Songs like Moon in the Morning by Adam Melchor
Based on a tempo of (+/- 10%) and a similar genre
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Haley Blais
On a Weekend
123 bpm • C Maj • 02:41 • -6.63db
27% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
27% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
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Genevieve Stokes
Surface Tension
123 bpm • A min • 03:26 • -9.17db
50% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Adam Melchor
Moon in the Morning
123 bpm • F min • 03:14 • -9.13db
42% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 46% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Greeting Committee
Elise
123 bpm • C Maj • 04:14 • -13.16db
43% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 64% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Lizzy McAlpine
Drunk, Running
124 bpm • C Maj • 04:05 • -9.59db
58% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Vancouver Sleep Clinic
Middle Of Nowhere
124 bpm • G# Maj • 06:42 • -11.41db
51% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Night Beds
Lover's Ledge (Who Have I But You)
124 bpm • E Maj • 05:37 • -12.6db
21% Popularity • 30% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 30% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Rosie Carney
Party Dress
122 bpm • G# min • 03:14 • -12.06db
35% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Backseat Lovers
Olivia
124 bpm • G Maj • 03:12 • -15.37db
56% Popularity • 78% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
56% Popularity • 78% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Yoke Lore
Safety - undressed
122 bpm • D Maj • 03:12 • -7db
6% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lizzy McAlpine
Come Down Soon
122 bpm • G min • 03:44 • -10.5db
57% Popularity • 60% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 60% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Melchor
Hold On For Dear Life
124 bpm • G Maj • 03:47 • -4.07db
40% Popularity • 49% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 49% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Flyte
Easy Tiger
124 bpm • E min • 02:54 • -8db
34% Popularity • 71% Danceability • 62% Energy • 9% Liveness
41% Instrumentalness • 80% Positiveness
34% Popularity • 71% Danceability • 62% Energy • 9% Liveness
41% Instrumentalness • 80% Positiveness
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Sarah Kinsley
Karma
122 bpm • B min • 03:57 • -6db
45% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Matilda Mann
Happy Anniversary, Stranger
124 bpm • E Maj • 02:54 • -7db
30% Popularity • 73% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 73% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Ethan Tasch
GPS (w/ Felly)
121 bpm • B min • 02:48 • -9db
44% Popularity • 77% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 55% Positiveness
44% Popularity • 77% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 55% Positiveness
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Maya Hawke
By Myself
122 bpm • A# min • 02:26 • -14.81db
40% Popularity • 73% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 37% Positiveness
40% Popularity • 73% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 37% Positiveness
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Adam Melchor
No Way of Knowing
122 bpm • A min • 03:06 • -7.6db
27% Popularity • 34% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 34% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Trousdale
Wouldn't Come Back
125 bpm • B Maj • 03:39 • -9.42db
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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dodie
Cool Girl
125 bpm • D Maj • 03:19 • -15db
42% Popularity • 73% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 21% Positiveness
42% Popularity • 73% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 21% Positiveness
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Matilda Mann
Doomsday
122 bpm • F# Maj • 03:09 • -11db
45% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Christian Lee Hutson
Rubberneckers
121 bpm • C# Maj • 03:28 • -10db
34% Popularity • 67% Danceability • 56% Energy • 11% Liveness
51% Instrumentalness • 73% Positiveness
34% Popularity • 67% Danceability • 56% Energy • 11% Liveness
51% Instrumentalness • 73% Positiveness
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Matt Maltese
Smile in the Face of the Devil
121 bpm • D# Maj • 02:38 • -7.56db
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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Adam Melchor
More Than Anything
125 bpm • G Maj • 03:48 • -7.94db
20% Popularity • 40% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 40% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Bombay Bicycle Club
Reign Down
120 bpm • A# Maj • 02:03 • -10.16db
37% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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NoSo
Allie
126 bpm • E Maj • 03:25 • -8.19db
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Matilda Mann
Four Leaf Dream
120 bpm • C# Maj • 02:21 • -5.77db
43% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Path
Eugene
120 bpm • E Maj • 03:18 • -10db
29% Popularity • 59% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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BAILEN
Something Tells Me
120 bpm • F min • 04:01 • -9db
50% Popularity • 66% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 66% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Madeline The Person
August
126 bpm • F# Maj • 03:41 • -7db
29% Popularity • 45% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 45% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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The Head And The Heart
Every Shade of Blue
120 bpm • D Maj • 03:33 • -6db
45% Popularity • 54% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 54% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Still Woozy
Kenny
120 bpm • C# Maj • 03:14 • -10.73db
53% Popularity • 75% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 41% Positiveness
53% Popularity • 75% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 41% Positiveness
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Good Dog
Stay And Rest For A While
120 bpm • C Maj • 02:53 • -7.89db
33% Popularity • 62% Danceability • 53% Energy • 9% Liveness
59% Instrumentalness • 28% Positiveness
33% Popularity • 62% Danceability • 53% Energy • 9% Liveness
59% Instrumentalness • 28% Positiveness
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Babygirl
Soft
120 bpm • D Maj • 03:52 • -8db
39% Popularity • 76% Danceability • 59% Energy • 12% Liveness
56% Instrumentalness • 54% Positiveness
39% Popularity • 76% Danceability • 59% Energy • 12% Liveness
56% Instrumentalness • 54% Positiveness
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Hailaker
Wavepool
120 bpm • C Maj • 03:38 • -10.34db
28% Popularity • 60% Danceability • 40% Energy • 8% Liveness
15% Instrumentalness • 22% Positiveness
28% Popularity • 60% Danceability • 40% Energy • 8% Liveness
15% Instrumentalness • 22% Positiveness
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The Greeting Committee
Can I Leave Me Too?
