:55 • -14db
36% Popularity • 17% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Aztech from Hybrid Thoughts
I'm A Human
120 bpm • A min • 04:18 • -12.23db
32% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
32% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Evan Call
Journey of a Lifetime ~ Frieren Main The...
121 bpm • D Maj • 03:26 • -10.82db
47% Popularity • 20% Danceability • 62% Energy • 33% Liveness
85% Instrumentalness • 11% Positiveness
47% Popularity • 20% Danceability • 62% Energy • 33% Liveness
85% Instrumentalness • 11% Positiveness
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Masaru Yokoyama
The Dignity of Lords
120 bpm • F min • 02:07 • -11.44db
15% Popularity • 65% Danceability • 49% Energy • 25% Liveness
94% Instrumentalness • 20% Positiveness
15% Popularity • 65% Danceability • 49% Energy • 25% Liveness
94% Instrumentalness • 20% Positiveness
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Akihiko Narita
Murmurs from the Land Forbidden
121 bpm • F min • 04:43 • -12db
34% Popularity • 29% Danceability • 52% Energy • 14% Liveness
92% Instrumentalness • 27% Positiveness
34% Popularity • 29% Danceability • 52% Energy • 14% Liveness
92% Instrumentalness • 27% Positiveness
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Nobuo Uematsu
FFVII REMAKE: 闘う者達 -なんでも...
119 bpm • A# min • 02:53 • -7.66db
50% Popularity • 50% Danceability • 86% Energy • 36% Liveness
98% Instrumentalness • 39% Positiveness
50% Popularity • 50% Danceability • 86% Energy • 36% Liveness
98% Instrumentalness • 39% Positiveness
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ROZEN
Between Heaven and Earth
118 bpm • G Maj • 04:24 • -8db
28% Popularity • 40% Danceability • 68% Energy • 25% Liveness
95% Instrumentalness • 16% Positiveness
28% Popularity • 40% Danceability • 68% Energy • 25% Liveness
95% Instrumentalness • 16% Positiveness
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加藤達也
A Battle Of The Mind
122 bpm • A min • 02:22 • -11.51db
25% Popularity • 52% Danceability • 86% Energy • 12% Liveness
70% Instrumentalness • 75% Positiveness
25% Popularity • 52% Danceability • 86% Energy • 12% Liveness
70% Instrumentalness • 75% Positiveness
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KATE
消えない想い(2012 Version)
118 bpm • E min • 02:37 • -12db
25% Popularity • 40% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 30% Positiveness
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Masaru Yokoyama
Food Chain Domination
120 bpm • E min • 01:41 • -10.76db
29% Popularity • 34% Danceability • 33% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 33% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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桶狭間ありさ
Grudge fight
118 bpm • G# Maj • 01:59 • -8.05db
32% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
32% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Asami Tachibana
黒のチーム
123 bpm • C# Maj • 01:55 • -7.49db
33% Popularity • 55% Danceability • 97% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
33% Popularity • 55% Danceability • 97% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
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Takashi Ohmama
The Witch From Mercury
117 bpm • F min • 04:59 • -8.29db
38% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
38% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
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Yoko Shimomura
Stand Your Ground
117 bpm • C min • 03:29 • -7db
43% Popularity • 34% Danceability • 57% Energy • 61% Liveness
91% Instrumentalness • 52% Positiveness
43% Popularity • 34% Danceability • 57% Energy • 61% Liveness
91% Instrumentalness • 52% Positiveness
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Audio Highs
在りし日
124 bpm • C Maj • 01:45 • -22.6db
33% Popularity • 72% Danceability • 7% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
33% Popularity • 72% Danceability • 7% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
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Masaru Yokoyama
Thank you, Mika
120 bpm • D min • 01:50 • -14.44db
18% Popularity • 21% Danceability • 17% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 17% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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小畑貴裕
レイの報復
