Songs like Mogłoby Być Tak na Zawsze by Sokół
Based on a tempo of (+/- 10%) and a similar genre
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Włodi
Kominy
148 bpm • B min • 04:08 • -9.69db
34% Popularity • 61% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 61% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Arne
Poranna Rosa
147 bpm • C# Maj • 03:06 • -8.48db
50% Popularity • 79% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 79% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Taco Hemingway
Anja
148 bpm • A min • 03:09 • -7.22db
45% Popularity • 68% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 68% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Dwa Sławy
Co ludzie powiedzą?
146 bpm • A Maj • 03:20 • -4.91db
30% Popularity • 76% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 76% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Ten Typ Mes
Jak to !?
146 bpm • C# Maj • 04:40 • -10.61db
28% Popularity • 77% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 77% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jan-Rapowanie
Ludzie, zdarzenia
148 bpm • F# min • 03:32 • -12.24db
39% Popularity • 75% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 75% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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PRO8L3M
Freon
145 bpm • C# Maj • 03:51 • -5db
51% Popularity • 68% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 68% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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VNM
Uciec
150 bpm • G# Maj • 04:41 • -6.45db
13% Popularity • 46% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 46% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Taco Hemingway
A mówiłem Ci
150 bpm • B min • 05:39 • -7.29db
46% Popularity • 80% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 80% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Kacperczyk
Kryzys Wieku Wczesnego
150 bpm • C Maj • 02:59 • -8.45db
44% Popularity • 56% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 56% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Vixen
Melodio
144 bpm • G# min • 03:05 • -6db
48% Popularity • 72% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 72% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Avi
Przełęcz
144 bpm • B min • 03:16 • -6.67db
46% Popularity • 67% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 67% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Paluch
Chcę Mniej
150 bpm • C# Maj • 04:23 • -3.81db
22% Popularity • 64% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 64% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 73% Positiveness
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H4J4
Walka z cieniem
144 bpm • A min • 03:20 • -9db
46% Popularity • 62% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 62% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Taco Hemingway
LECI NOWY FUTURE
150 bpm • C min • 03:39 • -6.61db
54% Popularity • 71% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
54% Popularity • 71% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Sokół
Czysta brudna prawda
144 bpm • C Maj • 05:36 • -6.02db
26% Popularity • 59% Danceability • 92% Energy • 33% Liveness
1% Instrumentalness • 61% Positiveness
26% Popularity • 59% Danceability • 92% Energy • 33% Liveness
1% Instrumentalness • 61% Positiveness
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VNM
Brać Życie za Mordę
144 bpm • C Maj • 05:27 • -8db
28% Popularity • 67% Danceability • 79% Energy • 78% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 67% Danceability • 79% Energy • 78% Liveness
0% Instrumentalness • 46% Positiveness
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Białas
AU
151 bpm • A# min • 03:04 • -8.5db
40% Popularity • 72% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 72% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
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Avi
Mara
142 bpm • G Maj • 02:55 • -8db
50% Popularity • 73% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 73% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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schafter
bigos
152 bpm • F# Maj • 03:38 • -8.32db
50% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Dwa Sławy
O Sportowcu, Któremu Nie Wyszło
142 bpm • G Maj • 03:33 • -5db
38% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 70% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sokół
MC Hasselblad
143 bpm • B min • 03:55 • -8db
35% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Zeus
Świt
142 bpm • G Maj • 03:39 • -6db
37% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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EastWest Rockers
Mój głos - Mothashipp Remix
152 bpm • A min • 04:55 • -7.23db
17% Popularity • 64% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 64% Danceability • 74% Energy • 65% Liveness
0% Instrumentalness • 89% Positiveness
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NIKOŚ
Peachtree
141 bpm • C# Maj • 02:04 • -7.53db
56% Popularity • 66% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 66% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Nullo
Chyba Ją Znałem
140 bpm • B min • 04:22 • -5db
31% Popularity • 80% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 80% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Dwa Sławy
Ciężki Zawód (Gettin' Money)
154 bpm • B Maj • 03:16 • -4db
30% Popularity • 65% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 65% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Sokół
Nic
154 bpm • B min • 03:46 • -7.7db
35% Popularity • 75% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 75% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Taco Hemingway
Świecące prostokąty
140 bpm • B Maj • 04:17 • -8.07db
45% Popularity • 78% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 78% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Małpa
Po sygnale
140 bpm • G# Maj • 03:53 • -7.96db
31% Popularity • 59% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 59% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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KęKę
Presja
140 bpm • E min • 04:26 • -4.03db