120 bpm • D# Maj • 03:43 • -4.74db
36% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Sophie May
Some Italian Mountain
120 bpm • G Maj • 02:37 • -15db
49% Popularity • 65% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 65% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
39% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
39% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Madeline The Person
As a Child
126 bpm • G Maj • 03:10 • -10.33db
40% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 51% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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COIN
Sagittarius Superstar
120 bpm • F Maj • 02:53 • -8.63db
54% Popularity • 55% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 55% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Adam Melchor
Sorry Adam
120 bpm • D# Maj • 03:25 • -14.92db
18% Popularity • 44% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 44% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Rachael Jenkins
untitled
119 bpm • C# Maj • 03:45 • -13db
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
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Lucy Lu
Boy With The Sun Song
127 bpm • E Maj • 02:40 • -19.46db
30% Popularity • 61% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
30% Popularity • 61% Danceability • 7% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Peter McPoland
Slow Down
127 bpm • G Maj • 03:22 • -3.35db
43% Popularity • 35% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 33% Positiveness
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Madison Cunningham
Song In My Head
119 bpm • G# Maj • 04:40 • -6.23db
46% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Tommy Ashby
High Moon
119 bpm • B Maj • 03:51 • -15.82db
24% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ethan Tasch
Sang About It
119 bpm • A# Maj • 02:13 • -11.95db
33% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Charlie Burg
Channel Orange In Your Living Room
119 bpm • B Maj • 02:38 • -6.49db
49% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Ritt Momney
Show Runner 99
127 bpm • F# Maj • 03:26 • -10.14db
31% Popularity • 26% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 26% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Matilda Mann
As It Is
128 bpm • A# Maj • 03:04 • -12.61db
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 66% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Field Guide
All the Other Lovers
128 bpm • F Maj • 03:11 • -15.39db
29% Popularity • 65% Danceability • 33% Energy • 9% Liveness
49% Instrumentalness • 31% Positiveness
29% Popularity • 65% Danceability • 33% Energy • 9% Liveness
49% Instrumentalness • 31% Positiveness
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Orla Gartland
More Like You
128 bpm • D Maj • 03:40 • -10.13db
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Lizzy McAlpine
All Falls Down
128 bpm • F Maj • 02:51 • -7.01db
56% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
56% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Maya Hawke
Generous Heart
128 bpm • C Maj • 03:35 • -15.5db
42% Popularity • 68% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
42% Popularity • 68% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Emily Lind
Tantra Practice
118 bpm • A min • 03:52 • -10.82db
32% Popularity • 53% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 22% Positiveness
32% Popularity • 53% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 22% Positiveness
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Stephen Day
All Because of You
118 bpm • G Maj • 03:58 • -13.33db
39% Popularity • 43% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
39% Popularity • 43% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Peter McPoland
String Lights
128 bpm • F Maj • 03:50 • -6.09db
36% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Del Water Gap
High Tops
128 bpm • G Maj • 03:58 • -5.13db
54% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Gregory Alan Isakov
Words
118 bpm • C# Maj • 04:01 • -17.71db
57% Popularity • 45% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
57% Popularity • 45% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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TOLEDO
Crane Song
118 bpm • A Maj • 04:49 • -12db
39% Popularity • 46% Danceability • 36% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
39% Popularity • 46% Danceability • 36% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
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Fleet Foxes
Wading In Waist-High Water
128 bpm • G Maj • 02:15 • -15.27db
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
51% Popularity • 39% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Adam Melchor
Start Forgetting Death
118 bpm • D Maj • 03:44 • -7.17db
34% Popularity • 42% Danceability • 34% Energy • 11% Liveness
7% Instrumentalness • 42% Positiveness
34% Popularity • 42% Danceability • 34% Energy • 11% Liveness
7% Instrumentalness • 42% Positiveness
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Christian Leave
Darling
129 bpm • C Maj • 02:45 • -7.64db
47% Popularity • 66% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 66% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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Delaney Bailey
Praying for July - Spotify Singles
129 bpm • B Maj • 03:06 • -18.18db
35% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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John Vincent III
