Songs like Montego Bay by Jon Stevens
Based on a tempo of (+/- 10%) and a similar genre
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Little River Band
Man on Your Mind
113 bpm • E Maj • 04:01 • -6.78db
25% Popularity • 81% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 81% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Sharon O'Neill
Losing You
113 bpm • C# min • 04:01 • -10.37db
21% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Annie Whittle
Tequila Sunrise
113 bpm • B Maj • 03:14 • -13.78db
24% Popularity • 75% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 75% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Jon Stevens
Montego Bay
113 bpm • G# Maj • 02:48 • -14.64db
25% Popularity • 76% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 76% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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The Yandall Sisters
Sweet Inspiration
113 bpm • F Maj • 03:03 • -7.71db
42% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Little River Band
Man On Your Mind - Remastered 2022
113 bpm • E Maj • 04:18 • -8.74db
41% Popularity • 81% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 81% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Exponents
Who Loves Who The Most
112 bpm • D Maj • 04:15 • -5.53db
35% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Dr. Hook
In Over My Head
113 bpm • A Maj • 03:41 • -10.19db
18% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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DD Smash
Whaling
114 bpm • C Maj • 03:45 • -12.62db
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Billy Field
True Love
112 bpm • D# Maj • 03:20 • -7.83db
19% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Stevens
Flesh 'N' Bone
112 bpm • A Maj • 03:25 • -5.74db
1% Popularity • 42% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 42% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Marty Rhone
Denim & Lace
112 bpm • E Maj • 02:49 • -6.51db
26% Popularity • 68% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 68% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Dr. Hook
When You're In Love With A Beautiful Wom...
114 bpm • A Maj • 05:14 • -11.66db
37% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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John Rowles
Cheryl Moana Marie
112 bpm • G Maj • 03:12 • -8.49db
27% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Walter Egan
Magnet and Steel (Re-Recorded)
114 bpm • C# min • 03:26 • -17.41db
26% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Stevens
Devil in My Heart
114 bpm • F Maj • 03:05 • -5.1db
3% Popularity • 55% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 55% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Diesel
Man Alive
112 bpm • B min • 04:50 • -7.63db
29% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
29% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Graham Bonnet
Warm Ride
112 bpm • C min • 03:22 • -7.99db
34% Popularity • 52% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 52% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Marc Hunter
Island Nights
115 bpm • B min • 03:09 • -7.93db
14% Popularity • 66% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 66% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 81% Positiveness
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Marcia Hines
You
115 bpm • D# Maj • 03:08 • -7.55db
28% Popularity • 70% Danceability • 66% Energy • 34% Liveness
1% Instrumentalness • 80% Positiveness
28% Popularity • 70% Danceability • 66% Energy • 34% Liveness
1% Instrumentalness • 80% Positiveness
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Jon Stevens
Rain Down on Me
114 bpm • F# min • 04:12 • -4.35db
20% Popularity • 56% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 56% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Renee Geyer
Do You Know What I Mean?
111 bpm • E Maj • 03:20 • -14db
24% Popularity • 70% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 70% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Mark Williams
Yesterday Was Just The Beginning Of My L...
111 bpm • C# min • 03:48 • -7.41db
31% Popularity • 48% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 48% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Brian Cadd
A Little Ray Of Sunshine - Live From The...
