Songs like Move Along by The All-American Rejects
Based on a tempo of (+/- 10%) and a similar genre
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blink-182
I Miss You
110 bpm • B Maj • 03:47 • -6.55db
77% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
77% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Simple Plan
I'm Just a Kid
110 bpm • C# Maj • 03:18 • -5.53db
73% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
73% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Matchbox Twenty
If You're Gone
110 bpm • A Maj • 04:34 • -7db
65% Popularity • 54% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 54% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Puddle Of Mudd
She Hates Me
110 bpm • E Maj • 03:36 • -5.43db
73% Popularity • 58% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 58% Positiveness
73% Popularity • 58% Danceability • 75% Energy • 75% Liveness
0% Instrumentalness • 58% Positiveness
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The Click Five
Just the Girl
111 bpm • A Maj • 03:54 • -1.6db
59% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Neck Deep
In Bloom
111 bpm • G Maj • 03:38 • -4.7db
62% Popularity • 59% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 59% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Forever The Sickest Kids
Bipolar Baby!
109 bpm • G Maj • 03:11 • -4.53db
50% Popularity • 58% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 58% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The Starting Line
Island
111 bpm • C# Maj • 03:42 • -4db
46% Popularity • 57% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 57% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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My Chemical Romance
SING
111 bpm • D Maj • 04:30 • -3.62db
58% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Goo Goo Dolls
Big Machine
109 bpm • D# Maj • 03:09 • -4db
49% Popularity • 42% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 42% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Blue October
Calling You
109 bpm • C Maj • 03:59 • -5.52db
51% Popularity • 55% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 55% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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The Offspring
Gone Away - 1997
111 bpm • D# Maj • 04:28 • -4db
70% Popularity • 45% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
70% Popularity • 45% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
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Rise Against
Help Is On The Way
108 bpm • F min • 03:57 • -3.59db
61% Popularity • 34% Danceability • 95% Energy • 3% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 34% Danceability • 95% Energy • 3% Liveness
0% Instrumentalness • 60% Positiveness
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Matchbox Twenty
3AM
108 bpm • G# Maj • 03:45 • -8.69db
72% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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My Chemical Romance
Teenagers
112 bpm • E Maj • 02:41 • -3.06db
82% Popularity • 46% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
82% Popularity • 46% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Breaking Benjamin
I Will Not Bow
108 bpm • G# Maj • 03:36 • -3.71db
71% Popularity • 53% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
71% Popularity • 53% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Pierce The Veil
King For A Day
112 bpm • F# Maj • 03:56 • -2.24db
77% Popularity • 40% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
77% Popularity • 40% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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The Offspring
Why Don't You Get A Job
108 bpm • F Maj • 02:52 • -4.48db
75% Popularity • 77% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
75% Popularity • 77% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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The Goo Goo Dolls
Slide
112 bpm • G# Maj • 03:32 • -4.48db
72% Popularity • 40% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
72% Popularity • 40% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Rise Against
Savior
112 bpm • F min • 04:02 • -3.42db
78% Popularity • 55% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
78% Popularity • 55% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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Falling In Reverse
Just Like You
113 bpm • D Maj • 03:32 • -2.04db
57% Popularity • 56% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 56% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Red Jumpsuit Apparatus
Your Guardian Angel
113 bpm • F Maj • 03:49 • -6.58db
65% Popularity • 29% Danceability • 48% Energy • 63% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 29% Danceability • 48% Energy • 63% Liveness
0% Instrumentalness • 38% Positiveness
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Barenaked Ladies
One Week
113 bpm • A Maj • 02:49 • -6db
69% Popularity • 70% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 70% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Alien Ant Farm
Movies
113 bpm • A Maj • 03:15 • -5.08db
58% Popularity • 55% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 55% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Something Corporate
I Woke Up In A Car
107 bpm • C# Maj • 04:12 • -6.07db
53% Popularity • 55% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 55% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Box Car Racer
And I
107 bpm • G Maj • 03:11 • -5db
51% Popularity • 60% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 60% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Dashboard Confessional
As Lovers Go
113 bpm • E Maj • 03:29 • -4.35db
39% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Falling In Reverse
Fashionably Late
107 bpm • G# Maj • 03:33 • -2.16db
62% Popularity • 68% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 68% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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The Goo Goo Dolls
Better Days
113 bpm • G Maj • 03:33 • -5db
55% Popularity • 49% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 49% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Starting Line
The Best Of Me
107 bpm • E Maj • 04:18 • -4.21db
59% Popularity • 53% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 53% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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The Cab
One Of THOSE Nights
106 bpm • G# min • 03:48 • -3.39db
46% Popularity • 54% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 54% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Good Charlotte
Lifestyles of the Rich & Famous
106 bpm • C# Maj • 03:10 • -3.69db
69% Popularity • 62% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
69% Popularity • 62% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Say Anything
Wow, I Can Get Sexual Too
114 bpm • C Maj • 02:59 • -5.69db
51% Popularity • 71% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 71% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Box Car Racer
There Is
106 bpm • E Maj • 03:16 • -5.36db
58% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
58% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Lit
Zip-Lock
106 bpm • F# Maj • 03:32 • -3.79db
43% Popularity • 52% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 52% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Finger Eleven
Paralyzer
106 bpm • B min • 03:28 • -3.49db
77% Popularity • 64% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
77% Popularity • 64% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Daughtry
Waiting for Superman
106 bpm • C Maj • 04:26 • -5.71db
59% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 56% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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O.A.R.
