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Moving On
Songs like
Moving On
by
Sixpence None The Richer
Based on a tempo of (+/- 10%) and a similar genre
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Rasyiqa
Two Shades of Blue
130 bpm • A Maj • 04:28 • -4.11db
19% Popularity • 57% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Taylor Swift
I Can Do It With a Broken Heart
130 bpm • C Maj • 03:38 • -8.29db
79% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Michelle Branch
Stewart's Coat
130 bpm • G Maj • 03:25 • -8.99db
12% Popularity • 34% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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KT Tunstall
Universe & U
130 bpm • D Maj • 04:01 • -6db
38% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jennifer Love Hewitt
You
130 bpm • C Maj • 03:41 • -6.32db
18% Popularity • 61% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Sophie B. Hawkins
Live And Let Love
130 bpm • D# min • 04:13 • -9.24db
9% Popularity • 39% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Bangles
Glitter Years
130 bpm • D Maj • 03:41 • -11.71db
9% Popularity • 57% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Sixpence None The Richer
Moving On
130 bpm • G Maj • 03:56 • -7.26db
26% Popularity • 56% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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A.M. Vibe
Strawberry Pie
129 bpm • D Maj • 03:11 • -7db
15% Popularity • 51% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Pernice Brothers
Clear Spot
130 bpm • G Maj • 02:21 • -5.1db
32% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Veruca Salt
Loneliness Is Worse
129 bpm • D Maj • 05:00 • -4.89db
25% Popularity • 42% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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White Town
A Week Next June
129 bpm • E min • 04:18 • -16.47db
13% Popularity • 66% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Phillips
I Don't Know How To Say Goodbye To You
129 bpm • F# Maj • 03:19 • -12.19db
33% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Hole
Heaven Tonight
131 bpm • C Maj • 03:31 • -6.95db
41% Popularity • 49% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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10,000 Maniacs
Eden
129 bpm • B Maj • 04:08 • -7.45db
32% Popularity • 56% Danceability • 70% Energy • 12% Liveness
9% Instrumentalness • 16% Positiveness
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Sixpence None The Richer
I Need Love
131 bpm • B min • 04:12 • -7.24db
25% Popularity • 57% Danceability • 67% Energy • 25% Liveness
1% Instrumentalness • 46% Positiveness
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Lisa Loeb & Nine Stories
Waiting For Wednesday
128 bpm • D Maj • 03:08 • -5db
26% Popularity • 52% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Nina Gordon
Number One Camera
132 bpm • D Maj • 02:58 • -2.67db
9% Popularity • 51% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Veruca Salt
With David Bowie
128 bpm • A min • 02:25 • -2.44db
31% Popularity • 49% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 93% Positiveness
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Nerina Pallot
Everybody's Gone To War - Wendy's Versio...
128 bpm • D Maj • 04:29 • -6.02db
9% Popularity • 59% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Bangles
Complicated Girl
127 bpm • A Maj • 03:40 • -12.07db
11% Popularity • 63% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Sixpence None The Richer
Falling Leaves
129 bpm • A Maj • 03:31 • -10.07db
11% Popularity • 55% Danceability • 81% Energy • 19% Liveness
8% Instrumentalness • 66% Positiveness
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Wild Strawberries
Crying Shame
133 bpm • F# Maj • 03:12 • -15.63db
23% Popularity • 73% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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Lisa Loeb & Nine Stories
Garden Of Delights
127 bpm • D Maj • 02:36 • -6.83db
22% Popularity • 68% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Veruca Salt
The Same Person
132 bpm • B Maj • 01:03 • -25.58db
29% Popularity • 41% Danceability • 3% Energy • 11% Liveness
22% Instrumentalness • 52% Positiveness
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Eisley
Golly Sandra
133 bpm • D Maj • 03:29 • -3.23db
29% Popularity • 48% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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The Goo Goo Dolls
Hate This Place
133 bpm • E Maj • 04:24 • -6.75db
38% Popularity • 48% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Aleka's Attic
Alone U Elope
133 bpm • B min • 03:34 • -10.24db
18% Popularity • 30% Danceability • 43% Energy • 69% Liveness
0% Instrumentalness • 13% Positiveness
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New Radicals
Jehovah Made This Whole Joint For You
127 bpm • F min • 04:10 • -5.33db
32% Popularity • 62% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Indigo Girls
Virginia Woolf
133 bpm • C Maj • 05:28 • -9.53db
28% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Veruca Salt
Wet Suit
132 bpm • A Maj • 04:23 • -7.22db
14% Popularity • 49% Danceability • 63% Energy • 14% Liveness
4% Instrumentalness • 45% Positiveness
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The Corrs
Irresistible
127 bpm • D Maj • 03:39 • -7.46db
48% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Dressy Bessy
Jenny Come On
127 bpm • F# min • 02:44 • -9.75db
20% Popularity • 49% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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KT Tunstall
