Songs like Monkey Hips And Rice by Hank Jacobs
Based on a tempo of (+/- 10%) and a similar genre
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Carol Fran
I'm Gonna Try
152 bpm • D# min • 02:28 • -11db
12% Popularity • 57% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 57% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Hank Jacobs
Monkey Hips And Rice
152 bpm • F Maj • 02:16 • -11.14db
1% Popularity • 48% Danceability • 79% Energy • 10% Liveness
81% Instrumentalness • 97% Positiveness
1% Popularity • 48% Danceability • 79% Energy • 10% Liveness
81% Instrumentalness • 97% Positiveness
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Billy Larkin & The Delegates
Pigmy (Part One)
152 bpm • A min • 02:29 • -13.13db
29% Popularity • 61% Danceability • 68% Energy • 9% Liveness
90% Instrumentalness • 81% Positiveness
29% Popularity • 61% Danceability • 68% Energy • 9% Liveness
90% Instrumentalness • 81% Positiveness
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Wendy Rene
Bar-B-Q
152 bpm • F# Maj • 02:29 • -8.82db
30% Popularity • 80% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 88% Positiveness
30% Popularity • 80% Danceability • 54% Energy • 12% Liveness
2% Instrumentalness • 88% Positiveness
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Mitch Ryder and The Detroit Wheels
Breakout
152 bpm • G min • 03:16 • -11db
16% Popularity • 61% Danceability • 74% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 61% Danceability • 74% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
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Mongo Santamaria
Yeh-Yeh
153 bpm • G Maj • 03:04 • -14.26db
17% Popularity • 63% Danceability • 66% Energy • 5% Liveness
89% Instrumentalness • 97% Positiveness
17% Popularity • 63% Danceability • 66% Energy • 5% Liveness
89% Instrumentalness • 97% Positiveness
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Carol Fran
I'm Gonna Try
152 bpm • D# min • 02:31 • -3.24db
10% Popularity • 50% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 50% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Ike & Tina Turner
Potatoe Mash
151 bpm • G Maj • 02:17 • -7db
28% Popularity • 64% Danceability • 92% Energy • 7% Liveness
51% Instrumentalness • 92% Positiveness
28% Popularity • 64% Danceability • 92% Energy • 7% Liveness
51% Instrumentalness • 92% Positiveness
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Banny Price
You Love Me Pretty Baby
151 bpm • G min • 02:01 • -8.06db
13% Popularity • 56% Danceability • 59% Energy • 15% Liveness
3% Instrumentalness • 96% Positiveness
13% Popularity • 56% Danceability • 59% Energy • 15% Liveness
3% Instrumentalness • 96% Positiveness
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Cheryl & Pam Johnson
That's My Guy
151 bpm • F Maj • 02:05 • -10.44db
8% Popularity • 73% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 73% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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The Kolettes
Who's That Guy
153 bpm • F min • 02:54 • -4db
13% Popularity • 71% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 71% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Freddie King
Texas Oil
151 bpm • A# Maj • 02:25 • -5.57db
18% Popularity • 63% Danceability • 84% Energy • 21% Liveness
83% Instrumentalness • 96% Positiveness
18% Popularity • 63% Danceability • 84% Energy • 21% Liveness
83% Instrumentalness • 96% Positiveness
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Carol Fran
Roll with the Punches
150 bpm • C# Maj • 02:05 • -3.51db
10% Popularity • 61% Danceability • 76% Energy • 26% Liveness
5% Instrumentalness • 96% Positiveness
10% Popularity • 61% Danceability • 76% Energy • 26% Liveness
5% Instrumentalness • 96% Positiveness
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Baby Washington
Medicine Man
150 bpm • G# min • 02:18 • -6.06db
10% Popularity • 70% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 70% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Clarence Carter
Funky Fever
150 bpm • G Maj • 02:47 • -8.37db
19% Popularity • 55% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 55% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Eddie Kirk
The Hawg, Part I
154 bpm • D min • 02:48 • -10.46db
11% Popularity • 57% Danceability • 64% Energy • 11% Liveness
61% Instrumentalness • 92% Positiveness
11% Popularity • 57% Danceability • 64% Energy • 11% Liveness
61% Instrumentalness • 92% Positiveness
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Travis Wammack
Scratchy
155 bpm • G Maj • 02:36 • -12.65db