50% Popularity • 80% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 80% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Bedoes 2115
Gustaw
140 bpm • C# Maj • 03:46 • -6db
48% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Dwa Sławy
Catering
140 bpm • F Maj • 03:23 • -4.37db
36% Popularity • 66% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 66% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Dixon 37
Pazeroty
140 bpm • C# min • 06:20 • -5.38db
33% Popularity • 88% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 88% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Sokół
Wkraczając w pustkę
140 bpm • A min • 02:35 • -7.61db
37% Popularity • 56% Danceability • 85% Energy • 71% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 56% Danceability • 85% Energy • 71% Liveness
0% Instrumentalness • 62% Positiveness
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Taco Hemingway
Chodź
140 bpm • A Maj • 03:28 • -7.54db
54% Popularity • 85% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 85% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Fokus
Czas II
140 bpm • B min • 03:19 • -6.74db
31% Popularity • 54% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 54% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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KęKę
Nigdy ponad stan
139 bpm • C Maj • 03:02 • -6.5db
57% Popularity • 88% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 88% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Kuban
Flatera
140 bpm • D Maj • 03:22 • -5.75db
45% Popularity • 67% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 67% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Sampler Orchestra
Próbowałem sobie przypomnieć
156 bpm • D Maj • 03:33 • -12.12db
8% Popularity • 27% Danceability • 77% Energy • 75% Liveness
3% Instrumentalness • 6% Positiveness
8% Popularity • 27% Danceability • 77% Energy • 75% Liveness
3% Instrumentalness • 6% Positiveness
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Kaz Bałagane
Z Wami
138 bpm • E min • 04:04 • -6.47db
43% Popularity • 79% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 79% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Sokół
Kilka pytań
156 bpm • C min • 03:13 • -6db
34% Popularity • 65% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 65% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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O.S.T.R.
Alcatraz
138 bpm • B min • 03:50 • -7db
46% Popularity • 66% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 66% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Guzior
Tajfun92
137 bpm • E min • 03:09 • -4db
59% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
59% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Kuban
od serducha
156 bpm • C min • 03:28 • -7.33db
47% Popularity • 79% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 79% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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JWP/BC
Właśnie Taki
157 bpm • E min • 02:50 • -4.59db
37% Popularity • 76% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 76% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Czarny HIFI
Latami
136 bpm • G min • 04:42 • -10.42db
25% Popularity • 72% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 72% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Sokół
Nie było już nic
137 bpm • D# min • 02:32 • -8.9db
29% Popularity • 67% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 67% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Mata
Lezore
136 bpm • F# min • 04:16 • -10.02db
46% Popularity • 82% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 82% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Dwa Sławy
1000 M
136 bpm • C# Maj • 03:42 • -5.52db
39% Popularity • 77% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 77% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Lukasyno
Zabierz mnie tam
136 bpm • B Maj • 04:25 • -5.02db
28% Popularity • 60% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 60% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Kaz Bałagane
Nowe Szklane Domy
159 bpm • C# min • 02:52 • -5.36db
49% Popularity • 76% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 76% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Pezet
Gorzka woda (prod. Auer) - Remix
136 bpm • B min • 05:43 • -4.85db
33% Popularity • 67% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 67% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Dudek P56
Skrzydła
160 bpm • C# Maj • 04:07 • -8.65db
40% Popularity • 75% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 75% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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SB Maffija
Nie ma raju bez węża
160 bpm • B min • 03:25 • -8db
41% Popularity • 62% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 62% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Kosi
Paznokieć…
160 bpm • C# Maj • 03:05 • -5.82db
12% Popularity • 80% Danceability • 91% Energy • 50% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 80% Danceability • 91% Energy • 50% Liveness
0% Instrumentalness • 65% Positiveness
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Kacperczyk
Brejdaki
160 bpm • A# min • 03:15 • -5.45db
41% Popularity • 70% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 70% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Kaz Bałagane
Chanson De Geste
135 bpm • G Maj • 02:45 • -6.93db
49% Popularity • 74% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 74% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 41% Positiveness
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Kuban
Chore jazdy
135 bpm • A Maj • 05:16 • -9db
42% Popularity • 83% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 83% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Małpa
Budzę Się
135 bpm • B Maj • 03:25 • -8db
32% Popularity • 65% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 65% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Solar
Olejmy jutro - D87 Remix
160 bpm • C# min • 05:08 • -3.75db
27% Popularity • 72% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 72% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Otsochodzi
„Tak to leciało!”
