Songs like Move It to the Side by John-Robert
Based on a tempo of (+/- 10%) and a similar genre
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Ben Schuller
Full Throttle
120 bpm • A Maj • 03:05 • -5.01db
31% Popularity • 63% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
31% Popularity • 63% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Suriel Hess
Hurt Me
120 bpm • G# Maj • 03:02 • -9.65db
44% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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DBMK
I Heard You Had a Girlfriend
120 bpm • E Maj • 03:07 • -10.68db
30% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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push baby
Wanna Go
120 bpm • B Maj • 03:36 • -8.53db
15% Popularity • 84% Danceability • 55% Energy • 10% Liveness
6% Instrumentalness • 93% Positiveness
15% Popularity • 84% Danceability • 55% Energy • 10% Liveness
6% Instrumentalness • 93% Positiveness
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Vorsa
D2M
120 bpm • B Maj • 02:58 • -4.35db
31% Popularity • 88% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 88% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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Ethan DeRose
Nighttime
120 bpm • C Maj • 04:40 • -13.29db
25% Popularity • 74% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
25% Popularity • 74% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Young Lungs
I Want My Life To Change
120 bpm • C Maj • 03:28 • -7.64db
28% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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SASH
Dirt
120 bpm • A Maj • 03:17 • -12db
32% Popularity • 88% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
32% Popularity • 88% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
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Neanderthal
Get Out of My Head
120 bpm • G Maj • 03:50 • -14db
25% Popularity • 62% Danceability • 40% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
25% Popularity • 62% Danceability • 40% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
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DYLVN
24 Roses
120 bpm • G Maj • 02:46 • -6.19db
15% Popularity • 69% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 69% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Joseph Black
Always & Forever
120 bpm • E Maj • 02:28 • -8.01db
16% Popularity • 70% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 70% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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yaeow
Everything and More
120 bpm • G# min • 01:59 • -11.24db
8% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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John-Robert
Move It to the Side
120 bpm • C Maj • 02:33 • -8.12db
30% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jeremy Zucker
lakehouse
120 bpm • D Maj • 03:42 • -9db
39% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Hayd
October Snow
120 bpm • E Maj • 03:38 • -20.38db
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 74% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Zach Paradis
pretty little lies
120 bpm • C Maj • 03:08 • -7.06db
24% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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vict molina
do you like me when you're high
120 bpm • G Maj • 02:32 • -8.89db
18% Popularity • 45% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
18% Popularity • 45% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
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Jonny West
NUMBER
121 bpm • A# Maj • 03:24 • -11.06db
12% Popularity • 74% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
12% Popularity • 74% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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John-Robert
Road Trip
120 bpm • A Maj • 03:05 • -9.95db
38% Popularity • 78% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 78% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Leggs
Ballerina
120 bpm • D Maj • 03:35 • -16db
29% Popularity • 60% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 60% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jack Gray
Winter City
121 bpm • C Maj • 02:41 • -6db
28% Popularity • 43% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 43% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Stay Over
Close to the Sun
121 bpm • A# Maj • 03:00 • -7.47db
32% Popularity • 73% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 73% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Tobias Dray
We'll Be Beautiful
122 bpm • G Maj • 02:48 • -12.83db
29% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Supachefm
finer things
118 bpm • C Maj • 02:50 • -10.2db
19% Popularity • 60% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 60% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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John-Robert
WAISTBIN - Slowed + Reverbed
118 bpm • E Maj • 03:29 • -6.27db
15% Popularity • 64% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
15% Popularity • 64% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Jack Kays
barely alive
122 bpm • A# Maj • 03:35 • -16.74db
26% Popularity • 49% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 49% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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gnash
Where the Sidewalk Ends
122 bpm • F# Maj • 02:44 • -11.78db
35% Popularity • 85% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 85% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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raspy
lonely sex
122 bpm • D Maj • 03:44 • -5.96db
20% Popularity • 83% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 83% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Jess Benko
When Nobody's Watching
118 bpm • C min • 03:36 • -8.58db
23% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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remy
talking to yourself
122 bpm • C Maj • 02:38 • -7.38db
17% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Era
Tell Me
118 bpm • D# Maj • 03:49 • -10.71db
38% Popularity • 50% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 50% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Jack Kays
BARELY ALIVE
122 bpm • C Maj • 03:36 • -11.02db
41% Popularity • 41% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 41% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Powfu
mario kart
123 bpm • G Maj • 03:15 • -7db
40% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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will hyde
addicted.
