Songs like Momma Tried by Merle Haggard
Based on a tempo of (+/- 10%) and a similar genre
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Lorrie Morgan
'Til a Tear Becomes a Rose
104 bpm • F Maj • 03:32 • -12db
42% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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The Bellamy Brothers
Old Hippie
104 bpm • B Maj • 04:05 • -13.25db
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Mark Chesnutt
Old Flames Have New Names
104 bpm • E Maj • 02:24 • -8.85db
48% Popularity • 74% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 74% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Gary Stewart
Drinkin' Thing
104 bpm • F Maj • 02:59 • -13.38db
47% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Mel McDaniel
Hello Daddy, Good Morning Darling
104 bpm • C Maj • 03:27 • -9.14db
37% Popularity • 70% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 59% Positiveness
37% Popularity • 70% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 59% Positiveness
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Sturgill Simpson
Life Ain't Fair and the World Is Mean
104 bpm • B min • 02:06 • -5db
65% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
65% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
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Alabama
Love in the First Degree
104 bpm • G# Maj • 03:18 • -11.88db
45% Popularity • 59% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 59% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Don Williams
Tulsa Time
104 bpm • E Maj • 03:15 • -13.01db
66% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
66% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Merle Haggard
Working Man Blues
104 bpm • C# Maj • 02:36 • -14.24db
36% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 66% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Tom T. Hall
Who's Gonna Feed Them Hogs
105 bpm • G Maj • 02:36 • -11db
38% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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The Statler Brothers
Hello Mary Lou
103 bpm • G# Maj • 02:17 • -14.4db
54% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Clint Black
Nobody's Home
105 bpm • C# Maj • 03:29 • -10db
48% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Hank Williams, Jr.
Dixie On My Mind
105 bpm • D Maj • 02:36 • -5.67db
52% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
52% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Waylon Jennings
Luckenbach, Texas (Back to the Basics of...
103 bpm • G Maj • 03:22 • -9.86db
64% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
64% Popularity • 69% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Rodriguez
Down On The Rio Grande
103 bpm • A Maj • 03:34 • -13db
31% Popularity • 68% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 68% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Merle Haggard & The Strangers
Silver Wings
105 bpm • E Maj • 02:45 • -14.57db
52% Popularity • 54% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 54% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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David Allan Coe
You Never Even Called Me by My Name
105 bpm • G Maj • 05:16 • -8db
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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George Jones
Tennessee Whiskey
105 bpm • F# Maj • 02:51 • -15.5db
51% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Gary Stewart
I See the Want to in Your Eyes
102 bpm • A Maj • 02:38 • -13db
29% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Porter Wagoner
The Last Thing On My Mind
106 bpm • B Maj • 02:36 • -13db
49% Popularity • 61% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 61% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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The Highwaymen
Live Forever
106 bpm • G Maj • 02:47 • -11.25db
58% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
58% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
65% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
65% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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David Allan Coe
Jack Daniel's, If You Please
103 bpm • D Maj • 03:17 • -9.55db
52% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Vern Gosdin
That Just About Does It
102 bpm • C# Maj • 03:59 • -15db
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 61% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Hank Thompson
Oklahoma Hills
106 bpm • G Maj • 02:25 • -11.64db
24% Popularity • 76% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 76% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
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Larry Gatlin & The Gatlin Brothers
All The Gold In California
106 bpm • G Maj • 02:50 • -10.88db
33% Popularity • 65% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 65% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Toby Keith
She Ain't Hooked On Me No More
106 bpm • E Maj • 03:36 • -5.44db
35% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 68% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Keith Whitley
I'm Over You
106 bpm • E Maj • 03:03 • -15.64db
60% Popularity • 77% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 77% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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The Marshall Tucker Band
Fire on the Mountain
102 bpm • E min • 03:56 • -6.36db
59% Popularity • 51% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 51% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Marty Robbins
El Paso
107 bpm • D Maj • 04:19 • -9.71db
64% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
64% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Faron Young
Hello Walls
101 bpm • C Maj • 02:26 • -10db
55% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Waylon Jennings
Good Hearted Woman
107 bpm • D Maj • 03:01 • -14.42db
61% Popularity • 48% Danceability • 41% Energy • 38% Liveness
4% Instrumentalness • 77% Positiveness
61% Popularity • 48% Danceability • 41% Energy • 38% Liveness
4% Instrumentalness • 77% Positiveness
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Gene Watson
Cowboys Don't Get Lucky All The Time
101 bpm • C Maj • 02:34 • -11db
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Mel McDaniel
Baby's Got Her Blue Jeans On
107 bpm • A# Maj • 02:59 • -6db
63% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Dwight Yoakam
Streets of Bakersfield
107 bpm • A Maj • 02:48 • -12db
58% Popularity • 74% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 74% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Travis
Is It Still Over?
