Songs like More Pressure by Kae Tempest
Based on a tempo of (+/- 10%) and a similar genre
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SAULT
Bow
118 bpm • A# min • 04:05 • -7.83db
40% Popularity • 78% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 78% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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She Drew The Gun
Something For The Pain
118 bpm • A min • 03:08 • -6db
44% Popularity • 54% Danceability • 78% Energy • 20% Liveness
50% Instrumentalness • 68% Positiveness
44% Popularity • 54% Danceability • 78% Energy • 20% Liveness
50% Instrumentalness • 68% Positiveness
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Kae Tempest
Grubby
118 bpm • D Maj • 04:07 • -9.05db
18% Popularity • 79% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 79% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Warmduscher
Wild Flowers
118 bpm • A Maj • 03:34 • -8.51db
30% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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North Downs
Nightlife Blues
118 bpm • C min • 03:47 • -6db
31% Popularity • 60% Danceability • 76% Energy • 10% Liveness
28% Instrumentalness • 46% Positiveness
31% Popularity • 60% Danceability • 76% Energy • 10% Liveness
28% Instrumentalness • 46% Positiveness
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Amen Dunes
Feel Nothing
118 bpm • A Maj • 05:31 • -8.79db
32% Popularity • 53% Danceability • 86% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
32% Popularity • 53% Danceability • 86% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
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Ishmael Ensemble
The Rebuke
119 bpm • A min • 04:48 • -10.16db
16% Popularity • 26% Danceability • 51% Energy • 13% Liveness
20% Instrumentalness • 22% Positiveness
16% Popularity • 26% Danceability • 51% Energy • 13% Liveness
20% Instrumentalness • 22% Positiveness
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Porridge Radio
7 Seconds
117 bpm • G Maj • 04:12 • -5.88db
39% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 66% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Kae Tempest
More Pressure
118 bpm • D Maj • 03:14 • -9.76db
39% Popularity • 91% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 91% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Warmduscher
Disco Peanuts
118 bpm • A# min • 03:45 • -7db
32% Popularity • 69% Danceability • 74% Energy • 42% Liveness
8% Instrumentalness • 93% Positiveness
32% Popularity • 69% Danceability • 74% Energy • 42% Liveness
8% Instrumentalness • 93% Positiveness
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The Weather Station
Robber
119 bpm • G min • 05:20 • -9.82db
33% Popularity • 71% Danceability • 62% Energy • 9% Liveness
31% Instrumentalness • 35% Positiveness
33% Popularity • 71% Danceability • 62% Energy • 9% Liveness
31% Instrumentalness • 35% Positiveness
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Jehnny Beth
Flower
119 bpm • G# Maj • 03:19 • -6.97db
23% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Nadine Shah
Fool
119 bpm • A# min • 04:40 • -5.39db
34% Popularity • 49% Danceability • 78% Energy • 6% Liveness
69% Instrumentalness • 59% Positiveness
34% Popularity • 49% Danceability • 78% Energy • 6% Liveness
69% Instrumentalness • 59% Positiveness
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Porridge Radio
The Rip
120 bpm • A min • 02:56 • -5.06db
33% Popularity • 41% Danceability • 65% Energy • 9% Liveness
47% Instrumentalness • 27% Positiveness
33% Popularity • 41% Danceability • 65% Energy • 9% Liveness
47% Instrumentalness • 27% Positiveness
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Kae Tempest
Pictures On A Screen
118 bpm • G min • 05:05 • -11.51db
21% Popularity • 60% Danceability • 51% Energy • 11% Liveness
5% Instrumentalness • 11% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 11% Liveness
5% Instrumentalness • 11% Positiveness
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Elysian Quartet
Where the Heart Is
117 bpm • G min • 08:01 • -16.65db
9% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 72% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Charlotte Adigéry
Reappropriate
120 bpm • C# min • 05:06 • -13.82db
27% Popularity • 51% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 51% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Emily Wells
Love Saves the Day
120 bpm • F min • 06:28 • -10.13db
13% Popularity • 46% Danceability • 45% Energy • 21% Liveness
13% Instrumentalness • 14% Positiveness
13% Popularity • 46% Danceability • 45% Energy • 21% Liveness
13% Instrumentalness • 14% Positiveness
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For Those I Love
I Have a Love
120 bpm • F Maj • 05:20 • -5.66db
25% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Porridge Radio
Back To The Radio
120 bpm • G# Maj • 03:07 • -5db
34% Popularity • 45% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 45% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Kae Tempest
Three Sided Coin
116 bpm • D Maj • 04:02 • -9.75db
20% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Sleaford Mods
UK GRIM
120 bpm • E min • 03:18 • -8db
38% Popularity • 91% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
38% Popularity • 91% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Ghostpoet
X Marks the Spot
120 bpm • C min • 03:50 • -11db
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
42% Popularity • 61% Danceability • 65% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
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LUMP
Animal
120 bpm • C# Maj • 04:37 • -9.23db
28% Popularity • 74% Danceability • 62% Energy • 13% Liveness
33% Instrumentalness • 18% Positiveness
28% Popularity • 74% Danceability • 62% Energy • 13% Liveness
33% Instrumentalness • 18% Positiveness
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For Those I Love
Birthday / The Pain
120 bpm • G Maj • 05:52 • -6.22db
22% Popularity • 50% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 50% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Warpaint
Champion
116 bpm • A# min • 04:39 • -11db
45% Popularity • 72% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
45% Popularity • 72% Danceability • 49% Energy • 11% Liveness
19% Instrumentalness • 40% Positiveness
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Kae Tempest
The Beigeness
117 bpm • C Maj • 03:08 • -6.21db
38% Popularity • 89% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 89% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Sleaford Mods
Nudge It
120 bpm • B min • 03:43 • -4.08db
42% Popularity • 90% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 90% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Ghostpoet
Concrete Pony
120 bpm • C Maj • 04:06 • -10db
16% Popularity • 82% Danceability • 49% Energy • 34% Liveness
12% Instrumentalness • 76% Positiveness
16% Popularity • 82% Danceability • 49% Energy • 34% Liveness
12% Instrumentalness • 76% Positiveness
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Self Esteem
Prioritise Pleasure
120 bpm • A min • 04:05 • -7.9db
39% Popularity • 82% Danceability • 61% Energy • 19% Liveness
10% Instrumentalness • 48% Positiveness
39% Popularity • 82% Danceability • 61% Energy • 19% Liveness
10% Instrumentalness • 48% Positiveness
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Charlotte Adigéry
High Lights
120 bpm • G Maj • 05:08 • -11db
29% Popularity • 87% Danceability • 54% Energy • 6% Liveness
24% Instrumentalness • 76% Positiveness
29% Popularity • 87% Danceability • 54% Energy • 6% Liveness
24% Instrumentalness • 76% Positiveness
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Invisible Minds
The Cut Girl
120 bpm • F# min • 05:45 • -6.94db
29% Popularity • 68% Danceability • 55% Energy • 49% Liveness
9% Instrumentalness • 66% Positiveness
29% Popularity • 68% Danceability • 55% Energy • 49% Liveness
9% Instrumentalness • 66% Positiveness
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SAULT
Let Me Go
120 bpm • G Maj • 03:13 • -8db
58% Popularity • 61% Danceability • 74% Energy • 40% Liveness
5% Instrumentalness • 58% Positiveness
58% Popularity • 61% Danceability • 74% Energy • 40% Liveness
5% Instrumentalness • 58% Positiveness
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Joan As Police Woman
Out of Time
120 bpm • G Maj • 02:23 • -13db
24% Popularity • 41% Danceability • 25% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 41% Danceability • 25% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
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Ghostpoet
I Grow Tired But Dare Not Fall Asleep
120 bpm • D# min • 04:35 • -8.47db
27% Popularity • 73% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
27% Popularity • 73% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Young Fathers
I Heard
116 bpm • F min • 03:42 • -3.99db
53% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 70% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Charlotte Adigéry
Okashi
120 bpm • D Maj • 03:34 • -9.89db
17% Popularity • 73% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
17% Popularity • 73% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
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Kae Tempest
Whoops
115 bpm • G Maj • 03:38 • -6.35db
22% Popularity • 81% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 81% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Kathryn Joseph
what is keeping you alive makes me want ...