123 bpm • D Maj • 04:01 • -8.87db
19% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Fran Vasilić
I Know
123 bpm • C Maj • 03:34 • -11.45db
24% Popularity • 37% Danceability • 17% Energy • 66% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 37% Danceability • 17% Energy • 66% Liveness
0% Instrumentalness • 31% Positiveness
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John-Robert
Urs - Sachi of Joy Again Remix
117 bpm • C# min • 02:51 • -9.89db
7% Popularity • 71% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 71% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Ryan Woods
THE FRIEND SPACE
123 bpm • B min • 02:56 • -5db
27% Popularity • 59% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 59% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Laeland
I Wanna Know
117 bpm • B Maj • 02:57 • -15.04db
8% Popularity • 68% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 68% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Hometown Losers
Oxygen
117 bpm • C# Maj • 04:17 • -5db
32% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Royal & the Serpent
bad kids
124 bpm • C# min • 03:24 • -7.83db
31% Popularity • 52% Danceability • 53% Energy • 85% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 52% Danceability • 53% Energy • 85% Liveness
0% Instrumentalness • 26% Positiveness
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Young Saab
but i love you
124 bpm • B min • 02:39 • -5.21db
19% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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John-Robert
Urs
117 bpm • C# min • 03:10 • -8.78db
34% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Christian French
paper thin
124 bpm • C# Maj • 03:30 • -7.65db
31% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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toldyou
you don't need me anymore
124 bpm • C Maj • 03:13 • -12.69db
24% Popularity • 69% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
24% Popularity • 69% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Liam Tully
When She's High
124 bpm • F min • 04:15 • -5db
42% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Belak
Cloudwatching
124 bpm • A Maj • 02:55 • -4.92db
30% Popularity • 91% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 91% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Marc Wavy
Dopamine
124 bpm • E Maj • 02:53 • -11.45db
27% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Sody
is your bedroom ceiling bored? - Fudasc...
124 bpm • F# Maj • 03:11 • -12.72db
39% Popularity • 52% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 52% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Logan Ghiorzi
Lets Get Lost
124 bpm • G Maj • 02:43 • -9.82db
19% Popularity • 76% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 76% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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ROLE MODEL
notice me - acoustic
124 bpm • G# min • 03:14 • -5.74db
48% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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remy
grand theft autumn
116 bpm • F Maj • 02:52 • -10.05db
16% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Atlas in Motion
isometric
116 bpm • D# Maj • 02:37 • -15.43db
32% Popularity • 72% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 72% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Fenn
Something of Myself
124 bpm • F Maj • 02:18 • -9db
23% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Lubalin
double helix
124 bpm • F# min • 02:36 • -14.88db
28% Popularity • 45% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 45% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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yaeow
When I'm No Longer Here
125 bpm • C# min • 02:39 • -12.99db
11% Popularity • 78% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 78% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Forrest Nolan
no name #1
125 bpm • E Maj • 03:14 • -11.92db
17% Popularity • 66% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 66% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Siena Bella
Lights Out
125 bpm • C# min • 02:27 • -7.07db
18% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Christian French
crowded room
125 bpm • B min • 02:52 • -6.59db
34% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Nvr/Mnd
Stars Align
115 bpm • C min • 02:34 • -8.08db
21% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Julia Wolf
Styrofoam Cup
125 bpm • A Maj • 02:53 • -5.73db
30% Popularity • 83% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 83% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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beaux
i've got a best friend
115 bpm • D min • 03:33 • -6.59db
15% Popularity • 75% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 75% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Verzache
Messed Up
115 bpm • G Maj • 03:53 • -5.73db
27% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Fitz Leland
Sweet Talk
115 bpm • E min • 02:55 • -10.27db
14% Popularity • 66% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
14% Popularity • 66% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
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Kerry Courtney
Sweetheart
115 bpm • G# Maj • 04:01 • -8.99db
31% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jonathan & Friends
MagSafe - Acoustic
115 bpm • A Maj • 02:17 • -12.92db
19% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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DWLLRS
You
126 bpm • C min • 02:22 • -11.28db