18% Popularity • 65% Danceability • 66% Energy • 14% Liveness
72% Instrumentalness • 97% Positiveness
18% Popularity • 65% Danceability • 66% Energy • 14% Liveness
72% Instrumentalness • 97% Positiveness
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Timmy Thomas
Have Some Boogaloo
150 bpm • A# Maj • 02:16 • -8db
13% Popularity • 73% Danceability • 54% Energy • 11% Liveness
66% Instrumentalness • 97% Positiveness
13% Popularity • 73% Danceability • 54% Energy • 11% Liveness
66% Instrumentalness • 97% Positiveness
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Tyrone Davis
She's Lookin' Good
155 bpm • E Maj • 02:40 • -5.33db
21% Popularity • 43% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 43% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Sonny Thompson
Puddentane
149 bpm • B min • 02:15 • -7db
12% Popularity • 61% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 61% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Edgar Allen & The Po' Boys
The Panic Button
149 bpm • F min • 01:49 • -9.38db
6% Popularity • 74% Danceability • 87% Energy • 9% Liveness
46% Instrumentalness • 96% Positiveness
6% Popularity • 74% Danceability • 87% Energy • 9% Liveness
46% Instrumentalness • 96% Positiveness
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Tommy Hunt
The Work Song
149 bpm • C min • 02:36 • -7db
15% Popularity • 58% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 58% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Bobby "Blue" Bland
Honey Child - Single Version
149 bpm • F min • 02:29 • -8db
21% Popularity • 58% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 58% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 89% Positiveness
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Marv Johnson
Come To Me
156 bpm • C Maj • 02:20 • -7.05db
28% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Allen Toussaint
The Book - Remastered
156 bpm • A Maj • 03:30 • -5.92db
21% Popularity • 58% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 58% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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The Merced Blue Notes
Rufus Jr.
156 bpm • G# min • 02:24 • -9.12db
12% Popularity • 60% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 60% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Howard Tate
She's a Burglar
148 bpm • C Maj • 02:45 • -6.27db
24% Popularity • 72% Danceability • 71% Energy • 27% Liveness
2% Instrumentalness • 89% Positiveness
24% Popularity • 72% Danceability • 71% Energy • 27% Liveness
2% Instrumentalness • 89% Positiveness
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Lula Reed
What Makes You so Cold? - Remastered
148 bpm • A Maj • 02:04 • -7db
12% Popularity • 57% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 57% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Redmond
Ain't That Terrible
156 bpm • A min • 02:32 • -7.58db
21% Popularity • 63% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 63% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Jack McDuff
Hot Barbeque
148 bpm • C# Maj • 02:56 • -11db
30% Popularity • 59% Danceability • 69% Energy • 8% Liveness
28% Instrumentalness • 92% Positiveness
30% Popularity • 59% Danceability • 69% Energy • 8% Liveness
28% Instrumentalness • 92% Positiveness
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The Untouchables
Crawlin' (The Crawl)
148 bpm • D# Maj • 02:32 • -4.9db
11% Popularity • 51% Danceability • 79% Energy • 13% Liveness
89% Instrumentalness • 85% Positiveness
11% Popularity • 51% Danceability • 79% Energy • 13% Liveness
89% Instrumentalness • 85% Positiveness
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Mickey Lee Lane
Hey Sah-Lo-Ney
147 bpm • F min • 02:27 • -10db
21% Popularity • 55% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
21% Popularity • 55% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Barbara Perry
A Man Is a Mean Thing
147 bpm • F Maj • 02:06 • -9db
10% Popularity • 67% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 67% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Royal Esquires
Ain't Gonna Run
158 bpm • C Maj • 02:14 • -7.72db
20% Popularity • 54% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 54% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy "Preacher" Ellis
Since I Fell for You
158 bpm • D Maj • 01:59 • -5.67db
16% Popularity • 51% Danceability • 89% Energy • 15% Liveness
65% Instrumentalness • 89% Positiveness
16% Popularity • 51% Danceability • 89% Energy • 15% Liveness
65% Instrumentalness • 89% Positiveness
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Dorothy Williams
Watchdog
