Songs like Mother Earth Blues (Live) by Holly Hyatt
Based on a tempo of (+/- 10%) and a similar genre
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Sonic Saliva
Underground
102 bpm • G Maj • 05:30 • -9.03db
20% Popularity • 76% Danceability • 59% Energy • 36% Liveness
23% Instrumentalness • 68% Positiveness
20% Popularity • 76% Danceability • 59% Energy • 36% Liveness
23% Instrumentalness • 68% Positiveness
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The R & B Project
I Take What I Want
102 bpm • A Maj • 04:02 • -8.4db
10% Popularity • 65% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 65% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Jay-Bee & The Ultratone All-Stars
Good To Go
102 bpm • D Maj • 04:56 • -7.8db
17% Popularity • 79% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 79% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Andrew Moore and Hooch
Train Wreck
102 bpm • D min • 04:00 • -5.51db
24% Popularity • 66% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 66% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Lloyd Spiegel
One More Heartache
102 bpm • A Maj • 03:07 • -8.6db
13% Popularity • 81% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 81% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Riley
Ghost Train
102 bpm • G min • 04:55 • -5.56db
32% Popularity • 54% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 54% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Leonard "Lowdown" Brown
Juke Joint
102 bpm • C Maj • 03:06 • -5.31db
8% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Nic Clark
Laughing At The Rain
102 bpm • C# Maj • 03:37 • -10.62db
11% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Tuxeedos
Eye Of The Storm
102 bpm • F Maj • 03:30 • -7.06db
13% Popularity • 86% Danceability • 47% Energy • 8% Liveness
16% Instrumentalness • 69% Positiveness
13% Popularity • 86% Danceability • 47% Energy • 8% Liveness
16% Instrumentalness • 69% Positiveness
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Neil Young
Show Me
102 bpm • A# Maj • 04:02 • -19.9db
11% Popularity • 70% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
11% Popularity • 70% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Holly Hyatt
Mother Earth Blues (Live)
102 bpm • A# Maj • 04:53 • -7.12db
0% Popularity • 67% Danceability • 54% Energy • 17% Liveness
15% Instrumentalness • 31% Positiveness
0% Popularity • 67% Danceability • 54% Energy • 17% Liveness
15% Instrumentalness • 31% Positiveness
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![If You Wanna Get To Heaven (Re-Recorded) [Slowed + Reverb] cover art](https://i.scdn.co/image/ab67616d00001e02cf79f979574901594877cf91)
The Ozark Mountain Daredevils
If You Wanna Get To Heaven (Re-Recorded)...
103 bpm • D Maj • 03:44 • -9.59db
10% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Willy Porter
Don't Underestimate the Devil
103 bpm • C Maj • 03:51 • -8.7db
9% Popularity • 65% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 65% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Telita Lee & The Huskies
Heatstroke
103 bpm • E Maj • 03:40 • -5.36db
14% Popularity • 68% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 68% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Reverend Shawn Amos
Back to the Beginning
101 bpm • G Maj • 03:29 • -9.91db
23% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 75% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Yirrmal
Hoochie Coochie Man
101 bpm • B min • 05:04 • -6.36db
29% Popularity • 68% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 68% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Meling
There Ain't No Hole In Your Heart
101 bpm • D Maj • 04:41 • -10.21db
7% Popularity • 66% Danceability • 74% Energy • 13% Liveness
9% Instrumentalness • 72% Positiveness
7% Popularity • 66% Danceability • 74% Energy • 13% Liveness
9% Instrumentalness • 72% Positiveness
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OJB
Over & Over
101 bpm • C# Maj • 03:05 • -8.96db
13% Popularity • 55% Danceability • 59% Energy • 12% Liveness
8% Instrumentalness • 49% Positiveness
13% Popularity • 55% Danceability • 59% Energy • 12% Liveness
8% Instrumentalness • 49% Positiveness
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Kerri Powers
Shake and Bake
103 bpm • D Maj • 04:01 • -6.9db
17% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 72% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Sue Foley
Queen Bee
104 bpm • E Maj • 04:19 • -6.31db
13% Popularity • 47% Danceability • 76% Energy • 70% Liveness
1% Instrumentalness • 64% Positiveness
13% Popularity • 47% Danceability • 76% Energy • 70% Liveness
1% Instrumentalness • 64% Positiveness
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Kaz Hawkins
Hold On For Home
104 bpm • D Maj • 04:33 • -6.57db
10% Popularity • 68% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 68% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Lloyd Spiegel
The Price You Pay
104 bpm • B min • 03:59 • -7.47db
17% Popularity • 70% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 70% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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The Dig 3
All The Love That I Got (Dig 3 Big Versi...
