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Mountain Steeps
Songs like
Mountain Steeps
by
Hayden Calnin
Based on a tempo of (+/- 10%) and a similar genre
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Jessie Early
Birds
125 bpm • C# Maj • 03:41 • -11.62db
30% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Hayden Calnin
Caution Cares - Rework
125 bpm • C# Maj • 04:49 • -13.23db
7% Popularity • 53% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 21% Positiveness
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sød ven
capsized
125 bpm • C# min • 03:00 • -11.23db
30% Popularity • 44% Danceability • 28% Energy • 8% Liveness
33% Instrumentalness • 4% Positiveness
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George Ogilvie
In Only a Day - Alternate
125 bpm • F Maj • 04:09 • -13.57db
27% Popularity • 44% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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SYML
Everything All At Once
126 bpm • G# Maj • 05:10 • -12db
34% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Hayden Everett
Still
126 bpm • B Maj • 03:56 • -9.96db
21% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Hayden Calnin
Mountain Steeps
125 bpm • G# Maj • 04:03 • -13.18db
37% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Lawson Hull
Honey
126 bpm • F Maj • 04:25 • -7.43db
19% Popularity • 57% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 31% Positiveness
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John Vincent III
Back to My Ways
124 bpm • C min • 05:47 • -10.1db
43% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
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Eli Teplin
Off The Grid
126 bpm • F# Maj • 03:47 • -12.97db
28% Popularity • 55% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Vancouver Sleep Clinic
Middle Of Nowhere
124 bpm • G# Maj • 06:42 • -11.41db
51% Popularity • 47% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Ed Patrick
Mexico
127 bpm • D Maj • 02:52 • -15.18db
39% Popularity • 53% Danceability • 26% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Hayden Calnin
You Believed
125 bpm • G Maj • 04:59 • -19.79db
9% Popularity • 53% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Cujo Moon
In the Stars
127 bpm • E Maj • 03:47 • -11.57db
22% Popularity • 62% Danceability • 32% Energy • 12% Liveness
50% Instrumentalness • 23% Positiveness
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Jolé
This City
127 bpm • G Maj • 03:20 • -8.68db
34% Popularity • 53% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Elkvilla
Sink
123 bpm • A# min • 05:26 • -11.67db
23% Popularity • 52% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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This New Light
103
123 bpm • G Maj • 02:59 • -6.58db
35% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Harris
Lights Fall
127 bpm • C# Maj • 03:25 • -15.9db
33% Popularity • 64% Danceability • 11% Energy • 11% Liveness
62% Instrumentalness • 17% Positiveness
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Hayden Calnin
The Bit Between
125 bpm • B min • 05:54 • -11.19db
19% Popularity • 41% Danceability • 32% Energy • 32% Liveness
1% Instrumentalness • 16% Positiveness
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Edwin Raphael
Will You Think Of Me Later?
128 bpm • D# Maj • 02:15 • -7.33db
55% Popularity • 66% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 54% Positiveness
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By The Coast
Always
128 bpm • D# Maj • 04:25 • -12db
29% Popularity • 36% Danceability • 35% Energy • 6% Liveness
11% Instrumentalness • 6% Positiveness
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Foreign Fields
Brand New
128 bpm • C# Maj • 06:00 • -18.87db
20% Popularity • 57% Danceability • 24% Energy • 19% Liveness
23% Instrumentalness • 54% Positiveness
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Covenhoven
Past Life
128 bpm • G# min • 03:27 • -9.84db
32% Popularity • 56% Danceability • 43% Energy • 16% Liveness
17% Instrumentalness • 13% Positiveness
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sød ven
catacombs
128 bpm • G# min • 03:27 • -17db
39% Popularity • 28% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Hayden Calnin
Haunt
122 bpm • D Maj • 04:30 • -11.05db
16% Popularity • 33% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Hush Kids
Spend My Time
128 bpm • C Maj • 03:10 • -9.48db
31% Popularity • 64% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Novo Amor
Anatome
128 bpm • G# Maj • 05:19 • -11.6db
35% Popularity • 56% Danceability • 45% Energy • 22% Liveness
55% Instrumentalness • 15% Positiveness
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Sami Simon
Bombs
122 bpm • F# Maj • 04:26 • -14db
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Twin Tacoma
Go Careful
122 bpm • B Maj • 02:52 • -12.52db
44% Popularity • 72% Danceability • 40% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Riley Pearce
Breathe & Release
122 bpm • E Maj • 03:35 • -7db
37% Popularity • 66% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Ryan Harris
Falling
122 bpm • G Maj • 02:31 • -12.2db
48% Popularity • 73% Danceability • 51% Energy • 12% Liveness