24% Popularity • 57% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 57% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Emery
Mid July
126 bpm • A min • 03:05 • -9.45db
30% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Slush Puppy
Sunroof
126 bpm • C min • 02:51 • -7.41db
35% Popularity • 75% Danceability • 86% Energy • 78% Liveness
2% Instrumentalness • 78% Positiveness
35% Popularity • 75% Danceability • 86% Energy • 78% Liveness
2% Instrumentalness • 78% Positiveness
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badmonsham
Jumpin' in the Rain
126 bpm • D Maj • 03:03 • -7.8db
27% Popularity • 83% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 83% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Nova Moura
Sleeping in the Rain
126 bpm • G# min • 04:12 • -10.69db
28% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Carson Paskill
I Won't Give Up
114 bpm • A# Maj • 03:28 • -11.5db
22% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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monty.pk
tmb
114 bpm • B min • 03:19 • -8.21db
26% Popularity • 57% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 57% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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renforshort
tastefully depressed
114 bpm • C Maj • 03:05 • -10db
22% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 63% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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DWLLRS
We're All Just Falling and Flying
127 bpm • C Maj • 03:28 • -8.36db
23% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Roe Kapara
Waiting
113 bpm • G# Maj • 02:49 • -11.72db
31% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 64% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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James Droll
Self Sacrifice
127 bpm • F# Maj • 03:30 • -9db
25% Popularity • 79% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 79% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Cook Thugless
Dirty Blue
127 bpm • B Maj • 02:24 • -6.55db
30% Popularity • 85% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 85% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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remy
all ur fault
127 bpm • D# Maj • 03:03 • -5.83db
15% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Cameron Sanderson
Missing My Soul (you won't find it)
127 bpm • B Maj • 02:53 • -5.33db
20% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Astrus*
Chapstick
127 bpm • E Maj • 03:01 • -6.24db
21% Popularity • 86% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 86% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
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Justus Bennetts
Replace You
113 bpm • G# min • 02:18 • -4.02db
39% Popularity • 72% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 72% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Isaac Dunbar
freshman year
113 bpm • G Maj • 03:00 • -7.76db
30% Popularity • 60% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 60% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Olen
Off Switch
128 bpm • C# Maj • 03:04 • -15db
22% Popularity • 58% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 58% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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John-Robert
Damn Bean
128 bpm • C Maj • 02:54 • -8.21db
43% Popularity • 72% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 72% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Matty Reynolds
Last September
128 bpm • C Maj • 02:20 • -5.99db
23% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Elijah Noll
Nova Scotia
128 bpm • B min • 03:21 • -6db
26% Popularity • 60% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 60% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Ryan Woods
There’s No Insurance For a Broken Hear...
128 bpm • A Maj • 03:23 • -9.43db
27% Popularity • 67% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 67% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Shea Michael
Better When It's Us
128 bpm • A# min • 02:04 • -7.6db
15% Popularity • 85% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 85% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Boon
Can't Be Love
128 bpm • F# min • 02:26 • -5.19db
24% Popularity • 83% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 83% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Nate Cassel
Headlights
128 bpm • F min • 02:37 • -8.28db
15% Popularity • 67% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 67% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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lael
my life is boring
112 bpm • C# Maj • 02:19 • -7.03db
28% Popularity • 82% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 82% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Javailin
Two Nights
112 bpm • G# min • 03:28 • -5.69db
35% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Jmsey
See You Again
129 bpm • D Maj • 02:17 • -7.64db
29% Popularity • 68% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 68% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Grady
freckles
112 bpm • F Maj • 01:43 • -8.19db
27% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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JayXander
Stuck in the Burbs
129 bpm • D Maj • 02:29 • -8.57db
20% Popularity • 77% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 77% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Jeremy Zucker
brooklyn boy
130 bpm • B Maj • 02:55 • -15.78db
44% Popularity • 54% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 54% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