False Alarm
127 bpm • G Maj • 03:50 • -6.99db
27% Popularity • 55% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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bôa
On the Wall
134 bpm • D Maj • 03:08 • -8.85db
33% Popularity • 61% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Jewel
Amen
126 bpm • F# Maj • 04:32 • -17.63db
28% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Veruca Salt
Benjamin
128 bpm • F Maj • 04:05 • -5.29db
27% Popularity • 48% Danceability • 54% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
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Mary Lou Lord
Lights Are Changing
126 bpm • C Maj • 05:23 • -6.12db
20% Popularity • 46% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Sophie B. Hawkins
Lose Your Way
134 bpm • G Maj • 04:04 • -9.89db
36% Popularity • 56% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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The Juliana Hatfield Three
Addicted
126 bpm • A Maj • 03:17 • -7db
15% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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bôa
Courage
134 bpm • A Maj • 05:08 • -8.03db
35% Popularity • 46% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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10,000 Maniacs
Even With My Eyes Closed
126 bpm • G Maj • 03:55 • -6.59db
19% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Veruca Salt
Imperfectly
128 bpm • A Maj • 04:18 • -15.16db
13% Popularity • 60% Danceability • 47% Energy • 24% Liveness
57% Instrumentalness • 20% Positiveness
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Indigo Girls
Joking
134 bpm • G Maj • 03:34 • -3.66db
35% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Switchfoot
Underwater
135 bpm • D Maj • 03:47 • -7.79db
21% Popularity • 53% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Fleming & John
The Pearl
126 bpm • C# Maj • 04:29 • -7.44db
12% Popularity • 64% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Owsley
The Homecoming Song
126 bpm • C Maj • 02:59 • -4.67db
11% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Suzanne Vega
Ironbound / Fancy Poultry
125 bpm • C Maj • 06:19 • -16db
32% Popularity • 42% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Veruca Salt
Sound Of The Bell
128 bpm • A Maj • 03:58 • -3.93db
24% Popularity • 53% Danceability • 88% Energy • 53% Liveness
3% Instrumentalness • 67% Positiveness
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Gianmarco Gisi
Girls from the City
125 bpm • E Maj • 04:14 • -6.4db
30% Popularity • 56% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Adrienne Pierce
Lost & Found
125 bpm • B Maj • 03:39 • -6db
22% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Jewel
What's Simple Is True
135 bpm • D Maj • 03:35 • -9.38db
31% Popularity • 60% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Pernice Brothers
The Weakest Shade of Blue
135 bpm • C Maj • 03:08 • -2.58db
28% Popularity • 42% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Corrs
At Your Side
135 bpm • C# min • 03:50 • -9.16db
45% Popularity • 59% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Eisley
I Wasn't Prepared
135 bpm • C Maj • 03:22 • -4.24db
27% Popularity • 41% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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The Goo Goo Dolls
All Eyes on Me
136 bpm • F Maj • 03:57 • -6.93db
38% Popularity • 32% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Ednaswap
74 Willow
135 bpm • C Maj • 04:25 • -8.15db
11% Popularity • 61% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Fleming & John
Ugly Girl
124 bpm • C# min • 03:48 • -7.43db
24% Popularity • 73% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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The Juliana Hatfield Three
President Garfield
125 bpm • B Maj • 04:40 • -6.14db
12% Popularity • 53% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Savage Garden
Santa Monica
124 bpm • A Maj • 03:33 • -9.48db
33% Popularity • 83% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Sixpence None The Richer
When You Call Me
124 bpm • C# min • 03:23 • -7.43db
14% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hole
Boys On The Radio
124 bpm • C Maj • 05:09 • -6.2db
43% Popularity • 46% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Good Listeners
Time Will Tell
137 bpm • C min • 04:24 • -10.19db
29% Popularity • 62% Danceability • 69% Energy • 59% Liveness
8% Instrumentalness • 52% Positiveness
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Fiona Apple
Carrion
123 bpm • D min • 05:43 • -9.6db
48% Popularity • 33% Danceability • 42% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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that dog.
Being With You
137 bpm • C# min • 03:47 • -6.55db
18% Popularity • 43% Danceability • 92% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
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Jewel
Barcelona
123 bpm • A Maj • 03:55 • -10.44db
25% Popularity • 53% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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The Bangles
Waiting for You
123 bpm • G Maj • 03:39 • -12db
5% Popularity • 66% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Leigh Nash
The Tide
123 bpm • G min • 03:32 • -4.66db
31% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Maria Taylor
Birmingham 1982
123 bpm • C Maj • 03:32 • -8.84db
22% Popularity • 61% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
77% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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that dog.