146 bpm • C Maj • 02:31 • -7.36db
9% Popularity • 82% Danceability • 50% Energy • 10% Liveness
27% Instrumentalness • 95% Positiveness
9% Popularity • 82% Danceability • 50% Energy • 10% Liveness
27% Instrumentalness • 95% Positiveness
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Lee Dorsey
Hoodlum Joe
146 bpm • G Maj • 01:44 • -8.34db
15% Popularity • 72% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
15% Popularity • 72% Danceability • 73% Energy • 7% Liveness
1% Instrumentalness • 98% Positiveness
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L. Hollis & the Mackadoos
Bui Bui
158 bpm • G min • 02:12 • -6.5db
11% Popularity • 49% Danceability • 97% Energy • 22% Liveness
73% Instrumentalness • 97% Positiveness
11% Popularity • 49% Danceability • 97% Energy • 22% Liveness
73% Instrumentalness • 97% Positiveness
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James Carr
That's What I Want to Know
146 bpm • G min • 01:56 • -8.14db
23% Popularity • 76% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 76% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Spencer Wiggins
He's Too Old
146 bpm • A min • 02:10 • -7.73db
14% Popularity • 64% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 64% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Apollas
Lock Me in Your Heart
159 bpm • D# min • 02:06 • -7.15db
9% Popularity • 42% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 42% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Hank Jacobs
Elijah Rockin' With Soul - 45 Version
146 bpm • F Maj • 03:41 • -6.19db
4% Popularity • 65% Danceability • 94% Energy • 31% Liveness
70% Instrumentalness • 89% Positiveness
4% Popularity • 65% Danceability • 94% Energy • 31% Liveness
70% Instrumentalness • 89% Positiveness
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The Mohawks
Sweet Soul Music
159 bpm • C Maj • 02:31 • -12.34db
13% Popularity • 60% Danceability • 68% Energy • 16% Liveness
84% Instrumentalness • 94% Positiveness
13% Popularity • 60% Danceability • 68% Energy • 16% Liveness
84% Instrumentalness • 94% Positiveness
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Mable John
Able Mable
146 bpm • E min • 02:39 • -8db
22% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Trini Lopez
Sinner Not a Saint
145 bpm • C Maj • 02:33 • -6db
23% Popularity • 82% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
23% Popularity • 82% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
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Bobby Patterson
Till You Give In
145 bpm • G min • 02:00 • -6.61db
22% Popularity • 52% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 52% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Jefferson
See If You Can Git To That
159 bpm • C min • 02:45 • -14.34db
9% Popularity • 55% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 55% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Hank Jacobs
Elijah Rockin' With Soul
144 bpm • D min • 04:29 • -9.03db
2% Popularity • 60% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 75% Positiveness
2% Popularity • 60% Danceability • 88% Energy • 27% Liveness
1% Instrumentalness • 75% Positiveness
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Mongo Santamaria
El Pussy Cat
145 bpm • C min • 02:43 • -11.52db
8% Popularity • 77% Danceability • 66% Energy • 16% Liveness
83% Instrumentalness • 92% Positiveness
8% Popularity • 77% Danceability • 66% Energy • 16% Liveness
83% Instrumentalness • 92% Positiveness
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Triumphs
Burnt Biscuits
145 bpm • F Maj • 01:58 • -10db
16% Popularity • 75% Danceability • 70% Energy • 14% Liveness
4% Instrumentalness • 94% Positiveness
16% Popularity • 75% Danceability • 70% Energy • 14% Liveness
4% Instrumentalness • 94% Positiveness
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Jimmy Conwell
Cigarette Ashes
144 bpm • C Maj • 02:10 • -4.1db
14% Popularity • 58% Danceability • 94% Energy • 12% Liveness
7% Instrumentalness • 51% Positiveness
14% Popularity • 58% Danceability • 94% Energy • 12% Liveness
7% Instrumentalness • 51% Positiveness
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Wynder K. Frog
Green Door
144 bpm • G Maj • 02:27 • -11.35db
34% Popularity • 64% Danceability • 70% Energy • 7% Liveness
58% Instrumentalness • 79% Positiveness
34% Popularity • 64% Danceability • 70% Energy • 7% Liveness
58% Instrumentalness • 79% Positiveness
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Irma Thomas
Hittin' On Nothing
144 bpm • D min • 02:17 • -10.44db
34% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 83% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Diane Maxwell
Love Charms
144 bpm • G# min • 02:22 • -21.13db
11% Popularity • 62% Danceability • 14% Energy • 22% Liveness
1% Instrumentalness • 72% Positiveness
11% Popularity • 62% Danceability • 14% Energy • 22% Liveness
1% Instrumentalness • 72% Positiveness
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Darrell Banks
Our Love (Is in the Pocket)
143 bpm • F Maj • 02:38 • -8db
21% Popularity • 46% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 46% Danceability • 61% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Barbara Stephens
Wait A Minute
144 bpm • A# Maj • 02:24 • -7.85db
16% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 61% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Quik
Berts Apple Crumble
143 bpm • E Maj • 02:13 • -7.65db
30% Popularity • 65% Danceability • 70% Energy • 11% Liveness
75% Instrumentalness • 78% Positiveness
30% Popularity • 65% Danceability • 70% Energy • 11% Liveness
75% Instrumentalness • 78% Positiveness
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Baltimore And Ohio Marching Band
Condition Red
143 bpm • C Maj • 02:11 • -4.41db
11% Popularity • 61% Danceability • 91% Energy • 5% Liveness
78% Instrumentalness • 82% Positiveness
11% Popularity • 61% Danceability • 91% Energy • 5% Liveness
78% Instrumentalness • 82% Positiveness
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Prince La La
Things Have Changed
143 bpm • C min • 02:26 • -6.82db
7% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Lou Rawls
When Love Goes Wrong
142 bpm • F min • 02:35 • -7.62db
6% Popularity • 59% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
6% Popularity • 59% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Betty Harris
Trouble With My Lover - 2024 Remastered
143 bpm • A# min • 02:48 • -7.09db
25% Popularity • 51% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 51% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
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Ruby Johnson
Keep On Keeping On
162 bpm • D Maj • 02:19 • -9.37db
18% Popularity • 56% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 56% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Damon Fox
Packing Up
142 bpm • C Maj • 01:53 • -8.57db
11% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Bo
Every Dog Got His Day
142 bpm • G# Maj • 02:17 • -6.71db
25% Popularity • 76% Danceability • 90% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
25% Popularity • 76% Danceability • 90% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
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Bunker Hill
You Can't Make Me Doubt My Baby
163 bpm • C min • 02:16 • -10.92db
15% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Maurice Williams & The Zodiacs
Being Without You
141 bpm • C Maj • 02:23 • -7.51db
16% Popularity • 54% Danceability • 74% Energy • 60% Liveness
14% Instrumentalness • 96% Positiveness
16% Popularity • 54% Danceability • 74% Energy • 60% Liveness
14% Instrumentalness • 96% Positiveness
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The Olympics
I'll Do a Little Bit More
142 bpm • D# Maj • 02:37 • -5.29db
19% Popularity • 80% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 80% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Rodger Collins
She's Looking Good
141 bpm • B min • 02:20 • -7.12db
13% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Willie Jones & The Royal Jokers
Where's My Money
141 bpm • F min • 02:17 • -8db
11% Popularity • 68% Danceability • 73% Energy • 55% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 68% Danceability • 73% Energy • 55% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Bo
Every Dog Has Its Day
142 bpm • G# Maj • 02:11 • -6.87db
14% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
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Little Jewel
I Want To
141 bpm • F Maj • 02:42 • -3.49db
10% Popularity • 51% Danceability • 94% Energy • 7% Liveness
4% Instrumentalness • 84% Positiveness
10% Popularity • 51% Danceability • 94% Energy • 7% Liveness
4% Instrumentalness • 84% Positiveness
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Baby Washington
Hush Heart
141 bpm • C# Maj • 02:11 • -12db
14% Popularity • 69% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 69% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Andre Williams
You Got It & I Want It
141 bpm • F min • 02:17 • -5.04db
10% Popularity • 62% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 62% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Curtis Lee
Is She in Your Town?
