Songs like Moody's Mood For Love (I'm In The Mood For Love) by Quincy Jones
Based on a tempo of (+/- 10%) and a similar genre
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Minnie Riperton
Lovin' You - Alternate Band Version
123 bpm • A Maj • 04:51 • -10.95db
35% Popularity • 70% Danceability • 44% Energy • 10% Liveness
7% Instrumentalness • 52% Positiveness
35% Popularity • 70% Danceability • 44% Energy • 10% Liveness
7% Instrumentalness • 52% Positiveness
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Harold Melvin & The Blue Notes
The Love I Lost
123 bpm • D Maj • 06:24 • -4.53db
56% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Quincy Jones
Moody's Mood For Love (I'm In The Mood F...
123 bpm • C min • 04:18 • -8.9db
41% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Brothers Johnson
Light Up The Night
122 bpm • B min • 03:45 • -11db
38% Popularity • 88% Danceability • 71% Energy • 4% Liveness
14% Instrumentalness • 93% Positiveness
38% Popularity • 88% Danceability • 71% Energy • 4% Liveness
14% Instrumentalness • 93% Positiveness
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Sergio Mendes & Brasil '66
The Fool On The Hill
124 bpm • A Maj • 03:18 • -16.22db
38% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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A Taste Of Honey
Boogie Oogie Oogie - Remastered 2004
124 bpm • D min • 05:38 • -10.37db
52% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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The Main Ingredient
Don't You Worry 'Bout a Thing
122 bpm • C# Maj • 04:07 • -6.9db
21% Popularity • 62% Danceability • 74% Energy • 49% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 62% Danceability • 74% Energy • 49% Liveness
0% Instrumentalness • 81% Positiveness
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Harold Melvin & The Blue Notes
The Love I Lost - Single Version
124 bpm • D Maj • 03:33 • -4.51db
39% Popularity • 62% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 62% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
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Quincy Jones
Ai No Corrida
122 bpm • B min • 06:26 • -12.16db
56% Popularity • 80% Danceability • 75% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
56% Popularity • 80% Danceability • 75% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
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The O'Jays
Back Stabbers
124 bpm • A# Maj • 03:06 • -11.61db
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
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The Jacksons
Lovely One
121 bpm • C# Maj • 04:51 • -8.09db
38% Popularity • 80% Danceability • 91% Energy • 67% Liveness
9% Instrumentalness • 69% Positiveness
38% Popularity • 80% Danceability • 91% Energy • 67% Liveness
9% Instrumentalness • 69% Positiveness
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Roberta Flack
The Closer I Get to You
121 bpm • A Maj • 04:40 • -13.28db
57% Popularity • 49% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 49% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 23% Positiveness
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Rodney Franklin
Song for You
121 bpm • C min • 08:54 • -11db
18% Popularity • 67% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 67% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 19% Positiveness
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Gino Vannelli
Felicia
121 bpm • C min • 03:03 • -16.52db
37% Popularity • 68% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
37% Popularity • 68% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Quincy Jones
Killer Joe
125 bpm • D min • 05:11 • -16.37db
27% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Commodores
Lady (You Bring Me Up)
121 bpm • C min • 04:53 • -9.43db
56% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Doobie Brothers
What a Fool Believes
121 bpm • G# min • 03:43 • -15.31db
73% Popularity • 76% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
73% Popularity • 76% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Leon Huff
I Ain't Jivin', I'm Jammin' - 12" Versio...
126 bpm • F Maj • 05:55 • -13.98db
25% Popularity • 64% Danceability • 56% Energy • 25% Liveness
81% Instrumentalness • 62% Positiveness
25% Popularity • 64% Danceability • 56% Energy • 25% Liveness
81% Instrumentalness • 62% Positiveness
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L.T.D.
We Both Deserve Each Other's Love
125 bpm • C# Maj • 03:07 • -15db
52% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
52% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
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Harold Melvin & The Blue Notes
Don't Leave Me This Way
120 bpm • C Maj • 06:03 • -8.85db
56% Popularity • 47% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 47% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Quincy Jones
Razzamatazz
120 bpm • G min • 04:15 • -13.67db
44% Popularity • 84% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 84% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Gino Vannelli
Living Inside Myself
120 bpm • B Maj • 04:23 • -13.2db
47% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Rufus & Chaka Khan
Do You Love What You Feel
120 bpm • B Maj • 04:29 • -11.4db
50% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
50% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
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Lonnie Liston Smith
Quiet Moments
120 bpm • C Maj • 03:53 • -15.02db
32% Popularity • 63% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
32% Popularity • 63% Danceability • 50% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
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The Intruders
I'll Always Love My Mama
120 bpm • C# min • 06:37 • -10.93db
41% Popularity • 72% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 72% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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L.T.D.
Holding On (When Love Is Gone)
120 bpm • E Maj • 03:58 • -9.06db
49% Popularity • 80% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 80% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Quincy Jones
Turn On The Action
120 bpm • D Maj • 04:19 • -13.97db
31% Popularity • 74% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 74% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Bill Withers
Watching You Watching Me
120 bpm • B Maj • 05:48 • -15.84db
30% Popularity • 67% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 67% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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The Isley Brothers
That Lady, Pts. 1 & 2
126 bpm • F min • 05:34 • -9db
55% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Heatwave
The Groove Line
120 bpm • B min • 04:24 • -9.84db
52% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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The Brothers Johnson
Stomp!
120 bpm • G min • 06:20 • -12.67db
53% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
53% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
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Donald Fagen
I.G.Y.
119 bpm • G# min • 06:03 • -9.37db
57% Popularity • 83% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 83% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Ray Parker Jr.
So into You
127 bpm • G Maj • 04:30 • -18db
17% Popularity • 72% Danceability • 17% Energy • 12% Liveness
4% Instrumentalness • 20% Positiveness
17% Popularity • 72% Danceability • 17% Energy • 12% Liveness
4% Instrumentalness • 20% Positiveness
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Harold Melvin & The Blue Notes
Bad Luck
119 bpm • A Maj • 06:26 • -13db
42% Popularity • 61% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 61% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Michael Jackson
Off the Wall
119 bpm • D# min • 04:06 • -13.91db
67% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
67% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Heatwave
Boogie Nights
119 bpm • B min • 05:03 • -10.97db
59% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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The O'Jays
I Love Music
128 bpm • C min • 06:53 • -8db
52% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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The Brothers Johnson
Stomp! - Single Version
120 bpm • A# Maj • 04:07 • -8.34db
60% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
60% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
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Quincy Jones
Oh, Happy Day
118 bpm • G# Maj • 03:36 • -13.92db
25% Popularity • 62% Danceability • 36% Energy • 21% Liveness
60% Instrumentalness • 85% Positiveness
25% Popularity • 62% Danceability • 36% Energy • 21% Liveness
60% Instrumentalness • 85% Positiveness
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Teddy Pendergrass
Turn off the Lights
119 bpm • E min • 05:54 • -12.39db
51% Popularity • 61% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 61% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Rufus & Chaka Khan
Masterjam
118 bpm • F min • 03:39 • -12.13db
26% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 77% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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David Benoit
Freedom At Midnight
118 bpm • F# min • 04:14 • -14db
37% Popularity • 78% Danceability • 58% Energy • 2% Liveness
94% Instrumentalness • 74% Positiveness
37% Popularity • 78% Danceability • 58% Energy • 2% Liveness
94% Instrumentalness • 74% Positiveness
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Heatwave
All You Do Is Dial
129 bpm • C Maj • 04:12 • -13.39db
31% Popularity • 64% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 64% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Brothers Johnson
The Real Thing
127 bpm • A min • 03:55 • -9.06db
35% Popularity • 80% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 80% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Quincy Jones
The Secret Garden (Sweet Seduction Suite...