71% Instrumentalness • 41% Positiveness
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Lawson Hull
Mexico - Acoustic
122 bpm • G Maj • 03:45 • -10.56db
28% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Colouring
Beautiful Life
128 bpm • C Maj • 03:50 • -10.81db
21% Popularity • 44% Danceability • 32% Energy • 10% Liveness
53% Instrumentalness • 21% Positiveness
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Salt Tree
Hold You Now
122 bpm • C min • 02:51 • -12.83db
31% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Hayden Calnin
Birthday Hips
128 bpm • C# Maj • 03:49 • -7.62db
13% Popularity • 55% Danceability • 49% Energy • 8% Liveness
49% Instrumentalness • 18% Positiveness
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Ed Patrick
Canyon
121 bpm • D Maj • 02:32 • -16.56db
38% Popularity • 43% Danceability • 22% Energy • 34% Liveness
32% Instrumentalness • 43% Positiveness
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Novo Amor
Embody Me
121 bpm • C Maj • 03:10 • -12.04db
59% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Emmit Fenn
All This To Live For
130 bpm • G# min • 03:34 • -14.76db
33% Popularity • 29% Danceability • 35% Energy • 33% Liveness
80% Instrumentalness • 4% Positiveness
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Black Match
Alive
130 bpm • G Maj • 04:02 • -10.21db
23% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Salt Tree
Rising Again
128 bpm • C# Maj • 03:23 • -12db
47% Popularity • 72% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Hayden Calnin
Let's Dance
129 bpm • F# Maj • 04:01 • -8db
32% Popularity • 52% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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ASKYA
Above the Water
130 bpm • E Maj • 03:16 • -14.23db
40% Popularity • 67% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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SAILR
The Watchmaker
130 bpm • G Maj • 03:41 • -12.47db
23% Popularity • 59% Danceability • 36% Energy • 11% Liveness
20% Instrumentalness • 19% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
45% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Marti West
Paint
130 bpm • C# Maj • 04:48 • -10.03db
5% Popularity • 61% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Hayden Calnin
I Believe in Something More
129 bpm • E Maj • 03:01 • -8.84db
35% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
49% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Foreign Fields
Rose Colored
130 bpm • A min • 05:03 • -19.38db
25% Popularity • 56% Danceability • 7% Energy • 8% Liveness
33% Instrumentalness • 9% Positiveness
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John Vincent III
Slow Song
120 bpm • A# Maj • 04:51 • -7db
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Benjamin Francis Leftwich
Elephant
130 bpm • D# Maj • 03:24 • -7db
28% Popularity • 49% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Andrew Belle
Swimmers
120 bpm • B min • 03:01 • -8db
39% Popularity • 55% Danceability • 60% Energy • 8% Liveness
41% Instrumentalness • 6% Positiveness
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Hayden Calnin
Underneath
130 bpm • C Maj • 04:20 • -9.57db
20% Popularity • 45% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Secret Nation
Love You Well
120 bpm • C Maj • 04:16 • -13.12db
32% Popularity • 51% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 6% Positiveness
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Edwin Raphael
Denim Darlin’
120 bpm • C# Maj • 02:24 • -9.11db
44% Popularity • 55% Danceability • 33% Energy • 44% Liveness
68% Instrumentalness • 3% Positiveness
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Riley Pearce
Nostalgia
120 bpm • D Maj • 04:01 • -14.3db
40% Popularity • 79% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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This New Light
End of the Line
120 bpm • E Maj • 04:20 • -10.68db
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Hailaker
Wavepool
120 bpm • C Maj • 03:38 • -10.34db
29% Popularity • 60% Danceability • 40% Energy • 8% Liveness
15% Instrumentalness • 22% Positiveness
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Hayden Everett
Honeycomb
120 bpm • C Maj • 03:20 • -11.97db
35% Popularity • 73% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Hollow Men
White Lies
120 bpm • D# Maj • 03:00 • -12.14db
19% Popularity • 57% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Moon
Thousand Stars - Acoustic
120 bpm • D# Maj • 03:02 • -8db
31% Popularity • 51% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Riley Pearce
Glass Vase
120 bpm • C# min • 03:52 • -11.86db
30% Popularity • 67% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Hayden Calnin
Ishmael
120 bpm • C Maj • 04:48 • -14.65db
16% Popularity • 21% Danceability • 41% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Blake
Heartbreaker
120 bpm • C# min • 04:03 • -11db
22% Popularity • 64% Danceability • 49% Energy • 9% Liveness
29% Instrumentalness • 42% Positiveness
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Ryan Harris
Days
120 bpm • G Maj • 03:55 • -14.05db
10% Popularity • 68% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