124 bpm • D Maj • 02:37 • -7.88db
27% Popularity • 36% Danceability • 79% Energy • 6% Liveness
84% Instrumentalness • 5% Positiveness
27% Popularity • 36% Danceability • 79% Energy • 6% Liveness
84% Instrumentalness • 5% Positiveness
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Kenichiro Suehiro
英雄のタクト -覚醒-
124 bpm • C Maj • 02:59 • -6.8db
25% Popularity • 26% Danceability • 85% Energy • 31% Liveness
92% Instrumentalness • 42% Positiveness
25% Popularity • 26% Danceability • 85% Energy • 31% Liveness
92% Instrumentalness • 42% Positiveness
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Akira Senju
To Be King
116 bpm • C min • 02:02 • -10.2db
34% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
34% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
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Evan Call
Time Flows Ever Onward
116 bpm • G Maj • 02:20 • -19.33db
48% Popularity • 37% Danceability • 7% Energy • 11% Liveness
74% Instrumentalness • 14% Positiveness
48% Popularity • 37% Danceability • 7% Energy • 11% Liveness
74% Instrumentalness • 14% Positiveness
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Taku Iwasaki
激戦
125 bpm • C# min • 04:28 • -7.14db
24% Popularity • 55% Danceability • 80% Energy • 7% Liveness
33% Instrumentalness • 14% Positiveness
24% Popularity • 55% Danceability • 80% Energy • 7% Liveness
33% Instrumentalness • 14% Positiveness
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Masaru Yokoyama
Sandy Desert
119 bpm • E min • 01:47 • -10.61db
27% Popularity • 68% Danceability • 81% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
27% Popularity • 68% Danceability • 81% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
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藤間 仁
優勢
115 bpm • C min • 02:02 • -6.84db
21% Popularity • 24% Danceability • 63% Energy • 10% Liveness
81% Instrumentalness • 57% Positiveness
21% Popularity • 24% Danceability • 63% Energy • 10% Liveness
81% Instrumentalness • 57% Positiveness
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阿保剛
覚醒 're-awake'
125 bpm • C Maj • 04:54 • -8.83db
27% Popularity • 54% Danceability • 72% Energy • 20% Liveness
90% Instrumentalness • 24% Positiveness
27% Popularity • 54% Danceability • 72% Energy • 20% Liveness
90% Instrumentalness • 24% Positiveness
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帆足圭吾
Dark Colossus (Kaiju)
115 bpm • G# Maj • 06:06 • -10.35db
40% Popularity • 52% Danceability • 49% Energy • 43% Liveness
76% Instrumentalness • 4% Positiveness
40% Popularity • 52% Danceability • 49% Energy • 43% Liveness
76% Instrumentalness • 4% Positiveness
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(K)NoW_NAME
STRIX
125 bpm • B min • 02:24 • -5.71db
32% Popularity • 41% Danceability • 78% Energy • 8% Liveness
84% Instrumentalness • 50% Positiveness
32% Popularity • 41% Danceability • 78% Energy • 8% Liveness
84% Instrumentalness • 50% Positiveness
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Kevin Penkin
The Rumble of Scientific Triumph
126 bpm • B min • 04:20 • -10db
36% Popularity • 27% Danceability • 57% Energy • 8% Liveness
5% Instrumentalness • 20% Positiveness
36% Popularity • 27% Danceability • 57% Energy • 8% Liveness
5% Instrumentalness • 20% Positiveness
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Masaru Yokoyama
Aspirations
118 bpm • E min • 02:11 • -6.52db
16% Popularity • 55% Danceability • 72% Energy • 29% Liveness
92% Instrumentalness • 84% Positiveness
16% Popularity • 55% Danceability • 72% Energy • 29% Liveness
92% Instrumentalness • 84% Positiveness
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Akira Senju
The Intrepid
115 bpm • F Maj • 02:18 • -12.31db
38% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Kenichiro Suehiro
UNSURPASSABLE MAGIC
126 bpm • D min • 02:34 • -7.6db
34% Popularity • 47% Danceability • 86% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
34% Popularity • 47% Danceability • 86% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
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堀諭史
The Allmother
126 bpm • G Maj • 04:33 • -12.75db
30% Popularity • 44% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 44% Danceability • 38% Energy • 41% Liveness
0% Instrumentalness • 12% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury II (CALI...