Shattered (Turn The Car Around)
106 bpm • B Maj • 04:15 • -6db
58% Popularity • 57% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 57% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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The All-American Rejects
Drive Away
106 bpm • A Maj • 03:00 • -3.1db
31% Popularity • 52% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 52% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Stone Sour
Through Glass
106 bpm • D# min • 04:42 • -4.62db
71% Popularity • 55% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
71% Popularity • 55% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 43% Positiveness
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My Chemical Romance
House of Wolves
106 bpm • C Maj • 03:04 • -2.67db
64% Popularity • 44% Danceability • 98% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
64% Popularity • 44% Danceability • 98% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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Fall Out Boy
Dance, Dance
114 bpm • B min • 03:00 • -3.2db
79% Popularity • 62% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
79% Popularity • 62% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The Offspring
Want You Bad
106 bpm • E Maj • 03:22 • -4.28db
74% Popularity • 49% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
74% Popularity • 49% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Matchbook Romance
Monsters
115 bpm • A# min • 04:03 • -2.65db
55% Popularity • 36% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
55% Popularity • 36% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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The Used
Blue and Yellow
115 bpm • D min • 03:21 • -5.5db
54% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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State Champs
Secrets
105 bpm • G# Maj • 03:44 • -3.31db
52% Popularity • 56% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 56% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Green Day
Wake Me up When September Ends
105 bpm • G Maj • 04:45 • -5.15db
77% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
77% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Good Charlotte
Little Things
105 bpm • C# Maj • 03:23 • -5.14db
59% Popularity • 69% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 69% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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The Goo Goo Dolls
Black Balloon
105 bpm • C# Maj • 04:09 • -8.57db
61% Popularity • 34% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 34% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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The Offspring
Self Esteem
105 bpm • C Maj • 04:17 • -7.6db
78% Popularity • 49% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
78% Popularity • 49% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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The Used
Pretty Handsome Awkward
105 bpm • C Maj • 03:35 • -3.74db
62% Popularity • 54% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 26% Positiveness
62% Popularity • 54% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 26% Positiveness
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Sum 41
In Too Deep
116 bpm • A Maj • 03:27 • -5.88db
77% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
77% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Fray
Over My Head (Cable Car)
116 bpm • G# Maj • 03:56 • -4.16db
71% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
71% Popularity • 59% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Smash Mouth
All Star
104 bpm • B Maj • 03:20 • -5.88db
81% Popularity • 73% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
81% Popularity • 73% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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SR-71
Right Now
116 bpm • G# Maj • 02:47 • -3.32db
59% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
59% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Lit
My Own Worst Enemy
104 bpm • E Maj • 02:49 • -3.38db
57% Popularity • 43% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 43% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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My Chemical Romance
Thank You for the Venom
104 bpm • G Maj • 03:41 • -3.46db
66% Popularity • 49% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
66% Popularity • 49% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Matchbox Twenty
Real World
118 bpm • A# Maj • 03:51 • -5.45db
63% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
63% Popularity • 50% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Fountains Of Wayne
Stacy's Mom
118 bpm • B min • 03:17 • -4.93db
74% Popularity • 77% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
74% Popularity • 77% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Killers
All These Things That I've Done
118 bpm • F# Maj • 05:01 • -7.29db
74% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
74% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Goo Goo Dolls
Here Is Gone
102 bpm • C# Maj • 03:58 • -5.18db
58% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lit
My Own Worst Enemy
103 bpm • E Maj • 02:49 • -2.76db
75% Popularity • 49% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
75% Popularity • 49% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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The Red Jumpsuit Apparatus
Damn Regret
119 bpm • D Maj • 02:45 • -3.42db
54% Popularity • 55% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 55% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Matchbox Twenty
She's so Mean
118 bpm • C Maj • 03:52 • -3.73db
61% Popularity • 67% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 67% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Escape the Fate
Situations
101 bpm • C min • 03:07 • -4.5db
64% Popularity • 50% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 60% Positiveness
64% Popularity • 50% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 60% Positiveness
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Forever The Sickest Kids
What Do You Want From Me
101 bpm • G# Maj • 02:37 • -2.76db
43% Popularity • 57% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 57% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Jack's Mannequin
The Mixed Tape - 2015 Remastered
101 bpm • C# Maj • 03:14 • -4db