107 bpm • G Maj • 03:10 • -7.22db
36% Popularity • 73% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 73% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Merle Haggard
I'm A White Boy
101 bpm • A Maj • 02:04 • -10.87db
51% Popularity • 62% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
51% Popularity • 62% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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The Charlie Daniels Band
Uneasy Rider '88
107 bpm • C Maj • 04:24 • -14db
49% Popularity • 77% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 77% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Bonnie Owens
I'll Take A Chance
107 bpm • E Maj • 02:03 • -7.1db
19% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Don Williams
Good Ole Boys Like Me
107 bpm • A Maj • 04:15 • -17.56db
54% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Tracy Lawrence
Alibis
108 bpm • E Maj • 03:02 • -14db
58% Popularity • 61% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 61% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Marty Stuart
Same Old Train
108 bpm • G Maj • 06:01 • -12.65db
50% Popularity • 35% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
50% Popularity • 35% Danceability • 60% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Marty Robbins
El Paso City
108 bpm • C Maj • 04:11 • -11.72db
44% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 60% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Charlie Daniels Band
(What This World Needs Is) A Few More Re...
100 bpm • C Maj • 03:42 • -11db
55% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Bonnie Owens
Forever And Ever
107 bpm • B Maj • 02:06 • -8.22db
21% Popularity • 66% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 66% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Jamey Johnson
I Fall To Pieces
100 bpm • D Maj • 04:41 • -11.78db
32% Popularity • 67% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
32% Popularity • 67% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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Randy Travis
1982
108 bpm • A Maj • 02:59 • -8db
54% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Don Henley
The Cost of Living
100 bpm • F# Maj • 03:40 • -11.3db
36% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Merle Haggard
Kentucky Gambler
100 bpm • G# Maj • 02:57 • -6.99db
21% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Jessi Colter
I'm Looking for Blue Eyes
108 bpm • F Maj • 02:16 • -11db
38% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Gary Stewart
Back Sliders Wine
108 bpm • C Maj • 03:02 • -9.98db
27% Popularity • 59% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 59% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Johnny Paycheck
I'm the Only Hell (Mama Ever Raised)
108 bpm • C Maj • 03:09 • -13.89db
52% Popularity • 75% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 75% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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T.G. Sheppard
Party Time
100 bpm • F Maj • 03:32 • -12db
38% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
38% Popularity • 59% Danceability • 54% Energy • 14% Liveness
2% Instrumentalness • 76% Positiveness
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The Charlie Daniels Band
The Legend Of Wooley Swamp
100 bpm • G Maj • 04:14 • -11.72db
46% Popularity • 48% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 48% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Merle Haggard
Sing Me Back Home
108 bpm • A Maj • 02:54 • -12.35db
38% Popularity • 72% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 72% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Steve Wariner
Life's Highway
99 bpm • A# Maj • 03:17 • -14.99db
50% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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George Strait
The Cowboy Rides Away
109 bpm • G Maj • 03:21 • -17.05db
54% Popularity • 69% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 69% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
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Waylon Jennings
I'm a Ramblin' Man
109 bpm • G Maj • 02:47 • -8.26db
61% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Gene Watson
Speak Softly (You're Talking To My Heart...
99 bpm • C Maj • 02:06 • -6.26db
34% Popularity • 62% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 62% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Tom T. Hall
The Old Side of Town
109 bpm • A Maj • 03:04 • -9.62db
35% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Merle Haggard
That's the Way Love Goes
100 bpm • D# Maj • 03:01 • -17db
51% Popularity • 81% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
51% Popularity • 81% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Gary Stewart
She's Actin' Single (I'm Drinkin' Double...
109 bpm • F# Maj • 02:48 • -11.02db
58% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 03:37 • -9.52db
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Red Sovine
Teddy Bear
110 bpm • C# Maj • 04:59 • -16db
51% Popularity • 59% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 59% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Vern Gosdin
I Can Tell by the Way You Dance (You're ...