121 bpm • C min • 05:22 • -16.83db
16% Popularity • 67% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 4% Positiveness
16% Popularity • 67% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 4% Positiveness
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Prima Queen
Butter Knife
115 bpm • C min • 04:09 • -10.34db
20% Popularity • 66% Danceability • 41% Energy • 14% Liveness
4% Instrumentalness • 30% Positiveness
20% Popularity • 66% Danceability • 41% Energy • 14% Liveness
4% Instrumentalness • 30% Positiveness
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audiobooks
Dance Your Life Away
121 bpm • E min • 04:06 • -3.8db
30% Popularity • 70% Danceability • 85% Energy • 52% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 70% Danceability • 85% Energy • 52% Liveness
0% Instrumentalness • 87% Positiveness
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Yard Act
100% Endurance
115 bpm • F Maj • 03:45 • -7db
48% Popularity • 81% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 81% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Ishmael Ensemble
Soma Centre
115 bpm • F# Maj • 05:16 • -12db
28% Popularity • 64% Danceability • 63% Energy • 30% Liveness
84% Instrumentalness • 48% Positiveness
28% Popularity • 64% Danceability • 63% Energy • 30% Liveness
84% Instrumentalness • 48% Positiveness
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Kae Tempest
Circles
121 bpm • F# Maj • 05:06 • -7.03db
22% Popularity • 45% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 45% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Sleaford Mods
Tarantula Deadly Cargo
115 bpm • B min • 03:21 • -7.17db
33% Popularity • 91% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 91% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Obongjayar
10K
115 bpm • B min • 03:17 • -7.13db
22% Popularity • 64% Danceability • 82% Energy • 33% Liveness
1% Instrumentalness • 48% Positiveness
22% Popularity • 64% Danceability • 82% Energy • 33% Liveness
1% Instrumentalness • 48% Positiveness
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Invisible Minds
Yo Mae Leh
115 bpm • C# Maj • 03:33 • -5.6db
30% Popularity • 58% Danceability • 80% Energy • 8% Liveness
63% Instrumentalness • 79% Positiveness
30% Popularity • 58% Danceability • 80% Energy • 8% Liveness
63% Instrumentalness • 79% Positiveness
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This Is The Kit
Bullet Proof
121 bpm • C# Maj • 04:10 • -11db
34% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
34% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
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Sylvie Kreusch
Wild Love
115 bpm • B Maj • 05:23 • -11db
26% Popularity • 55% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
26% Popularity • 55% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Kae Tempest
Nothing to Prove
121 bpm • G# Maj • 03:26 • -10.68db
31% Popularity • 94% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 94% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Nadine Shah
Evil
115 bpm • F# min • 05:00 • -7.14db
33% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Scott Lavene
Broke
115 bpm • A# min • 08:01 • -9db
30% Popularity • 72% Danceability • 50% Energy • 12% Liveness
9% Instrumentalness • 34% Positiveness
30% Popularity • 72% Danceability • 50% Energy • 12% Liveness
9% Instrumentalness • 34% Positiveness
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Laura Veirs
Eucalyptus
122 bpm • G Maj • 04:26 • -17.58db
11% Popularity • 72% Danceability • 46% Energy • 36% Liveness
28% Instrumentalness • 7% Positiveness
11% Popularity • 72% Danceability • 46% Energy • 36% Liveness
28% Instrumentalness • 7% Positiveness
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Billy Nomates
black curtains in the bag
122 bpm • F# Maj • 03:27 • -11db
22% Popularity • 80% Danceability • 45% Energy • 12% Liveness
11% Instrumentalness • 56% Positiveness
22% Popularity • 80% Danceability • 45% Energy • 12% Liveness
11% Instrumentalness • 56% Positiveness