104 bpm • C# min • 03:24 • -8.55db
10% Popularity • 73% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 73% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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James Harman
Work Don't Come To Me
100 bpm • D Maj • 06:24 • -6.39db
11% Popularity • 68% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
11% Popularity • 68% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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Mary Rodgers
Movin’ On
100 bpm • G Maj • 02:36 • -7.87db
13% Popularity • 76% Danceability • 48% Energy • 10% Liveness
28% Instrumentalness • 42% Positiveness
13% Popularity • 76% Danceability • 48% Energy • 10% Liveness
28% Instrumentalness • 42% Positiveness
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Franz Kupka
Why Not Me
104 bpm • G Maj • 04:01 • -11.77db
21% Popularity • 58% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 58% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Doctor Holmes
Holdin' Back in New Orleans
100 bpm • E min • 04:24 • -7.92db
16% Popularity • 56% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 56% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Cláudio Oliveira
Forever in Love
100 bpm • C Maj • 02:56 • -8.67db
12% Popularity • 67% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 67% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Hond
Another Beer
100 bpm • D Maj • 02:41 • -17.87db
10% Popularity • 72% Danceability • 28% Energy • 10% Liveness
36% Instrumentalness • 50% Positiveness
10% Popularity • 72% Danceability • 28% Energy • 10% Liveness
36% Instrumentalness • 50% Positiveness
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Boogie Boys
To The Bone
104 bpm • G Maj • 03:43 • -10db
12% Popularity • 64% Danceability • 65% Energy • 30% Liveness
89% Instrumentalness • 40% Positiveness
12% Popularity • 64% Danceability • 65% Energy • 30% Liveness
89% Instrumentalness • 40% Positiveness
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Albi & the Wolves
Light After the Dark
100 bpm • C Maj • 03:42 • -7.77db
10% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 62% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Anthony Koepp
Christian Cars
100 bpm • G min • 03:02 • -7.84db
10% Popularity • 62% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 62% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Karsen Edwards
Insomnia
104 bpm • B Maj • 05:24 • -7.21db
28% Popularity • 36% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 36% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Joakim Tinderholt & His Band
How I Got To Memphis
105 bpm • A Maj • 03:02 • -6.82db
15% Popularity • 71% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 71% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Claire Anne Taylor
Dance with Death
105 bpm • F# min • 03:19 • -9.87db
27% Popularity • 70% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 70% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Davis Coen
One Arm at a Time
105 bpm • B min • 02:50 • -7.19db
13% Popularity • 62% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 62% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Dion
Don't You Want A Man Like Me
105 bpm • C min • 04:56 • -3.98db
27% Popularity • 69% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 69% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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PeteBo
Sittin' on a Rock
105 bpm • G min • 03:36 • -6.98db
15% Popularity • 46% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 46% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Jay-Bee & The Ultratone All-Stars
At The End Of The Day
105 bpm • G Maj • 04:26 • -6.99db
17% Popularity • 78% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 78% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Cosmic Brick
Jonis Theme
105 bpm • F# min • 04:08 • -4db
18% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Sweet Mercy Band
Let's Be Honest People
105 bpm • A Maj • 04:02 • -9.97db
18% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 68% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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OLD LADY
Monongahela Backwoods
105 bpm • G Maj • 02:49 • -6.22db
16% Popularity • 60% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 60% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Lloyd Spiegel
Christina
99 bpm • A Maj • 05:03 • -9.85db
18% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Rhythm X Revival
Hell of a Ride
105 bpm • G# Maj • 02:35 • -9.43db
37% Popularity • 64% Danceability • 48% Energy • 14% Liveness
11% Instrumentalness • 68% Positiveness
37% Popularity • 64% Danceability • 48% Energy • 14% Liveness
11% Instrumentalness • 68% Positiveness
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John Clifton
Swamp Dump
105 bpm • C min • 03:48 • -10.89db
9% Popularity • 74% Danceability • 54% Energy • 34% Liveness
39% Instrumentalness • 48% Positiveness
9% Popularity • 74% Danceability • 54% Energy • 34% Liveness
39% Instrumentalness • 48% Positiveness
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Stratcat Willie & the Strays
Way Too Fast
106 bpm • A# Maj • 02:32 • -7.42db
18% Popularity • 62% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 62% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Avery Copperfield
Love Hanging Around
98 bpm • A# Maj • 03:42 • -7.72db
28% Popularity • 72% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 73% Positiveness
28% Popularity • 72% Danceability • 68% Energy • 19% Liveness
1% Instrumentalness • 73% Positiveness
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Kathleen Snowball
Old Fashioned Marriage
106 bpm • A min • 03:59 • -10.22db
9% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Jeff Plankenhorn
The Mess
106 bpm • B min • 03:33 • -8.27db
