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More in Love With You
Songs like
More in Love With You (feat. Nelly Joy)
by
Jason Reeves
Based on a tempo of (+/- 10%) and a similar genre
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Jason Reeves
More in Love With You
152 bpm • C# Maj • 04:41 • -12.62db
25% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Bryant
David Livingstone
153 bpm • C# Maj • 03:51 • -10.47db
21% Popularity • 36% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Gabrielle Aplin
Reverse
150 bpm • G min • 04:10 • -10.26db
18% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Joy Williams
Till Forever (Acoustic)
152 bpm • A Maj • 03:55 • -11db
38% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Us The Duo
Dear Mom & Dad
154 bpm • A Maj • 02:35 • -5.1db
24% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Nathanson
Kept
154 bpm • B min • 03:21 • -9.36db
18% Popularity • 49% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jake Etheridge
So In Love With You
150 bpm • B Maj • 02:57 • -10.84db
33% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jason Reeves
Read Your Mind (Heartbeats)
150 bpm • F# min • 04:12 • -7.69db
8% Popularity • 72% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Javier Colon
Hallelujah
150 bpm • A Maj • 05:55 • -8.23db
15% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Green River Ordinance
Endlessly
154 bpm • D Maj • 03:57 • -6.58db
30% Popularity • 51% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Scars On 45
Tasted Every Tear
150 bpm • B Maj • 04:09 • -5.26db
9% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Matt White
Miracles
154 bpm • E min • 03:45 • -5.16db
11% Popularity • 54% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Marie Hines
Endless
150 bpm • C# Maj • 04:10 • -12.52db
11% Popularity • 45% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Clark Richard
Red Robin
149 bpm • A# Maj • 03:57 • -10.31db
21% Popularity • 36% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Joy Williams
I'm Gonna Break Your Heart
155 bpm • G Maj • 03:23 • -11.73db
19% Popularity • 38% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Green River Ordinance
Out of the Storm
150 bpm • B min • 04:04 • -10.43db
22% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Howie Day
Favorite Song
149 bpm • G Maj • 03:08 • -7.81db
30% Popularity • 52% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Orchid and Beryl
I Can't Help Falling in Love With You
155 bpm • D Maj • 02:54 • -13db
24% Popularity • 54% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Nelly Joy
Cowgirl
156 bpm • G# min • 03:39 • -7.31db
41% Popularity • 50% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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Matt White
Moment Of Weakness
156 bpm • D Maj • 03:39 • -4.35db
8% Popularity • 42% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Jason Mraz
Long Drive
148 bpm • G Maj • 03:50 • -8.65db
45% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Graham Colton
Pacific Coast Eyes
156 bpm • F# Maj • 03:40 • -8db
31% Popularity • 53% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Jason Reeves
Simple Song
156 bpm • F# Maj • 03:07 • -6.37db
6% Popularity • 53% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Jilian Linklater
Magnet
148 bpm • F# Maj • 04:20 • -6db
13% Popularity • 44% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Schuyler Fisk
What Good Is Love
156 bpm • E Maj • 03:53 • -11.59db
26% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Elenowen
Flying For The First Time
156 bpm • C Maj • 04:07 • -8.89db
10% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jason Mraz
You Can Rely on Me
148 bpm • G Maj • 03:42 • -9.12db
35% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Graham Colton
Love Comes Back Around
156 bpm • F# Maj • 02:59 • -11.23db
30% Popularity • 42% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Leroy Sanchez
Little Dancer
148 bpm • A# Maj • 03:55 • -10.3db
36% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Reeves
We Just Started
148 bpm • C# Maj • 04:20 • -9.53db
10% Popularity • 50% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Allen
Amazing
148 bpm • A Maj • 03:43 • -8.4db
14% Popularity • 53% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Spencer Combs
You Are Mine
156 bpm • D Maj • 03:55 • -10db
30% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Oh Gravity
Maybe (Bonus Track)
157 bpm • E Maj • 03:38 • -9.54db
21% Popularity • 36% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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A Great Big World
Where Does the Time Go
