Songs like Moving On and Getting Over by John Mayer
Based on a tempo of (+/- 10%) and a similar genre
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George Ezra
Barcelona
94 bpm • F Maj • 03:08 • -9.33db
66% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
66% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ryan Montbleau
Inevitable
94 bpm • C Maj • 03:06 • -9db
36% Popularity • 82% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 82% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Anderson .Paak
Celebrate
94 bpm • C Maj • 03:46 • -7db
49% Popularity • 70% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
49% Popularity • 70% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
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John Mayer
Your Body Is a Wonderland
94 bpm • F Maj • 04:09 • -6.25db
72% Popularity • 65% Danceability • 73% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
72% Popularity • 65% Danceability • 73% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
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Michael Kiwanuka
I'll Get Along
94 bpm • A Maj • 03:26 • -9.88db
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 66% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Coldplay
Magic
93 bpm • F# min • 04:45 • -8.92db
72% Popularity • 74% Danceability • 48% Energy • 11% Liveness
62% Instrumentalness • 35% Positiveness
72% Popularity • 74% Danceability • 48% Energy • 11% Liveness
62% Instrumentalness • 35% Positiveness
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Lake Street Dive
Use Me Up
94 bpm • B Maj • 03:57 • -7.78db
50% Popularity • 75% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 75% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rhys Lewis
I Know The Feeling
93 bpm • F Maj • 03:37 • -8db
28% Popularity • 75% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 75% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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HONNE
Day 1 â—‘
95 bpm • F# Maj • 03:53 • -7.01db
61% Popularity • 50% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
61% Popularity • 50% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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John Mayer
Moving On and Getting Over
94 bpm • F# min • 04:25 • -9.02db
52% Popularity • 85% Danceability • 46% Energy • 9% Liveness
4% Instrumentalness • 62% Positiveness
52% Popularity • 85% Danceability • 46% Energy • 9% Liveness
4% Instrumentalness • 62% Positiveness
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St. Paul & The Broken Bones
All I Ever Wonder
95 bpm • G min • 03:29 • -8db
41% Popularity • 56% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 56% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Jamie Cullum
I Took A Pill In Ibiza
95 bpm • G min • 04:29 • -9.88db
36% Popularity • 83% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 83% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Jordan Mackampa
Open Arms
93 bpm • C min • 03:17 • -7db
27% Popularity • 53% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 53% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Bahamas
No Expectations
93 bpm • D Maj • 03:30 • -7.34db
44% Popularity • 82% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 82% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Natalie Prass
Short Court Style
93 bpm • F min • 03:43 • -4.21db
34% Popularity • 77% Danceability • 83% Energy • 20% Liveness
4% Instrumentalness • 89% Positiveness
34% Popularity • 77% Danceability • 83% Energy • 20% Liveness
4% Instrumentalness • 89% Positiveness
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John Mayer
Clarity
95 bpm • D Maj • 04:31 • -3.55db
55% Popularity • 66% Danceability • 71% Energy • 18% Liveness
3% Instrumentalness • 49% Positiveness
55% Popularity • 66% Danceability • 71% Energy • 18% Liveness
3% Instrumentalness • 49% Positiveness
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Bernhoft
Writing On The Wall
95 bpm • F min • 03:44 • -7db
12% Popularity • 80% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 80% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Charlie Oxford
Drive Me Crazy
93 bpm • F# Maj • 04:38 • -8.49db
14% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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James Vincent McMorrow
One Thousand Times
95 bpm • G min • 03:19 • -11db
15% Popularity • 72% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 72% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Flearoy
Down Home Magic
93 bpm • A Maj • 04:30 • -7.3db
18% Popularity • 83% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
18% Popularity • 83% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Maggie Rogers
Dog Years
95 bpm • A Maj • 04:37 • -7db
53% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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John Mayer
Dear Marie
95 bpm • A Maj • 03:42 • -10.91db
57% Popularity • 60% Danceability • 36% Energy • 9% Liveness
44% Instrumentalness • 49% Positiveness
57% Popularity • 60% Danceability • 36% Energy • 9% Liveness
44% Instrumentalness • 49% Positiveness
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Eryn Allen Kane
Slipping
93 bpm • G Maj • 03:42 • -9.24db
37% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sam Burchfield
Somebody's Hand to Hold
95 bpm • B min • 04:19 • -8db
22% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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James TW
Torn - Bonus Track
95 bpm • A Maj • 03:16 • -6.46db
53% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Bibio
Town & Country
95 bpm • G Maj • 04:03 • -7db
38% Popularity • 70% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 70% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Suffers
Peanuts
93 bpm • C Maj • 04:02 • -6.56db
26% Popularity • 71% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 71% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Jamie Cullum
High And Dry - Remastered
93 bpm • G# Maj • 04:54 • -13.48db
48% Popularity • 52% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
