Songs like Move a Mountain - Instrumental Version by Benson Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Primer
The Firmament
101 bpm • A# Maj • 03:44 • -10.76db
21% Popularity • 62% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 13% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 13% Positiveness
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Ruelle
Secrets And Lies
101 bpm • A min • 04:23 • -10db
47% Popularity • 23% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 23% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Ki:Theory
Stand by Me (VIP Remix)
101 bpm • G Maj • 04:08 • -7.75db
13% Popularity • 24% Danceability • 55% Energy • 35% Liveness
1% Instrumentalness • 7% Positiveness
13% Popularity • 24% Danceability • 55% Energy • 35% Liveness
1% Instrumentalness • 7% Positiveness
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Benson Taylor
Move a Mountain - Instrumental Version
101 bpm • E min • 03:16 • -17.75db
0% Popularity • 14% Danceability • 16% Energy • 37% Liveness
91% Instrumentalness • 10% Positiveness
0% Popularity • 14% Danceability • 16% Energy • 37% Liveness
91% Instrumentalness • 10% Positiveness
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Jochen Flach
Robot's Revenge
100 bpm • G Maj • 02:40 • -11.64db
0% Popularity • 19% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
0% Popularity • 19% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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MØØNWATER
It Will Find You
100 bpm • C Maj • 03:38 • -13.46db
15% Popularity • 56% Danceability • 42% Energy • 8% Liveness
3% Instrumentalness • 13% Positiveness
15% Popularity • 56% Danceability • 42% Energy • 8% Liveness
3% Instrumentalness • 13% Positiveness
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Thornton III Jenkins
Percolating Pop
102 bpm • A Maj • 01:36 • -12.91db
0% Popularity • 65% Danceability • 51% Energy • 10% Liveness
91% Instrumentalness • 84% Positiveness
0% Popularity • 65% Danceability • 51% Energy • 10% Liveness
91% Instrumentalness • 84% Positiveness
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Rob Lane
Farewell to Em
100 bpm • C min • 02:17 • -14.42db
21% Popularity • 33% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
21% Popularity • 33% Danceability • 15% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Indiana
Ninety Six Hours
102 bpm • D Maj • 03:06 • -11.05db
12% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Benson Taylor
Loaded Gun - Instrumental Version
100 bpm • F min • 03:16 • -12.3db
0% Popularity • 48% Danceability • 40% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 48% Danceability • 40% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Talos
Dawn, The Front
100 bpm • A# min • 03:05 • -17.11db
33% Popularity • 43% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 43% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Adam Barber
You Cover Me
100 bpm • F min • 03:38 • -18.63db
9% Popularity • 47% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
9% Popularity • 47% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Thornton III Jenkins
Bad Intentions
100 bpm • C# min • 02:07 • -12.51db
0% Popularity • 63% Danceability • 65% Energy • 10% Liveness
80% Instrumentalness • 85% Positiveness
0% Popularity • 63% Danceability • 65% Energy • 10% Liveness
80% Instrumentalness • 85% Positiveness
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BB St. Clair
Nicotine
100 bpm • D min • 03:31 • -6db
8% Popularity • 49% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 49% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Olivier Bibeau
Bad Side
100 bpm • F# min • 02:40 • -12.7db
21% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Benson Taylor
Devil in My Mind - Instrumental Version
100 bpm • A Maj • 03:28 • -10.72db
0% Popularity • 64% Danceability • 48% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
0% Popularity • 64% Danceability • 48% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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LAOUD
Grow
100 bpm • A# min • 03:16 • -10.58db
9% Popularity • 28% Danceability • 45% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
9% Popularity • 28% Danceability • 45% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
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WESLEE
Gassed - Stripped
100 bpm • F# Maj • 03:33 • -10db
20% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Thornton III Jenkins
Rock Grinder
100 bpm • C# Maj • 01:35 • -9.29db
0% Popularity • 46% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
0% Popularity • 46% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Kat Leon
Silent All These Years
100 bpm • A Maj • 03:20 • -7.47db
19% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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MOR
