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Morning Aire
Songs like
Morning Aire
by
Tommy Emmanuel
Based on a tempo of (+/- 10%) and a similar genre
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El McMeen
The Humors of Ballyloughlin Jig
135 bpm • A Maj • 02:54 • -14db
11% Popularity • 42% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Tommy Emmanuel
Morning Aire
135 bpm • G min • 05:55 • -19.29db
20% Popularity • 44% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 13% Positiveness
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Peter Finger
While My Guitar Gently Weeps
135 bpm • E min • 04:38 • -20db
19% Popularity • 47% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 11% Positiveness
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Pierre Bensusan
Le jardin d'Adonis (To Marcel Dadi)
135 bpm • E Maj • 02:17 • -21db
23% Popularity • 37% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 59% Positiveness
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Andrew York
Sunday Morning Overcast
134 bpm • E min • 02:39 • -15.54db
22% Popularity • 46% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 62% Positiveness
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Trevor Gordon Hall
The Meeting At the Window
136 bpm • A Maj • 04:42 • -20db
15% Popularity • 49% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 14% Positiveness
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Tim Reynolds
Matters Most
134 bpm • A min • 03:08 • -22.25db
14% Popularity • 71% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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David Qualey
Homfeld Suite
134 bpm • D min • 03:41 • -19.29db
18% Popularity • 51% Danceability • 13% Energy • 31% Liveness
82% Instrumentalness • 12% Positiveness
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Peter Finger
Under the Walking Tree
135 bpm • E min • 03:26 • -17db
20% Popularity • 32% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Pierre Bensusan
The Welsh Arrow (To Sandy Alexander)
136 bpm • A min • 02:19 • -20.34db
19% Popularity • 48% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 73% Positiveness
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Craig D'Andrea
Everybody Needs One
133 bpm • D Maj • 03:53 • -15.5db
27% Popularity • 41% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Steve Dawson
Lighthouse Avenue
133 bpm • D Maj • 02:33 • -13db
27% Popularity • 40% Danceability • 20% Energy • 18% Liveness
89% Instrumentalness • 18% Positiveness
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Julian Lage
40's
133 bpm • F Maj • 03:50 • -17.84db
32% Popularity • 56% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Tommy Emmanuel
Half Way Home
133 bpm • F Maj • 03:12 • -12.48db
16% Popularity • 43% Danceability • 30% Energy • 13% Liveness
12% Instrumentalness • 36% Positiveness
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Edgar Meyer
By The River - Instrumental
133 bpm • A# Maj • 03:22 • -21db
26% Popularity • 56% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Julian Lage & Chris Eldridge
Butter and Eggs
137 bpm • D Maj • 03:24 • -18db
40% Popularity • 48% Danceability • 15% Energy • 10% Liveness
21% Instrumentalness • 28% Positiveness
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Ken Bonfield
Denouement
132 bpm • D# Maj • 02:35 • -18.98db
26% Popularity • 36% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 27% Positiveness
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John Danley
Lori Anne
138 bpm • E Maj • 04:57 • -15db
17% Popularity • 30% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Andrew White
Barcelona
138 bpm • A# Maj • 05:22 • -20db
13% Popularity • 44% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 30% Positiveness
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Ben Woolman
Chasing A Melody
138 bpm • G Maj • 03:51 • -14.88db
9% Popularity • 56% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
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Gareth Pearson
Mr. Spontaneous
138 bpm • C min • 02:45 • -12db
20% Popularity • 50% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 96% Positiveness
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Jeff Peterson
Harvest Moon
138 bpm • D Maj • 05:47 • -15.07db
30% Popularity • 29% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Eric Johnson
Serinidad
138 bpm • E Maj • 02:21 • -22.37db
24% Popularity • 48% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Ian Melrose
Pink Panther - A Shot In the Dark
138 bpm • F Maj • 04:16 • -16db
19% Popularity • 61% Danceability • 16% Energy • 10% Liveness
63% Instrumentalness • 29% Positiveness
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Andrew White
To Say Goodbye To You
138 bpm • A Maj • 04:46 • -22db
26% Popularity • 38% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Peter Ciluzzi
A Perfect Unison
132 bpm • G# min • 04:20 • -12.17db
9% Popularity • 53% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
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El McMeen
Chase the Weasel
132 bpm • B min • 01:51 • -14.28db
21% Popularity • 30% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
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Larry Pattis
Free Fall
132 bpm • G Maj • 05:01 • -14db
11% Popularity • 37% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Ian Cooper
After You've Gone
138 bpm • C Maj • 03:30 • -9.79db
7% Popularity • 53% Danceability • 50% Energy • 9% Liveness
69% Instrumentalness • 70% Positiveness
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Ken Bonfield
Partial 2 U
131 bpm • A# Maj • 02:57 • -18.87db
22% Popularity • 49% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Dylan Ryche
All Dead, All Dead
139 bpm • G Maj • 03:16 • -16.63db
24% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew White
Karekare
131 bpm • F min • 04:17 • -21.76db
22% Popularity • 31% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 44% Positiveness
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Adrian Legg
The Irish Girl
131 bpm • C# Maj • 05:27 • -25.1db
5% Popularity • 30% Danceability • 13% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Jule Malischke
Song for Jojo
139 bpm • B min • 02:41 • -13.53db
18% Popularity • 41% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
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Pierre Bensusan
Heman Dubh
139 bpm • C min • 02:45 • -21db
18% Popularity • 38% Danceability • 13% Energy • 9% Liveness
79% Instrumentalness • 42% Positiveness
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Larry Pattis
Hands Of Time
139 bpm • D min • 04:20 • -12db
11% Popularity • 41% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Michael Chapdelaine
Beau Fleuve
131 bpm • C Maj • 03:24 • -19.68db
8% Popularity • 42% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
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John Danley
A Dream Of Breathing
140 bpm • D Maj • 04:40 • -16db
17% Popularity • 29% Danceability • 28% Energy • 18% Liveness
87% Instrumentalness • 19% Positiveness
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Craig Chaquico
Gypsy Nights
140 bpm • A min • 04:17 • -12db
20% Popularity • 53% Danceability • 30% Energy • 9% Liveness
27% Instrumentalness • 16% Positiveness
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Calum Graham
Tabula Rasa
130 bpm • D Maj • 02:47 • -12.82db
38% Popularity • 54% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
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Erik Mongrain
Aftermath
140 bpm • B min • 05:58 • -18.76db
9% Popularity • 46% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Larry Pattis
Buddy Boy
140 bpm • D Maj • 03:36 • -13.84db
11% Popularity • 40% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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Stefano Barone
Particolare#uno
140 bpm • F Maj • 02:22 • -8.86db
10% Popularity • 70% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
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John Renbourn
Cello Prelude in G
130 bpm • G Maj • 02:44 • -15.9db
12% Popularity • 32% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 60% Positiveness
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Martin Tallstrom
Forever Young
140 bpm • A# Maj • 03:07 • -9.3db
31% Popularity • 49% Danceability • 33% Energy • 16% Liveness
93% Instrumentalness • 51% Positiveness
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Kaki King
Night After Sidewalk
130 bpm • G# min • 03:30 • -17db
40% Popularity • 26% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 10% Positiveness
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Robin Bullock
Ar Eirinn Ni 'Neosfainn Ce Hi
130 bpm • D Maj • 04:18 • -16.62db
26% Popularity • 38% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Will Ackerman
Processional
130 bpm • E Maj • 05:00 • -21db
28% Popularity • 28% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Beppe Gambetta
Sleeping Tune
129 bpm • D Maj • 05:30 • -13.67db
16% Popularity • 38% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
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Calum Graham
Tabula Rasa
130 bpm • D Maj • 02:56 • -12.79db
31% Popularity • 48% Danceability • 54% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Lennie Rhoads
Evening Lights
129 bpm • D Maj • 02:08 • -16.52db
34% Popularity • 70% Danceability • 22% Energy • 12% Liveness
75% Instrumentalness • 39% Positiveness
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Mathew Joseph
Tribute To Andrew York
141 bpm • D Maj • 02:26 • -13.05db
32% Popularity • 60% Danceability • 37% Energy • 13% Liveness
90% Instrumentalness • 68% Positiveness
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Chet Atkins, C.G.P.
Saltwater
141 bpm • A Maj • 03:33 • -8.35db
19% Popularity • 63% Danceability • 40% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Pierre Bensusan
Merrily Kissed the Quaker & Cunla
129 bpm • E Maj • 02:44 • -12.39db
16% Popularity • 51% Danceability • 33% Energy • 13% Liveness
68% Instrumentalness • 91% Positiveness
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Marcel Dadi
Spirit of Merle
141 bpm • E min • 01:00 • -20.74db
34% Popularity • 49% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 57% Positiveness
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Brooks Williams
Joyful Joyful
142 bpm • G Maj • 03:05 • -16.31db
13% Popularity • 66% Danceability • 22% Energy • 11% Liveness
42% Instrumentalness • 37% Positiveness
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Calum Graham
Indivisible
142 bpm • C Maj • 03:40 • -7.06db
19% Popularity • 72% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Dylan Ryche
I Love My Life (Prelude)
129 bpm • G Maj • 01:33 • -19.93db
16% Popularity • 53% Danceability • 13% Energy • 12% Liveness
6% Instrumentalness • 21% Positiveness
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Phil Emmanuel
Town Hall Shuffle
128 bpm • A Maj • 02:23 • -9db
11% Popularity • 49% Danceability • 68% Energy • 79% Liveness
81% Instrumentalness • 94% Positiveness
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Tony McManus
The Emigrant's Farewell
128 bpm • D Maj • 05:01 • -19.33db
14% Popularity • 46% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Erik Mongrain
The Silent Fool
128 bpm • C Maj • 04:21 • -17.76db
8% Popularity • 44% Danceability • 19% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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Craig D'Andrea
In With The Purple and Out With The Blue
143 bpm • D# Maj • 03:14 • -17.35db
12% Popularity • 29% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 42% Positiveness
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Martin Tallstrom
The Rose
127 bpm • B Maj • 03:39 • -10.52db
12% Popularity • 57% Danceability • 16% Energy • 19% Liveness
17% Instrumentalness • 26% Positiveness
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Erick Turnbull
A.D.D.
127 bpm • E Maj • 01:43 • -13.73db
21% Popularity • 47% Danceability • 47% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
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Tommy Emmanuel
Angelina
127 bpm • A Maj • 03:38 • -18db
44% Popularity • 59% Danceability • 14% Energy • 11% Liveness
52% Instrumentalness • 26% Positiveness
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Jimmy Wahlsteen
12 Rooms
127 bpm • C# Maj • 02:46 • -9db
15% Popularity • 54% Danceability • 57% Energy • 7% Liveness
89% Instrumentalness • 72% Positiveness
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Don Ross
First Ride
143 bpm • F Maj • 04:10 • -15.45db
21% Popularity • 34% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Doyle Dykes
The Road Back Home
127 bpm • E Maj • 02:52 • -11db
14% Popularity • 45% Danceability • 32% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
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Calum Graham
Waiting
144 bpm • G# Maj • 04:57 • -17.14db
21% Popularity • 34% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Erik Mongrain
Géométrie D'une Erreur
127 bpm • A# Maj • 04:38 • -12.52db
10% Popularity • 42% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Dylan Ryche
James
144 bpm • F Maj • 01:58 • -15.22db
17% Popularity • 50% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
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Bruce Cockburn
Elegy
144 bpm • A min • 04:06 • -16.92db
20% Popularity • 47% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Tommy Emmanuel
Questions - Live
144 bpm • F# Maj • 03:41 • -18.62db
33% Popularity • 37% Danceability • 25% Energy • 69% Liveness
10% Instrumentalness • 16% Positiveness
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Don Ross
No Goodbyes
144 bpm • D Maj • 04:00 • -19.23db
29% Popularity • 45% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Ross Hammond
Drifting Along Waters
145 bpm • G Maj • 01:43 • -23.6db
31% Popularity • 45% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Erik Mongrain
A Ripple Effect
126 bpm • D Maj • 02:22 • -13db
25% Popularity • 41% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 44% Positiveness
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Maneli Jamal
Klingerstrasse
126 bpm • E Maj • 03:14 • -15.32db
22% Popularity • 48% Danceability • 35% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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Gordon Giltrap
G & T Blues
126 bpm • A Maj • 04:44 • -15.01db
16% Popularity • 60% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 41% Positiveness
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Pete Huttlinger
Flowers Of Edinburgh
145 bpm • G Maj • 04:43 • -13.4db
22% Popularity • 43% Danceability • 26% Energy • 13% Liveness
84% Instrumentalness • 28% Positiveness
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Don Ross
Blue Bear
145 bpm • A Maj • 02:34 • -16.75db
21% Popularity • 56% Danceability • 37% Energy • 8% Liveness
84% Instrumentalness • 70% Positiveness
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Larry Pattis
Bloomington
126 bpm • D Maj • 04:05 • -12db
14% Popularity • 48% Danceability • 40% Energy • 12% Liveness
81% Instrumentalness • 29% Positiveness
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Pierre Bensusan
Fils de la rose
145 bpm • C Maj • 03:46 • -19.26db
17% Popularity • 38% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Dylan Ryche
The Swamp
145 bpm • G min • 03:31 • -10.69db
14% Popularity • 60% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
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Ian Cooper
Blues for Tex
146 bpm • C Maj • 04:08 • -11.9db
3% Popularity • 51% Danceability • 33% Energy • 11% Liveness
66% Instrumentalness • 65% Positiveness
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Gareth Pearson
Cowboy's Hymn
125 bpm • D Maj • 03:23 • -14db
25% Popularity • 38% Danceability • 38% Energy • 12% Liveness
74% Instrumentalness • 35% Positiveness
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Don Ross
Klimbim
126 bpm • B Maj • 04:55 • -14.64db
25% Popularity • 55% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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James Bryan
Follow Me
125 bpm • G Maj • 03:41 • -11.08db
28% Popularity • 73% Danceability • 50% Energy • 9% Liveness
88% Instrumentalness • 63% Positiveness
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Calum Graham
Waiting
146 bpm • G# Maj • 04:42 • -15.77db
29% Popularity • 40% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Will Ackerman
The Bricklayer's Beautiful Daughter
146 bpm • G# Maj • 04:18 • -22db
40% Popularity • 34% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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Robin Bullock
Come by the Hills
146 bpm • E Maj • 03:00 • -19.96db
33% Popularity • 37% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
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Gareth Pearson
Trails of M&M's
125 bpm • D Maj • 02:52 • -13.66db
20% Popularity • 53% Danceability • 40% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
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Don Ross
Spirit of the West
146 bpm • E min • 03:56 • -7.28db
19% Popularity • 62% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 88% Positiveness
► Preview
Erik Mongrain
Forward
124 bpm • C# min • 03:55 • -18.7db
9% Popularity • 52% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Dylan Ryche
A Thank You in Fives
147 bpm • D Maj • 05:56 • -10.41db
29% Popularity • 50% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 29% Positiveness
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Andrew White
Lindisfarne Lullaby
146 bpm • E Maj • 02:59 • -14.42db
12% Popularity • 45% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Larry Pattis
What Tomorrow Brings
124 bpm • D Maj • 04:19 • -13.85db
10% Popularity • 40% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
► Preview
Jimmy Wahlsteen
It's Your Favorite
147 bpm • C Maj • 03:17 • -9.56db
19% Popularity • 60% Danceability • 43% Energy • 35% Liveness
87% Instrumentalness • 32% Positiveness
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Don Ross
Tight Trite Night
145 bpm • B min • 04:00 • -12.96db
16% Popularity • 60% Danceability • 54% Energy • 10% Liveness
77% Instrumentalness • 82% Positiveness
► Preview
Van Larkins
Freyah's Song
124 bpm • G# Maj • 02:03 • -19.14db
13% Popularity • 59% Danceability • 19% Energy • 12% Liveness
82% Instrumentalness • 45% Positiveness
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Robin Bullock
Coilsfield House
124 bpm • A Maj • 03:40 • -15.62db
27% Popularity • 48% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 68% Positiveness
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Morning Aire