140 bpm • B min • 02:08 • -9db
15% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 57% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Bernard "Pretty" Purdie
Testifyin'
140 bpm • G Maj • 02:34 • -11.51db
7% Popularity • 36% Danceability • 95% Energy • 22% Liveness
74% Instrumentalness • 24% Positiveness
7% Popularity • 36% Danceability • 95% Energy • 22% Liveness
74% Instrumentalness • 24% Positiveness
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Barbara Lynn
Nice and Easy
140 bpm • D Maj • 01:53 • -9.88db
37% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Big Maybelle
Black Is Black
140 bpm • G Maj • 02:42 • -5db
12% Popularity • 66% Danceability • 88% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
12% Popularity • 66% Danceability • 88% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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Sam & Dave
You Ain't No Big Thing Baby
140 bpm • G Maj • 02:30 • -7.15db
13% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 67% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Percy Milem
Call on Me
140 bpm • A min • 02:20 • -6.27db
17% Popularity • 64% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 64% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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J.J. Barnes
Chains Of Love
140 bpm • D Maj • 02:27 • -12.63db
16% Popularity • 72% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 72% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Gerry Woo
Don't Squeeze The Peaches
140 bpm • G Maj • 02:59 • -6db
15% Popularity • 84% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 84% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Harvey Averne Dozen
Think It Over
140 bpm • A Maj • 02:37 • -10.11db
23% Popularity • 50% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 50% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 87% Positiveness
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Chuck Jackson
The Silencer
139 bpm • D Maj • 01:45 • -10db
17% Popularity • 64% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 64% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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LaVern Baker
Hey Memphis
139 bpm • G min • 02:28 • -9.61db
19% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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The Sapphires
Evil One
139 bpm • D min • 02:05 • -11.02db
12% Popularity • 52% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 52% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Darrow Fletcher
The Pain Gets a Little Deeper
139 bpm • E min • 02:24 • -8.54db
15% Popularity • 73% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 73% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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The Merced Blue Notes
Mama Rufus
166 bpm • A# Maj • 01:55 • -7db
11% Popularity • 46% Danceability • 72% Energy • 33% Liveness
48% Instrumentalness • 96% Positiveness
11% Popularity • 46% Danceability • 72% Energy • 33% Liveness
48% Instrumentalness • 96% Positiveness
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The Monzas
You Know You Turn Me On
139 bpm • C min • 02:52 • -6.29db
8% Popularity • 45% Danceability • 70% Energy • 11% Liveness
48% Instrumentalness • 76% Positiveness
8% Popularity • 45% Danceability • 70% Energy • 11% Liveness
48% Instrumentalness • 76% Positiveness
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Clarence Armstrong
Beaver
139 bpm • F Maj • 03:08 • -7db
7% Popularity • 62% Danceability • 67% Energy • 11% Liveness
38% Instrumentalness • 90% Positiveness
7% Popularity • 62% Danceability • 67% Energy • 11% Liveness
38% Instrumentalness • 90% Positiveness
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The Contours
Whole Lotta Woman
138 bpm • G# Maj • 02:49 • -10.85db
29% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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The Ovations
They Say
138 bpm • D# min • 02:08 • -8.62db
16% Popularity • 64% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 90% Positiveness
16% Popularity • 64% Danceability • 48% Energy • 19% Liveness
29% Instrumentalness • 90% Positiveness
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Albert Washington
I'm the Man
138 bpm • F Maj • 02:43 • -7db
15% Popularity • 80% Danceability • 60% Energy • 7% Liveness
69% Instrumentalness • 88% Positiveness
15% Popularity • 80% Danceability • 60% Energy • 7% Liveness
69% Instrumentalness • 88% Positiveness
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Wilson Pickett
Baby Don't You Weep No More
138 bpm • C# min • 02:15 • -10.71db
14% Popularity • 56% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
14% Popularity • 56% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Jessie Hill
Whip It On Me - 2002 Remaster
167 bpm • E min • 02:24 • -7.09db
12% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Lee Dorsey
My Old Car Commercial
138 bpm • G Maj • 01:34 • -11.24db
21% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Plas Johnson
Downstairs
138 bpm • C# Maj • 02:03 • -9.43db
9% Popularity • 55% Danceability • 78% Energy • 10% Liveness
63% Instrumentalness • 63% Positiveness
9% Popularity • 55% Danceability • 78% Energy • 10% Liveness
63% Instrumentalness • 63% Positiveness
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Herbie Goins & The Night-Timers
Number One in Your Heart
168 bpm • A# Maj • 02:44 • -6.52db
20% Popularity • 44% Danceability • 94% Energy • 77% Liveness
6% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 94% Energy • 77% Liveness
6% Instrumentalness • 86% Positiveness