126 bpm • E min • 02:32 • -7.04db
25% Popularity • 18% Danceability • 78% Energy • 17% Liveness
96% Instrumentalness • 7% Positiveness
25% Popularity • 18% Danceability • 78% Energy • 17% Liveness
96% Instrumentalness • 7% Positiveness
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Kevin Penkin
The Rising of the Shield Hero
126 bpm • F min • 04:28 • -8.01db
39% Popularity • 54% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
39% Popularity • 54% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
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Masaru Yokoyama
Tending to Others
126 bpm • A min • 01:53 • -20.53db
23% Popularity • 78% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 21% Positiveness
23% Popularity • 78% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 21% Positiveness
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Fate/Grand Order
絶対魔獣戦線
126 bpm • F# Maj • 02:39 • -6.87db
30% Popularity • 41% Danceability • 84% Energy • 9% Liveness
77% Instrumentalness • 33% Positiveness
30% Popularity • 41% Danceability • 84% Energy • 9% Liveness
77% Instrumentalness • 33% Positiveness
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Yoko Shimomura
APOCALYPSIS NOCTIS
126 bpm • F min • 04:14 • -6.04db
43% Popularity • 39% Danceability • 83% Energy • 9% Liveness
87% Instrumentalness • 42% Positiveness
43% Popularity • 39% Danceability • 83% Energy • 9% Liveness
87% Instrumentalness • 42% Positiveness
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Akihiro Manabe
Azai Nagamasa
114 bpm • G# Maj • 02:08 • -6.3db
21% Popularity • 37% Danceability • 82% Energy • 14% Liveness
96% Instrumentalness • 38% Positiveness
21% Popularity • 37% Danceability • 82% Energy • 14% Liveness
96% Instrumentalness • 38% Positiveness
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Keiji Inai
Bunny Envy
126 bpm • E min • 02:00 • -12.35db
35% Popularity • 25% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
35% Popularity • 25% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
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阿保剛
B-Messenger
114 bpm • E min • 04:40 • -11.31db
27% Popularity • 54% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
27% Popularity • 54% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
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Masaru Yokoyama
Wizardry Warfare
115 bpm • D Maj • 02:04 • -6.91db
25% Popularity • 53% Danceability • 80% Energy • 32% Liveness
98% Instrumentalness • 19% Positiveness
25% Popularity • 53% Danceability • 80% Energy • 32% Liveness
98% Instrumentalness • 19% Positiveness
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帆足圭吾
Honmei
114 bpm • B min • 02:34 • -7.93db
16% Popularity • 51% Danceability • 92% Energy • 33% Liveness
24% Instrumentalness • 31% Positiveness
16% Popularity • 51% Danceability • 92% Energy • 33% Liveness
24% Instrumentalness • 31% Positiveness
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KOHTA YAMAMOTO
Night of The End
113 bpm • F Maj • 04:01 • -14.93db
37% Popularity • 17% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
37% Popularity • 17% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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MAYUKO
己の選択
114 bpm • F min • 03:02 • -11.72db
26% Popularity • 40% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
26% Popularity • 40% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
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Keiji Inai
Now, on to Battle!
114 bpm • G Maj • 01:54 • -11.58db
23% Popularity • 70% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
23% Popularity • 70% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
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Takashi Ohmama
Liberation from the Curse
127 bpm • E min • 05:20 • -10.74db
30% Popularity • 20% Danceability • 46% Energy • 37% Liveness
90% Instrumentalness • 11% Positiveness
30% Popularity • 20% Danceability • 46% Energy • 37% Liveness
90% Instrumentalness • 11% Positiveness
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Masaru Yokoyama
Supremacy Spellslinger Showdown
115 bpm • A min • 01:38 • -8.18db
25% Popularity • 58% Danceability • 76% Energy • 18% Liveness
73% Instrumentalness • 71% Positiveness
25% Popularity • 58% Danceability • 76% Energy • 18% Liveness
73% Instrumentalness • 71% Positiveness
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Kotaro Nakagawa
Lelouch of the Resurrection
113 bpm • D min • 02:01 • -7.21db
34% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
34% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
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帆足圭吾
Vague Hope (Cold Rain)
128 bpm • B min • 03:36 • -18.33db
46% Popularity • 56% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 56% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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SQUARE ENIX MUSIC
Kaine / Escape
128 bpm • G min • 03:06 • -9.62db
41% Popularity • 63% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 63% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Keiji Inai
Now, on to Adventure!