111 bpm • C Maj • 03:09 • -5.15db
20% Popularity • 52% Danceability • 67% Energy • 96% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 52% Danceability • 67% Energy • 96% Liveness
0% Instrumentalness • 55% Positiveness
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Dr. Hook
Walk Right In - Remastered
115 bpm • D Maj • 03:04 • -6.12db
22% Popularity • 80% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 80% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Rockmelons
Dance Floor
115 bpm • E Maj • 04:19 • -12.84db
9% Popularity • 84% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 84% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Sherbet
Silvery Moon
115 bpm • A Maj • 03:25 • -8.15db
26% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 45% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Toni Childs
Don't Walk Away
115 bpm • B Maj • 04:01 • -11.66db
34% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Renee Geyer
Say I Love You
115 bpm • D Maj • 03:33 • -6.52db
41% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Swanee
Fooled Around and Fell in Love
116 bpm • A# Maj • 04:14 • -7.48db
13% Popularity • 60% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 60% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 43% Positiveness
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Brian Cadd
Ginger Man
116 bpm • E Maj • 04:06 • -12.34db
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
33% Popularity • 40% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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The Dingoes
Way out West - 2009 Remaster
111 bpm • A Maj • 03:50 • -9.19db
14% Popularity • 76% Danceability • 58% Energy • 10% Liveness
4% Instrumentalness • 77% Positiveness
14% Popularity • 76% Danceability • 58% Energy • 10% Liveness
4% Instrumentalness • 77% Positiveness
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John Mellencamp
Miami
116 bpm • C Maj • 03:53 • -12.75db
22% Popularity • 82% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 82% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Supergroove
You Gotta Know
116 bpm • G Maj • 03:35 • -5.53db
34% Popularity • 67% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 67% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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The Angels
Be With You
110 bpm • E Maj • 03:43 • -15.92db
32% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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John Paul Young
Keep on Smilin' (2021 - Remaster)
110 bpm • B min • 03:01 • -5.49db
24% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Margaret Urlich
Only My Heart Calling
116 bpm • G# Maj • 05:39 • -11.81db
24% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Doug Parkinson
The Sun Ain't Gonna Shine Anymore
110 bpm • D Maj • 03:54 • -11.4db
19% Popularity • 50% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 50% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Rockmelons
New Groove
110 bpm • F Maj • 04:39 • -11db
19% Popularity • 79% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 79% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Dynamic Hepnotics
Gotta Be Wrong
116 bpm • C Maj • 04:05 • -5.8db
16% Popularity • 57% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 57% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Sharon O'Neill
Maxine
110 bpm • C min • 04:37 • -12db
38% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Russell Morris
Rachel
110 bpm • F Maj • 04:20 • -14db
25% Popularity • 30% Danceability • 43% Energy • 42% Liveness
18% Instrumentalness • 39% Positiveness
25% Popularity • 30% Danceability • 43% Energy • 42% Liveness
18% Instrumentalness • 39% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Cold Chisel
Breakfast At Sweethearts - 2011 Remaster...
117 bpm • A min • 04:11 • -5.37db
39% Popularity • 64% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 64% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Bunny Walters
Nearest Thing to Heaven
109 bpm • C# Maj • 03:22 • -10.76db
23% Popularity • 37% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 37% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Mutton Birds
Nature
117 bpm • D Maj • 03:42 • -14.67db
28% Popularity • 57% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
28% Popularity • 57% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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James Reyne
Slave
109 bpm • F Maj • 04:13 • -11.68db
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Russell Morris
Hush
109 bpm • G Maj • 03:01 • -7.58db
21% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Margaret Urlich
Where Is The Love
117 bpm • F min • 02:54 • -7.21db
20% Popularity • 52% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 52% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Little River Band
The Other Guy - Remastered 2022
109 bpm • F Maj • 02:50 • -8.14db
48% Popularity • 80% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 80% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Sherbet
Cassandra
117 bpm • G min • 03:19 • -8.35db
22% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 51% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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James Reyne
Rip It Up
117 bpm • C Maj • 05:42 • -12.31db
17% Popularity • 50% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 50% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Renee Geyer
If Loving You Is Wrong (I Dont Want to B...