51% Popularity • 41% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 41% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Hot Chelle Rae
I Like It Like That
101 bpm • C# Maj • 03:08 • -5.46db
58% Popularity • 74% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
58% Popularity • 74% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Anarbor
You And I
120 bpm • C Maj • 02:57 • -4.13db
52% Popularity • 62% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 62% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 68% Positiveness
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Cobra Starship
Good Girls Go Bad
120 bpm • C Maj • 03:16 • -3.72db
65% Popularity • 59% Danceability • 87% Energy • 55% Liveness
0% Instrumentalness • 63% Positiveness
65% Popularity • 59% Danceability • 87% Energy • 55% Liveness
0% Instrumentalness • 63% Positiveness
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Saosin
You're Not Alone
120 bpm • D min • 03:58 • -4.38db
58% Popularity • 46% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 46% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Forever The Sickest Kids
Hey Brittany
120 bpm • C Maj • 03:05 • -5db
38% Popularity • 61% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 61% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Bowling For Soup
1985
120 bpm • E Maj • 03:13 • -4.4db
71% Popularity • 61% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 61% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Cute Is What We Aim For
Time
120 bpm • C# Maj • 03:59 • -8.04db
29% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sugarcult
Champagne
120 bpm • F# Maj • 02:56 • -4db
36% Popularity • 64% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 64% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 44% Positiveness
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Cobra Starship
Hot Mess
120 bpm • G Maj • 02:52 • -4.1db
48% Popularity • 64% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 64% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Hoobastank
Running Away
100 bpm • A min • 02:58 • -5db
53% Popularity • 51% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 51% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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SR-71
1985
120 bpm • D# Maj • 03:42 • -4.57db
46% Popularity • 58% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 58% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Story Of The Year
Sidewalks
100 bpm • C# min • 03:34 • -5.42db
45% Popularity • 42% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 42% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The Used
I Caught Fire
100 bpm • E Maj • 03:24 • -5.47db
45% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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All Time Low
Missing You
100 bpm • D Maj • 04:04 • -6.12db
53% Popularity • 56% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 56% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Hot Chelle Rae
Tonight Tonight
100 bpm • E Maj • 03:20 • -4.98db
70% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
70% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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The All-American Rejects
Gives You Hell - Limousines Extended Rem...
100 bpm • B Maj • 05:14 • -6db
24% Popularity • 60% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 60% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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The Offspring
The Kids Aren't Alright
100 bpm • C# Maj • 03:00 • -4.2db
84% Popularity • 52% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
84% Popularity • 52% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Sum 41
Pieces
100 bpm • F Maj • 03:02 • -5.26db
69% Popularity • 46% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 46% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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The Red Jumpsuit Apparatus
Misery Loves Its Company
122 bpm • E min • 03:16 • -3.42db
41% Popularity • 26% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 26% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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My Chemical Romance
Dead!
99 bpm • G Maj • 03:15 • -1.95db
68% Popularity • 48% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 48% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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AFI
Girl's Not Grey
122 bpm • G# min • 03:10 • -4.49db
61% Popularity • 39% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 39% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Fray
How to Save a Life
122 bpm • A# Maj • 04:22 • -4.08db
81% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
81% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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3 Doors Down
Kryptonite
99 bpm • B min • 03:53 • -5.71db
82% Popularity • 55% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
82% Popularity • 55% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Anarbor
18
98 bpm • B Maj • 02:37 • -2.78db
63% Popularity • 72% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
63% Popularity • 72% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Used
The Taste of Ink
98 bpm • G Maj • 03:28 • -3db
66% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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My Chemical Romance
Famous Last Words
122 bpm • D min • 04:59 • -3.68db
72% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
72% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sum 41
No Reason
98 bpm • F# Maj • 03:04 • -3.23db
63% Popularity • 45% Danceability • 99% Energy • 87% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 45% Danceability • 99% Energy • 87% Liveness
0% Instrumentalness • 46% Positiveness
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Green Day
When I Come Around
98 bpm • B Maj • 02:58 • -4.24db
79% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
79% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Sugarcult
Shaking
124 bpm • G# Maj • 03:52 • -4.68db
35% Popularity • 50% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 50% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Seether
Broken
124 bpm • D# min • 04:18 • -2.7db
71% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 45% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Everclear
Father Of Mine
97 bpm • C# Maj • 03:51 • -5.4db
61% Popularity • 57% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 57% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