114 bpm • G Maj • 03:02 • -9.48db
16% Popularity • 57% Danceability • 55% Energy • 33% Liveness
98% Instrumentalness • 29% Positiveness
16% Popularity • 57% Danceability • 55% Energy • 33% Liveness
98% Instrumentalness • 29% Positiveness
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Shiro SAGISU
Destiny
128 bpm • A min • 02:52 • -9.39db
30% Popularity • 53% Danceability • 59% Energy • 14% Liveness
75% Instrumentalness • 24% Positiveness
30% Popularity • 53% Danceability • 59% Energy • 14% Liveness
75% Instrumentalness • 24% Positiveness
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Masaru Yokoyama
Underdog Hour
126 bpm • G Maj • 01:41 • -8.14db
30% Popularity • 57% Danceability • 72% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
30% Popularity • 57% Danceability • 72% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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hil
Sorrow(2012 Version)
128 bpm • E min • 03:06 • -7.49db
21% Popularity • 60% Danceability • 73% Energy • 11% Liveness
83% Instrumentalness • 60% Positiveness
21% Popularity • 60% Danceability • 73% Energy • 11% Liveness
83% Instrumentalness • 60% Positiveness
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Audio Highs
終われぬ苦しみ
128 bpm • D min • 02:31 • -7db
18% Popularity • 19% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
18% Popularity • 19% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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SQUARE ENIX MUSIC
Song of the Ancients / Fate
128 bpm • C min • 05:17 • -10.35db
45% Popularity • 49% Danceability • 80% Energy • 12% Liveness
4% Instrumentalness • 33% Positiveness
45% Popularity • 49% Danceability • 80% Energy • 12% Liveness
4% Instrumentalness • 33% Positiveness
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Takashi Ohmama
Fix Release
128 bpm • D Maj • 03:51 • -13.56db
26% Popularity • 38% Danceability • 70% Energy • 26% Liveness
86% Instrumentalness • 58% Positiveness
26% Popularity • 38% Danceability • 70% Energy • 26% Liveness
86% Instrumentalness • 58% Positiveness
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小畑貴裕
The Promised Neverland Main Theme1
112 bpm • A# min • 05:57 • -9db
32% Popularity • 40% Danceability • 73% Energy • 8% Liveness
80% Instrumentalness • 30% Positiveness
32% Popularity • 40% Danceability • 73% Energy • 8% Liveness
80% Instrumentalness • 30% Positiveness
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Masaru Yokoyama
Live with them
128 bpm • G Maj • 01:41 • -5.71db
15% Popularity • 83% Danceability • 79% Energy • 25% Liveness
94% Instrumentalness • 76% Positiveness
15% Popularity • 83% Danceability • 79% Energy • 25% Liveness
94% Instrumentalness • 76% Positiveness
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Kotaro Nakagawa
Misconduct
129 bpm • C min • 01:43 • -9db
19% Popularity • 52% Danceability • 58% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
19% Popularity • 52% Danceability • 58% Energy • 13% Liveness
84% Instrumentalness • 32% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury (AERIAL ...
112 bpm • E min • 02:31 • -9.3db
32% Popularity • 28% Danceability • 70% Energy • 15% Liveness
19% Instrumentalness • 7% Positiveness
32% Popularity • 28% Danceability • 70% Energy • 15% Liveness
19% Instrumentalness • 7% Positiveness
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Kenichiro Suehiro
THE PATH OF AWAKENING
130 bpm • C min • 02:09 • -4.41db
31% Popularity • 54% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
31% Popularity • 54% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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藤間 仁
覚悟
111 bpm • G min • 01:58 • -7.46db
28% Popularity • 37% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
28% Popularity • 37% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
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梶浦 由記
live through our swordland
130 bpm • C# Maj • 01:53 • -9db
34% Popularity • 36% Danceability • 76% Energy • 32% Liveness
70% Instrumentalness • 31% Positiveness
34% Popularity • 36% Danceability • 76% Energy • 32% Liveness
70% Instrumentalness • 31% Positiveness
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Masaru Yokoyama
The Knight of Rebelion
128 bpm • G min • 02:31 • -9db
30% Popularity • 69% Danceability • 78% Energy • 9% Liveness
94% Instrumentalness • 77% Positiveness
30% Popularity • 69% Danceability • 78% Energy • 9% Liveness
94% Instrumentalness • 77% Positiveness
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Keiji Inai
Striving Rabbit
130 bpm • E min • 03:21 • -10.72db
39% Popularity • 21% Danceability • 42% Energy • 11% Liveness
54% Instrumentalness • 10% Positiveness
39% Popularity • 21% Danceability • 42% Energy • 11% Liveness
54% Instrumentalness • 10% Positiveness
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KOHTA YAMAMOTO
Hear my voice
130 bpm • G Maj • 03:09 • -13db
37% Popularity • 40% Danceability • 40% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