Yours
100 bpm • F# min • 04:30 • -10db
9% Popularity • 25% Danceability • 27% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 27% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
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Benson Taylor
How to Let You Go
100 bpm • A Maj • 03:49 • -10.19db
5% Popularity • 49% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
5% Popularity • 49% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
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Jonathan Buchanan
Welcome to a New Dawn
103 bpm • C# Maj • 03:14 • -15db
20% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
20% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Mags Duval
Eye For An Eye
103 bpm • A min • 02:47 • -12.4db
31% Popularity • 38% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
31% Popularity • 38% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Steelfeather
Heart of Darkness
103 bpm • E min • 03:13 • -12db
40% Popularity • 53% Danceability • 34% Energy • 9% Liveness
19% Instrumentalness • 14% Positiveness
40% Popularity • 53% Danceability • 34% Energy • 9% Liveness
19% Instrumentalness • 14% Positiveness
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Lemolo
Swansea
104 bpm • C Maj • 03:50 • -10.12db
30% Popularity • 46% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
30% Popularity • 46% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
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Louise Bernadette Dowd
If Time Were To Stand Still
99 bpm • A# min • 03:03 • -9.56db
12% Popularity • 22% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
12% Popularity • 22% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Benson Taylor
Loaded Gun
100 bpm • F min • 03:16 • -9.26db
2% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
2% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Jonathan Buchanan
Love and Rage
98 bpm • G Maj • 03:05 • -16.26db
22% Popularity • 65% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
22% Popularity • 65% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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Dark Waves
Waiting For The World To End
98 bpm • C# Maj • 03:28 • -7.99db
20% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Vanbur
Through the Dark
104 bpm • A# min • 03:15 • -12.74db
43% Popularity • 47% Danceability • 42% Energy • 11% Liveness
69% Instrumentalness • 7% Positiveness
43% Popularity • 47% Danceability • 42% Energy • 11% Liveness
69% Instrumentalness • 7% Positiveness
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Liv Ash
Ready for War
105 bpm • G Maj • 03:48 • -4.32db
24% Popularity • 45% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 45% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Ursine Vulpine
Without You - Extended
104 bpm • G min • 08:49 • -10.12db
36% Popularity • 26% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
36% Popularity • 26% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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Benson Taylor
Desert Warfare
100 bpm • G# Maj • 02:28 • -14.43db
5% Popularity • 54% Danceability • 55% Energy • 10% Liveness
81% Instrumentalness • 12% Positiveness
5% Popularity • 54% Danceability • 55% Energy • 10% Liveness
81% Instrumentalness • 12% Positiveness
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Jonathan Buchanan
Arise Like Fire
98 bpm • F min • 03:12 • -15db
31% Popularity • 46% Danceability • 63% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
31% Popularity • 46% Danceability • 63% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Jochen Flach
Battle Is On
105 bpm • C min • 02:21 • -10.38db
2% Popularity • 45% Danceability • 65% Energy • 28% Liveness
91% Instrumentalness • 23% Positiveness
2% Popularity • 45% Danceability • 65% Energy • 28% Liveness
91% Instrumentalness • 23% Positiveness
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Rupert Pope
Illuminate
105 bpm • A min • 03:41 • -8.87db
16% Popularity • 61% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
16% Popularity • 61% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Thornton III Jenkins
Active Latin
105 bpm • E Maj • 01:32 • -10.44db
0% Popularity • 78% Danceability • 70% Energy • 56% Liveness
81% Instrumentalness • 84% Positiveness
0% Popularity • 78% Danceability • 70% Energy • 56% Liveness
81% Instrumentalness • 84% Positiveness
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IORA
That Sinking Feeling
97 bpm • E min • 02:57 • -15.84db
10% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Benson Taylor
Devil in My Mind
100 bpm • A Maj • 03:28 • -9.32db
0% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Boris Nonte
There Will Be Fire
105 bpm • G min • 02:41 • -9.66db
19% Popularity • 40% Danceability • 41% Energy • 9% Liveness
