Songs like Moments by Emerson Drive
Based on a tempo of (+/- 10%) and a similar genre
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Luke Bryan
You Don't Know Jack
142 bpm • F Maj • 03:16 • -7.4db
40% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 59% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Darius Rucker
Need You More
142 bpm • F# Maj • 03:30 • -6.25db
16% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmy Wayne
Stay Gone
142 bpm • A Maj • 03:46 • -5db
31% Popularity • 52% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 52% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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Emerson Drive
Moments
142 bpm • A Maj • 04:58 • -8db
42% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Lost Trailers
How 'Bout You Don't
142 bpm • D Maj • 02:41 • -3.49db
19% Popularity • 53% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 53% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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John Michael Montgomery
Forever
142 bpm • E Maj • 04:42 • -3db
28% Popularity • 52% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 52% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Luke Bryan
First Love Song
142 bpm • B Maj • 04:36 • -5db
29% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 53% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Steve Holy
A Cliff In Colorado
141 bpm • A Maj • 03:35 • -4.79db
11% Popularity • 49% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 49% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Brad Paisley
It Did
141 bpm • D Maj • 03:55 • -6.58db
25% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Love and Theft
Runaway
140 bpm • C# min • 03:49 • -4.39db
38% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Andy Griggs
You Made Me That Way
140 bpm • D Maj • 03:14 • -7.34db
21% Popularity • 62% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 62% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Lee Brice
Good Man
144 bpm • G# min • 03:24 • -9.54db
35% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Blaine Larsen
The Best Man
144 bpm • D Maj • 03:27 • -4.39db
17% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dustin Lynch
Your Daddy's Boots
140 bpm • A Maj • 03:50 • -8.78db
27% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Joe Nichols
I'll Wait For You
144 bpm • A Maj • 04:07 • -9db
41% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Love and Theft
Night That You'll Never Forget
140 bpm • A Maj • 03:37 • -5.11db
32% Popularity • 56% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 56% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 58% Positiveness
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Tim Hicks
She Don’t Drink Whiskey Anymore
144 bpm • A min • 03:03 • -5.18db
17% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Lee Brice
Some Things
144 bpm • C# Maj • 03:04 • -4.49db
23% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Blaine Larsen
Teaching Me How To Love You
144 bpm • C Maj • 02:49 • -5db
15% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Darius Rucker
While I Still Got The Time
140 bpm • A Maj • 03:49 • -5.06db
22% Popularity • 46% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 46% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Lady A
Love Don't Live Here
140 bpm • C# Maj • 03:50 • -3.83db
51% Popularity • 65% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 65% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Big & Rich
Don't Wake Me Up
140 bpm • B Maj • 03:22 • -3.85db
21% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Matt Stillwell
Hey Dad
140 bpm • C# Maj • 03:32 • -7db
30% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Lee Brice
Happy Endings
144 bpm • F# Maj • 03:41 • -5db
27% Popularity • 49% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 49% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Randy Houser
Anything Goes
140 bpm • C Maj • 03:04 • -4.77db
38% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Darryl Worley
I Miss My Friend
140 bpm • E Maj • 04:02 • -7.84db
44% Popularity • 55% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 55% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Andy Griggs
Tonight I Wanna Be Your Man
139 bpm • D# Maj • 02:58 • -11.25db
25% Popularity • 40% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 40% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Phil Vassar
Last Day Of My Life
140 bpm • C Maj • 04:09 • -5.57db
27% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Emerson Drive
Still Got Yesterday
145 bpm • D Maj • 03:40 • -4.87db
16% Popularity • 60% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 60% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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BlackHawk
Almost a Memory Now
139 bpm • A# Maj • 03:15 • -9db
30% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Terri Clark
Girls Lie Too - Greatest Hits Version
139 bpm • A Maj • 03:34 • -4.33db
27% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Big & Rich
Live This Life
146 bpm • E Maj • 04:24 • -4.45db