48% Popularity • 52% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Lake Street Dive
Faith
95 bpm • C Maj • 03:37 • -8.77db
46% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Lawrence
Probably Up
95 bpm • A# Maj • 04:14 • -5.57db
43% Popularity • 74% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 74% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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Bahamas
Stronger Than That
96 bpm • C Maj • 02:37 • -4db
59% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
59% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Gibbz
Feel Good
96 bpm • B min • 03:46 • -6db
36% Popularity • 60% Danceability • 67% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
36% Popularity • 60% Danceability • 67% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Elise Trouw
Line of Sight
96 bpm • F min • 03:31 • -8.83db
22% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Son Little
Blue Magic (Waikiki)
96 bpm • C# min • 03:33 • -9.21db
38% Popularity • 74% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 74% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Suffers
Make Some Room
92 bpm • F min • 04:34 • -5.37db
34% Popularity • 75% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 75% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Jonny P
Good To You
92 bpm • C# Maj • 02:38 • -11db
49% Popularity • 79% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
49% Popularity • 79% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
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Corinne Bailey Rae
Put Your Records On
96 bpm • A Maj • 03:35 • -7.84db
81% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
81% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Vintage Trouble
Don't Stop Forever
96 bpm • A Maj • 04:06 • -5.81db
16% Popularity • 78% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 78% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Parachute
Jennie
92 bpm • B min • 04:31 • -8db
34% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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The Revivalists
Keep Going
96 bpm • F Maj • 04:14 • -5.42db
52% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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John Mayer
Perfectly Lonely
92 bpm • C Maj • 04:28 • -8.52db
56% Popularity • 68% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 68% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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FKJ
Better Give U Up
92 bpm • B min • 04:16 • -6.92db
60% Popularity • 52% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
60% Popularity • 52% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Bahamas
Everything To Everyone
91 bpm • G Maj • 04:45 • -7.7db
30% Popularity • 90% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 90% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Amy Winehouse
Valerie - Live At BBC Radio 1 Live Loung...
97 bpm • F min • 03:53 • -5.74db
76% Popularity • 77% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
76% Popularity • 77% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Jonny P
Stand By
97 bpm • A Maj • 03:14 • -10.85db
23% Popularity • 78% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 78% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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James TW
U Remind Me - Recorded at Spotify Studio...
97 bpm • E min • 03:18 • -12.39db
50% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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John Mayer
Why Georgia
97 bpm • G Maj • 04:28 • -7.21db
61% Popularity • 61% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 61% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jarreau Vandal
Make You Love Me
97 bpm • F# min • 03:44 • -7.88db
32% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 70% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Wertz
Unexpected Love
97 bpm • C# Maj • 03:39 • -6db
28% Popularity • 71% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 71% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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David Benjamin
Daydreaming
97 bpm • F# Maj • 03:44 • -9.56db
16% Popularity • 93% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 93% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Foster The People
Sit Next to Me
97 bpm • F# min • 04:03 • -4.98db
71% Popularity • 64% Danceability • 74% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
71% Popularity • 64% Danceability • 74% Energy • 69% Liveness
0% Instrumentalness • 66% Positiveness
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Stephen Day
Hey Lady
97 bpm • D# Maj • 03:50 • -7.65db
46% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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John Mayer
Wildfire
97 bpm • G# Maj • 04:13 • -8.59db
59% Popularity • 72% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 72% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Gary Clark Jr.
Things Are Changin'
91 bpm • D Maj • 03:59 • -7.48db
26% Popularity • 76% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 76% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Ripe
Pretty Dirty (In the Fading Light)
91 bpm • A Maj • 05:43 • -8db
44% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Juke Ross
Fresh Roses
91 bpm • C# min • 03:21 • -10.61db
55% Popularity • 76% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 76% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Corinne Bailey Rae
Trouble Sleeping
91 bpm • F min • 03:28 • -6.91db
55% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Snarky Puppy
Brother, I'm Hungry
97 bpm • G Maj • 08:35 • -8.75db
21% Popularity • 51% Danceability • 78% Energy • 70% Liveness
6% Instrumentalness • 63% Positiveness
21% Popularity • 51% Danceability • 78% Energy • 70% Liveness
6% Instrumentalness • 63% Positiveness
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John Mayer
Heartbreak Warfare
97 bpm • D Maj • 04:29 • -8.11db
63% Popularity • 62% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 62% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Gary Clark Jr.