9% Popularity • 70% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 70% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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King Leo
Doggin Me Around
106 bpm • E Maj • 03:26 • -8.24db
14% Popularity • 72% Danceability • 70% Energy • 33% Liveness
23% Instrumentalness • 77% Positiveness
14% Popularity • 72% Danceability • 70% Energy • 33% Liveness
23% Instrumentalness • 77% Positiveness
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Dana Gillespie
Timeless
106 bpm • G min • 05:01 • -5.64db
3% Popularity • 53% Danceability • 73% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
3% Popularity • 53% Danceability • 73% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
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Hayden Woollen
Unstable Woman
106 bpm • A min • 03:16 • -7.33db
11% Popularity • 72% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 72% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Mighty Mo Rodgers
Sing For Your Supper
106 bpm • C# Maj • 03:42 • -9.35db
12% Popularity • 89% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 89% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Shawn Jones
Too Hot To Hold
106 bpm • F# Maj • 03:40 • -5.2db
11% Popularity • 79% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 79% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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John Lee Hooker Jr & Daddy's Cash
Bad Friend
98 bpm • F# min • 04:16 • -5.94db
12% Popularity • 75% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 75% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Wayne Madder
Davie
98 bpm • G Maj • 02:47 • -10.14db
22% Popularity • 59% Danceability • 45% Energy • 19% Liveness
1% Instrumentalness • 36% Positiveness
22% Popularity • 59% Danceability • 45% Energy • 19% Liveness
1% Instrumentalness • 36% Positiveness
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Flanagan
Through the Ground
98 bpm • F min • 03:20 • -9.79db
13% Popularity • 64% Danceability • 43% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 64% Danceability • 43% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
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Katie Henry
Clear Vision
106 bpm • F# Maj • 03:39 • -8.2db
15% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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FROM
Anytime You Want
106 bpm • E min • 03:56 • -6.22db
12% Popularity • 69% Danceability • 83% Energy • 16% Liveness
3% Instrumentalness • 82% Positiveness
12% Popularity • 69% Danceability • 83% Energy • 16% Liveness
3% Instrumentalness • 82% Positiveness
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Midge's Pocket
Smile At Me
106 bpm • G Maj • 04:14 • -4.97db
13% Popularity • 70% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 70% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Holly Hyatt
Left Handed Soul (Live)
98 bpm • C Maj • 04:36 • -10.15db
0% Popularity • 60% Danceability • 38% Energy • 73% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 60% Danceability • 38% Energy • 73% Liveness
0% Instrumentalness • 26% Positiveness
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Deirdre Moulinier
Cry Cuc
97 bpm • F Maj • 02:44 • -7.79db
11% Popularity • 60% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 60% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 86% Positiveness
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Pretty Kachina
Gotta Find Me a Man
97 bpm • D Maj • 03:06 • -5.82db
11% Popularity • 40% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 40% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Barbara Morrison And The Legacy
Somebody Else Is Steppin' in
97 bpm • D# Maj • 03:45 • -5.44db
10% Popularity • 55% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 55% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Eric B Turner
LOVE HER WITH A FEELIN
97 bpm • G# Maj • 03:26 • -8.84db
14% Popularity • 65% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 65% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Messer
Runaway Train
107 bpm • G Maj • 04:22 • -7.94db
14% Popularity • 83% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 83% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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The Manic Blues
Ain't That Good Enough
107 bpm • A Maj • 03:16 • -11.39db
11% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Alex Lucero Band
Don't Look Back
107 bpm • C Maj • 04:51 • -7.62db
10% Popularity • 61% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 61% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Andy Watts
Blues of the Month Club
97 bpm • G min • 04:46 • -5.88db
7% Popularity • 62% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 62% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Niehaus IV
I'll Be Your Shelter (In Time of Storm)
97 bpm • B Maj • 03:26 • -7.09db
8% Popularity • 77% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 77% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Damon Smith
Push Right Through
108 bpm • A min • 03:11 • -9.02db
16% Popularity • 59% Danceability • 74% Energy • 10% Liveness
13% Instrumentalness • 66% Positiveness
16% Popularity • 59% Danceability • 74% Energy • 10% Liveness
13% Instrumentalness • 66% Positiveness
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Mickey Jupp
Bad News Can Travel Slow
97 bpm • E Maj • 02:21 • -6.99db
11% Popularity • 84% Danceability • 45% Energy • 18% Liveness
2% Instrumentalness • 93% Positiveness
11% Popularity • 84% Danceability • 45% Energy • 18% Liveness
2% Instrumentalness • 93% Positiveness
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Peter Veteska & Blues Train
Take Back What You Own
108 bpm • A Maj • 03:26 • -2.11db