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Sleaford Mods
Mork n Mindy
122 bpm • B Maj • 03:24 • -5db
45% Popularity • 97% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
45% Popularity • 97% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 45% Positiveness
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Kae Tempest
Thinking Clearly
122 bpm • G Maj • 03:28 • -9.35db
21% Popularity • 92% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 92% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Future Utopia
We Were We Still Are
114 bpm • A# min • 02:57 • -5.92db
39% Popularity • 64% Danceability • 94% Energy • 20% Liveness
76% Instrumentalness • 76% Positiveness
39% Popularity • 64% Danceability • 94% Energy • 20% Liveness
76% Instrumentalness • 76% Positiveness
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Sophie Hunger
I Opened A Bar
114 bpm • G Maj • 03:52 • -8db
29% Popularity • 77% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
29% Popularity • 77% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Charlotte Adigéry
Thank You
114 bpm • G Maj • 05:51 • -8db
35% Popularity • 84% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 71% Positiveness
35% Popularity • 84% Danceability • 70% Energy • 8% Liveness
2% Instrumentalness • 71% Positiveness
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Billy Nomates
saboteur forcefield
122 bpm • C# Maj • 03:51 • -12db
23% Popularity • 76% Danceability • 48% Energy • 11% Liveness
56% Instrumentalness • 83% Positiveness
23% Popularity • 76% Danceability • 48% Energy • 11% Liveness
56% Instrumentalness • 83% Positiveness
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Georgia Ruth
25 Minutes
114 bpm • F Maj • 04:19 • -12.31db
19% Popularity • 74% Danceability • 38% Energy • 10% Liveness
6% Instrumentalness • 45% Positiveness
19% Popularity • 74% Danceability • 38% Energy • 10% Liveness
6% Instrumentalness • 45% Positiveness
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SAULT
Tip Toe
114 bpm • C# min • 03:09 • -5.28db
36% Popularity • 76% Danceability • 67% Energy • 6% Liveness
30% Instrumentalness • 44% Positiveness
36% Popularity • 76% Danceability • 67% Energy • 6% Liveness
30% Instrumentalness • 44% Positiveness
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Nadine Shah
Trad
113 bpm • D Maj • 05:27 • -9.69db
16% Popularity • 58% Danceability • 69% Energy • 14% Liveness
63% Instrumentalness • 38% Positiveness
16% Popularity • 58% Danceability • 69% Energy • 14% Liveness
63% Instrumentalness • 38% Positiveness
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Sleaford Mods
I Feel So Wrong
113 bpm • F min • 03:10 • -8db
33% Popularity • 97% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 97% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Speakers Corner Quartet
Geronimo Blues - Live at The Portico
113 bpm • D Maj • 05:20 • -9.75db
13% Popularity • 44% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 44% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Oliver Sim
Romance With A Memory
123 bpm • C Maj • 02:57 • -9db
33% Popularity • 86% Danceability • 48% Energy • 10% Liveness
7% Instrumentalness • 74% Positiveness
33% Popularity • 86% Danceability • 48% Energy • 10% Liveness
7% Instrumentalness • 74% Positiveness
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Hen Ogledd
Space Golf
124 bpm • B min • 04:57 • -8.48db
13% Popularity • 62% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 62% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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SAULT
The Beginning & the End
123 bpm • D Maj • 03:38 • -6.14db
22% Popularity • 67% Danceability • 80% Energy • 12% Liveness
45% Instrumentalness • 67% Positiveness
22% Popularity • 67% Danceability • 80% Energy • 12% Liveness
45% Instrumentalness • 67% Positiveness
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Damon Albarn
Polaris
124 bpm • G Maj • 04:44 • -8.48db
27% Popularity • 51% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 10% Positiveness