37% Popularity • 40% Danceability • 40% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Hideyuki Fukasawa
Five
130 bpm • C# Maj • 04:01 • -7db
27% Popularity • 44% Danceability • 77% Energy • 12% Liveness
86% Instrumentalness • 35% Positiveness
27% Popularity • 44% Danceability • 77% Energy • 12% Liveness
86% Instrumentalness • 35% Positiveness
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Kenji Kawai
Decisive Battle
111 bpm • C Maj • 02:42 • -13.08db
24% Popularity • 28% Danceability • 64% Energy • 23% Liveness
95% Instrumentalness • 24% Positiveness
24% Popularity • 28% Danceability • 64% Energy • 23% Liveness
95% Instrumentalness • 24% Positiveness
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芳賀 敬太
絶対魔獣戦線：メソポタミア
130 bpm • D# min • 03:28 • -10db
24% Popularity • 56% Danceability • 66% Energy • 13% Liveness
94% Instrumentalness • 36% Positiveness
24% Popularity • 56% Danceability • 66% Energy • 13% Liveness
94% Instrumentalness • 36% Positiveness
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Masaru Yokoyama
Fate/Apocrypha - Battle
112 bpm • C Maj • 02:27 • -8.08db
27% Popularity • 48% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 24% Positiveness
27% Popularity • 48% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 24% Positiveness
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Asami Tachibana
宮侑
130 bpm • F min • 02:19 • -8.12db
34% Popularity • 68% Danceability • 69% Energy • 7% Liveness
87% Instrumentalness • 31% Positiveness
34% Popularity • 68% Danceability • 69% Energy • 7% Liveness
87% Instrumentalness • 31% Positiveness
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RoomTone
The Cyborg Fights
130 bpm • C# Maj • 01:47 • -8.84db
47% Popularity • 48% Danceability • 94% Energy • 8% Liveness
3% Instrumentalness • 76% Positiveness
47% Popularity • 48% Danceability • 94% Energy • 8% Liveness
3% Instrumentalness • 76% Positiveness
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T’s MUSIC
Rising Sun
130 bpm • A min • 05:42 • -8db
30% Popularity • 49% Danceability • 93% Energy • 42% Liveness
96% Instrumentalness • 39% Positiveness
30% Popularity • 49% Danceability • 93% Energy • 42% Liveness
96% Instrumentalness • 39% Positiveness
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Kenji Kawai
Power
130 bpm • C Maj • 02:40 • -12.9db
21% Popularity • 49% Danceability • 52% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
21% Popularity • 49% Danceability • 52% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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桶狭間ありさ
Set up /Stand up
130 bpm • F# min • 01:41 • -6db
33% Popularity • 51% Danceability • 97% Energy • 28% Liveness
89% Instrumentalness • 76% Positiveness
33% Popularity • 51% Danceability • 97% Energy • 28% Liveness
89% Instrumentalness • 76% Positiveness
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Masaru Yokoyama
Withered Flowers
112 bpm • B min • 03:24 • -13.24db
10% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Hiroaki Tsutsumi
Beginning
130 bpm • D min • 02:39 • -9db
32% Popularity • 49% Danceability • 53% Energy • 8% Liveness
27% Instrumentalness • 30% Positiveness
32% Popularity • 49% Danceability • 53% Energy • 8% Liveness
27% Instrumentalness • 30% Positiveness
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Max Shirshov
Attack
130 bpm • D Maj • 02:05 • -11db
32% Popularity • 50% Danceability • 77% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
32% Popularity • 50% Danceability • 77% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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梶浦 由記
fate to zero
130 bpm • D min • 03:02 • -11db
25% Popularity • 28% Danceability • 53% Energy • 38% Liveness
2% Instrumentalness • 4% Positiveness
25% Popularity • 28% Danceability • 53% Energy • 38% Liveness
2% Instrumentalness • 4% Positiveness
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岡部啓一
Birth of a Wish
111 bpm • A Maj • 04:40 • -9.63db
44% Popularity • 65% Danceability • 83% Energy • 14% Liveness
76% Instrumentalness • 75% Positiveness
44% Popularity • 65% Danceability • 83% Energy • 14% Liveness
76% Instrumentalness • 75% Positiveness
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桶狭間ありさ
Battle royale
130 bpm • A min • 02:50 • -5db
18% Popularity • 71% Danceability • 75% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
18% Popularity • 71% Danceability • 75% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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Masaru Yokoyama
Fate/Apocrypha - Rising
130 bpm • A# Maj • 01:52 • -9.92db
18% Popularity • 67% Danceability • 85% Energy • 10% Liveness
97% Instrumentalness • 48% Positiveness
18% Popularity • 67% Danceability • 85% Energy • 10% Liveness
97% Instrumentalness • 48% Positiveness
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Akira Senju
Main Theme ～The Fullmetal Alchemist～
131 bpm • G min • 03:42 • -12db
43% Popularity • 21% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
43% Popularity • 21% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