9% Popularity • 59% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 59% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Molly Miller Trio
Glory of Love
96 bpm • G Maj • 03:00 • -11.15db
10% Popularity • 69% Danceability • 32% Energy • 15% Liveness
48% Instrumentalness • 42% Positiveness
10% Popularity • 69% Danceability • 32% Energy • 15% Liveness
48% Instrumentalness • 42% Positiveness
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John Clifton
Broke Down Fool
108 bpm • B min • 04:07 • -7.36db
16% Popularity • 64% Danceability • 95% Energy • 30% Liveness
9% Instrumentalness • 68% Positiveness
16% Popularity • 64% Danceability • 95% Energy • 30% Liveness
9% Instrumentalness • 68% Positiveness
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Mighty Mo Rodgers
The Chitlin Circuit
108 bpm • C Maj • 03:48 • -7.38db
12% Popularity • 90% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 90% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Marc Kaul
The Devil in Disguise
108 bpm • G# Maj • 04:04 • -9.8db
13% Popularity • 74% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 74% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Livin' Blues
Blue Crow
108 bpm • D Maj • 04:28 • -13.89db
8% Popularity • 69% Danceability • 39% Energy • 62% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 69% Danceability • 39% Energy • 62% Liveness
0% Instrumentalness • 51% Positiveness
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crannies
The Last Train
108 bpm • E Maj • 04:04 • -7.29db
14% Popularity • 72% Danceability • 57% Energy • 10% Liveness
24% Instrumentalness • 45% Positiveness
14% Popularity • 72% Danceability • 57% Energy • 10% Liveness
24% Instrumentalness • 45% Positiveness
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Joakim Tinderholt & His Band
Don't Look Now
108 bpm • A# Maj • 03:55 • -4.75db
12% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Lars Glaso
Rumours
108 bpm • C Maj • 02:53 • -8.52db
19% Popularity • 67% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 67% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Telita Lee & The Huskies
When I'm Gone
108 bpm • A min • 03:34 • -7.25db
14% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Riitta Leivo
Stormy Warning Blues
96 bpm • A min • 02:21 • -8.46db
21% Popularity • 84% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 84% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Jean-Jacques Milteau
Love The One You're With
96 bpm • A# Maj • 03:22 • -6.9db
19% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Joachim Cooder
Everyone Sleeps In The Light - New Monke...
108 bpm • F Maj • 05:11 • -12.44db
21% Popularity • 87% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 58% Positiveness
21% Popularity • 87% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 58% Positiveness
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Mathias Bunger
Me, Myself and I
96 bpm • C Maj • 03:51 • -9.44db
21% Popularity • 68% Danceability • 50% Energy • 20% Liveness
86% Instrumentalness • 50% Positiveness
21% Popularity • 68% Danceability • 50% Energy • 20% Liveness
86% Instrumentalness • 50% Positiveness
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Spiros Soukis
On An Open Road
96 bpm • D min • 04:06 • -4.54db
18% Popularity • 65% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 65% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Nine Below Zero
Born And Living With The Blues
96 bpm • F# Maj • 03:31 • -5.55db
18% Popularity • 46% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 46% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Holly Hyatt
Rainbows
96 bpm • C Maj • 03:57 • -9.23db
0% Popularity • 84% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 84% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Fairweather Low
Matchbox
96 bpm • A Maj • 01:35 • -7.47db
23% Popularity • 84% Danceability • 53% Energy • 12% Liveness
42% Instrumentalness • 94% Positiveness
23% Popularity • 84% Danceability • 53% Energy • 12% Liveness
42% Instrumentalness • 94% Positiveness
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Tommy Schneller
Never Found Me a Girl
96 bpm • A# min • 03:34 • -6.49db
10% Popularity • 74% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 74% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Molly Miller Trio
Just a Closer Walk with Thee
108 bpm • A Maj • 03:22 • -10.46db
9% Popularity • 80% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
9% Popularity • 80% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
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Anthony Koepp
Hidden Position
109 bpm • D min • 04:37 • -10.73db
9% Popularity • 44% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 44% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Clayton Doley
Disbelief
109 bpm • F Maj • 05:08 • -9.33db
15% Popularity • 65% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 65% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Peter Lamb and the Wolves
His Eye Is on the Sparrow
96 bpm • A# Maj • 06:02 • -6.54db
8% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
8% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
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Regina Bonelli
The Last Tear
109 bpm • D min • 03:34 • -4.07db
8% Popularity • 74% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 74% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Mik Pyro
Flu Crow
96 bpm • E min • 06:39 • -7.87db
10% Popularity • 36% Danceability • 68% Energy • 93% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 36% Danceability • 68% Energy • 93% Liveness
0% Instrumentalness • 35% Positiveness
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Budda Power Blues
Walking Shoes & Thinking Hat
95 bpm • E min • 02:27 • -7.05db
19% Popularity • 70% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 70% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