27% Popularity • 51% Danceability • 74% Energy • 22% Liveness
5% Instrumentalness • 10% Positiveness
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Charlotte Adigéry
Blenda
124 bpm • A# min • 03:31 • -8.65db
37% Popularity • 76% Danceability • 86% Energy • 10% Liveness
10% Instrumentalness • 81% Positiveness
37% Popularity • 76% Danceability • 86% Energy • 10% Liveness
10% Instrumentalness • 81% Positiveness
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Gabriels
One and Only
124 bpm • G Maj • 03:11 • -5.29db
37% Popularity • 68% Danceability • 74% Energy • 46% Liveness
8% Instrumentalness • 78% Positiveness
37% Popularity • 68% Danceability • 74% Energy • 46% Liveness
8% Instrumentalness • 78% Positiveness
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Teleman
Strange Combinations
112 bpm • G Maj • 03:18 • -9.43db
33% Popularity • 84% Danceability • 46% Energy • 9% Liveness
40% Instrumentalness • 79% Positiveness
33% Popularity • 84% Danceability • 46% Energy • 9% Liveness
40% Instrumentalness • 79% Positiveness
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Kae Tempest
Water in the Rain
124 bpm • A# min • 03:53 • -11.98db
25% Popularity • 52% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 52% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Billy Nomates
blackout signal
112 bpm • C# Maj • 04:17 • -11.16db
18% Popularity • 81% Danceability • 34% Energy • 8% Liveness
30% Instrumentalness • 30% Positiveness
18% Popularity • 81% Danceability • 34% Energy • 8% Liveness
30% Instrumentalness • 30% Positiveness
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Mykki Blanco
Free Ride
112 bpm • G Maj • 03:34 • -6.27db
22% Popularity • 70% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 70% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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LYR
Winter Solstice
124 bpm • G# Maj • 03:43 • -5.34db
8% Popularity • 47% Danceability • 63% Energy • 22% Liveness
2% Instrumentalness • 36% Positiveness
8% Popularity • 47% Danceability • 63% Energy • 22% Liveness
2% Instrumentalness • 36% Positiveness
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Charlotte Adigéry
Ceci n'est pas un cliché
112 bpm • A Maj • 03:46 • -9.63db
43% Popularity • 80% Danceability • 60% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
43% Popularity • 80% Danceability • 60% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
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Augenwasser
Paid the Rent / Going Out
125 bpm • D Maj • 03:26 • -8db
16% Popularity • 58% Danceability • 74% Energy • 22% Liveness
91% Instrumentalness • 37% Positiveness
16% Popularity • 58% Danceability • 74% Energy • 22% Liveness
91% Instrumentalness • 37% Positiveness
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LUMP
Curse of the Contemporary
125 bpm • B min • 04:13 • -7.28db
34% Popularity • 65% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 65% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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The Comet Is Coming
Blood Of The Past
111 bpm • C Maj • 08:15 • -7.29db
39% Popularity • 33% Danceability • 69% Energy • 14% Liveness
7% Instrumentalness • 7% Positiveness
39% Popularity • 33% Danceability • 69% Energy • 14% Liveness
7% Instrumentalness • 7% Positiveness
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Jan Verstraeten
GOODBYE WORLD
111 bpm • C# Maj • 03:02 • -7.12db
28% Popularity • 49% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 49% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 47% Positiveness
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BODEGA
Territorial Call of the Female
125 bpm • C Maj • 02:45 • -8.63db
44% Popularity • 82% Danceability • 62% Energy • 10% Liveness
73% Instrumentalness • 62% Positiveness
44% Popularity • 82% Danceability • 62% Energy • 10% Liveness
73% Instrumentalness • 62% Positiveness
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Charlotte Adigéry
B B C
125 bpm • A min • 04:11 • -9db