34% Popularity • 48% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 48% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Andy Griggs
If Heaven
145 bpm • E Maj • 03:30 • -9db
37% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Toby Keith
She Never Cried in Front of Me
146 bpm • G Maj • 03:59 • -5db
47% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lee Brice
She Ain't Right
146 bpm • A Maj • 03:12 • -5db
39% Popularity • 47% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 47% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Jason McCoy
She's Good for Me
146 bpm • G Maj • 03:27 • -3.62db
14% Popularity • 52% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 52% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Ronnie Dunn
That's Why They Make Jack Daniels
146 bpm • D# Maj • 03:23 • -5db
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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LOCASH
Keep in Mind
146 bpm • A Maj • 03:47 • -4.42db
18% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Andy Griggs
She Thinks She Needs Me
138 bpm • C Maj • 03:59 • -8db
40% Popularity • 50% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 50% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Blaine
They Don't Make Em Like That Anymore
146 bpm • F Maj • 03:43 • -3.88db
27% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Chase Rice
How She Rolls
146 bpm • E Maj • 02:59 • -5.27db
24% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Too Damn Young
138 bpm • C Maj • 03:36 • -4.92db
41% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Emerson Drive
Testify
138 bpm • D Maj • 03:32 • -6.21db
12% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Phil Vassar
Just Another Day In Paradise
146 bpm • D Maj • 03:53 • -5.56db
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Bucky Covington
American Friday Night
138 bpm • D Maj • 03:21 • -3.74db
15% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Tracy Lawrence
Somebody Who Would Die for You
138 bpm • D Maj • 03:51 • -5.92db
3% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Doc Walker
Put It into Drive
137 bpm • C# Maj • 03:49 • -7.46db
10% Popularity • 55% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 55% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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LOCASH
Best Seat in the House
138 bpm • D Maj • 03:24 • -3.68db
23% Popularity • 52% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 52% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Emerson Drive
She's My Kind of Crazy
137 bpm • F Maj • 03:23 • -4.96db
37% Popularity • 56% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 56% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Steve Holy
Love Don't Run
147 bpm • C Maj • 03:39 • -3db
32% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Brett Kissel
I Didn't Fall in Love with Your Hair
148 bpm • F Maj • 03:18 • -7.33db
31% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Lee Brice
Power Of A Woman
148 bpm • C Maj • 03:40 • -5.66db
22% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Big & Rich
Lost in This Moment
148 bpm • B Maj • 03:30 • -7db
33% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Andy Griggs
I Miss You The Most
148 bpm • D Maj • 03:09 • -7.46db
17% Popularity • 51% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 51% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Keith Anderson
Lost In This Moment
148 bpm • A# Maj • 04:33 • -6db
1% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Darius Rucker
I Got Nothin'
148 bpm • A Maj • 03:24 • -5.37db
40% Popularity • 55% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 55% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Chuck Wicks
Us Again
148 bpm • C# Maj • 03:39 • -6.42db
25% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Thompson Square
If I Didn't Have You
148 bpm • F# Maj • 03:22 • -3.43db
45% Popularity • 55% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 55% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Michael Ray
Run Away With You
148 bpm • D# min • 03:40 • -4db
29% Popularity • 50% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 50% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Randy Houser
Fired Up
148 bpm • C Maj • 03:34 • -3.58db
30% Popularity • 51% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 51% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Toby Keith
Love Me If You Can
148 bpm • F Maj • 03:36 • -6.26db
34% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Emerson Drive
The Road
148 bpm • C# Maj • 03:35 • -4.15db
25% Popularity • 55% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 55% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Kennon
That's Love
136 bpm • G Maj • 03:42 • -6.95db
14% Popularity • 43% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 43% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Luke Bryan
Scarecrows
136 bpm • F min • 03:36 • -2.26db
39% Popularity • 52% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 52% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Darius Rucker
I Hope They Get To Me In Time
136 bpm • C# min • 03:26 • -5.36db
21% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bucky Covington
It's Good To Be Us
135 bpm • E Maj • 03:04 • -3.2db
27% Popularity • 50% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 50% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Lee Brice
Beautiful Every Time
150 bpm • B Maj • 03:30 • -4.53db
33% Popularity • 44% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 44% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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James Wesley
Real
150 bpm • F Maj • 03:36 • -6.57db
21% Popularity • 38% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 38% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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James Otto
Days Of Our Lives
150 bpm • C# Maj • 03:51 • -6.89db
12% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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River Town Saints
A Little Bit Goes a Long Way
150 bpm • A Maj • 03:16 • -2.28db
24% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Kip Moore
Dirt Road
150 bpm • C Maj • 03:23 • -5.21db
44% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Toby Keith
Lost You Anyway
150 bpm • F# min • 03:38 • -3.79db
31% Popularity • 40% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
31% Popularity • 40% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Crossin Dixon
Don't Waste Your Pretty
150 bpm • A# Maj • 02:49 • -3.31db
9% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Keith Urban
Put You In A Song
134 bpm • D Maj • 03:40 • -8.5db
39% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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James Otto
The Man That I Am
150 bpm • F# min • 03:58 • -5.82db
15% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Aaron Pritchett
Wake You With a Kiss
134 bpm • D# Maj • 03:37 • -5.93db
18% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Luke Bryan
Shut It Down
152 bpm • G Maj • 03:15 • -4.93db
36% Popularity • 44% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 44% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Brett Kissel
Cool with That
152 bpm • A Maj • 03:49 • -4.74db
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Ronnie Dunn
Ain't No Trucks In Texas
152 bpm • G# Maj • 03:20 • -3.89db
35% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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George Strait
The Breath You Take
132 bpm • B min • 03:35 • -8db
34% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Emerson Drive
We Are This Town
132 bpm • C Maj • 03:42 • -4.91db
10% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Aaron Pritchett
Hold My Beer
134 bpm • E Maj • 04:10 • -4.98db
30% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Steve Holy
Come On Rain
132 bpm • B Maj • 03:27 • -3.11db
12% Popularity • 46% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 46% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Doc Walker
The Show Is Free
132 bpm • E Maj • 03:35 • -8.77db
17% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Steve Azar
Waitin' On Joe
132 bpm • B Maj • 04:18 • -6db
22% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Billy Currington
Walk A Little Straighter
132 bpm • G# Maj • 03:43 • -8.45db
39% Popularity • 56% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 56% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jerrod Niemann
What Do You Want
153 bpm • E Maj • 03:34 • -10.12db
42% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Brett Eldredge
Raymond
131 bpm • B Maj • 03:39 • -3.94db
36% Popularity • 51% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 51% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Dierks Bentley
Sounds Of Summer
154 bpm • E Maj • 03:21 • -6.94db
35% Popularity • 53% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 53% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Lee Brice
Picture Of Me
154 bpm • A# min • 04:31 • -3.85db
32% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Ashton Shepherd
Sounds So Good
154 bpm • E Maj • 03:27 • -4db
35% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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David Lee Murphy
Every Time I Get Around You
131 bpm • D Maj • 03:26 • -11db
36% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Emerson Drive
Tilt-a-Whirl
154 bpm • F# Maj • 03:20 • -2.98db
6% Popularity • 56% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 56% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Janson
Bein' a Dad
130 bpm • A# Maj • 03:45 • -9db
25% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Thompson Square
Let's Fight
130 bpm • G Maj • 03:01 • -3.64db
18% Popularity • 60% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 60% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Phil Vassar
Bye Bye
130 bpm • G Maj • 03:17 • -5db
31% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Sugarland
Already Gone
155 bpm • C# Maj • 04:35 • -6db
41% Popularity • 48% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 48% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Jeff Bates
The Love Song
130 bpm • G# Maj • 04:05 • -6db
27% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