You Are Here
137 bpm • F# min • 04:38 • -13.06db
14% Popularity • 39% Danceability • 35% Energy • 66% Liveness
9% Instrumentalness • 53% Positiveness
► Preview
Veruca Salt
Venus Man Trap
137 bpm • F Maj • 03:29 • -5db
25% Popularity • 36% Danceability • 90% Energy • 8% Liveness
4% Instrumentalness • 39% Positiveness
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She & Him
This Is Not A Test
123 bpm • D Maj • 03:32 • -4.78db
6% Popularity • 55% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Mary Lou Lord
His Lamest Flame
138 bpm • A Maj • 03:37 • -8.25db
18% Popularity • 62% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Suzanne Vega
No Cheap Thrill
138 bpm • C# Maj • 03:08 • -12.08db
28% Popularity • 72% Danceability • 46% Energy • 11% Liveness
11% Instrumentalness • 76% Positiveness
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Fiona Apple
Fast As You Can - Radio Edit
138 bpm • C Maj • 03:46 • -9.38db
26% Popularity • 50% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
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Aberdeen
Sink or Float
138 bpm • E Maj • 03:26 • -6db
13% Popularity • 44% Danceability • 83% Energy • 14% Liveness
66% Instrumentalness • 61% Positiveness
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Grant-Lee Phillips
Heavenly
122 bpm • D Maj • 02:24 • -15.52db
29% Popularity • 47% Danceability • 20% Energy • 15% Liveness
5% Instrumentalness • 13% Positiveness
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Louis Wagner
Eight With Bullets
122 bpm • B min • 04:11 • -6.2db
24% Popularity • 50% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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New Radicals
Technicolor Lover
122 bpm • A Maj • 03:43 • -7.28db
30% Popularity • 77% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Spinanes
Hawaiian Baby
122 bpm • A Maj • 05:45 • -13.1db
19% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Fiona Apple
Window
122 bpm • A# Maj • 05:31 • -6.03db
41% Popularity • 73% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Gin Blossoms
Competition Smile
122 bpm • G Maj • 03:38 • -8.4db
34% Popularity • 56% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The Juliana Hatfield Three
Feelin' Massachusetts
122 bpm • E Maj • 04:12 • -6db
16% Popularity • 55% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Maria Taylor
Leap Year
121 bpm • G Maj • 04:28 • -9.84db
22% Popularity • 60% Danceability • 64% Energy • 13% Liveness
14% Instrumentalness • 35% Positiveness
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Dishwalla
Drawn Out
140 bpm • C Maj • 04:01 • -11db
29% Popularity • 54% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Smashing Pumpkins
My Blue Heaven
140 bpm • D# Maj • 03:23 • -16db
32% Popularity • 35% Danceability • 16% Energy • 15% Liveness
47% Instrumentalness • 32% Positiveness
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Jill Sobule
I've Got Your Number
121 bpm • C Maj • 02:29 • -7.5db
13% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Gin Blossoms
Pieces Of The Night
122 bpm • E min • 04:34 • -7.85db
26% Popularity • 62% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Lisa Germano
Small Heads
121 bpm • D Maj • 04:02 • -7.83db
8% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Corrs
Hurt Before
140 bpm • G Maj • 04:05 • -11.01db
26% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Grant Lee Buffalo
Truly, Truly
140 bpm • E min • 03:58 • -6db
35% Popularity • 42% Danceability • 78% Energy • 22% Liveness
7% Instrumentalness • 55% Positiveness
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The Bangles
I Will Take Care Of You
140 bpm • C# Maj • 03:56 • -6.64db
24% Popularity • 51% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Sixpence None The Richer
Loser Like Me
140 bpm • D Maj • 03:32 • -5.99db
26% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Taylor Swift
Cassandra
140 bpm • A# Maj • 04:00 • -9.81db
76% Popularity • 58% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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that dog.
Silently
121 bpm • E Maj • 02:26 • -7db
25% Popularity • 54% Danceability • 78% Energy • 11% Liveness
75% Instrumentalness • 57% Positiveness
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Saint Etienne
Lose That Girl
140 bpm • G min • 04:03 • -4.83db
33% Popularity • 65% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Jonatha Brooke & The Story
Charming
141 bpm • G Maj • 06:24 • -9.14db
9% Popularity • 33% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Maria Taylor
Hitched!
120 bpm • E min • 02:51 • -11.1db
21% Popularity • 55% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Sixpence None The Richer
There She Goes
120 bpm • A# Maj • 02:44 • -5.72db
67% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Moving On