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George Ogilvie
Tremosine
130 bpm • F# Maj • 05:43 • -11.82db
19% Popularity • 32% Danceability • 30% Energy • 39% Liveness
46% Instrumentalness • 14% Positiveness
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Blanco White
Papillon
130 bpm • E min • 03:59 • -15.9db
41% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Twiceyoung
Night Drive - Deconstructed
120 bpm • F# min • 04:12 • -13db
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
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Hayden Calnin
End
120 bpm • D Maj • 06:55 • -13db
16% Popularity • 26% Danceability • 12% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Jolé
Still
131 bpm • C# Maj • 03:47 • -13.52db
45% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Hayden Everett
All Else
119 bpm • B Maj • 01:51 • -10.92db
40% Popularity • 43% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Ed Patrick
So Glad (I Got You)
131 bpm • D# Maj • 02:59 • -15db
44% Popularity • 74% Danceability • 31% Energy • 12% Liveness
44% Instrumentalness • 58% Positiveness
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Dave Thomas Junior
Still In Love
119 bpm • C# Maj • 02:52 • -11.94db
29% Popularity • 50% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Emmit Fenn
What Falling in Love Is For - Acoustic
132 bpm • F Maj • 02:17 • -17.74db
39% Popularity • 58% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Hayden Calnin
Something Went Wrong
120 bpm • C min • 05:05 • -16.35db
15% Popularity • 45% Danceability • 16% Energy • 7% Liveness
9% Instrumentalness • 19% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
54% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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sød ven
reborn
132 bpm • C min • 03:44 • -16.35db
34% Popularity • 52% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Ed Patrick
Make It Me
119 bpm • F min • 03:11 • -14.99db
30% Popularity • 68% Danceability • 38% Energy • 11% Liveness
58% Instrumentalness • 42% Positiveness
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Marti West
The Way Back Home
132 bpm • G# Maj • 03:54 • -14.02db
25% Popularity • 54% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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By The Coast
Magic
132 bpm • D# Maj • 03:53 • -10.02db
28% Popularity • 48% Danceability • 51% Energy • 8% Liveness
55% Instrumentalness • 20% Positiveness
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Hayden Calnin
Majuy
132 bpm • C Maj • 03:55 • -8.47db
45% Popularity • 31% Danceability • 37% Energy • 7% Liveness
2% Instrumentalness • 9% Positiveness
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Andrew Belle
To Be Alone
118 bpm • F Maj • 04:38 • -11.49db
28% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Leathan Milne
Now I Say Goodnight
118 bpm • F Maj • 04:02 • -15.07db
22% Popularity • 44% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
50% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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George Ogilvie
October
118 bpm • F Maj • 05:07 • -7db
45% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Riley Pearce
All My Love
118 bpm • D# Maj • 03:18 • -9.16db
44% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jon Bryant
Talk
118 bpm • C Maj • 03:49 • -10.65db
32% Popularity • 59% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Davis John Patton
Peak
133 bpm • D Maj • 03:41 • -11.68db
15% Popularity • 60% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Novo Amor
If We're Being Honest
133 bpm • D# Maj • 03:55 • -7.3db
46% Popularity • 50% Danceability • 43% Energy • 14% Liveness
62% Instrumentalness • 13% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Hayden Calnin
Coward - Rework
133 bpm • D# Maj • 03:54 • -11.38db
15% Popularity • 62% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Hayden Everett
Kennecott
133 bpm • G Maj • 03:28 • -10.21db
26% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Black Match
O
133 bpm • G min • 06:34 • -14.16db
12% Popularity • 44% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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Ryan Harris
Same Sun
117 bpm • C# min • 03:05 • -14.19db
43% Popularity • 71% Danceability • 32% Energy • 11% Liveness
20% Instrumentalness • 26% Positiveness
► Preview
Jessie Reid
Home
117 bpm • D# Maj • 02:57 • -14db
33% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ed Patrick
Nothing To Me Now
117 bpm • G# Maj • 02:25 • -18.59db
46% Popularity • 79% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 57% Positiveness
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Hayden Calnin
As I Exit Parts I & II
117 bpm • A# Maj • 05:31 • -14.61db
10% Popularity • 42% Danceability • 23% Energy • 13% Liveness
58% Instrumentalness • 10% Positiveness
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Boundary Run
Make It Out
134 bpm • D Maj • 03:41 • -11.44db
47% Popularity • 25% Danceability • 29% Energy • 8% Liveness
42% Instrumentalness • 22% Positiveness
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Cujo Moon
Moonlight
117 bpm • E Maj • 03:41 • -9db
27% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Mountain Steeps