28% Instrumentalness • 12% Positiveness
19% Popularity • 40% Danceability • 41% Energy • 9% Liveness
28% Instrumentalness • 12% Positiveness
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Roses & Revolutions
Moment - Instrumental
106 bpm • A min • 03:08 • -11db
14% Popularity • 65% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
14% Popularity • 65% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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The New Mastersounds
High Anxiety Low
106 bpm • C Maj • 03:19 • -12.11db
1% Popularity • 86% Danceability • 67% Energy • 20% Liveness
86% Instrumentalness • 83% Positiveness
1% Popularity • 86% Danceability • 67% Energy • 20% Liveness
86% Instrumentalness • 83% Positiveness
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Thornton III Jenkins
Active Latin MIN
105 bpm • B min • 01:30 • -13.62db
0% Popularity • 85% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
0% Popularity • 85% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
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Malory
Rapture
96 bpm • D# min • 03:12 • -6.73db
22% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Benson Taylor
Play with Fire
100 bpm • F min • 04:12 • -9.83db
5% Popularity • 38% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
5% Popularity • 38% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Klergy
Everything's A Lie
107 bpm • F min • 03:44 • -10.59db
21% Popularity • 63% Danceability • 66% Energy • 11% Liveness
58% Instrumentalness • 44% Positiveness
21% Popularity • 63% Danceability • 66% Energy • 11% Liveness
58% Instrumentalness • 44% Positiveness
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Rupert Pope
Damage
95 bpm • A min • 03:28 • -8.74db
23% Popularity • 48% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 48% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Shanks Mansell
Love Is Contagious
95 bpm • B min • 03:39 • -7.6db
10% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Thornton III Jenkins
Keepin' It Together
105 bpm • G Maj • 01:31 • -10.2db
0% Popularity • 71% Danceability • 65% Energy • 15% Liveness
94% Instrumentalness • 88% Positiveness
0% Popularity • 71% Danceability • 65% Energy • 15% Liveness
94% Instrumentalness • 88% Positiveness
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ANIIML
Confessions
95 bpm • A# Maj • 03:09 • -8.13db
27% Popularity • 72% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
27% Popularity • 72% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Benson Taylor
How to Let You Go - Instrumental Version
99 bpm • A Maj • 03:49 • -16.11db
0% Popularity • 21% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
0% Popularity • 21% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Natalie Taylor
In the Air Tonight
95 bpm • A# min • 02:53 • -8.93db
52% Popularity • 54% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
52% Popularity • 54% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
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Danny Farrant
Jungle Kill
95 bpm • G# min • 03:17 • -6.23db
9% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Lemolo
Running Mate
108 bpm • A min • 04:35 • -8.65db
26% Popularity • 24% Danceability • 43% Energy • 11% Liveness
20% Instrumentalness • 11% Positiveness
26% Popularity • 24% Danceability • 43% Energy • 11% Liveness
20% Instrumentalness • 11% Positiveness
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Thornton III Jenkins
Groove And Grace
106 bpm • C Maj • 01:38 • -9.96db
0% Popularity • 57% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 78% Positiveness
0% Popularity • 57% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 78% Positiveness
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Hidden Citizens
It's a Sin - Epic Trailer Version
95 bpm • G# Maj • 03:30 • -10.47db
29% Popularity • 25% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 25% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Benson Taylor
Symphony 400
105 bpm • D min • 02:37 • -5.06db
0% Popularity • 32% Danceability • 69% Energy • 30% Liveness
47% Instrumentalness • 58% Positiveness
0% Popularity • 32% Danceability • 69% Energy • 30% Liveness
47% Instrumentalness • 58% Positiveness
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Michelle Leverette
(The End Is) Coming Soon
108 bpm • F Maj • 03:03 • -5.95db
12% Popularity • 79% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 79% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The New Mastersounds
Hotel Connection
108 bpm • A# min • 03:18 • -9.3db
1% Popularity • 84% Danceability • 71% Energy • 14% Liveness
38% Instrumentalness • 89% Positiveness
1% Popularity • 84% Danceability • 71% Energy • 14% Liveness
38% Instrumentalness • 89% Positiveness
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Raphael Lake