110 bpm • E Maj • 02:40 • -10.09db
45% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Tom T. Hall
Old Dogs, Children And Watermelon Wine
110 bpm • F Maj • 04:11 • -15.99db
50% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Merle Haggard & The Strangers
Sing Me Back Home - 2001 Remaster
110 bpm • A Maj • 02:51 • -11db
42% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Merle Haggard
Old Man From The Mountain
109 bpm • G Maj • 02:27 • -5.79db
19% Popularity • 79% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 79% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Alabama
If You're Gonna Play in Texas (You Gotta...
110 bpm • A Maj • 03:32 • -15.2db
58% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
58% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Rodriguez
That's The Way Love Goes
98 bpm • G Maj • 01:51 • -11db
45% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
98 bpm • A Maj • 02:27 • -9.32db
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Tom T. Hall
That's How I Got To Memphis
110 bpm • E Maj • 03:02 • -13.43db
59% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Travis Tritt
Where Corn Don't Grow
98 bpm • E Maj • 03:28 • -9.38db
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Merle Haggard
Daddy Frank (The Guitar Man)
99 bpm • D# Maj • 03:44 • -12.39db
26% Popularity • 74% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 74% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Conway Twitty
Louisiana Woman, Mississippi Man
98 bpm • C# Maj • 02:31 • -6.94db
62% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Moe Bandy
Rodeo Romeo - 2012 Recording
110 bpm • C Maj • 03:00 • -6.89db
27% Popularity • 71% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 71% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Dave Dudley
Six Days on the Road
98 bpm • G Maj • 02:11 • -11.57db
55% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Ernest Tubb
Waltz Across Texas
98 bpm • A Maj • 02:38 • -12db
45% Popularity • 62% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 62% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Mel McDaniel
Maximum Living On A Minimum Wage
98 bpm • C# Maj • 02:57 • -7.47db
36% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Earl Thomas Conley
Smokey Mountain Memories
111 bpm • G Maj • 03:27 • -9.81db
29% Popularity • 70% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
98 bpm • A Maj • 03:24 • -12db
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Moe Bandy
Bandy the Rodeo Clown
98 bpm • F Maj • 02:52 • -11.05db
41% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Alabama
Old Flame
111 bpm • F Maj • 03:11 • -8.29db
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Don Williams
It Must Be Love
111 bpm • F Maj • 02:31 • -12db
58% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Merle Haggard
The Okie From Muskogee's Comin' Home
111 bpm • G# Maj • 02:23 • -11.64db
31% Popularity • 76% Danceability • 57% Energy • 10% Liveness
11% Instrumentalness • 86% Positiveness
31% Popularity • 76% Danceability • 57% Energy • 10% Liveness
11% Instrumentalness • 86% Positiveness
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Tom T. Hall
I Washed My Face In The Morning Dew - Si...
111 bpm • G Maj • 02:44 • -12db
41% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Lefty Frizzell
She's Gone, Gone, Gone
97 bpm • G Maj • 02:21 • -12db
34% Popularity • 66% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 66% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Moe Bandy
Honky Tonk Amnesia
111 bpm • G Maj • 02:49 • -11.53db
35% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Don Williams
Some Broken Hearts Never Mend
98 bpm • A Maj • 02:50 • -14.56db
55% Popularity • 62% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
55% Popularity • 62% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
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Cal Smith
I've Found Someone Of My Own
97 bpm • A# Maj • 03:24 • -14.91db
33% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Cash
There Ain't No Good Chain Gang
111 bpm • F min • 03:16 • -13.42db
54% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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The Highwaymen
The Road Goes On Forever
112 bpm • D Maj • 04:41 • -10db
55% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Merle Haggard & The Strangers
Mama Tried - Remastered 2001
97 bpm • D Maj • 02:12 • -6db
68% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
68% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Moe Bandy
Bandy The Rodeo Clown
97 bpm • F Maj • 02:55 • -7.92db
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Buck Owens
I've Got A Tiger By The Tail
97 bpm • E Maj • 02:14 • -10.77db
49% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Gary Stewart
Out of Hand
112 bpm • G Maj • 03:01 • -10.48db
39% Popularity • 70% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 70% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Doug Stone
A Jukebox with a Country Song
112 bpm • D Maj • 03:27 • -6.25db
41% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