158 bpm • F# Maj • 03:48 • -12.07db
36% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Lennon & Maisy
Boom Clap
157 bpm • E Maj • 02:55 • -7.45db
47% Popularity • 65% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Perrin Lamb
Whisper
158 bpm • G Maj • 04:00 • -13.8db
16% Popularity • 49% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Emily Hearn
The Oak Tree
158 bpm • D# Maj • 04:04 • -6.32db
18% Popularity • 58% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Kalai
Divide Me
146 bpm • G# Maj • 04:46 • -12.98db
23% Popularity • 72% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Warren Barfield
10 Hours
158 bpm • D Maj • 03:24 • -10.2db
14% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Green River Ordinance
Better Love
146 bpm • A Maj • 02:57 • -9.39db
38% Popularity • 52% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Beth Parks
We Hold Each Other (Acoustic Version)
159 bpm • C Maj • 02:48 • -9.73db
12% Popularity • 37% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Us The Duo
Take Me Home
145 bpm • B Maj • 04:17 • -10.48db
39% Popularity • 36% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Passenger
The One You Love
145 bpm • F# Maj • 03:02 • -9.8db
49% Popularity • 53% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Graham Colton
Best Days
160 bpm • C Maj • 03:35 • -4.47db
35% Popularity • 32% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Alex & Sierra
It's About Us - Interlude
144 bpm • G Maj • 01:01 • -11db
30% Popularity • 44% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Green River Ordinance
Endlessly
145 bpm • D# Maj • 03:35 • -8db
34% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Script
Never Seen Anything "Quite Like You"
160 bpm • F# Maj • 03:22 • -7.37db
55% Popularity • 32% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Jason Reeves
Dangerous People
160 bpm • D Maj • 03:57 • -8.16db
7% Popularity • 62% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Lee DeWyze
Breathing In
160 bpm • D Maj • 04:40 • -9.99db
12% Popularity • 39% Danceability • 38% Energy • 20% Liveness
1% Instrumentalness • 29% Positiveness
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Jason Mraz
Out of My Hands
144 bpm • A# Maj • 03:25 • -5.64db
35% Popularity • 66% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Five For Fighting
She's My Girl
144 bpm • G# Maj • 03:26 • -6db
35% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Green River Ordinance
Where the West Wind Blows
145 bpm • G Maj • 03:50 • -6.87db
27% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Handsome and Gretyl
I Love You, I Do
144 bpm • A Maj • 04:05 • -7.56db
10% Popularity • 54% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jason Reeves
Murakami
160 bpm • F Maj • 04:25 • -7.54db
18% Popularity • 53% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Javier Colon
When Amaia Cries
144 bpm • E Maj • 02:24 • -13.63db
15% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lee DeWyze
A Song About Love
144 bpm • F Maj • 02:50 • -7.41db
17% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Paul McDonald
All I'm Asking
143 bpm • F Maj • 04:11 • -9.29db
13% Popularity • 41% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Green River Ordinance
Fool for You
145 bpm • F Maj • 04:19 • -8.89db
23% Popularity • 47% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Ian Britt
The Shape Of Us
143 bpm • A Maj • 04:16 • -12db
31% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jason Reeves
Galaxies
144 bpm • G# Maj • 03:55 • -9.97db
4% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Javier Colon
Fix You - The Voice Performance
143 bpm • D# Maj • 03:24 • -7.19db
18% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Tim Be Told
Just Say When
143 bpm • D Maj • 03:47 • -6.32db
16% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Emerson Hart
When She Loves You
162 bpm • C Maj • 03:30 • -5.28db
14% Popularity • 38% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Green River Ordinance
Healing Touch
160 bpm • A Maj • 03:27 • -6.02db
23% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Us The Duo
Make You Mine
143 bpm • F Maj • 03:36 • -6db
36% Popularity • 60% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Krysta Nick
Miles Away
162 bpm • A# Maj • 03:40 • -7db
41% Popularity • 55% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Javier Colon
Ok, Here's The Truth
143 bpm • F Maj • 04:32 • -8.64db
18% Popularity • 43% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Nathan Angelo
Love Sucks
162 bpm • B Maj • 04:03 • -4.64db
18% Popularity • 45% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Perrin Lamb
Pins and Needles