Cold Blooded
91 bpm • E min • 03:43 • -8.55db
44% Popularity • 65% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
44% Popularity • 65% Danceability • 57% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
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The Dip
Working Man
90 bpm • A Maj • 04:09 • -7.57db
49% Popularity • 44% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 44% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jason Mraz
Love Someone
98 bpm • G Maj • 04:17 • -15db
57% Popularity • 58% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
57% Popularity • 58% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Jonny P
Gradual Things
98 bpm • D min • 03:25 • -12.46db
17% Popularity • 87% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 87% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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John Mayer
Who Says
90 bpm • D Maj • 02:55 • -13.11db
64% Popularity • 58% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
64% Popularity • 58% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Jackson Dreyer
Can't Fake It
98 bpm • G# Maj • 04:06 • -6.46db
16% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Rhye
Summer Days
98 bpm • E min • 02:39 • -9.01db
53% Popularity • 88% Danceability • 39% Energy • 21% Liveness
1% Instrumentalness • 66% Positiveness
53% Popularity • 88% Danceability • 39% Energy • 21% Liveness
1% Instrumentalness • 66% Positiveness
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Johnnyswim
Summertime Romance
98 bpm • D# Maj • 05:04 • -8.14db
36% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Mraz
Unlonely
98 bpm • F min • 03:51 • -4.83db
51% Popularity • 80% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 80% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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The Revivalists
All My Friends
90 bpm • E min • 03:38 • -4.9db
49% Popularity • 60% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 60% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
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John Mayer
Vultures
98 bpm • E Maj • 04:10 • -10.39db
57% Popularity • 88% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
57% Popularity • 88% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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![May I Have This Dance (Remix) [feat. Chance the Rapper] cover art](https://i.scdn.co/image/ab67616d00001e02b12c66cbee07ff97c6fe2d2e)
Francis and the Lights
May I Have This Dance (Remix)
90 bpm • G# Maj • 03:15 • -9.2db
52% Popularity • 78% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 78% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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LÉON
Think About You
98 bpm • F# Maj • 03:21 • -3.19db
47% Popularity • 66% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 66% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Manganas Garden
Allow Summer
90 bpm • A min • 03:18 • -4.76db
18% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Raveena
No Better
90 bpm • D Maj • 04:02 • -10.48db
41% Popularity • 79% Danceability • 45% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
41% Popularity • 79% Danceability • 45% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
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James Morrison
We Can
90 bpm • F Maj • 03:43 • -6.97db
35% Popularity • 56% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 56% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
55% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
55% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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Bernhoft
Patience Revisited
90 bpm • C# min • 05:54 • -7.5db
21% Popularity • 76% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 76% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Bahamas
Opening Act (The Shooby Dooby Song)
90 bpm • B Maj • 03:51 • -6.55db
34% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Vulfpeck
Back Pocket
90 bpm • D Maj • 03:01 • -7.74db
65% Popularity • 84% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
65% Popularity • 84% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Matt Corby
Monday
90 bpm • F# Maj • 04:08 • -7.14db
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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John Mayer
Stop This Train
90 bpm • G Maj • 04:45 • -11.76db
63% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
63% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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St. Paul & The Broken Bones
Like a Mighty River
98 bpm • C min • 03:22 • -4.92db
47% Popularity • 57% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 79% Positiveness
47% Popularity • 57% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 79% Positiveness
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Herbie Hancock
Stitched Up
89 bpm • G Maj • 05:27 • -7.59db
39% Popularity • 74% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
39% Popularity • 74% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
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Jason Mraz
You and I Both
99 bpm • G Maj • 03:38 • -6.57db
53% Popularity • 62% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 62% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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The New Mastersounds
Your Love Is Mine - Radio Edit
99 bpm • D Maj • 04:00 • -7.58db
38% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Jackson Breit
Signed Sealed Delivered
99 bpm • D Maj • 03:34 • -7.06db
41% Popularity • 76% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 76% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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John Mayer
Something Like Olivia
99 bpm • G Maj • 03:00 • -12.16db
65% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Leon Bridges
Inside Friend
89 bpm • C# Maj • 02:55 • -7.92db
56% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Dip
State Line
89 bpm • B Maj • 02:52 • -6.64db
60% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 60% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Booker T.
Broken Heart
99 bpm • C Maj • 03:19 • -9.37db
43% Popularity • 66% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
43% Popularity • 66% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Norah Jones
Don't Know Why
89 bpm • F Maj • 03:06 • -11.22db
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Lake Street Dive
Baby Don't Leave Me Alone With My Though...
100 bpm • B Maj • 03:33 • -4.2db
45% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Leif Vollebekk
Elegy
89 bpm • G# Maj • 05:24 • -9.75db
47% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Brian Reith
Not So Different
100 bpm • F# min • 03:48 • -7db
15% Popularity • 77% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 77% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Stephen Day
For Life (Take You Out, Treat You Right)
100 bpm • F# Maj • 03:16 • -7.36db
49% Popularity • 75% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 75% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Sam Gouthro
Cruisin'
100 bpm • F Maj • 04:09 • -7.16db
27% Popularity • 90% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 90% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