128 bpm • A# min • 06:41 • -9.71db
51% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 57% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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James Ingram
Yah Mo B There
118 bpm • C Maj • 04:39 • -12.49db
54% Popularity • 82% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 82% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Ocean
Suddenly
129 bpm • A# min • 03:54 • -9.51db
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Shakatak
Night Birds (7” Version)
117 bpm • A# min • 04:23 • -9.3db
46% Popularity • 70% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 70% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Tower Of Power
You Ought to Be Havin' Fun
117 bpm • C Maj • 03:06 • -13db
33% Popularity • 75% Danceability • 58% Energy • 40% Liveness
2% Instrumentalness • 96% Positiveness
33% Popularity • 75% Danceability • 58% Energy • 40% Liveness
2% Instrumentalness • 96% Positiveness
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The Brothers Johnson
Street Wave
117 bpm • A Maj • 05:05 • -11.72db
28% Popularity • 68% Danceability • 67% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
28% Popularity • 68% Danceability • 67% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
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DeBarge
Time Will Reveal
130 bpm • C Maj • 04:19 • -13.8db
53% Popularity • 71% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 71% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Quincy Jones
The Erotic Garden - After Hours Version
128 bpm • A# min • 08:56 • -11.95db
30% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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David Benoit
After The Love Has Gone
130 bpm • F# Maj • 04:18 • -9db
46% Popularity • 65% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 65% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Wilton Felder
Inherit The Wind - 12" Version
116 bpm • C min • 06:55 • -11.49db
30% Popularity • 76% Danceability • 60% Energy • 10% Liveness
17% Instrumentalness • 96% Positiveness
30% Popularity • 76% Danceability • 60% Energy • 10% Liveness
17% Instrumentalness • 96% Positiveness
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Whitney Houston
Hold Me
116 bpm • D Maj • 06:00 • -17.92db
50% Popularity • 54% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 54% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Chaka Khan
Through the Fire
131 bpm • G# Maj • 04:48 • -7.1db
65% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
65% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Major Harris
Love Won't Let Me Wait
116 bpm • A Maj • 05:33 • -17.15db
42% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Quincy Jones
Sax In The Garden
128 bpm • A# min • 06:38 • -12.48db
21% Popularity • 46% Danceability • 35% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
21% Popularity • 46% Danceability • 35% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
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Atlantic Starr
Always
131 bpm • G Maj • 04:48 • -6.76db
62% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
62% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Ashford & Simpson
It Seems To Hang On - Single Version
116 bpm • B min • 03:39 • -11db
35% Popularity • 66% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 66% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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The Emotions
Best of My Love
115 bpm • C Maj • 03:40 • -6.87db
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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Rahsaan Roland Kirk
Peter Gunn
116 bpm • G min • 03:01 • -13.72db
16% Popularity • 62% Danceability • 37% Energy • 7% Liveness
21% Instrumentalness • 88% Positiveness
16% Popularity • 62% Danceability • 37% Energy • 7% Liveness
21% Instrumentalness • 88% Positiveness
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The Blackbyrds
Happy Music
115 bpm • A Maj • 04:56 • -10db
33% Popularity • 80% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 80% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Quincy Jones
Mellow Madness
129 bpm • D Maj • 03:27 • -20.25db
21% Popularity • 61% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
21% Popularity • 61% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 20% Positiveness
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Eloise Laws
You're Incredible
115 bpm • A min • 04:28 • -7.78db
17% Popularity • 72% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
17% Popularity • 72% Danceability • 59% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Jeffrey Osborne
Don't You Get So Mad
115 bpm • A# min • 03:51 • -12db
33% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Change
Hold Tight - Full Length Album Mix
115 bpm • F min • 04:28 • -5.5db
45% Popularity • 77% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 77% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Earth, Wind & Fire
After the Love Has Gone
132 bpm • F# Maj • 04:38 • -13.45db
68% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
68% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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The Brothers Johnson
Smilin' On Ya
115 bpm • C# min • 03:42 • -12.95db
22% Popularity • 72% Danceability • 51% Energy • 5% Liveness
86% Instrumentalness • 81% Positiveness
22% Popularity • 72% Danceability • 51% Energy • 5% Liveness
86% Instrumentalness • 81% Positiveness
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Quincy Jones
Cool Joe, Mean Joe (Killer Joe)
116 bpm • F Maj • 07:32 • -6.45db
25% Popularity • 69% Danceability • 90% Energy • 34% Liveness
1% Instrumentalness • 69% Positiveness
25% Popularity • 69% Danceability • 90% Energy • 34% Liveness
1% Instrumentalness • 69% Positiveness
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Shakatak
Lonely Afternoon
132 bpm • C Maj • 04:39 • -19.7db
38% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Minnie Riperton
Never Existed Before
132 bpm • B min • 04:19 • -9.49db
35% Popularity • 67% Danceability • 43% Energy • 60% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 67% Danceability • 43% Energy • 60% Liveness
0% Instrumentalness • 62% Positiveness
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George Benson
Love X Love
115 bpm • C# Maj • 04:46 • -12.72db
51% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Cheryl Lynn
Got to Be Real
115 bpm • A min • 05:07 • -10.14db
68% Popularity • 84% Danceability • 63% Energy • 15% Liveness
74% Instrumentalness • 90% Positiveness
68% Popularity • 84% Danceability • 63% Energy • 15% Liveness
74% Instrumentalness • 90% Positiveness
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John Handy
Hard Work
132 bpm • G min • 06:57 • -7db
37% Popularity • 79% Danceability • 76% Energy • 8% Liveness
82% Instrumentalness • 77% Positiveness
37% Popularity • 79% Danceability • 76% Energy • 8% Liveness
82% Instrumentalness • 77% Positiveness
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Quincy Jones
Everything Must Change
131 bpm • G# Maj • 06:01 • -20db
23% Popularity • 34% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 5% Positiveness
23% Popularity • 34% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 5% Positiveness
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The Manhattan Transfer
On The Boulevard
115 bpm • G Maj • 04:09 • -14.71db
28% Popularity • 72% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 72% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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The Isley Brothers
Harvest for the World, Pt. 1 - Single Ve...