Cruise
108 bpm • G Maj • 03:04 • -11db
24% Popularity • 57% Danceability • 38% Energy • 21% Liveness
1% Instrumentalness • 18% Positiveness
24% Popularity • 57% Danceability • 38% Energy • 21% Liveness
1% Instrumentalness • 18% Positiveness
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Thornton III Jenkins
He's So Fly MIN
107 bpm • G# Maj • 01:29 • -10.05db
0% Popularity • 84% Danceability • 71% Energy • 10% Liveness
78% Instrumentalness • 57% Positiveness
0% Popularity • 84% Danceability • 71% Energy • 10% Liveness
78% Instrumentalness • 57% Positiveness
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Hidden Citizens
Silent Running - Epic Trailer Version
108 bpm • A# Maj • 03:55 • -9db
30% Popularity • 26% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 26% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Benson Taylor
Didgeridoom
96 bpm • D Maj • 02:25 • -14.73db
0% Popularity • 36% Danceability • 56% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
0% Popularity • 36% Danceability • 56% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Valen
Cold Blood
94 bpm • F min • 03:31 • -12.32db
29% Popularity • 59% Danceability • 36% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
29% Popularity • 59% Danceability • 36% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
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Must Save Jane
Blind Will Lead The Blind
109 bpm • F min • 02:46 • -17.85db
16% Popularity • 19% Danceability • 17% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 17% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Portals
We Have Arrived
94 bpm • C# min • 03:35 • -8.58db
18% Popularity • 49% Danceability • 59% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
18% Popularity • 49% Danceability • 59% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
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Thornton III Jenkins
He's So Fly
108 bpm • C# Maj • 01:32 • -10.2db
0% Popularity • 81% Danceability • 67% Energy • 8% Liveness
79% Instrumentalness • 68% Positiveness
0% Popularity • 81% Danceability • 67% Energy • 8% Liveness
79% Instrumentalness • 68% Positiveness
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Marie Gallo
When the Darkness Comes
109 bpm • C Maj • 03:05 • -20.4db
25% Popularity • 28% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
25% Popularity • 28% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Benson Taylor
Downfall
96 bpm • A# min • 01:48 • -9.07db
1% Popularity • 34% Danceability • 84% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
1% Popularity • 34% Danceability • 84% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Class of 88
Walking on the Ceiling
109 bpm • A Maj • 03:15 • -8db
23% Popularity • 38% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 38% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
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Cut One
All on Fire
93 bpm • G Maj • 03:19 • -6.36db
22% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Phil Buckle
If I Had a Heart
93 bpm • F Maj • 02:58 • -10.59db
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
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Rupert Pope
Final Teardrop
110 bpm • C Maj • 03:42 • -8.46db
24% Popularity • 50% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
24% Popularity • 50% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Hattie Williams
Drown
110 bpm • A# Maj • 02:25 • -10.38db
16% Popularity • 64% Danceability • 50% Energy • 19% Liveness
1% Instrumentalness • 27% Positiveness
16% Popularity • 64% Danceability • 50% Energy • 19% Liveness
1% Instrumentalness • 27% Positiveness
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Benson Taylor
Delicate Problems
96 bpm • C min • 03:08 • -11.53db
16% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Thornton III Jenkins
Magic Light
110 bpm • G min • 01:38 • -13.03db
0% Popularity • 60% Danceability • 61% Energy • 14% Liveness
85% Instrumentalness • 18% Positiveness
0% Popularity • 60% Danceability • 61% Energy • 14% Liveness
85% Instrumentalness • 18% Positiveness
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Kaeli
Let Me Fall
110 bpm • G Maj • 03:47 • -7.82db
7% Popularity • 58% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 58% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Phototaxis
Pistol
110 bpm • D Maj • 03:09 • -8.29db
8% Popularity • 69% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 69% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jochen Flach
Monument to Humanity
110 bpm • G min • 02:07 • -11.56db
0% Popularity • 43% Danceability • 67% Energy • 49% Liveness
88% Instrumentalness • 31% Positiveness
0% Popularity • 43% Danceability • 67% Energy • 49% Liveness
88% Instrumentalness • 31% Positiveness