118 bpm • F min • 04:19 • -6.68db
25% Popularity • 58% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 58% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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KC & The Sunshine Band
I Betcha Know That
108 bpm • F# Maj • 04:08 • -7.4db
29% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Swanee
If I Were a Carpenter
108 bpm • C Maj • 03:32 • -12db
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Wendy Matthews
Let's Kiss (Like Angels Do)
118 bpm • A# Maj • 03:29 • -10.65db
29% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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James Reyne
Motor's Too Fast
118 bpm • A min • 04:13 • -11.48db
43% Popularity • 64% Danceability • 50% Energy • 44% Liveness
1% Instrumentalness • 82% Positiveness
43% Popularity • 64% Danceability • 50% Energy • 44% Liveness
1% Instrumentalness • 82% Positiveness
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John Fogerty
Wasn't That A Woman
108 bpm • B min • 04:12 • -7.38db
15% Popularity • 81% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 81% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Diesel & The Injectors
Fire Without A Flame
118 bpm • F Maj • 04:17 • -13.84db
27% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Dance Exponents
Victoria
118 bpm • B Maj • 03:47 • -7.57db
27% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Swanee
If I Were A Carpenter
108 bpm • C min • 03:28 • -15.71db
20% Popularity • 59% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 59% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Marilyn McCoo
You Don't Have to Be a Star (Live)
108 bpm • F# min • 04:28 • -8.46db
24% Popularity • 68% Danceability • 60% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 68% Danceability • 60% Energy • 41% Liveness
0% Instrumentalness • 68% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
36% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
36% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Richard Clapton
The Best Years of Our Lives - Original
119 bpm • A Maj • 05:08 • -11.42db
32% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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The Party Boys
He's Gonna Step on You Again
108 bpm • D Maj • 04:09 • -10.23db
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Grayson Hugh
Tears of Love
108 bpm • C Maj • 04:09 • -8.44db
10% Popularity • 70% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 70% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Sharon O'Neill
Luck's on Your Table
108 bpm • C Maj • 03:13 • -6.84db
11% Popularity • 44% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 44% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Th' Dudes
Walking in Light
119 bpm • E Maj • 03:40 • -9.24db
34% Popularity • 61% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 61% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 69% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
27% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Jenny Morris
Land of the Long White Cloud/Aotearoa
119 bpm • C Maj • 03:51 • -14.89db
15% Popularity • 66% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 66% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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John Fogerty
Change In The Weather
107 bpm • G Maj • 06:48 • -6.31db
28% Popularity • 85% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 85% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Warratahs
Sailing to the Other Side (The InterIsla...
107 bpm • D Maj • 03:52 • -9.57db
17% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Christie Allen
Goose Bumps
119 bpm • A Maj • 02:49 • -4.71db
20% Popularity • 72% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 72% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Renee Geyer
So Lucky
107 bpm • A Maj • 03:42 • -15.39db
12% Popularity • 70% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
12% Popularity • 70% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
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John Swan
If I Were A Carpenter
107 bpm • G Maj • 03:30 • -6.95db
28% Popularity • 51% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 51% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 39% Positiveness
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The Nolans
Don't Make Waves
107 bpm • F Maj • 03:41 • -5.59db
36% Popularity • 68% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 68% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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John Fogerty
Knockin' On Your Door
107 bpm • A Maj • 04:18 • -6.02db
32% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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DD Smash
Guilty Thru Neglect
107 bpm • C Maj • 04:45 • -14.77db
12% Popularity • 44% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 44% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Renee Geyer
Dust My Blues
120 bpm • A Maj • 03:03 • -13.09db
21% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Robert Cray
Foul Play
120 bpm • F min • 04:06 • -15.48db
34% Popularity • 78% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 78% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Viola Wills
Starry Eyed
120 bpm • G# min • 02:47 • -10.09db
19% Popularity • 83% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 83% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Mark Williams
Gimme Little Sign
106 bpm • C# min • 02:53 • -8.15db
15% Popularity • 60% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 60% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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L.A.B.
Alright
120 bpm • G Maj • 03:06 • -6.82db
39% Popularity • 88% Danceability • 52% Energy • 40% Liveness
1% Instrumentalness • 84% Positiveness
39% Popularity • 88% Danceability • 52% Energy • 40% Liveness
1% Instrumentalness • 84% Positiveness
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Renee Geyer
Heading in the Right Direction
120 bpm • G Maj • 04:01 • -8.03db
34% Popularity • 51% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 51% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Cold Chisel
No Sense - 2011 Remastered
106 bpm • D Maj • 02:57 • -3.26db
36% Popularity • 64% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 48% Positiveness
36% Popularity • 64% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 48% Positiveness
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Eurogliders
Can't Wait To See You
120 bpm • G# Maj • 04:14 • -16.4db
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Brian Cadd
Ginger Man
106 bpm • E Maj • 03:26 • -17.1db
20% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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DD Smash
She Loves Me Back
120 bpm • G Maj • 04:10 • -11.89db
18% Popularity • 63% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 63% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Mark Williams
A House For Sale
120 bpm • A min • 04:03 • -9.13db
15% Popularity • 59% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 59% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness