Songs like Morning, Noon And Night by Andrew Brown
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Johnny Copeland
Greater Man
136 bpm • G Maj • 04:40 • -15.2db
10% Popularity • 49% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 49% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Rick Estrin & The Nightcats
So Long (for Jay P.)
136 bpm • F Maj • 03:23 • -6.05db
23% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
23% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
► Preview
Andrew Brown
Morning, Noon And Night
136 bpm • F min • 03:43 • -11.13db
4% Popularity • 61% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
4% Popularity • 61% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Fenton Robinson
Country Girl - Remastered
136 bpm • C Maj • 04:52 • -6.15db
35% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Lazy Lester
Rooster Blues
135 bpm • A Maj • 03:02 • -7db
20% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Harmonica Shah
Baby, You Have Got to Change
135 bpm • C min • 04:46 • -4.09db
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Jake Dillon
Beauty in Chaos (Live)
135 bpm • E Maj • 07:27 • -14.21db
0% Popularity • 50% Danceability • 62% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
0% Popularity • 50% Danceability • 62% Energy • 9% Liveness
82% Instrumentalness • 28% Positiveness
► Preview
Dave Hole
Up All Night Thinking
135 bpm • D Maj • 07:55 • -6.09db
12% Popularity • 36% Danceability • 50% Energy • 98% Liveness
13% Instrumentalness • 23% Positiveness
12% Popularity • 36% Danceability • 50% Energy • 98% Liveness
13% Instrumentalness • 23% Positiveness
► Preview
Johnny Copeland
Every Dog's Got His Day
135 bpm • C Maj • 04:54 • -7.89db
15% Popularity • 54% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 54% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Katie Webster
After You Get Rid Of Me
135 bpm • C Maj • 05:34 • -13.88db
17% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 62% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Hubert Sumlin
Pickin'
135 bpm • F Maj • 03:01 • -6db
17% Popularity • 70% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
17% Popularity • 70% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 90% Positiveness
► Preview
Snooks Eaglin
I'm Slippin' In
135 bpm • C Maj • 02:51 • -9.05db
17% Popularity • 76% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 76% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
► Preview
Detroit Junior
Some Nerve
134 bpm • D Maj • 03:05 • -14.22db
28% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
27% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
27% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
► Preview
Luther "Snake Boy" Johnson
They call me the snake
138 bpm • E Maj • 05:37 • -13db
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
► Preview
Eddie Shaw
Out Of Bad Luck
139 bpm • G Maj • 03:21 • -11.77db
27% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Steve Freund
Worried About That Gal
139 bpm • C min • 05:12 • -10.67db
10% Popularity • 61% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 61% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Little Charlie & The Nightcats
If This Is Love
139 bpm • E min • 05:38 • -19db
22% Popularity • 55% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 55% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Andrew Brown
Waking Up From Love
133 bpm • C Maj • 04:08 • -8.77db
0% Popularity • 30% Danceability • 69% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
0% Popularity • 30% Danceability • 69% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
► Preview
William Clarke
Saturday Night Blues
132 bpm • F Maj • 02:40 • -6.1db
28% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Michael Burks
Game Two Can Play
140 bpm • D Maj • 05:43 • -5.78db
12% Popularity • 43% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
12% Popularity • 43% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Eddie Shaw
It's Alright
133 bpm • G Maj • 02:52 • -9.35db
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Byther Smith
I'm A Honey Bee
132 bpm • D Maj • 02:42 • -11db
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
28% Popularity • 76% Danceability • 48% Energy • 29% Liveness
2% Instrumentalness • 28% Positiveness
► Preview
Luther Johnson
They Call Me the Popcorn Man
132 bpm • E Maj • 03:55 • -12.93db
26% Popularity • 79% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 79% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Andrew Brown
Hypnagogic (I Can't Wait)
140 bpm • A min • 03:12 • -4.62db
0% Popularity • 47% Danceability • 93% Energy • 11% Liveness
27% Instrumentalness • 28% Positiveness
0% Popularity • 47% Danceability • 93% Energy • 11% Liveness
27% Instrumentalness • 28% Positiveness
► Preview
Hubert Sumlin
I'll Be Home On Tuesday - Take 2
132 bpm • C Maj • 03:25 • -10db
38% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
38% Popularity • 69% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
► Preview
Clarence "Gatemouth" Brown
Ventilator Blues
141 bpm • C Maj • 06:13 • -13.08db
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
► Preview
William Clarke
Gambling For My Bread
130 bpm • A# Maj • 03:25 • -12.78db
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Katie Webster
It's Mighty Hard
130 bpm • A# Maj • 06:30 • -14.54db
28% Popularity • 51% Danceability • 27% Energy • 21% Liveness
11% Instrumentalness • 14% Positiveness
28% Popularity • 51% Danceability • 27% Energy • 21% Liveness
11% Instrumentalness • 14% Positiveness
► Preview
Bob Corritore
Big Mama's Soul Food
130 bpm • A Maj • 04:09 • -3.17db
16% Popularity • 42% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 42% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Big Walter Horton
Have Mercy
130 bpm • C Maj • 03:45 • -14db
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
37% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
► Preview
Sonny Boy Williamson II
Trying To Get Back On My Feet - Stereo V...
130 bpm • D Maj • 02:08 • -9.97db
31% Popularity • 61% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 61% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Lil Ed & The Blues Imperials
Nobody's Fault But My Own
130 bpm • G min • 06:49 • -5db
15% Popularity • 37% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 37% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Deb Ryder
Love Is Gone
130 bpm • A# min • 04:48 • -9.73db
17% Popularity • 52% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
17% Popularity • 52% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
► Preview
Andrew Brown
If We Try
129 bpm • C Maj • 02:45 • -7.93db
0% Popularity • 53% Danceability • 62% Energy • 61% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 53% Danceability • 62% Energy • 61% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Eddie Burns
Hastings Street Special
129 bpm • F Maj • 03:34 • -7.77db
14% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
14% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
► Preview
Luther Johnson
She's My Babe
129 bpm • G Maj • 03:06 • -10.97db
33% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Mike Zito
Damn Shame
143 bpm • G Maj • 05:33 • -10.69db
11% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Son Seals
Mother-In-Law Blues
129 bpm • E Maj • 03:15 • -12.12db
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 59% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11.35db
22% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Jimmie Vaughan
Out There
129 bpm • G Maj • 03:52 • -6.22db
18% Popularity • 71% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 71% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
► Preview
Andrew Brown
Something Can Go Wrong
128 bpm • A# min • 02:05 • -9.98db
0% Popularity • 60% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 60% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Guitar Shorty
Texas Women
128 bpm • F# min • 04:24 • -5db
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Son Seals
I Can't Hear Nothing But The Blues
144 bpm • D min • 06:35 • -9.58db
26% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
26% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
► Preview
Raful Neal
Blues On The Moon
145 bpm • A# min • 02:56 • -13db
32% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
32% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
► Preview
William Clarke
Looking To The Future
145 bpm • A Maj • 04:07 • -13db
23% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Jimmy Dawkins
Kold Actions
145 bpm • C Maj • 07:17 • -20.88db
35% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
35% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
► Preview
Kenny Neal
Hoodoo Moon
127 bpm • E Maj • 03:16 • -13.69db
21% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Mike Onesko
Natural Thang
145 bpm • A Maj • 08:08 • -8db
11% Popularity • 33% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
11% Popularity • 33% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
► Preview
Queen Sylvia Embry
Blues This Morning
127 bpm • G Maj • 02:08 • -12db
29% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
A.C. Reed
I Can't Go This Way
126 bpm • A min • 04:05 • -9db
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Little Sonny
It's Hard Going Up (But Twice As Hard Co...
126 bpm • D Maj • 03:54 • -9db
10% Popularity • 70% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 88% Positiveness
10% Popularity • 70% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 88% Positiveness
► Preview
Traditional
The Water Is Wide
126 bpm • D Maj • 03:46 • -10.7db
1% Popularity • 22% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
1% Popularity • 22% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
► Preview
Hubert Sumlin
Spanish Greens
126 bpm • A# Maj • 04:19 • -7.72db
19% Popularity • 66% Danceability • 75% Energy • 10% Liveness
95% Instrumentalness • 87% Positiveness
19% Popularity • 66% Danceability • 75% Energy • 10% Liveness
95% Instrumentalness • 87% Positiveness
► Preview
Lazy Lester
Sugar Coates Love
126 bpm • A Maj • 05:52 • -6.54db
13% Popularity • 65% Danceability • 85% Energy • 84% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 65% Danceability • 85% Energy • 84% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Andrew Brown
Wasting All Your Time
147 bpm • A# min • 03:32 • -8.36db
0% Popularity • 68% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 68% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Johnny Copeland
Rain
147 bpm • A Maj • 06:03 • -7db
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Johnny B. Moore
Knockin At Your Door
125 bpm • E Maj • 03:12 • -12.51db
9% Popularity • 71% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 71% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
► Preview
Shemekia Copeland
Ghetto Child
125 bpm • G min • 04:06 • -9db
35% Popularity • 60% Danceability • 38% Energy • 14% Liveness
30% Instrumentalness • 36% Positiveness
35% Popularity • 60% Danceability • 38% Energy • 14% Liveness
30% Instrumentalness • 36% Positiveness
► Preview
Son Seals
Going Home Tomorrow
125 bpm • E min • 03:39 • -11.75db
26% Popularity • 56% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 56% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
► Preview
Katie Webster
Who's Making Love?
125 bpm • A# min • 04:00 • -11.88db
20% Popularity • 73% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 73% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Jimmie Vaughan
No One to Talk to (But the Blues)
148 bpm • C Maj • 02:41 • -8db
34% Popularity • 47% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 47% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Luther Johnson
Hush Hush
125 bpm • A Maj • 04:20 • -11.38db
20% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Paul Lenart
Armadillo Shuffle
125 bpm • E min • 02:01 • -6.87db
27% Popularity • 63% Danceability • 89% Energy • 7% Liveness
14% Instrumentalness • 64% Positiveness
27% Popularity • 63% Danceability • 89% Energy • 7% Liveness
14% Instrumentalness • 64% Positiveness
► Preview
Mississippi Heat
Jean's Jive
125 bpm • G min • 03:08 • -5db
16% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
16% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
► Preview
Andrew Brown
You Are God
148 bpm • A Maj • 05:03 • -6.66db
0% Popularity • 38% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 38% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Jimmy Dawkins
Ruff Times
124 bpm • G Maj • 05:32 • -16.7db
22% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
22% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
► Preview
Lil Ed & The Blues Imperials
Living For Today
149 bpm • C min • 06:50 • -17.2db
6% Popularity • 47% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 47% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Diunna Greenleaf
Sunny Day Friends
124 bpm • C Maj • 03:40 • -4.66db
28% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Joe "Guitar" Hughes
A Blue Song
124 bpm • G Maj • 05:14 • -12db
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Mighty Mo Rodgers
The Boogie Man
124 bpm • G Maj • 02:27 • -10db
29% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
The Siegel-Schwall Band
Going Back To Alabama
124 bpm • A# min • 03:39 • -7db
15% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
William Clarke
Sweet Angel's Gone
124 bpm • G Maj • 04:44 • -15db
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
20% Popularity • 58% Danceability • 49% Energy • 21% Liveness
1% Instrumentalness • 84% Positiveness
► Preview
Guitar Shorty
Neverland
124 bpm • A min • 03:59 • -5db
39% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Mel Brown
Slow Moan
150 bpm • G# min • 03:21 • -8.76db
32% Popularity • 54% Danceability • 50% Energy • 7% Liveness
81% Instrumentalness • 53% Positiveness
32% Popularity • 54% Danceability • 50% Energy • 7% Liveness
81% Instrumentalness • 53% Positiveness
► Preview
Andrew Brown
For Liz
123 bpm • F min • 02:35 • -8.27db
0% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Fenton Robinson
You Say You're Leaving - Remastered
123 bpm • F# min • 03:16 • -3.67db
39% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Roomful Of Blues
It All Went Down The Drain
123 bpm • C Maj • 05:28 • -4.04db
22% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Luther "Guitar Junior" Johnson
Back At the Chiken Shack
123 bpm • G Maj • 05:35 • -11db
9% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
9% Popularity • 64% Danceability • 63% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
► Preview
The Cash Box Kings
The Wine Talkin'
123 bpm • A Maj • 03:49 • -3db
27% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Son Seals
Look Now, Baby
123 bpm • C Maj • 03:27 • -10.72db
34% Popularity • 68% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 68% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
► Preview
Lazy Lester
I'm A Man
123 bpm • A# Maj • 04:00 • -12db
35% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
35% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
► Preview
Jimmie Vaughan
Baby, Please Come Home
123 bpm • D# Maj • 02:54 • -5.84db
40% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Andrew Brown
Swimming Pool
123 bpm • A min • 03:11 • -10.66db
0% Popularity • 73% Danceability • 88% Energy • 13% Liveness
86% Instrumentalness • 48% Positiveness
0% Popularity • 73% Danceability • 88% Energy • 13% Liveness
86% Instrumentalness • 48% Positiveness
► Preview
Deitra Farr
Taking The Long Way Home
151 bpm • F Maj • 06:52 • -8.62db
15% Popularity • 45% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 45% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Sons of the Blues
Have You Ever Loved A Woman
151 bpm • G min • 06:10 • -16.39db
8% Popularity • 51% Danceability • 21% Energy • 51% Liveness
1% Instrumentalness • 27% Positiveness
8% Popularity • 51% Danceability • 21% Energy • 51% Liveness
1% Instrumentalness • 27% Positiveness
► Preview
Big Walter Horton
Sugar Mama
151 bpm • A Maj • 03:16 • -12db
21% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Ollie Gibson
Shadow Cabaret - Jae B Remix
122 bpm • G Maj • 06:05 • -8.5db
0% Popularity • 77% Danceability • 82% Energy • 9% Liveness
85% Instrumentalness • 26% Positiveness
0% Popularity • 77% Danceability • 82% Energy • 9% Liveness
85% Instrumentalness • 26% Positiveness
► Preview
Percy Mayfield
A Lying Woman (Not Trustworthy)
122 bpm • F Maj • 03:02 • -12.6db
19% Popularity • 75% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 75% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Slim Harpo
One of These Days
122 bpm • A# Maj • 02:49 • -4.7db
33% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Hubert Sumlin
You Got to Help Me
122 bpm • A Maj • 05:31 • -11.57db
8% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Son Seals
Don't Pick Me For Your Fool
121 bpm • B min • 04:15 • -11.47db
14% Popularity • 60% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 60% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
J. B. Hutto
Lone Wolf
153 bpm • D Maj • 06:08 • -10.35db
20% Popularity • 52% Danceability • 30% Energy • 5% Liveness
31% Instrumentalness • 32% Positiveness
20% Popularity • 52% Danceability • 30% Energy • 5% Liveness
31% Instrumentalness • 32% Positiveness
► Preview
Joe Louis Walker
Shake For Me
121 bpm • G min • 06:50 • -10.07db
12% Popularity • 76% Danceability • 64% Energy • 47% Liveness
2% Instrumentalness • 89% Positiveness
12% Popularity • 76% Danceability • 64% Energy • 47% Liveness
2% Instrumentalness • 89% Positiveness
► Preview
Miguel Puente
Bringing Back the Day
121 bpm • G min • 07:47 • -13.84db
0% Popularity • 81% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
0% Popularity • 81% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
► Preview
Johnny Copeland
I De Go Now
121 bpm • C Maj • 06:55 • -12.58db
9% Popularity • 50% Danceability • 43% Energy • 14% Liveness
22% Instrumentalness • 47% Positiveness
9% Popularity • 50% Danceability • 43% Energy • 14% Liveness
22% Instrumentalness • 47% Positiveness
► Preview
Andrew Brown
You Ought to Be Ashamed
121 bpm • C# Maj • 02:34 • -8.73db
0% Popularity • 67% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 67% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