City Rain
117 bpm • C Maj • 04:45 • -8.37db
52% Popularity • 42% Danceability • 43% Energy • 17% Liveness
2% Instrumentalness • 30% Positiveness
52% Popularity • 42% Danceability • 43% Energy • 17% Liveness
2% Instrumentalness • 30% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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John-Robert
Urs
117 bpm • C# min • 03:10 • -8.78db
34% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Sammy Copley
To The Bone
129 bpm • F# Maj • 04:01 • -16db
43% Popularity • 48% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
43% Popularity • 48% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Sarah and the Sundays
Losing My Religion
117 bpm • A min • 04:45 • -7.79db
34% Popularity • 90% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 90% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Genevieve Stokes
Running Away
117 bpm • C Maj • 03:06 • -10db
41% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 43% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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The Brazen Youth
Changing
117 bpm • G# Maj • 03:42 • -8.4db
19% Popularity • 36% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
19% Popularity • 36% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Son of Cloud
I Love You More
130 bpm • C Maj • 01:53 • -15.82db
37% Popularity • 48% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
37% Popularity • 48% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Joe P
Going to California
130 bpm • G Maj • 04:04 • -11.31db
34% Popularity • 32% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
34% Popularity • 32% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
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Phoebe Bridgers
That Funny Feeling
117 bpm • E Maj • 06:40 • -11db
63% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 52% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Palace
Someday, Somewhere
130 bpm • C Maj • 03:12 • -9.39db
45% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Eloise
Who's She
117 bpm • F min • 03:19 • -12.68db
41% Popularity • 49% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 49% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Natalie Madigan
Remember Why You Fell in Love
130 bpm • B Maj • 04:25 • -10.76db
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Alix Page
Stripes
130 bpm • C Maj • 03:56 • -9.66db
26% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Delacey
Break up Slow Dance
130 bpm • E Maj • 03:31 • -9.03db
36% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Arlie
too long
130 bpm • C Maj • 03:46 • -4db
35% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Charlie Burg
Bookstore Girl
130 bpm • D Maj • 03:23 • -7.82db
48% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
51% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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The Brook & The Bluff
Misnomer
116 bpm • A# Maj • 03:43 • -9.04db
51% Popularity • 47% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
51% Popularity • 47% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Bleachers
Strange Behavior
130 bpm • B Maj • 03:05 • -18.55db
34% Popularity • 52% Danceability • 20% Energy • 14% Liveness
43% Instrumentalness • 33% Positiveness
34% Popularity • 52% Danceability • 20% Energy • 14% Liveness
43% Instrumentalness • 33% Positiveness
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Charlie Brennan
May Flowers
130 bpm • D# Maj • 03:30 • -14.04db
29% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Melchor
BIGTIMEGOODTIME
130 bpm • F Maj • 04:16 • -6.95db
33% Popularity • 53% Danceability • 54% Energy • 40% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 53% Danceability • 54% Energy • 40% Liveness
1% Instrumentalness • 49% Positiveness
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Henry Jamison
Fanfare
130 bpm • F Maj • 04:03 • -10db
18% Popularity • 64% Danceability • 44% Energy • 12% Liveness
72% Instrumentalness • 23% Positiveness
18% Popularity • 64% Danceability • 44% Energy • 12% Liveness
72% Instrumentalness • 23% Positiveness
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Khushi
I Know
130 bpm • G# Maj • 02:34 • -16.84db
33% Popularity • 52% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
33% Popularity • 52% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
47% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bendigo Fletcher
Wonderfully Bizarre
131 bpm • E Maj • 05:20 • -10.5db
39% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Adam Melchor
Don't Invest in Me
116 bpm • D Maj • 05:12 • -8.1db
18% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Tommy Lefroy
The Cause
116 bpm • C Maj • 03:05 • -6.76db
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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stories
Moon in the Morning
116 bpm • D# min • 03:33 • -9.28db
22% Popularity • 52% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 52% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Rusty Clanton
Novels
131 bpm • A Maj • 05:52 • -11db
38% Popularity • 52% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
38% Popularity • 52% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Jolé
Still
131 bpm • C# Maj • 03:47 • -13.52db
45% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Trash Panda
Aging out of the 20th Century
115 bpm • A# Maj • 03:26 • -15.64db
41% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