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Klergy
Awaken
110 bpm • F# min • 03:39 • -10.71db
27% Popularity • 56% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 56% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Benson Taylor
Delicate Problems - Instrumental Version
96 bpm • D# Maj • 03:08 • -14.57db
1% Popularity • 67% Danceability • 34% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
1% Popularity • 67% Danceability • 34% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
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Jasmine Ash
My Body Lies Over the Ocean
110 bpm • C# min • 02:12 • -8.42db
15% Popularity • 50% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
15% Popularity • 50% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Louise Lemón
Appalacherna
93 bpm • A min • 03:14 • -12.01db
12% Popularity • 20% Danceability • 26% Energy • 11% Liveness
59% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 26% Energy • 11% Liveness
59% Instrumentalness • 6% Positiveness
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Three Laws
The Only Way
110 bpm • C# min • 04:09 • -14.1db
10% Popularity • 54% Danceability • 21% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
10% Popularity • 54% Danceability • 21% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
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Jochen Flach
Immortal Combat
110 bpm • E min • 02:55 • -12.68db
0% Popularity • 40% Danceability • 56% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
0% Popularity • 40% Danceability • 56% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Ruelle
Daydream
92 bpm • A min • 04:36 • -7.98db
39% Popularity • 52% Danceability • 64% Energy • 8% Liveness
77% Instrumentalness • 11% Positiveness
39% Popularity • 52% Danceability • 64% Energy • 8% Liveness
77% Instrumentalness • 11% Positiveness
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Benson Taylor
Running with Wolves - Instrumental Versi...
95 bpm • C min • 04:22 • -14.91db
0% Popularity • 35% Danceability • 26% Energy • 14% Liveness
78% Instrumentalness • 9% Positiveness
0% Popularity • 35% Danceability • 26% Energy • 14% Liveness
78% Instrumentalness • 9% Positiveness
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Homegrown
All I Need Is To Be Free
111 bpm • D# Maj • 02:38 • -14.48db
15% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Powell
Drop by Drop
112 bpm • C Maj • 03:34 • -11.38db
16% Popularity • 55% Danceability • 55% Energy • 39% Liveness
1% Instrumentalness • 16% Positiveness
16% Popularity • 55% Danceability • 55% Energy • 39% Liveness
1% Instrumentalness • 16% Positiveness
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Old Caltone
The Beast
112 bpm • C min • 03:52 • -11.07db
35% Popularity • 24% Danceability • 28% Energy • 20% Liveness
2% Instrumentalness • 8% Positiveness
35% Popularity • 24% Danceability • 28% Energy • 20% Liveness
2% Instrumentalness • 8% Positiveness
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FVR DRMS
Hallelujah
112 bpm • A# Maj • 03:08 • -11.45db
36% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Gold Brother
Lose My Faith
112 bpm • D min • 03:21 • -7.03db
43% Popularity • 62% Danceability • 51% Energy • 11% Liveness
21% Instrumentalness • 42% Positiveness
43% Popularity • 62% Danceability • 51% Energy • 11% Liveness
21% Instrumentalness • 42% Positiveness
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Benson Taylor
Running with Wolves
95 bpm • C min • 04:21 • -9.77db
1% Popularity • 37% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
1% Popularity • 37% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Wendy Wang
Take On Me
112 bpm • G Maj • 05:15 • -11.33db
23% Popularity • 54% Danceability • 52% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
23% Popularity • 54% Danceability • 52% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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SVLT
I'm a Queen
112 bpm • G Maj • 03:30 • -5.85db
17% Popularity • 66% Danceability • 58% Energy • 16% Liveness
20% Instrumentalness • 59% Positiveness
17% Popularity • 66% Danceability • 58% Energy • 16% Liveness
20% Instrumentalness • 59% Positiveness
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The New Mastersounds
Florentine Race
112 bpm • B Maj • 02:55 • -9.87db
1% Popularity • 74% Danceability • 82% Energy • 7% Liveness
80% Instrumentalness • 93% Positiveness
1% Popularity • 74% Danceability • 82% Energy • 7% Liveness
80% Instrumentalness • 93% Positiveness
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Regina Price
Shadows Fall
91 bpm • C Maj • 04:18 • -8.34db
18% Popularity • 47% Danceability • 47% Energy • 9% Liveness
21% Instrumentalness • 10% Positiveness
18% Popularity • 47% Danceability • 47% Energy • 9% Liveness
21% Instrumentalness • 10% Positiveness