15% Popularity • 84% Danceability • 62% Energy • 11% Liveness
38% Instrumentalness • 40% Positiveness
15% Popularity • 84% Danceability • 62% Energy • 11% Liveness
38% Instrumentalness • 40% Positiveness
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audiobooks
The Doll
125 bpm • D Maj • 03:54 • -9db
25% Popularity • 61% Danceability • 78% Energy • 12% Liveness
10% Instrumentalness • 9% Positiveness
25% Popularity • 61% Danceability • 78% Energy • 12% Liveness
10% Instrumentalness • 9% Positiveness
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SAULT
I Just Want to Dance
125 bpm • C# Maj • 04:21 • -6.89db
32% Popularity • 69% Danceability • 79% Energy • 6% Liveness
18% Instrumentalness • 58% Positiveness
32% Popularity • 69% Danceability • 79% Energy • 6% Liveness
18% Instrumentalness • 58% Positiveness
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Kae Tempest
Chicken
125 bpm • D Maj • 02:46 • -9.57db
15% Popularity • 77% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 77% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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She Drew The Gun
Since You Were Not Mine
125 bpm • G Maj • 03:45 • -9db
26% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Easter
Bone Marrow Stem Cell
125 bpm • D min • 03:52 • -19.57db
31% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Sampa the Great
The Truth
125 bpm • B Maj • 01:20 • -8.55db
35% Popularity • 82% Danceability • 68% Energy • 16% Liveness
15% Instrumentalness • 45% Positiveness
35% Popularity • 82% Danceability • 68% Energy • 16% Liveness
15% Instrumentalness • 45% Positiveness
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Cat Power
White Mustang
125 bpm • F min • 03:00 • -8.64db
26% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Teleman
Submarine Life
111 bpm • G min • 05:31 • -6.4db
29% Popularity • 75% Danceability • 73% Energy • 10% Liveness
87% Instrumentalness • 64% Positiveness
29% Popularity • 75% Danceability • 73% Energy • 10% Liveness
87% Instrumentalness • 64% Positiveness
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Kae Tempest
I Saw Light
111 bpm • F Maj • 03:03 • -19.23db
31% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 64% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Charlotte Adigéry
Mantra
111 bpm • G# Maj • 04:21 • -11db
28% Popularity • 82% Danceability • 85% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
28% Popularity • 82% Danceability • 85% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
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letthemusicplay
Our Town - Sister Bliss vs. I Said No Da...
126 bpm • G Maj • 06:01 • -8.09db
1% Popularity • 83% Danceability • 70% Energy • 18% Liveness
75% Instrumentalness • 59% Positiveness
1% Popularity • 83% Danceability • 70% Energy • 18% Liveness
75% Instrumentalness • 59% Positiveness
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Antony Szmierek
The Hitchhiker's Guide to the Fallacy
126 bpm • C min • 02:51 • -10.39db
31% Popularity • 87% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 87% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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SAULT
Don't Shoot Guns Down
110 bpm • F# min • 01:52 • -10.08db
33% Popularity • 86% Danceability • 49% Energy • 39% Liveness
44% Instrumentalness • 19% Positiveness
33% Popularity • 86% Danceability • 49% Energy • 39% Liveness
44% Instrumentalness • 19% Positiveness
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Damon Albarn
Royal Morning Blue
126 bpm • E min • 03:11 • -8.67db
35% Popularity • 64% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 69% Positiveness
35% Popularity • 64% Danceability • 74% Energy • 29% Liveness
1% Instrumentalness • 69% Positiveness
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Kae Tempest
Priority Boredom
111 bpm • G# min • 02:45 • -8.99db
29% Popularity • 72% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 72% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 5% Positiveness