162 bpm • C# min • 02:55 • -15.59db
11% Popularity • 45% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Green River Ordinance
On Your Own
144 bpm • F# Maj • 04:19 • -4db
28% Popularity • 44% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Megan & Liz
Best Thing I Never Had
143 bpm • F# Maj • 03:03 • -13.25db
38% Popularity • 60% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Wertz
With You, Tonight
162 bpm • C Maj • 04:07 • -6.74db
17% Popularity • 54% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Javier Colon
Come Through For You
143 bpm • A Maj • 04:15 • -8.55db
15% Popularity • 59% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Brandon & Leah
Sunday Girl
142 bpm • D Maj • 03:49 • -7.57db
10% Popularity • 50% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 37% Positiveness
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Michelle Featherstone
We Are Man And Wife
142 bpm • A Maj • 04:53 • -10db
29% Popularity • 53% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Allen
Say Something
142 bpm • D Maj • 03:46 • -12.28db
11% Popularity • 65% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Hearts & Colors
Fireflies
163 bpm • B Maj • 03:32 • -8db
36% Popularity • 36% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Kelley
Almost Honest
142 bpm • D# Maj • 03:17 • -4.06db
24% Popularity • 52% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Liz Longley
When You've Got Trouble
142 bpm • D Maj • 03:27 • -9db
21% Popularity • 58% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Schuyler Fisk
Cold Heart
164 bpm • C Maj • 03:58 • -11.05db
18% Popularity • 37% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Graham Colton
Love Comes Back Around (acoustic)
164 bpm • F# Maj • 02:51 • -13.14db
32% Popularity • 56% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Stephen Speaks
Complete
140 bpm • D# Maj • 04:04 • -16.66db
22% Popularity • 56% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Hearts & Colors
Lego House
142 bpm • B Maj • 03:31 • -13db
45% Popularity • 69% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Josh Kelley
Home To Me
141 bpm • B min • 04:43 • -10.58db
19% Popularity • 51% Danceability • 39% Energy • 7% Liveness
2% Instrumentalness • 32% Positiveness
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Phillip LaRue
You
140 bpm • C# Maj • 03:04 • -11db
22% Popularity • 61% Danceability • 42% Energy • 11% Liveness
14% Instrumentalness • 35% Positiveness
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Liz Longley
Goodbye Love
142 bpm • D Maj • 02:48 • -9.64db
11% Popularity • 55% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Nathan Angelo
Born To Love You
140 bpm • D# Maj • 03:57 • -10db
22% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Green River Ordinance
She Is in the Air
140 bpm • B Maj • 03:59 • -9db
24% Popularity • 54% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Sinclair
This Too Shall Pass
140 bpm • E Maj • 03:49 • -9db
26% Popularity • 69% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Jason Reeves
Entwined.
140 bpm • G Maj • 03:56 • -11.47db
11% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Phillip LaRue
Sweet Love
140 bpm • G# Maj • 04:27 • -11.12db
37% Popularity • 55% Danceability • 33% Energy • 9% Liveness
9% Instrumentalness • 19% Positiveness
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Brett Dennen
Only Want You
140 bpm • A Maj • 03:26 • -11.94db
28% Popularity • 74% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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American Young
Love Is War - Radio Mix
140 bpm • A# Maj • 03:04 • -7.71db
25% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Javier Colon
Meant To Be
140 bpm • A Maj • 04:26 • -9.27db
16% Popularity • 55% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Lee DeWyze
Brooklyn Bridge
140 bpm • C Maj • 03:45 • -4.17db
19% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Reeves
Pretty Eyes.
140 bpm • E Maj • 04:37 • -6.77db
9% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Zach Berkman
Every Man On Earth
166 bpm • F Maj • 02:59 • -7.62db
18% Popularity • 60% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Cam Nacson
Not a Love Song (Beautiful Eyes)
166 bpm • D Maj • 03:11 • -7db
24% Popularity • 43% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Emma White
You Would've Kissed Me by Now
166 bpm • A# Maj • 04:14 • -9db
15% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Steve Moakler
Cinderella
166 bpm • D Maj • 04:20 • -8.55db
13% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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More in Love With You