135 bpm • A min • 02:37 • -7.06db
68% Popularity • 88% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
68% Popularity • 88% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Wac Toja
CIEPŁO CIAŁA
160 bpm • G# min • 03:06 • -4db
57% Popularity • 69% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 69% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jan-Rapowanie
Niech to usłyszą
135 bpm • G# Maj • 03:22 • -6.89db
41% Popularity • 68% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 68% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Sokół
Każdy dzień
134 bpm • C min • 06:14 • -9.02db
34% Popularity • 61% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 61% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Szpaku
Potwór
133 bpm • G min • 03:47 • -5.55db
47% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Hinol Polska Wersja
Ludzka przypadłość
132 bpm • A Maj • 04:25 • -5.06db
36% Popularity • 91% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 91% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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KęKę
Smutek
132 bpm • C# Maj • 03:56 • -8.19db
49% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Vixen
Romantyczna Miłość
165 bpm • G# Maj • 04:26 • -10db
45% Popularity • 42% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 42% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Jan-Rapowanie
Millenium sport
132 bpm • D Maj • 02:35 • -9.81db
43% Popularity • 80% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 80% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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VNM
Jesteś
132 bpm • C# min • 04:07 • -7.18db
25% Popularity • 78% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 78% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Sokół
Nie da na da
134 bpm • C# Maj • 03:40 • -7.85db
30% Popularity • 83% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 83% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Pezet
Noc i dzień
131 bpm • D Maj • 04:51 • -4.33db
42% Popularity • 70% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 70% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Kaz Bałagane
Spodenki do ćpania
130 bpm • A# Maj • 02:59 • -7.47db
48% Popularity • 64% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 64% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Otsochodzi
Dla mnie
130 bpm • E min • 02:59 • -5.57db
46% Popularity • 68% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 68% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Rahim
Fejm
166 bpm • D Maj • 04:09 • -6db
40% Popularity • 57% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 57% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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M0LLY
Żyję marzeniami
166 bpm • D min • 03:13 • -7db
59% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sokół
Lek Przeciwbólowy
132 bpm • D Maj • 05:19 • -7.76db
35% Popularity • 50% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 50% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Fokus
Lubisz To
166 bpm • G Maj • 04:55 • -7.04db
31% Popularity • 68% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 68% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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KęKę
Cesarz
130 bpm • G Maj • 03:09 • -7db
46% Popularity • 76% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 76% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Rasmentalism
Duch
130 bpm • F# min • 03:33 • -7.71db
28% Popularity • 79% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 79% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Tymek
Semantyka
130 bpm • G min • 04:14 • -5.66db
53% Popularity • 79% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 79% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Guzior
Karnawał
130 bpm • A Maj • 03:00 • -5db
58% Popularity • 76% Danceability • 66% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 76% Danceability • 66% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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Sokół
Z Tobą
131 bpm • C Maj • 04:13 • -8.22db
45% Popularity • 77% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 77% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Jan-Rapowanie
Co tam
130 bpm • C# Maj • 03:26 • -11db
44% Popularity • 89% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 89% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Dwa Sławy
Mogłoby się Wydawać Paweł Łankiewic...
130 bpm • G# min • 03:46 • -4.76db
32% Popularity • 72% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 72% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
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Kaz Bałagane
Strzały
130 bpm • G Maj • 03:43 • -7.15db
43% Popularity • 88% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 88% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Filipek
Dementor
130 bpm • F# min • 04:00 • -7.24db
50% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 79% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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KęKę
Miłość
130 bpm • C# min • 04:01 • -7db
46% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 79% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Sokół
Skażony
130 bpm • E min • 03:42 • -9.86db
29% Popularity • 76% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 76% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Mata
Kurtz
130 bpm • F min • 04:15 • -8.27db
51% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 60% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Dixon 37
Ulica ma się dobrze
167 bpm • F min • 04:33 • -6db
37% Popularity • 76% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 76% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Lipa
Znowu polecę
129 bpm • F# min • 03:28 • -11db
42% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Dudek P56
Dziadek
168 bpm • C Maj • 02:56 • -12.29db
37% Popularity • 63% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 63% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Małolat
Przestępcze Myśli
168 bpm • D min • 04:07 • -6.56db
29% Popularity • 68% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 68% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Sokół
Koniec gatunku
129 bpm • C# Maj • 04:59 • -6.76db
32% Popularity • 55% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 55% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Fukaj
DOM DIABŁA
168 bpm • F# Maj • 02:47 • -7.44db
36% Popularity • 45% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 45% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
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Dwa Sławy
Pengaboys
128 bpm • C# Maj • 03:58 • -4.73db
23% Popularity • 63% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 63% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