132 bpm • G Maj • 03:31 • -9.81db
42% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Tower Of Power
You're Still a Young Man
114 bpm • D# Maj • 05:37 • -9db
47% Popularity • 45% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 45% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Cheryl Lynn
Got to Be Real - Single Version
115 bpm • F Maj • 03:43 • -7.46db
53% Popularity • 83% Danceability • 71% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
53% Popularity • 83% Danceability • 71% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
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McFadden & Whitehead
Ain't No Stoppin' Us Now
114 bpm • C# Maj • 07:00 • -7.83db
55% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Quincy Jones
Setembro (Brazilian Wedding Song)
132 bpm • A Maj • 05:05 • -14.2db
32% Popularity • 41% Danceability • 26% Energy • 7% Liveness
41% Instrumentalness • 8% Positiveness
32% Popularity • 41% Danceability • 26% Energy • 7% Liveness
41% Instrumentalness • 8% Positiveness
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CHIC
I Want Your Love - 2018 Remaster
114 bpm • A min • 06:53 • -13.4db
58% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
58% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
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The O'Jays
Now That We Found Love
114 bpm • C Maj • 04:41 • -8.4db
56% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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The Jones Girls
We're a Melody
114 bpm • A Maj • 05:23 • -12.78db
16% Popularity • 68% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 68% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Oleta Adams
New York State Of Mind
114 bpm • F Maj • 05:33 • -10db
37% Popularity • 43% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 43% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Quincy Jones
Jook Joint Intro
115 bpm • B min • 01:32 • -14.17db
20% Popularity • 44% Danceability • 56% Energy • 89% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 44% Danceability • 56% Energy • 89% Liveness
0% Instrumentalness • 38% Positiveness
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Blue Magic
Sideshow
133 bpm • G Maj • 04:11 • -13.17db
55% Popularity • 59% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 59% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 54% Positiveness
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Sister Sledge
He's the Greatest Dancer - 1995 Remaster
113 bpm • G min • 06:15 • -9.71db
63% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Stacy Lattisaw
Perfect Combination
134 bpm • A min • 04:09 • -10.32db
47% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 61% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Stephanie Mills
Never Knew Love Like This Before
113 bpm • B Maj • 05:26 • -8.9db
53% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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The Blackbyrds
Walking In Rhythm
113 bpm • F Maj • 04:14 • -13db
51% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Quincy Jones
At The End Of The Day (Grace)
114 bpm • F Maj • 08:01 • -15.95db
12% Popularity • 44% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
12% Popularity • 44% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
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Basia
Promises
113 bpm • F# Maj • 04:02 • -13db
37% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
37% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
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The O'Jays
Use Ta Be My Girl
112 bpm • F# Maj • 04:00 • -7.68db
42% Popularity • 60% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 60% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Evelyn "Champagne" King
Shame - 12" Disco Version
135 bpm • B min • 06:31 • -15.61db
46% Popularity • 78% Danceability • 51% Energy • 7% Liveness
27% Instrumentalness • 90% Positiveness
46% Popularity • 78% Danceability • 51% Energy • 7% Liveness
27% Instrumentalness • 90% Positiveness
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The Spinners
I'll Be Around
112 bpm • G# min • 03:08 • -8.7db
67% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
67% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
